2 Professor Celso Full Score PDF

GOLDEN REPERTOIRE OF BRAZILIAN BANDS SERIES
PROFESSOR CELSO
WOLTZENLOGEL
dobrado
music by
JOAQUIM ANTNIO NAEGELE
Patrocnio
capa Dois Corac o es.indd 2-3
Realizao
5/5/08 10:02:53 PM
PRESIDENT OF THE FEDERATIVE REPUBLIC

Luiz Incio Lula da Silva
OF
BRAZIL
MINISTER OF CULTURE
Juca Ferreira
FUNDAO NACIONAL DE ARTES / FUNARTE
PRESIDENT
Srgio Mamberti
EXECUTIVE DIRETOR
Myriam Lewin
DIRECTOR OF THE MUSIC CENTER
Pedro Mller
PROJECT COORDINATION BANDS
Rosana G. Lemos
COMMUNICATION COORDINATION
Oswaldo Carvalho
COORDINATION ISSUES
Maristela Rangel
FUNARTE, 2008
IMPRESSO NO BRASIL / PRINTED IN BRAZIL
FUNARTE EDITIONS
PROFESSOR CELSO TEXTO 7.0:Funarte Hino Nacional 14/10/13 21:32 Page I
Golden Repertoire of Brazilian Bands Series
PROFESSOR
CELSO
WOLTZENLOGEL
dobrado
music by
JOAQUIM ANTNIO NAEGELE

revision by
MARCELO JARDIM
Patrocnio
Realizao
SCORES FOR BAND PUBLISHING PROJECT

GENERAL DIRECTION
FLAVIO SILVA / MARIA JOS
DE
QUEIROZ FERREIRA
TECHNICAL DIRECTION, ADAPTATION, R EVISION

Marcelo Jardim
AND
STANDARDIZATION
MUSIC P UBLISHING
Si Thoca Edies Musicais
www.sithoca.com
Simone dos Santos
P ROGRAM N OTES
Marcos Vincio Nogueira
CONSULTING TABLE
Dario Sotelo
INDICATING
TECHNICAL LEVEL
CONSULTING FLEXIBLE I NSTRUMENTATION/A RRANGEMENTS

Hudson Nogueira
ELECTRONIC E DITING SCORE AND I NSTRUMENTAL PARTS
Alexandre Castro Sheila Mara
Leandro J. Campos Bruno Alencar
ENGLISH T EXTS
Tom Moore
TEXT EDITING AND REVISION
Maurette Brandt
GRAPHIC P RODUCTION
Joo Carlos Guimares
EDITORIAL P RODUCTION
Renata Arouca
COVER AND I LLUSTRATION
Rafael Torres
Fundao Nacional de Artes Funarte

