Professional Documents
Culture Documents
Les tudes sont classes ( peu prs, le classement exact n'est pas possible) progressivement,
par niveau, de I VII. Certains recueils englobent plusieurs niveaux bien sur. Chaque niveau
correspond ca 1-1,5 anne d'tudes (sauf 0-2 qui peuvent aller bien plus vite), c'est selon les
capacits, les facilits et le travail de chacun.
Aprs (et pendant) - direct Liszt, Chopin, Debussy, Ligeti, Lutoslawski, Stravinsky, Ohana,
etc...
Pour situer ( peu prs) dans les cycles franais:
Cycle I - niveaux 00-02
Cycle II - niveaux 03-05
Cycle III - niveaux 06-07
Niveau 0 (les dbutants vraiment dbutants)
Louis Khler (1820-1886)
Die allerleichtesten bungsstcke, Op.190
Hermann Berens (1826-1880)
50 Piano Pieces for First Beginners, Op.70
Carl Czerny (1791-1857)
Erster Lehrmeister op.599
Niveau I
Louis Khler (1820-1886)
Die leichtesten Etden, Op.151
Henri Bertini (1798-1876)
25 Etudes, Op.137
Cornelius Gurlitt (1820-1901)
Die leichtesten Gelufigkeitsetuden fr Anfnger
Flix Le Couppey (18111887)
L'Alphabet op.17
Carl Czerny (1791-1857)
Les Cinq Doigts, Op.777
Hundert bungsstcke op.139
125 Exercises in Passage-playing, Op.261
Niveau II
Muzio (Mutius Philippus Vincentius Franciscus Xaverius
) Clementi (1752-1832)
Niveau III
Louis Khler (1820-1886)
12 Etden, Op.85
Kleine Schule der Gelufigkeit, Op.242 01
Kleine Schule der Gelufigkeit, Op.242 02
Neue Gelufigkeitsschule fr Klavier, Op.128 01
Neue Gelufigkeitsschule fr Klavier, Op.128 02
Friedrich Burgm ller (1806-1874)
Etudes op.105
Hermann Berens (1826-1880)
20 Etudes enfantines, Op.79
Ludvig Schytte (1848-1909)
Leichte charakteristische Etden, Op.95
25 Etudes modernes, faciles et progressives, Op.68
Henri Bertini (1798-1876)
25 Etudes faciles et progressives, Op.100
Stephen Heller (1813-1888)
30 Etudes Progressives, Op.46
25 Etudes Melodiques, Op.45
Albert Loeschhorn (1819-1905)
Niveau IV
Friedrich Burgm ller (1806-1874)
Etudes op.109
Stephen Heller (1813-1888)
24 Etudes d'Expression et de Rhythme, Op.125
25 Etudes, Op.47
Cornelius Gurlitt (1820-1901)
20 Studies in Rhythm and Expression, Op.52
Ludvig Schytte (1848-1909)
Die Schule des modernen Klavierspiels, Op.174
Instruktive Vortrags-Studien, Op.90
Hermann Berens (1826-1880)
Neueste Schule der Gelufigkeit, Op.61
Edmund Neupert (1842-1888)
Etudes, Op.26
Niveau V
Hermann Berens (1826-1880)
Die Schule der Tonleitern, Akkorde und Verzierungen, Op.88
Henri Bertini (1798-1876)
Etudes op.29 et 32
Etudes op.66
Franz Liszt (1811-1886)
tude en douze exercices, S.136
Frdric Chopin (1810-1849)
Trois nouvelles tudes (d. Kullak)
Stephen Heller (1813-1888)
Etudes op.90
Albert Loeschhorn (1819-1905)
30 Melodische Etuden, Op.38
Edmund Neupert (1842-1888)
Etudes op.19 01
Etudes op.19 02
Giuseppe Concone (1801-1861)
15 Etudes d'expression op.44
15 Etudes brillantes op.posth.
Benjamin Godard (1849-1895)
Etudes mlodiques op.149-2
Niveau VI
Muzio Clementi (1752-1832)
Gradus ad Parnassum - incontournable!!!
