TROMBONE BOOK 2 John O’Rellly and Maric Williams A comprehensive band method that develops creativity and musicianship Dear Band Student: Congratulations on completing the first book of ACCENT on ACHIEVEMENT. You have already learned a great deal and are well on your way to becoming an accomplished musician. Book 2 will take you even further on this journey. You will play more great music by composers you've already studied, plus 14 new composers. In addition, you'll play rock, jazz, Latin and ragtime pieces, along with fantastic folk songs from around the world. Practice diligently, and you are sure to do great things in the fascinating world of music. Oe OR LZ Dak Wiha John O'Reilly Mark Williams Masatnss Main Ladyrd insment pie or and pI) ar cout ol Yonahe Cay Copyright © MCUXCVI Alfed Bubiishing Co, In. [age resend. Printed in USA.Alccenr ow review Wuore Note Whnote Rest ° - Hate Note Hawr Rest Quarter Notre Quarter Rest Breath Mark 9 Time Sicnatures Key SIGNATURE 4 2 4 4 Repeat Sicn °| Tempo Markincs Moderato Allegro Oats, Peas, Beans Traditional Allegro cae Go Tet Aunt RHopy (Duet) Moderato . American Folk Song Some Forks Do Stephen Foster (1826-1864) Allegro . ; SLumser Sona we an o# Moderato Belgian Folk Song solo BAND solo BAND(Alccent on review RitarDanpo FerMara rit, a Dist ‘1st ano 2np Ewoincs dix > pore. Eicut Notes Har Nore J. i Pick-up Note Jib d Time SicnaTuRE , == Dynamic Markincs f P Tempo Markinc Andante Ecuo Duet Andante English Folk Song a Yankee Doopte Allegro American Folk Song >> ff THe Man on THE Fivinc TRAPEZE Traditional Moderato Af P ty Merrity We Rout ALonc Traditional Moderato a ed we P| Sinote Eicuth Note EicHtH Rest Alccenr on review d ’ i Dortep Quarter Mutripte Measure [ Note Rest ow Syncopation dd ee Staccato / Dynamic Markincs Tempo Marking nf mp Vivace BARCAROLLE from “TALES OF HOFFMAN” (Duet) Jacques Offenbach (1819-1880) Moderato Ie Se : 9 mp Deck THE Haits Traditional Carol Vivace 10 mp f f af f Buty Boy Allegro American Folk Song " f caAlccent on Key Sicnature [mos Swncorarion } L D, |} wd Lene oe Time SicnaturE c Crescenoo § Diminuenno = Tempo Markinc Largo D.C. (Da Capo) at Fine D.S. (Dat Szono) au Fine | ALL THROUGH THE NicHT Welsh Folk Song, Largo Fine Deal Fine 12 2 mp of Oto Dan Tucker (Duet) American Folk Song Allegro % Fine DS. al Fine B f ® = f Erte Cawat American Folk Song Moderato i. “Tia. mp f mp America, THE BEAUTIFUL ‘Samuel Ward (184-1903), ‘Andante 15 P —_f =P =F7 Accent ON PERFORMANCE i Marcu Onward AllegroTempo Markine Time Sionature @ Allegretto Cut Timesame as 3 Moderately fast tompo 2 = 2 beats in each measure 2 = half note receives 1 beat Hate Note Gets tHE Beat Moderato mf Count Tk 2 8 TRDH ‘Sinc Noet (Round) Allegretto ® Liberian Folk Song ScarsoroucH Fair English Folk Song ‘Andante - Ooo 2 18 P —= af Hich ScHoot Capets John Philip Sousa oe (1854-1932), 19 * f Accent ON TROMBONE 20 mf For more individual technique practice, see page 42, #1.Hate Stee/Wuote Step alternate Hf On a piano keyboard, the Ato B = 1/2 stop == distance between any two i i ae 6 adjacent koys is called a Recs ias half step. Two half steps equal one whole step. 8h to C = whole stop DirFerent Steps Moderato i Ye Het Whole ee ee oe 21 amp Up on THE Housetop Traditional Carol Vivace mf =— Zum Gat Gati (ouet) Israeli Folk Song — Allegretto = Lee e Alecenr ON THEORY: Identifying Half Steps and Whole Steps Label all helf steps with ~., Label all whole steps with —ot Tenuto J 2 Hold the note fr its full value, ‘Tempo Markinc oe ATEMPO ln a majestic style Return to the previous tempo. STRETCHING HIGHER Andante Db f Apvvance, Austratia Fair ‘Maestose 26 Down Home Buues (duet) Allegro aS Accent OW CREATIVITY: Free Rhythmic improvisation 28 Improvise about eight measures of rhythms using any combination of hand claps, finger snaps ‘and foot stomps. Try to maintain a steady tempo while varying the rhythms and sounds.SixreenTH Notes Receive 1/4 beat in J, Gand 4 time Four To THE Beat Moderato 29 cont ie ka Dk ok THe THUNDERER Allegro 30 = f John Philip Sousa (1854-1992) Harvest Sonc Allegretto 31 Simpte Giets Moderato 32 mf % ae Alcceur on tromeone 33 ee For more individual technique practice, see page 42, #2. Estonian Folk Song American Falk Song DS. al Fine(AlccenT on PERFORMANCE Houipay Fantasy Arranged by John O'Reilly and Mark Williams Allegro 5 .AFTER-BEATS Gadyd 1a Qe Key SiowaTure There are no sharps or fats inte ay of == TRANSPOSING Rewriting a melody beginning on a different starting pitch, maintaining the same pattem of half steps and whole steps. Minor Erisope Moderato B 34 mp America/Gop Save THE