Music Center (Cemus)
Rua da Imprensa 16, 13th Floor
Rio de Janeiro, RJ Brasil
CEP 20.030-120
Tel.: (21) 2279-8106 - Fax: (21) 2279-8088
coordenacaobandas@funarte.gov.br
www.funarte.gov.br
ABOUT THE NEW EDITIONS
ith these new series of editions, Funarte intends to expand the contemporary literature for bands in
Brazil, so as to quantify it and qualify it, with especial emphasis on the use of the technical and sty-
listic patterns of each piece, with the necessary revisions and annotations in terms of articulations, dynamics,
accents, nomenclature, tempi, rehearsal markings, abbreviations etc.
In order to allow that standards adopted by bands worldwide be applied, it was necessary to
make adaptations to the original material - without, however, altering its melodic, harmonic, and
rhythmic lines. Original orchestrations were maintained, with the addition of new information in
the area of timbre, in order to take the most advantage of present-day instruments.
The standard pattern adopted was: piccolo, flute, oboe, bassoon, Eb clarinet, Bb clarinets
(3 parts), Bb bass clarinet, quartet of saxophones (2 Eb altos, 1 or 2 Bb tenors, and Eb baritone),
F horns (2 to 4 parts), Bb trumpets (3 parts), trombones (3 parts), baritone, tuba, contrabass
(strings), timpani, mallets (xylophone/bells or glockenspiel), percussion (snare drum, crash cymbals, suspended cymbals, bass drum, agog, rattle, tambourine, ganz, triangle, reco-reco, drum,
complete drums). In some works, particular instruments were suppressed, such as tenor sax 2 and
timpani, when they were not part of the original instrumentation. Nevertheless, the director
should note that the whole repertoire has its functionality guaranteed only with 1 flute, 1 Eb clarinet, 3 Bb clarinets, 1 Eb alto sax, 1 Bb tenor sax, 3 F horns or Eb saxhorns, 3 Bb trumpets, 3
trombones, 1 baritone, 1 tuba, and percussion (snare, cymbal and bass drum). Extra parts (not
included in the instrumentation) will be printed for Eb saxhorns, Bb baritone in bass clef, as well
as Bb and Eb tubas, in all the editions.
he repertoire presented in this series continues the process of publishing dobrados, polkas,
waltzes, maxixes and slow marches, along with many other styles of traditional band music.
Optional instruments have been added to the score. Their inclusion broadens the instrumentation,
but they are not essential to the performance of the piece. The objective is to make possible the performance of particular melodic or harmonic lines with more than one option, in order to allow the
performance of the piece by symphonic and concert bands, as well as improve its performance by
traditional bands. Thus, the director has a mass of sound available for performances in the open air,
but can also maintain an equilibrium of sound in concerts taking place in closed spaces..
Maestro Marcelo Jardim
Technical Coordinator
Golden Repertoire of Brazilian Bands Series Dois Coraes IV
BAND REPERTOIRE OF YESTERDAY, TODAY, AND OF ALL TIMES
he opportunity of resuming the process of publishing scores for band is a good reason for
rejoicing at Funarte. In 1995 and in 2000, 14 titles from the series Golden Repertoire of
Brazilian Bands were released; in 2004, Funarte released the series Hymns of Brazil, with two
titles. Presently 20 new titles are being published, ten of which in a new series called Brazilian
Music for Band, which includes high level arrangements of popular songs and some of the most
praised classics of Brazilian popular music. The new series also highlights original works written
specifically for bands by composers of various periods, and opens space for transcriptions from the
Brazilian symphonic repertoire.
These editions follow the international norms for publishing and the standardization of music
pieces for symphonic band, diversifying the supply of instrumental parts without losing sight of
the most noteworthy characteristics of our bands, as well as making possible for small groups and
bands, with reduced forces, to perform music using the same material. The process of publishing
scores for band is a search of more dynamic ways to supply a market which is always eager for
novelties and information and, at the same time, a means of keeping the traditions of our countrys musical culture alive and in performance. Making this repertoire available and sharing information must be an ongoing and continuous task, so that it can produce good results. To this end,
Funarte concentrates its efforts in producing and presenting the band repertoire of yesterday,
today, and of all times.
III Golden Repertoire of Brazilian Bands Series Dois Coraes
Golden Repertoire of Brazilian Bands Series
PROFESSOR CELSO WOLTZENLOGEL

dobrado
music by Joaquim Antnio Naegele
revision by Marcelo Jardim
I NSTRUMENTATION
* piccolo
F horn 1
flute
F horn 2
* oboe
F horn 3
* bassoon
Bb trumpet 1
Eb clarinet (requinta)
Bb trumpet 2
Bb clarinet 1
Bb trumpet 3
Bb clarinet 2
trombone 1
Bb clarinet 3
trombone 2
* Bb bass clarinet
trombone 3
Eb alto sax 1
baritone BC
Eb alto sax 2
tuba
Bb tenor sax
contrabass*
* Eb baritone sax
timpani*
mallets (xylophone, bells)*
Snare drum
cymbals and bass drum
Extra Parts
Eb sax horn 1
Bb baritone TC
Eb sax horn 2
Bb tuba
Eb sax horn 3
Eb tuba
Note to the Director

All the parts marked with * are optional; they are not, therefore, essential to the performance of the work. Such parts were added in accordance with the composers writing and
the function of these instruments in the band, in order to allow the formatting of the score
according to present-day international standards.
V
Golden Repertoire of Brazilian Bands Series Professor Celso Woltzenlogel
PROFESSOR CELSO TEXTO 7.0:Funarte Hino Nacional 14/10/13 21:43 Page VI
PROFESSOR CELSO WOLTZENLOGEL

