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Here is a film
Film Quarterly, Vol. 67, No. 2, pps 2529, ISSN 0015-1386, electronic ISSN 1533-8630.
2014 by the Regents of the University of California. All rights reserved. Please
direct all requests for permission to photocopy or reproduce article content
through the University of California Presss Rights and Permissions website, http://
www.ucpressjournals.com/reprintinfo.asp. DOI: 10.1525/FQ.2014.67.2.25
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A Sanyo monitor reframes Anwars restaging of his notorious killings in The Act of Killing.
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The gangsters clearly concocted present-tense fantasy, complete with dancing women, in The Act of Killing.
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Adi looks less murderous in the company of his wife and daughter in The Act of Killing.
know we are not seeing the original event or a straightforward documentary, just as we know that a parody of a wink
differs from an actual wink, but this understanding depends on an awareness of what is absent but nonetheless
alluded to. In other words, the absent documentary invoked
by the ironic documentary enjoys a psychic reality that depends on what the spectator imagines or fantasizes it to be
a psychic reality partly based on previous experience and
partly invoked by the specific strategies a given filmmaker
utilizes. It is, in fact, not so much absent as missing: we hold
out an expectation of the absent films potential appearance,
which is quite different from merely noting something that
is not present.
In The Act of Killing, this missing documentary might
convey the moral probity, or sobriety, so characteristic of
documentary film and yet so utterly lacking in the perspective of the murderous gangsters. Voice-over commentary often generates a moral orientation to the reality
represented. In Alain Resnaiss Night and Fog (1955), Jean
Cayrols voice-over commentary provides a clear perspective on the Nazis heinous acts of genocide. The film carries great emotional impact but does not baffle us as The
Act of Killing does where no such voice appears. In Rithy
Panhs S21: The Khmer Rouge Killing Machine (2003), a former inmate from the notorious S21 prison righteously but
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Notes
1. Gregory Bateson, A Theory of Play and Fantasy, in his
Steps to an Ecology of Mind (Chicago: University of Chicago
9.
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