Stephen Heller (1813-1888)
Etudes op.151
Etudes op.139
Moritz Moszkowski (1854-1925)
Esquisses Techniques, Op.97
Etudes op.78
Johann Baptist Cramer (1771-1858)
16 Nouvelles tudes, Op.81
et surtout:
Studio per il pianoforte
Ignaz Moscheles (1794-1870)
Mthode des Mthodes, Op.98 - avec des oeuvres de Liszt, Chopin, Pabst, Thalberg, Moscheles,
Dhler, Henselt, Mendelssohn, etc... Paris romantique de Louis Philippe
Anton Arensky (1861-1906)
4 Etudes, Op.41
12 Etudes, Op.74
Benjamin Godard (1849-1895)
Etudes artistiques op.42
Thodore Lack (1846-1921)
Etudes de bravoure op.43
Carl Czerny (1791-1857)
Die Kunst der Fingerfertigkeit op.740 (699)
Schule des Virtuosen op.365
Niveau VII
1Anno
Etudes
BARTOK, Mikrokosmos vol. I
BEYER, op. 101
BERTINI, op. 137
CZERNY, op. 599
DUVERNOY, op. 176
KOHLER, op. 157
Canoni
TROMBONE, Primi canoni
POZZOLI, Primi esercizi in stile polifonico
KUNZ, 200 Piccoli canoni
J. S. BACH
Anna Magdalena's notebook
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2Anno
Scales Major, minors in parallel motion
Etudes
CZERNY, op. 849, op. 636
DUVERNOY, op. 176, op. 120, op. 276
J. S. BACH
Anna Magdalena's notebook
Little preludes and fuguettas
Sonatine
CLEMENTI, Op. 36, 37, 38
KUHLAU, Sonatine e Sonate
DUSSEK, Sonatine e Sonate
MOZART, Sonatine Viennesi
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3Anno
Scales Major, minors in parallel and contrary motion
Arpeggios
Etudes
CZERNY, op. 636, op. 299, op. 740
HELLER, Etudes op. 45,46,47
BERTINI, op. 32
BARTOK, Mikrokosmos vol. III, IV
J. S. BACH:
Two voices invention
French suites
Classical Sonatine or Sonatas
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4Anno
Etudes
BERTINI, op. 134
CRAMER, 60 Etudes by Bulow
CZERNY, op. 299, op. 834, op. 740
LISZT, Etudes op. I
J. S. BACH
Sinfonias
English suites
Sonate by MOZART, HAYDN, CLEMENTI, BEETHOVEN
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5Anno Lower level board exam.
- Play one etude randomly selected between 13 prepared between the 4th
and 5th year of study. (Usually is few from Bertini, Cramer and Czerny op
740)
- Play one JS Bach selection extracted between:
3 Sinfonias, English suite in A minor and G minor.
- Play one piece randomly extracted between 3 italian harpsichordist
- One complete sonata selected between Mozart, Clementi or Beethoven (op
10 #1, op 10 #2, op 14 #2, op 27 n2)
- One piece selected between the following list:
CHOPIN, Bolero op. 19; Impromptu n. 1 op. 29; Valse op. 34 n. 1; Valse op.
42; Valse op. 64 n. 3; Valse op. 64 n. 2; Polacca in G# min.; 6 Preludes
WEBER, Rond brillante in Eb Maj.; Invitation a la valse op. 65
SCHUBERT, Impromptu in Eb Maj. op. 90 n. 2; Impromptu in Gb Maj. Op.90
n. 3.
SCHUMANN, Carnaval de Vienne; Papillons op. 2* Selection of 6 pieces
from Waldszenen or Albumblatter
LISZT, Rossignol; one of the Consolations
DEBUSSY, Childrens corner
- Scales Major, minors in parallel and contrary motion by one octave, one
third and one sixth.