Joaquim Antnio Naegele
reviso Marcelo Jardim
rata-se de um dobrado tpico. As sees temticas so estritamente simtricas, regulares,
paralelas e essencialmente homofnicas, enquanto os demais segmentos (introduo,
interldios e pequenas ligaes) so irregulares e polifnicos. Na introduo (compassos 1-20),

que anuncia o gnero e todas as suas caractersticas essenciais, o compositor procura evitar a formao de contornos meldicos mais definidos, incluindo densa ornamentao escalar com sensvel carter imitativo. Tudo isso, associado a uma rica orquestrao, exige dos intrpretes um
cuidado todo especial, a fim de manter a clareza do conjunto e preparar convenientemente a
exposio do primeiro tema. A Parte A (compassos 21-134) desenvolve-se numa grande forma
ternria. A seo inicial (compassos 21-52), que contm o tema principal, apresentada na
tonalidade de d menor, em perodo duplo (repetido com variao, sobretudo na frase terminal)
numa simples textura de melodia acompanhada. Segue-se um interldio modulante (compassos
53-62) para a nova seo temtica um novo perodo duplo (compassos 43-60) na tonalidade
homnima (d maior). Essa segunda seo da Parte A (compassos 63-94) apresenta uma melodia
ainda mais simples e franca, motivando a adio de um contracanto em quilteras no acompanhamento. Segue-se um novo interldio, variante do anterior, que conduz repetio da segunda seo (compassos 103-134), agora elaborada com um brilhante trabalho ornamental do acompanhamento, nas madeiras. Aps a simples recapitulao da seo inicial, alcanamos a Parte B da
obra: o Trio, denominao comumente atribuda s partes centrais dos dobrados (por tradio,
uma vez que, desde o classicismo, a segunda de duas danas ou movimentos alternados assim se
denominava). Introduzido por novo interldio, o tema do Trio inicia-se, propriamente, no compasso 156 - e composto por uma combinao dos motivos iniciais das duas sees da Parte A:
a nota longa e a bordadura cromtica. Trata-se de um perodo igualmente duplo que sintetiza a
obra temtica e texturalmente, e leva reexposio do tema inicial e ao final.
Marcos Vincio Nogueira

Professor de Harmonia e Composio,
Escola de Msica da Universidade Federal do Rio de Janeiro
VI
PROFESSOR CELSO TEXTO 7.0:Funarte Hino Nacional 14/10/13 21:43 Page VII
JOAQUIM ANTNIO NAEGELE (1899 - 1986)
he story of maestro Joaquim Naegele is interwoven with that of the bands of the State
of Rio de Janeiro. Born in Vila de Santa Rita do Rio Negro, now known as Euclidelndia,
in Cantagalo, State of Rio, on June 2, 1899, Joaquim Naegele died on March 3, 1986, becoming a
symbol, and example to be followed by future generations. He was a journalist in the city of
Miracema and member of the Cultural Council of the State of Rio de Janeiro. He was maestro
for twenty-five years of the Sociedade Musical Beneficente Campesina Friburguense. His musical
archive and baton were given by the family to maestro Affonso Gonalves Reis, of the Banda
Musical of the Colgio Salesiano Santa Rosa of Niteri, who accompanied him in towards the
end. His compositions, created exclusively for bands, can be found in collection of scores
throughout Brazil, and his memory is a fundamental part of the remembrances of bands from
the last century.
Principais Obras
Dobrados Ouro Negro, Janjo, Mo de luva, A voz do crcere, Professor Celso Wotzenlogel, Rio quatrocento,
Carlos Rotay, Carlos Teixeira, Prefeito Wilder S. de Paula, Passeio trgico, Jos Naegele; the polka Estrela de
Friburgo; symphonic poem A Canjerana.
CELSO WOLTZENLOGEL
he internationally renowned Professor Celso Woltzenlogel coordinated the Band Project,
in Funarte since its creation in 1976 until 1990. He met Joaquim Naegele in 1978. The
dobrado "Professor Celso Woltzenlogel", that Joaquim Naegele paid tribute to his friend, was
recorded by the Symphonic Band of the Fire Department of Rio de Janeiro, under the baton of
conductor Joo Baptista Gonalves. The piece was enrolled in the I National Inventory of
Concert Band, carried out by the National Institute of Music of the Funarte, in collaboration with
the Mobral, according to the testimony own honored in March of that same year.
VII
Srie Repertrio de Ouro das Bandas de Msica do Brasil
Professor Celso Woltzenlogel
Partitura Completa
Durao aproximada: 5'15''
Allegro (tempo de marcha
120)
Dobrado

