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It's distinct from the UK mono mix, but is probably a fold-down of the
stereo track since no other mono mix is known to have been made.
Volume Two
---------Volume Two begins with take 1 of Run For Your Life ("Run For Your
Lives, You..." according to the announcement), the first song recorded
for Rubber Soul (onto tape E57714 on October 12, 1965). This is
followed by part of take 5 of the same song (used as the master), then
take 1 of Norwegian Wood (still titled only "This Bird Has Flown" at
this point).
Tracks 4-6 are all three takes of Day Tripper, recorded October 16 onto
tape E57715. Take 3 was used as the master, and the dropout heard
around 1:49 on the released mixes of this song is revealed to be an
intentional coverup of a tape noise (possibly the guitar or something
else on that track was punched in at this point). Although Brennan says
that the mono mix of Day Tripper has been repaired, it actually has the
longest dropout of any of the pre-1980s mixes of this song (listen to
the tambourine that was recorded to the same track as the guitar). The
UK stereo mix (on Volume One) from 1966 is possibly made using
artificial double tracking (which didn't exist until the Revolver
sessions) to strengthen the guitar sound.
Track 7 is the original Hammond organ overdub to In My Life, taken from
a monitor mix of the recording either on October 18 or October 22
(Lewisohn isn't clear on when the organ overdub was recorded). It's
also unclear what the source of this is; supposedly it's a recording
found on one of John Lennon's tapes (which could rule out an October 22
recording, as Lewisohn assumes the Beatles weren't present in the
morning that day when the halfspeed piano overdub was recorded). Or it
could be someone else's outfake...
Tracks 8 and 9 are both takes of We Can Work It Out, from tape E57716
recorded on October 20. Take 1 is instrumental-only, and seems to have
been halted due to a rare flub from Ringo.
The next two tracks are takes 2 and 4 of Norwegian Wood. Take 2 is very
heavy, driven by drums and bass (and sitar). Take 4 was ultimately used
for the released version. No bootleg of take 3 exists (recordings
purporting to be it that circulate on the Internet are apparently
fakes).
Tracks 12 and 13 are the piano overdub from In My Life, easily
digitally extracted since the piano is the only thing heard solely in
the right channel of the common stereo mix. Track 12 is at half-speed,
as it would have been recorded; 13 is at normal speed.
Track 14 is the rear channels from the surround mix of Nowhere Man from
the Yellow Submarine DVD. This mostly consists of the song without
vocals (although a bit of vocal reverb can occasionally be heard), and
gives a good approximation of what the song would have sounded like
before the vocal overdubs were recorded.
Track 15 is take 1 of I'm Looking Through You, an excellent complete
version of the song that the Beatles thought could have been improved
upon. It was recorded on October 24 onto tape E57717. Unlike the mix of
this song used on Anthology 2 (track 26 on this album), this has some
volume variations and no fade at the end.