Game) ial cd ile rn oe Pickin Hammer-0 Cine esis Aer ee os ae mien el rere as cade tee eee ene REDE eueed Cad eres od pie erie’ eo Kemmsemsce pian ernie ad peer Pare) D-979Dhe7279 roe eaters ee eee Cee care 2379 HINER eee Ree! peed es esd aL cree eee ee ce crc rs ead Z = ey 3 wry as aA MT ea PronyFrank Gambale CHOP BUILDER The Ultimate Guitar Workout Executive Producers Roger Hutchinson and Don Mock Produced by Mick Thompson Associate Producer Brian Alexander Educational Consultam Keith Wyatt ‘Music Engraving by Glenn D. Greenwood WARNING This book and/or the accompanying video program may not be reproduced in whole or in part, by any means whatsoever, without written permission from the Publisher. Copyright © 1994 CPP Media Group A division of CPP/Belwin, Inc., P.O, Box 4340 Miami, FL 33014 International Copyright Secured All Rights Reserved(@)REH VIDEORound | * Warm Up Alternate Picking - Triplets Example 1 (Key of C) Am Example 2 Amt Example 3 Ams 2 3 1 5 3 3 3Round 1 + Warm Up Alternate Picking - Triplets Example 4 any 4 3 Example 6 Am? 3 2 3 3Round 1 + Warm Up Alternate Picking - Triplets Example 7 Am? a 3 2 3 > Example 8 Round 2 * Warm Up Alternate Picking - 16th Notes Example 1 (Key of Eb) cuitRound 2+ Warm Up Alternate Picking - 16th Notes Example 2 cm Example 3 cm Example 4Round 2.* Warm Up Alternate Picking - 16th Notes Example 5 cn? Example 6 cmt by Example 7 sample ow be 2? -Round 2 * Warm Up Alternate Picking - l6th Notes Example 9 Round 3 ¢ Combination Triplets and 16th Notes Example 1: A minor and E minor Pentatonics (Key of C) ” 3 Amt 2 1 Example 2 Amy 3 3 Example 3Round 3 + Combination Triplets and 16th Notes Example 4 ‘Am Example 5: A major and E major Pentatonics (Key of A) 3) tat Bn! 5 3 2 Example 6 7 Font Bas 2 2 Example 7 Examples me 3 Pa?Round 4 + Scale Workout (Major Scale Modes) Tonian (G Major) ‘Mode 2: G Dorian (F Major) Gat ‘Mode 3: G Phrygian (Eb Major) Gmc) (cont'd)Round 4 * Major Seale Modes ‘Mode 3: G Phrygian (Bb Major) (contd) by ‘Mode 4: G Lydian (D Major) Gmaj705) ‘Mode $: G Mixolydian (C Major) @Round 4 + Major Scale Modes ‘Mode 6: G Acolian (Bb Major) Gu? Mode: G Locran (Ab Major) ans bi Melodic Minor Modes Mode 1: G Melodic Minor Gm (contd)Round 4 + Melodie Minor Modes Mode 1: G Melodic Minor (cont'd) by ‘Mode 2: G Dorian b2 (F Melodic Minor) Gm? Mode 3: G Lydian #5 (E Melodie Minor) Gimaj7tsRound 4 * Melodie Minor Modes Mode 4: G Lydian b7 (D Melodie Minor) o Mode $: G Mixolydian b6 (C Melodie Minor) o Mode 6: G Aeolian bS (Bb Melodic Minor) Grits (contd)Round 4 * Melodic Minor Modes ‘Mode 6: G Acolian b5 (Bb Melodic Minor) (cont'd) b Mode 7: G Super Locrian (Ab Melodic Minor) Grat5 Tale) Harmonic Minor ModesRound 4 Harmonic Minor Modes Mode 2: A Locrian 46 (G Harmonic Minor) pat b Mode 3: A lonian #5 (Fi Harmonic Minor) ‘Amaj7# Mode 4: A Dorian #4. (E Harmonic Minor) An (contd)Round 4 * Harmonic Minor Modes Mode 4: A Dorian #4 (E Harmonic Minor) (cont'd) 2 Mode 5: A Phrygian Major (D Harmonic Minor) a by Mode 6: A Lydian #2 (C# Harmonic Minor) Ami?Round 4 * Harmonic Minor Modes Mode 7: Super Locrian 67 (Bb Harmonic Minor) an by Diminished and Whole-Tone Scales Seale 1: A Diminished An Seale 2: A Half-Whole Diminished (Bb Diminished) Ane (contd)Round 4 « Diminished and Whole-Tone Scales Seale 2: A Half-Whole Diminished (Bb Diminished) (cont'd) Seale 3: A Whole-Tone a Round 5 « Interval Scales and Patterns Example 1: A Dorian in 3's An?Round 5 « Interval Scales and Patterns Example 2: A Dorian in 4th’s Ani 2 Example 3: Cm? arpeggio in Sth’s cm by fx #2 % rn ie = 18 Example 4: C Mixolydian in 6th's oRound 5 + Interval Scales and Patterns Example 4: C Mixolydian in 6th’s (contd) U Round 6 * Chromatic Exercises Example 1: | String Example 2: 2 Strings Example 3: 3 StringsRound 6 + Chromatic Exercises Example 4: 4 Strings Example 5: 5 Strings Example 6: 6 Strings (contd)Round 6 + Chromatic Exercises Example 6: 6 Strings (cont'd) be ob; Round 7 « String Skipping Example 1: A minor and E minor Pentatonics Da? Example 2: Arpeggios in Key of E major Ja FF Ema’ hts amt Ena? (cont'd)Round 7 + String Skipping Example 2: Arpeggios in Key of E major (cont'd) aot Cinits Bsus Amaj? Gents Fim? maj? Brows Example 3: Arpeggios in Key of A major ‘Ama Br’, 5 Chay 3 ; 5 Dm, Fats Figs Eat Bs Dpaj? (contd)Round 7 + String Skipping Example 3: Arpeggios in Key of A major (contd) chntts By? Amaj? Etsus Example 4: A minor and E minor Pentatonics om An Am 3 2,f Example 5: Root, Sth and 10th String Skips A 3) D3 ame Ay) D3 tm 3k a Bm Gin k Fim GiB & Example 6: A Harmonie Minor (.iv.V) Dava Am BUA AmRound 8 * Sweep Picking Triad Arpeggios (cont'd)Round 8 + Sweep Picking Triad Arpeggios Example 4 (contd) F . Dm tH Round 9 * Hammer-Ons and Pull-Offs Example 1: Triplets, 6 Dias, 2 oo tine c Dreux Example 2: Scale with sting skip - tiplets Gmaj? ; ; ; 4 Dl y simi on DsusRound 9 * Hammer-Ons Example 3: A minor and E minor Pentatonics Dm An Example. String Skip Pentatonics - 16th notes Am Pull-Offs Example 5: A major pull-off scale - triplets Baus 3 simile Ana? rai, 5 2 5 2 Ama? Eteus Example 6: A major pull-off scale - triplets “ (contd)Round 9+ Pull-Offs Example 6: A major pull-off scale - triplets (cont'd) Example 7: A minor and E minor Pentatonics - 16th notes Dm? Am Le Example 8: A minor and E minor Pentatonics with string skip - 16th notes Dm Round 10 * Cool Down Example 1: Stretch Voicings BAR Emaj? AE E Ale maj? Me oe Ce Grit ce oe ce Goa oe (cont)Round 10+ Cool Down Example 1: Stretch Voicings (cont) A DA ‘Amaj? Dis A bya ‘Amaj? Dia cA FIA malta FIA cin FA maja FA D> om Daaj! on D> co Dial? op ro Fog ED BD oe pe De Gro | Dimi? me > Gp Domai? Guo (cont'd)Round 10* Cool Down Example 1: Stretch Voicings (cont'd) DA DA a ‘Ama? cast? Gua? Example 2 Pot ‘Aaa Coa Guat Gadd (181) Dad Aas? Cas Gadd%B Gnd X) Example 3: E9 Blues (cont'd)Round 10+ Cool Down Example 3: E9 Blues (contd) a GAA e as GIA Ara