reviso Marcelo Jardim
5
Piccolo
1
Flauta
1
Obo
1
Fagote
1
Clarineta E
(Requinta)
1
1
Clarinetas B
2, 3
1
Clarineta Baixo
1
Sax. alto E 1, 2
1
Sax. tenor B
1
Sax. bartono E
1
Allegro (tempo de marcha
120)
1
Trompas F
2, 3
1
1
Trompetes B
2, 3
1
1
Trombones
2, 3
1
Bombardino
1
Tuba
1
arco
Contrabaixo
1
Tmpano
1
xilo
Teclados
xilofone, bells
Caixa
Pratos
Bumbo

Funarte, Ministrio da Cultura, 2008
ROB0003 - Professor Celso Woltzenlogel - Todos os direitos reservados / Impresso no Brasil
www.funarte.gov.br / projbandas@funarte.gov.br
2
7
Pic.
7
Fl.
7
Ob.
7
Fgt.
7
Cl. E
(Req.)
7
1
Cls. B
2, 3
Cl. Bx.
7
Sxa. E 1, 2
7
Sxt. B
7
Sx.bar. E
7
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
7
Tba.
7
Cb.
7
Tmp.
7
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Srie Repertrio de Ouro das Bandas de Msica do Brasil - Professor Celso Woltzenlogel
Funarte - Ministrio da Cultura
13
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
13
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
4
18
Pic.
18
Fl.
18
Ob.
18
Fgt.
18
Cl. E
(Req.)
18
1
Cls. B
2, 3
18
18
Cl. Bx.
18
Sxa. E 1, 2
18
Sxt. B
18
Sx.bar. E
18
1
Tpas. F
2, 3
18
18
1
Tpts. B
2, 3
18
18
1
Tbns.
2, 3
18
18
Bdn.
18
Tba.
18
Pizz.
Cb.
18
Tmp.
18
Tec.
xilo, bells
18
Cx.
Pts.
Bmb.
18
5
25
Pic.
25
Fl.
25
Ob.
25
Fgt.
25
Cl. E
(Req.)
25
1
Cls. B
2, 3
25
25
Cl. Bx.
25
Sxa. E 1, 2
25
Sxt. B
25
Sx.bar. E
25
1
Tpas. F
2, 3
25
25
1
Tpts. B
2, 3
25
25
1
Tbns.
2, 3
25
25
Bdn.
25
Tba.
25
Cb.
25
Tmp.
25
Tec.
xilo, bells
25
Cx.
Pts.
Bmb.
25
6
33
37
Pic.
33
Fl.
33
Ob.
33
Fgt.
33
Cl. E
(Req.)
33
1
Cls. B
2, 3
33
33
Cl. Bx.
33
Sxa. E 1, 2
33
Sxt. B
33
Sx.bar. E
33
1
Tpas. F
2, 3
37
33
33
1
Tpts. B
2, 3
33
33
1
Tbns.
2, 3
33
33
Bdn.
33
Tba.
33
arco
Cb.
33
Tmp.
33
bells
Tec.
xilo, bells
33
Cx.
Pts.
Bmb.
33
40
45
Pic.
40
Fl.
40
Ob.
40
Fgt.
40
Cl. E
(Req.)
40
1
Cls. B
2, 3
40
40
Cl. Bx.
40
Sxa. E 1, 2
40
Sxt. B
40
Sx.bar. E
40
1
Tpas. F
2, 3
45
40
40
1
Tpts. B
2, 3
40
40
1
Tbns.
2, 3
40
40
Bdn.
40
Tba.
40
Cb.
40
Tmp.
40
Tec.
xilo, bells
40
Cx.
Pts.
Bmb.
40
8
47
Al Coda
Pic.
47
Fl.
47
Ob.
47
Fgt.
47
Cl. E
(Req.)
47
1
Cls. B
2, 3
47
47
Cl. Bx.
47
Sxa. E 1, 2
47
Sxt. B
47
Sx.bar. E
47
1
Tpas. F
2, 3
Al Coda
47
47
1
Tpts. B
2, 3
47
47
1
Tbns.
2, 3
47
47
Bdn.
47
Tba.
47
Cb.
47
Tmp.
47
Tec.
xilo, bells
47
Cx.
Pts.
Bmb.
47
53
Pic.
Fl.
Ob.
Fgt.
Cl. E
(opcional 8a abaixo)
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
53
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Cb.
Tmp.
bells
Tec.
xilo, bells
Cx.
Pts.
Bmb.
10
60
63
Pic.
60
Fl.
60
Ob.
60
Fgt.
60
Cl. E
(Req.)
60
1
Cls. B
2, 3
60
60
Cl. Bx.
60
Sxa. E 1, 2
60
Sxt. B
60
Sx.bar. E
60
1
Tpas. F
2, 3
63
