Professional Documents
Culture Documents
"The Lecture"
Summary
narrator is a Yiddish writer, a Polish Jew who fled from the Nazi regime and
became a naturalized American citizen.
travels by train from New York to Montreal where he is to deliver an optimistic
lecture on the bright future of the Yiddish language.
watches the fellow travellers
how they are so carefree,as if they never heard about Hitler and Stalins murder
machine.
evening the train stops heating stops working: The American dream gradually
dissolves and harsh Polish reality returns.
The passengers start chatting with one another.
The narrator sits alone and does not talk to anyone
arrives to Montreal ,nobody is waiting for the narrator
There is an old crippled woman with her daughter who approach the narrator and
identify him as Mr N.
woman admires his writing
woman is a Polish Jew.
she offers to accommodate him for the night. He is freezing and cannot fall asleep
lost the manuscript of his lecture
Binele, the young woman, throws the door open and cries that her mother is
dead.
The old woman died of the strain of coming to the railway station to wait for the
narrator. Analysis
Polish life chases him,even tho hes american now
The woman and him are nameless both experienced nazi camps
Elie Wiesel- Night
his teacher, Moshe the Beadle, is deported. Moshe returns, telling a horrifying
tale: the Gestapo took charge of his train, led everyone into the woods, butchered
them.
Eliezer and his father are separated from his mother and sisters, whom they
never see again.
Eliezer himself begins to lose his humanity and his faith, both in God and in the
people around him.
Themes : Family some left behind their slow family members during the deat
march,others killed their father for a scrap of bread inhumanity creates
inhumane people
Eliezer doesnt lose his faith,but he doesnt believe God to be just anymore
owner of the farm = Mrs. McIntyre, contacts a Catholic priest to find her a
"displaced person" to work as a farm hand.
hes hardworking the Shortleys, a family of white farm hands, feel threatened
and try to manipulate Mrs. McIntyre into firing Guizac, but Mrs. McIntyre decides
to fire Shortley instead because of his unsatisfactory work.
When she finds out that Guizac has asked his teenage cousin to come to America
by marrying one of the African American farm hands, she is appalled, her
appreciation of him melts down.
A few weeks later Mr. Shortley comes back and says Mrs. Shortley died of a
stroke on the day that they left. Mrs. McIntyre rehires Mr. Shortley, but realizes it
was Mrs. Shortley she has been missing.
Mrs. McIntyre is intending to fire Mr. Guizac, but puts it off several times. When
she eventually goes to fire him, she becomes a silent participant in his murder,
when - with Mrs. McIntyre quietly observing - a bitter, resentful Mr. Shortley
positions a tractor to roll over Guizac's body as if by accident as he works
beneath another machine. The tractor finally does so, crushing and killing him.
Mrs. McIntyre's farmhands abandon her and, after she suffers a nervous collapse,
she is bedridden and receives no visitors save for the priest.
Analysis
The story was written while O'Connor was residing with her mother at a farm
called Andalusia. Scholars believe that the farm was the inspiration for the setting in
"The Displaced Person" and is the work most closely associated with Andalusia.
Flannery O'Connor was fascinated with peacocks, described in her essay "The King
of the Birds." In the story, the way the characters view the peacocks often
corresponds to their own moral compass. For example, Father Flynn and Astor have
positive attitudes towards the birds and are generally likable characters, while Mrs.
McIntyre starves the birds and reduces their population, making her a villain
Then Auschwitz
he survived the camp over the course of a long, horrific year, during which he
faced starvation, bone-numbing cold, and disease.
After ten days prisoners still alive were rescued by the Soviet army.
Levi wrote his memoir, originally titled Se questo un uomo (in English, If this is a
man), in 1946
About this, Elie Wiesel famously said: "Primo Levi died at Auschwitz forty years
later.
When we finish, everyone remains in his own corner and we do not dare lift our
eyes to look at one another. There is nowhere to look in a mirror, but our
appearance stands in front of us, reflected in a hundred livid faces, in a hundred
miserable and sordid puppets. We are transformed into the phantoms glimpsed
yesterday evening.