55.

Exotic (Artificial, Synthetic) Scales

Questionsfor Analysis
1. How are tonal center and seale made clear?
2. I{hat ae e irtersal characteriscs of each scale? \4lhat intervals are
missing from aay given scale? \llhat effect does is have on the music?
'' YYhat.analyticsystems (Hris, Pefsichtti, inteivI vector) might be serl
in understanrling this music?
5. Is ere aay shiftiag, mixing, or changiag of scales'rrithin any excerpt?

402. Touches Noires Zf'EF

Moderato

'-r
405.)Mikokosmos no.78: Five Tone Scale
_*/ Effi;

\ ' ben ritmato

J ---

i5. Exorrc (ARTIFTCIAL, SIT]rHETICTALES 567

ErB{-rcr,i
{? \
(\ 14:U-\,/
'r\x...-.-4,J/
ffi i
404. \alsette

368 PART I] I T\I,ENTiBTI]-CENTURI ,\{ATER]ALS

[=:
t.:':

4A5. London Sl,mphonr,

l: I, Reh. N4
mfrI
AIIegro risoluto Vaughan
/'Z

\
i
lr\t

(
J

406. Prludes, iI: Voiles

4orlr E?rffi
1):SS;
(Dans un rythme sans rigueur et caressant.l

\
p trs doux

f
(,

F t pp_- f-r-
toujours <]:_ I br
__-t. !

trs daux

L"r 1 ,tr
Y I-
I

i.
--
F
r.

55. EXOTIC T,{F.TjFIC]AL, SYNTIIETIC) .SCAI-ES 569

 407. N{ihroliosmos, no- 136: \4/hole Tone Sca}e
]: 1oB
Bartok
Andante,

\-_-/

ffil 40E, Pelias et Mlisande, Act II, scene 1

m.157
Debussv

* f,

570 PAP,T II I. T\\/ENTlET}J-CENTU RY \{ATEN IALS

 409. Fourteen Bagarieiles. op. 6, no. 10 ffiffi
Allegro ) =Oz

P A ,rurr.

410. Bucoiic. no. 5 E,BTT

m.20
Lu toslawski

3r. EXOTIC (.{RTTFlCI{L, STNTIiETIC) SCAt,ES 37\

 t={=l F-r t&r --+
tLt
Yl I i_r_J
I'-
Y*l ?
l{

P -.- a
l---
D;' -
| ""{' L;- ho-:
--F\

rt. a tempo

rrl p.-i- .d {L *
rL +
Ix--l \f,
lt

().' mt. .
L- a il.r I I t
J>> I
I

tft

ffi,r 411. N{i}irokosmos, no- 101: Diminished Fiftlr

372,UO' Il'. T\'\'ENTIETI-I-CENTUR)' \4ATEF\],T]-S

J
(

412. Sketches, op. 9, no. 6 EIE

Allegretto J:f fA

55. ExoTlc (ARTIF]ciAL, s)\Tr{ETrc) SCALES 575



f
I

I. T\4/ENTIETH-CENTURY \{ATE RIALS

J/+ PART I]
 '*.1
'l
I

415. Fourteen Bagatelles, oP. 6, no. 6

@

LP----..-..-
POCO eSPreSS.

smorzondo

55. EXOTTC (ARTIFICIAL, S)T,THETIC) SCALE-q 575