60
60
1
Tpts. B
2, 3
60
60
1
Tbns.
2, 3
60
60
Bdn.
60
Tba.
60
Pizz.
Cb.
60
Tmp.
60
Tec.
xilo, bells
60
Cx.
Pts.
Bmb.
60
11
67
Pic.
67
Fl.
67
Ob.
67
Fgt.
67
Cl. E
(Req.)
67
1
Cls. B
2, 3
67
67
Cl. Bx.
67
Sxa. E 1, 2
67
Sxt. B
67
Sx.bar. E
67
1
Tpas. F
2, 3
67
67
1
Tpts. B
2, 3
67
tpas.
67
1
Tbns.
2, 3
67
tpas.
67
Bdn.
67
Tba.
67
Cb.
67
Tmp.
67
Tec.
xilo, bells
67
Cx.
Pts.
Bmb.
67
12
79
75
Pic.
75
Fl.
75
Ob.
75
Fgt.
75
Cl. E
(Req.)
75
1
Cls. B
2, 3
75
75
Cl. Bx.
75
Sxa. E 1, 2
75
Sxt. B
75
Sx.bar. E
79
75
1
Tpas. F
2, 3
75
75
1
Tpts. B
2, 3
75
2.
75
1
Tbns.
2, 3
75
75
Bdn.
75
Tba.
75
Cb.
75
Tmp.
75
Tec.
xilo, bells
75
Cx.
Pts.
Bmb.
75
13
83
Pic.
83
Fl.
83
Ob.
83
Fgt.
83
Cl. E
(Req.)
83
1
Cls. B
2, 3
83
83
Cl. Bx.
83
Sxa. E 1, 2
83
Sxt. B
83
Sx.bar. E
83
1
Tpas. F
2, 3
83
83
1
Tpts. B
2, 3
83
83
1
Tbns.
2, 3
83
83
Bdn.
83
Tba.
83
Cb.
83
Tmp.
83
Tec.
xilo, bells
83
Cx.
Pts.
Bmb.
83
14
95
91
Pic.
91
Fl.
91
Ob.
91
Fgt.
91
Cl. E
(Req.)
91
1
Cls. B
2, 3
91
91
Cl. Bx.
91
Sxa. E 1, 2
91
Sxt. B
91
Sx.bar. E
95
91
1
Tpas. F
2, 3
91
91
1
Tpts. B
2, 3
91
91
1
Tbns.
2, 3
91
91
Bdn.
91
Tba.
91
arco
Cb.
91
Tmp.
91
Tec.
xilo, bells
91
Cx.
Pts.
Bmb.
91
15
98
Pic.
98
Fl.
98
Ob.
98
Fgt.
98
Cl. E
(Req.)
98
1
Cls. B
2, 3
98
98
Cl. Bx.
98
Sxa. E 1, 2
98
Sxt. B
98
Sx.bar. E
98
1
Tpas. F
2, 3
98
98
1
Tpts. B
2, 3
98
98
1
Tbns.
2, 3
98
98
Bdn.
98
Tba.
98
Cb.
98
Tmp.
98
xilo
Tec.
xilo, bells
98
Cx.
Pts.
Bmb.
98
16
103
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
103
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Pizz.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
17
109
Pic.
109
Fl.
109
Ob.
109
Fgt.
109
Cl. E
(Req.)
109
1
Cls. B
2, 3
109
109
Cl. Bx.
109
Sxa. E 1, 2
109
Sxt. B
109
Sx.bar. E
109
1
Tpas. F
2, 3
109
109
1
Tpts. B
2, 3
109
109
1
Tbns.
2, 3
109
109
Bdn.
109
Tba.
109
Cb.
109
Tmp.
109
Tec.
xilo, bells
109
Cx.
Pts.
Bmb.
109
18
115
119
Pic.
115
Fl.
115
Ob.
115
Fgt.
115
Cl. E
(Req.)
115
1
Cls. B
2, 3
115
115
Cl. Bx.
115
Sxa. E 1, 2
115
Sxt. B
115
Sx.bar. E
115
1
Tpas. F
2, 3
119
115
115
1
Tpts. B
2, 3
115
115
1
Tbns.
2, 3
115
115
Bdn.
115
Tba.
115
Cb.
115
Tmp.
115
xilo
Tec.
xilo, bells
115
Cx.
Pts.
Bmb.
115
19
121
Pic.
121
Fl.
121
Ob.
121
Fgt.
121
Cl. E
(Req.)
121
1
Cls. B
2, 3
121
121
Cl. Bx.
121
Sxa. E 1, 2
121
Sxt. B
121
Sx.bar. E
121
1
Tpas. F
2, 3
121
121
1
Tpts. B
2, 3
121
121
1
Tbns.
2, 3
121
121
Bdn.
121
Tba.
121
Cb.
121
Tmp.
121
Tec.
xilo, bells
121
Cx.
Pts.
Bmb.
121
20
128
Pic.
128
Fl.
128
Ob.
128
Fgt.
128
Cl. E
(Req.)
128
1
Cls. B
2, 3
128
128
Cl. Bx.
128
Sxa. E 1, 2
128
Sxt. B
128
Sx.bar. E
128
1
Tpas. F
2, 3
128
128
1
Tpts. B
2, 3
128
128
1
Tbns.
2, 3
128
128
Bdn.
128