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6Anno
Scales double thirds and double sixths.
CLEMENTI, Gradus ad Parnassum
Etudes:
MOSCHELES
MENDELSSOHN
RUBINSTEIN
THALBERG
KESSLER
Toccata di CZERNY
D. SCARLATTI, Sonate.
J. S. BACH, Il WTC, vol. I.
Sonate:
BEETHOVEN
SCHUBERT
WEBER
MOZART
HAYDN
CLEMENTI.
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7Anno
M. CLEMENTI, Gradus ad Parnassum.
D. SCARLATTI, Sonate.
J. S. BACH, WTC, vol.II.
Sonate:
BEETHOVEN
SCHUBERT
WEBER.
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8Anno Intermediate Board Exam
- Execution of one brilliant Scarlatti sonata extracted from 3 studied
- Execution of one randomly selected etudes between the following one nn.
2, 5, 9, 14, 15, 16, 17, 21, 26, 30, 32, 36, 44, 47, 58, 63, 65, 78, 86, 87,
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9Anno
Etudes:
CHOPIN
LISZT
SKRJABIN
RACHMANINOV
DEBUSSY
SAINT-SAANS
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10Anno Final Board Exam for Diploma
Prepare one recital with a duration between 60 to 75 minutes selecting music
from each group of the following list:
Group n. 1
J. S. BACH, any composition for keyboard
Bach's transcriptions LISZT, TAUSIG, BUSONI, DALBERT
L. van BEETHOVEN, A sonata between op. 57 to op. 111; Diabelli variations
op. 120; Rondop. 129; C minor variations WOo 80.
Group n. 2
C. M. WEBER, Sonata n. 2 op. 39
F. SCHUBERT, Fantasia op. 15
R. SCHUMANN, Fantasia op. 17; Carnaval op. 9; Studi sinfonici op. 13
F. CHOPIN, Sonata op. 58; Sonata op. 35, 3 compositions selected between:
Ballata n. 2 op. 38; Ballata n. 4 op. 52; Polacca op. 44; Polacca op. 53;
Notturni Mazurche
F. LISZT, Sonata in B min; Scherzo e marcia; Mephisto Valse;
Trascendental etudes: Mazeppa o Feux Follets o n. 10; One of the 3 concert
etudes.
Group n. 3
J. BRAHMS, Paganini variations op. 35; Variations on a Handel theme;
Rhapsody in Eb Maj. op. 119 n. 4
C. SAINT- SAANS, 6 Etudes op. 111
C. FRANCK, Preludio, Corale e Fuga, oppure Preludio, Aria e Finale
CHABRIER, Bourre Fantastique
G. SGAMBATI, Preludio e Fuga Due studi da concerto (uno a scelta)
G. MARTUCCI, Tema con variazioni op. 58 Fantasia op. 51
Some suggestions:
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Czerny
Gurlitt
Heller
Heller
Bertini
Bertini
Heller
Heller
Lemoine
No. 10
Moskowski
Czerny Study Op299 No22 - repeated notes. If it weren't for this study, I
wouldn't be able to to play the repeated notes part of La Campanella and
some other pieces that require this particular technique.
Liszt Etude Op1 No4 (The cocoon of Mazeppa) - study in 3rd. It's child's play
compared to Mazeppa.
I was going to say, you have a better chance of completing Scriabin's 12
etudes op8 than one set of Chopin's etudes.
Scriabin etudes - Op8 no8, 11. They're the slow ones. Op8 No12 is fantastic
and was the 1st Scriabin etude I learned.
Chopin Etude Op10 No9 - a stretch of the left hand, and the 1st Chopin etude
I learned on my own.
Hummel Op 125 No 16 in f#- ? if only specifically for the reason that you
state you struggle with octaves, this could help you quite a bit without it
being over the top difficult.