Professional Documents
Culture Documents
Mississippi
John Hurt
Volume Two
taught by
John Miller
Contents
You Got To Walk That Lonesome Valley ................................................................ 4
Worried Blues ................................................................................................................. 8
Avalon Blues ................................................................................................................ 12
Richland Woman Blues ............................................................................................ 15
Big Leg Blues ............................................................................................................... 19
Candyman .................................................................................................................... 23
Payday ........................................................................................................................... 29
Notes with downward stems are played by the thumb of the right hand. Notes with upward stems are played by the
fingers of the right hand.
Where two notes are connected by a slur, the letters H, P and SL indicate a hammer-on, a pull-off, or a slide. An
arrow curved upwards ( ) and the letter B indicates that the note is bent, and an arrow curved downwards ( )indicates that
the stroke, relative to the strings represented by the lines in the tablature.
The tablature employs the same methods of notating rhythm as does standard music notation. A quarter note ()
has the same duration as two eighth notes () or four sixteenth notes (). A single eighth note looks like
and a single sixteenth note has a doubled flag (). Each of these note values has its own rest symbol, as wellthe
quarter rest (), the eighth rest (), and the sixteenth rest (). A dot following a note or rest adds on one half of the
note or rests rhythmic duration. An eighth note triplet ( ) divides one beat into three notes of equal duration.
The 12/8 time signature has four beats per measure with each beat divided into three eighth notes. Thus the beat can
be broken into three eighth notes (), a so-called broken triplet ( ), or one beat (.), the dotted quarter note.
When a note is sustained or held across beats, the notes are connected by a tie (
). Where two notes are tied, only the first note
is plucked by the right handthe left hand continues to hold the position for the duration of the second note. Thus ties are helpful
not only for indicating how long notes should sustain, but also when the left hand should move.
Good luck and have fun!
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Worried Blues
Worried Blues, played in A, standard tuning, was transcribed from Rounder CD 1082. It is one of John Hurts most
intense performances on record, and he really sounds like he is going for broke instrumentally and vocally. The short second
line in the verses adds a note of urgency.
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INTERLUDE
25
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WORRIED BLUES
(Rounder CD 1082)
Dont your home look lonesome when your baby pack up and leave?
Home look so lonesome
Dont your home look lonesome when your baby pack up and leave?
Home look so lonesome when your baby pack up and leave
Home look lonesome
Home look so lonesome when your baby pack up and leave.
Dont the sun look lonesome shining down through the trees?
Dont the sun look lonesome?
Sun look so lonesome shining down through the trees.
Oh, tell me, baby, whats the matter now?
I want to know
Oh, Lordy, baby, tell me whats the matter now?
Is you gonna quit your daddy anyhow?
Is you gonna quit your
Is you gonna quit your daddy anyhow?
Baby, thats all right, thats all right for you
Baby, thats all right
Baby, thats all right, honey, thats all right for you.
Well, you know I love you any way you do
You know I love you
You know I love you any old way you do.
I want to know whats the matter, something going on wrong
Tell me whats the matter, baby
Went away last night and you stayed out all night long.
Honey, thats all right, thats all right for you
Baby, thats all right
I love you, baby, any old way you do.
Well the sun going down, aint this a lonesome place?
Sun going down
Sun going down, aint this a lonesome place?
I feel so lonely, cant see my babys face
(Guitar plays line)
So lonesome here, I cant see my babys face.
Well, Lordy, baby, please dont put me down
Please
You are the sweetest girl in town.
Dont your home look lonesome when your baby pack up and leave?
Home look so lonesome
Home look lonesome when your baby pack up and leave.
11
Avalon Blues
Avalon Blues was transcribed from Rounder CD 1081, and is played out of E, standard tuning. It is exceptionally fun to
play and the signature lick really works its way under your skin. Like some of Robert Wilkinss songs, Avalon Blues has a form
which is simultaneously original and completely natural.
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4
AVALON BLUES
(Rounder CD 1081)
Avalon my home town, always on my mind (2x)
Pretty mamas in Avalon want me there all the time (2x)
When I left Avalon, throwing kisses and waving at me (2x)
Says, Come back, Daddy, and stay right here with me. (2x)
Avalon my home town, got no great big rain
Avalon my home town
Avalon my home town, got no great big rain.
Pretty mamas in Avalon sure will spend your change
Pretty mamas in Avalon
Pretty mamas in Avalon sure will spend your change.
14
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Raise up, baby, get your big leg off of mine (2x)
It's so heavy make a good man change his mind.
I asked you, baby, come and hold my head (2x)
Sent me word that youd rather see me dead.
Im going, Im going, crying wont make me stay (2x)
More you cry, further you drive me away.
Some crave high yellow, I like black and brown (2x)
Black wont quit you, brown wont let you down.
It was late at midnight, the moon shined bright like day (2x)
I seen your faro going up the right of way.
22
Candyman
Transcribed from Rounder CD 1081, Candyman is played out of A, standard tuning, and is a real tour de force.
The solo is huge, and I know very little in the way of anything to compare it to in the style. Probably the piece closest to
it is an instrumental by the Tennessee guitarist, Sam McGee, called Sally Long. The variety and unexpected nature of
John Hurts thumbwork on Candyman make it a real challenge to play.
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CANDYMAN
(Rounder CD 1081)
28
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Payday
Played in open D tuning, this version of Payday comes from Rounder CD 1100. It has a beautiful ruminative
quality and the fact that there are no chord changes just adds to the trance-like feeling it evokes. I could easily imagine
the melody in African or Asian music.
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PAYDAY
(Rounder CD 1100)
I done all I could do and I cant get along with you
Im gonna take you to your Mama, pay day
Pay day, pay day
Im gonna take you to your Mama, pay day.
Just about a week ago, I stole me a ham of meat
Im gonna keep my skillet greasy if I can
If I can, if I can.
Well, the rabbit in the log, I aint got no rabbit dog
Lord, I hate to see that rabbit get away
Get away, get away
Lord, I hate to see that rabbit get away.
Well, Ive did all I can do and I cant get along with you
Im gonna take you to your Mama, pay day
Pay day, pay day.
Repeat last verse
33
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