Tba.
128
Cb.
128
Tmp.
128
Tec.
xilo, bells
128
Cx.
Pts.
Bmb.
128
135
D.S. al Coda
21
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
135
D.S. al Coda
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Pizz.
arco
Cb.
Tmp.
bells
Tec.
xilo, bells
Cx.
Pts.
Bmb.
22
Fine
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
Fine
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
Trio
23
150
Pic.
150
Fl.
150
Ob.
150
Fgt.
150
Cl. E
(Req.)
150
1
Cls. B
2, 3
150
150
Cl. Bx.
150
Sxa. E 1, 2
150
Sxt. B
150
Sx.bar. E
150
1
Tpas. F
2, 3
Trio
150
150
1
Tpts. B
2, 3
150
150
1
Tbns.
2, 3
150
150
Bdn.
150
Tba.
150
Cb.
150
Tmp.
150
bells
Tec.
xilo, bells
150
Cx.
Pts.
Bmb.
150
24
156
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
156
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Pizz.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
25
162
Pic.
162
Fl.
162
Ob.
162
Fgt.
162
Cl. E
(Req.)
162
1
Cls. B
2, 3
162
162
Cl. Bx.
162
Sxa. E 1, 2
162
Sxt. B
162
Sx.bar. E
162
1
Tpas. F
2, 3
162
162
1
Tpts. B
2, 3
162
162
1
Tbns.
2, 3
162
162
Bdn.
162
Tba.
162
Cb.
162
Tmp.
162
Tec.
xilo, bells
162
Cx.
Pts.
Bmb.
162
26
168
172
Pic.
168
Fl.
168
Ob.
168
Fgt.
168
Cl. E
(Req.)
168
1
Cls. B
2, 3
168
168
Cl. Bx.
168
Sxa. E 1, 2
168
Sxt. B
168
Sx.bar. E
168
1
Tpas. F
2, 3
172
168
168
1
Tpts. B
2, 3
168
168
1
Tbns.
2, 3
168
168
Bdn.
168
Tba.
168
arco
Cb.
168
Tmp.
168
bells
Tec.
xilo, bells
168
Cx.
Pts.
Bmb.
168
27
174
Pic.
174
Fl.
174
Ob.
174
Fgt.
174
Cl. E
(Req.)
174
1
Cls. B
2, 3
174
174
Cl. Bx.
174
Sxa. E 1, 2
174
Sxt. B
174
Sx.bar. E
174
1
Tpas. F
2, 3
174
174
1
Tpts. B
2, 3
174
174
1
Tbns.
2, 3
174
174
Bdn.
174
Tba.
174
Cb.
174
Tmp.
174
Tec.
xilo, bells
174
Cx.
Pts.
Bmb.
174
28
180
Pic.
Fl.
Ob.
Fgt.
Cl. E
(Req.)
1
Cls. B
2, 3
Cl. Bx.
Sxa. E 1, 2
Sxt. B
Sx.bar. E
180
1
Tpas. F
2, 3
1
Tpts. B
2, 3
1
Tbns.
2, 3
Bdn.
Tba.
Cb.
Tmp.
Tec.
xilo, bells
Cx.
Pts.
Bmb.
185
xilo
xilo
29
D.C. al fine
Pic.
185
Fl.
185
Ob.
185
Fgt.
185
Cl. E
(Req.)
185
1
Cls. B
2, 3
185
185
Cl. Bx.
185
Sxa. E 1, 2
185
Sxt. B
185
Sx.bar. E
185
1
Tpas. F
2, 3
D.C. al fine
185
185
1
Tpts. B
2, 3
185
185
1
Tbns.
2, 3
185
185
Bdn.
185
Tba.
185
Cb.
185
Tmp.
185
Tec.
xilo, bells
185
Cx.
Pts.
Bmb.
185
EDIES
FUNARTE
PARTITURAS
ANDAS
FUNARTE
S EDITIONS
OFDE
MUSIC
SCORESPARA
FOR BANDS
1995
Golden Repertoire of
Brazilian Bands
Antnio do Esprito Santo
Avante Camaradas / Dobrado 220
Gilberto Gagliardi
Cidade de Diadema (dobrado)
Joaquim Naegele
Mo de Luva (dobrado)
Silvestre Pereira de Oliveira
Amor de um Pai (dobrado)
Antnio Pedro Dantas (Tonheca Dantas)
A Desfolhar Saudades (valsa)
Francisco Manuel da Silva/Joaquim Osrio Duque Estrada

