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Basic triads are formed by stacking notes in thirds. To create a 7th chord another third is stacked above
the fifth of the given triad. The 7th can be a b7 (Minor 7th) or just a 7 (Major 7th) interval. There are many
other complex chords that can be created by altering the fifth, but for now only four types of 7th chords
will be covered.
2nd
8th
3rd
3rd
C7
Cmaj7
Cmin7
Cm7b5
also known as
C Dominant 7
Sometimes
written as
C 7
sometimes
written as
Cm7
also known as
C Half
Diminished
It is important to know how chords are spelled. The diagram below shows the intervals in the C7
chord. It is also beneficial to know what notes are in any given chord. As an exercise, fill in the missing
spelling or notes for Cmaj7, Cmin7 and Cm7b5 based on the chord shapes above.
R
b7
5
5
3
C7
Cmaj7
Cmin7
Cm7b5
the spelling is
R 1 3 5 b7
the notes are
C E G Bb
the spelling is
R1357
what are the
notes?
the spelling is
R 1 b3 b5 b7
what are the
notes?
ii
iii
IV
vi
vii
The diagram above is a visual example of the notes of a Cmaj7 in relation to the C major scale. To convert this chord to a C7, flatten the B to a
Bb. Upper case roman numerals represents Major triads, while lower case roman numerals represent Minor triads.
3 tips to remember
1. The 5 is always natural, unless it is indicated in the chord.
2. A 7 in the chord symbol always means b7, except for when it is preceded by maj, then it
remains a natural 7 and is not flatted.
3. A minor or m chords always contains a flatted 3rd
There are many chord voicings (shapes) that can be created by knowing how to spell chords. Below are
just a few examples of different voicings for a Cmaj7 chord.
3rd
7th
10th
th
Cmaj7
Cmaj7
Cmaj7
Cmaj7
1357
CEGB
1357
CEGB
1357
CEGB
1357
CEGB
3rd
C7
1 3 5 b7
C E G Bb
8th
10th
C7
C7
C7
1 3 5 b7
C E G Bb
1 3 5 b7
C E G Bb
1 3 5 b7
C E G Bb
Cmin7
Cmaj7
Convert the C7
chord above to a
Cm7 and write
out the notes as
well
as
the
spelling
Convert the C7
chord above to a
Cmaj7 and write
out the notes as
well
as
the
spelling
Here are a few chord progressions to practice using 7th chords. Play the same chord progressions three
times, first with the root on the sixth string, secondly on the fifth and finally with the root on the fourth
string. Also, try playing a Cmaj7 with a root on the fifth string followed by a G7 with a root on the sixth
string, you will doing this you will notice that your had does not have to travel too far, this is particularly
good for songs with quick chord changes. This technique is highly favoured by jazz players.
Formula
Chords
ii V I
Dm7 | G7 | Cmaj7
I ii iii ii
I ii iii ii V I
iii vi ii V I
I IV ii vii I