Hino Nacional do Brasil
2008
Brazilian Bands
Anacleto de Medeiros
Jubileu (dobrado)
Francisco Braga
Baro do Rio Branco (dobrado)
Joaquim Naegele
Professor Celso Woltzenlogel (dobrado)
Joaquim Naegele
Estrela de Friburgo (polka for solo trumpet and band)
2000
Brazilian Bands
Antonio do Esprito Santo
Avante Camaradas
Dobrado 220 (dobrado) * reissue
Anacleto de Medeiros
Os Bomios (Brazilian tango)
Ceciliano de Carvalho
Dever do Mestre (dobrado)
Jos Genuno da Rocha

Testa de Ao (frevo)
Gilberto Gagliardi
Cidade de Diadema (dobrado) * reissue
Pedro Salgado
Dois Coraes (dobrado)
Joo Firmino de Moura

Saudades de onde Nasci (valsa)
Hymns of Brazil
D. Pedro I/ Evaristo da Veiga
Hino da Independncia
Joo Trajano da Silva

Janaina (ciranda)
Joaquim Naegele
Mo de Luva (dobrado) * reissue
Jos Aniceto de Almeida
Ceclia Cavalcanti (valsa)
Jos Barbosa de Brito
Bento Barbosa de Brito (dobrado)
Levino Ferreira da Silva
Lgrimas de Folio (frevo)
Luiz Fernando da Costa
Archanjo Soares do Nascimento (dobrado)
Manoel Ferreira Lima
Diana no Frevo (frevo)
Manoel Rodrigues da Silva
Dengoso (choro)
Severino Ramos
Tubas de Papelo (dobrado)
Silvestre Pereira de Oliveira
Amor de um Pai (dobrado) * reissue
2004 e 2008
Hymns of Brazil
Francisco Braga/Olavo Bilac
Hino Bandeira Nacional
Joaquim Naegele
Ouro Negro (dobrado)
Leopoldo Miguez / Medeiros e Albuquerque

Hino da Proclamao da Repblica
Brazilian Music for Bands
Edu Lobo/Capinam
Ponteio (baio; arrangement by Hudson Nogueira)
Guinga / Aldir Blanc
Baio de Lacan (choro; arrangement by Hudson Nogueira)
Hermeto Paschoal
Beb (baio; arrangement by Hudson Nogueira)
Noel Rosa
Palpite Infeliz (samba; arrangement by: Hudson Nogueira)
Hudson Nogueira
Quatro Danas Brasileiras (samba, maxixe, marcha-rancho, choro)
Ivan Lins / Vitor Martins
Novo Tempo (arrangement by Hudson Nogueira)
Carlos Alberto Braga (Braguinha) / Alberto Ribeiro
Copacabana (samba; arrangement by Jos Carlos Ligiro)
Jos Ursicino da Silva (Mestre Duda)
Sute Nordestina (baio, serenata, maracatu, frevo)
Jos Ursicino da Silva (Mestre Duda)
Sute Pernambucana de Bolso (caboclinhos, serenata, cco, frevo)
Nelson Cavaquinho/Guilherme de Brito
Folhas secas (samba; arrangement by Hudson Nogueira)
DOIS CORAES
dobrado
music by
PEDRO SALGADO
Patrocnio
capa Dois Corac o es.indd 2-3
Realizao
5/5/08 10:02:53 PM

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2 Professor Celso Full Score PDF

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GOLDEN REPERTOIRE OF BRAZILIAN BANDS SERIES

JOAQUIM ANTNIO NAEGELE

capa Dois Corac o es.indd 2-3

PRESIDENT OF THE FEDERATIVE REPUBLIC

PROFESSOR CELSO TEXTO 7.0:Funarte Hino Nacional 14/10/13 21:32 Page I

Golden Repertoire of Brazilian Bands Series

JOAQUIM ANTNIO NAEGELE

SCORES FOR BAND PUBLISHING PROJECT

TECHNICAL DIRECTION, ADAPTATION, R EVISION

CONSULTING FLEXIBLE I NSTRUMENTATION/A RRANGEMENTS

Fundao Nacional de Artes Funarte

ABOUT THE NEW EDITIONS

GOLDEN REPERTOIRE OF BRAZILIAN BANDS SERIES

Golden Repertoire of Brazilian Bands Series Dois Coraes IV

BAND REPERTOIRE OF YESTERDAY, TODAY, AND OF ALL TIMES

III Golden Repertoire of Brazilian Bands Series Dois Coraes

Golden Repertoire of Brazilian Bands Series

PROFESSOR CELSO WOLTZENLOGEL

Note to the Director

Golden Repertoire of Brazilian Bands Series Professor Celso Woltzenlogel

PROFESSOR CELSO TEXTO 7.0:Funarte Hino Nacional 14/10/13 21:43 Page VI

PROFESSOR CELSO WOLTZENLOGEL

rata-se de um dobrado tpico. As sees temticas so estritamente simtricas, regulares,

paralelas e essencialmente homofnicas, enquanto os demais segmentos (introduo,

interldios e pequenas ligaes) so irregulares e polifnicos. Na introduo (compassos 1-20),

Marcos Vincio Nogueira

Golden Repertoire of Brazilian Bands Series Professor Celso Woltzenlogel

JOAQUIM ANTNIO NAEGELE (1899 - 1986)

he internationally renowned Professor Celso Woltzenlogel coordinated the Band Project,

Golden Repertoire of Brazilian Bands Series Professor Celso Woltzenlogel

Srie Repertrio de Ouro das Bandas de Msica do Brasil

Professor Celso Woltzenlogel

Allegro (tempo de marcha

Joaquim Antnio Naegele

Allegro (tempo de marcha

Joaquim Antnio Naegele

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Funarte - Ministrio da Cultura

Francisco Manuel da Silva/Joaquim Osrio Duque Estrada

Jos Genuno da Rocha