QUEEN Andante Traditional 35 mf —— 7, THe Otp Brass Wacon (duet) American Folk Song Allegro 36 f > a THeme From “A Mipsummer Nicut’s Dream” Felix Mendelssohn (1809-1847) Allegretto i 37 P Count Le ke? & Alccent on tHeorY Transpose the first 6 measures of #35 (America/God Save the Queen) into these two keys, then play.Dywamic Markinc S-P Play ff the first time, and p the second time. AN Eicutn Note ano Two SIXTEENTHS | 4 IIH | | te te 2 > Hick Note Hapreninc Moderato — _ mf a SixTeeNTH Avenue Allegretto mp mf E FLoron (oue Mexican Folk Song Allegro | at mf mf THe Pawpaw Parco : Moderato % 1 American Folk Song ifs a. I Antonio Vivaldi SPRING from “THE Four SEASONS” (1678-1741) Allegretto es as = 1 2. a 43 tS Gp P f - = .2 00RD 2 F-P) Accent ON CREATIVITY: Passing Tones and Neighbor Tones Write your own variation on this theme by adding passing tones (notes between pitches a third apart) and neighbor tones (above or below repeated pitches)iiae Seana 2 a EtcuTa Note te a()2 © aa) More SixteeNTHs Moderato B 45 a Tarta Hinpi Allegretto Arabic Folk Song SP f IL EST NE FrenchConadion Folk Song Moderato mp fmf Pat-a-PAN French Folk Song Allegretto mp mf eg? Accent on tromeone 49 f For more idual technique prac 800 page 42, #3 & 4.| Dorteo Eicutn Note | i Receives 3/4 beat in = | 043-2) | 2. ond 4 time ae al | Dottep EicutHs Andante amp Bripat CHorus from “LOHENGRIN” Richard Wagner (1813-1883) ae 1 Maestoso 51 mf THEME from “UNFINISHED SYMPHONY” ne Moderato (1797-1828) 52 mp = ——P ITauiaN StREET SONG oo Allegro: (1859-1924) 53 de ACCENT OW THEORY MAJOR SCALE CONSTRUCTION: All major scales contain the seme patter of whole steps and half steps. Study this pattern in the example below. Now build your own major scale beginning on ole left ah nla lei the note given, adding any sharps or flats as necessary. SR A Note names must be in alphabetical order. = fe aS aS = = 5aAlccenr on perFormance Cyserspace OVERTURE Allegro “ 5 6 > 3 =e > [37] Andante fe fz. 2 ‘D.C. al Fine - ir 1B i reatFt Lookinc SHARP Largo HH 55 ap © Canapa Maestoso Canadian National Anthem rit Apia from “THE MARRIAGE OF FicaRo” Wottgang A. Mozart (1758-1791) Allegretto 572 mp =f mp — Alccent ON CREATIVITY: Improvisation on Chord Changes Improvise your own melody using the notes contained in each triad (three note chord). You may also use passing or neighbor tones as long as they are of short duration. 8b Gm cm F 8 Gm cm Fj 8b—_ D.C. (Da Capo) at Copa a Go back to the beginning: 7 J then skip to the code. Rance BuitDER Moderato ¢ 59 mf Fiower Drum Sonc Andante Chinese Folk Song Nu AR DET JUL IGEN Swedish Folk Song Moderato 61 of reac la sete Kenneth Alford Allegro a Toca (1881-1938) 62 Je : DC al Coda OCoila (Alccent ow trompone 63 6 6 mf For more individual technique practice, see page 42, #5 and page 43, #6.Envarmonics ay two notes that are written differently, but sound the same. Curomatic CRAWL Moderato 64 mf THEME from “Piano Concerto No. 2” Sergei Rachmaninoft ae (1873-1943) 65 ‘div. = mp tt. Edvard Grieg In THE Hatt oF THE Mountain King (1843-1907) Moderato 1 > 2 e uf mf OVERTURE from “THE BARBER OF SEVILLE” Gioacchino Rossini (1792-1888) Vivace = = a = 7 f AXCCENT OW THEORY — Rowite each ofthese notes as its enharmonic equivalent 68Time SIGNATURE B = 3 beats in each measure ighth note receives 1 beat EicutH Note Gets tHe Beat Moderato a 69 my Gount"1 2 8 TARANTELLA (Duet) Allegro Halian Folk Song mp Battte Hymn of tHe Repustic Maestoso Traditional 2 eee re n Deer ere pe eet SSeS mf Alccenr ON CREATIVITY: Composition Based on a Rhythmic Pattern — Write your own short composition, using the rhythmic pattein # ein different ways. Be sure to include: 1) clef sign 2) key signature 3) time signature. Play your composition 7 iA CCENT ON PERFORMANCE Water Music : George F. Handel (1685-1759) pore Aur, by John O'Reilly and Mark Williams iplay 2nd time only play both times P mpTime SicnatuRE 6 beats in each measure D.S. (Dat Seco) at Copa 8 Six To THE Bar Andante eighth note receives 1 beat Go back to the sign S%; then skip to the coda mp come 12.9456 123458 Row, Row, Row Your Boat (round) Moderato @ @ ® American Folk Song 14 mf I's THE B'y (Duet) Canadian Folk Song Allegretto (Newioundland) 75) ee de THe ENTERTAINER x . ‘Scott Joplin ‘To Coda t (1868-1917) Allegro nf f a DiS at Coda’ Accent ON TROMBONE ee ” mf For more individual technique practice, see page 43, #7.Tempo Markinc Andantino Slightly faster than Andante, Sti HicHer Andantino 5 78 mf f bce ae Catypso Cuime (Duet) Moderato 7 alae 79 mf uf . 1 Saw Tree SHIPS Allegretto Traditional Carol (r2aasie The Star-SpaANGLeD BANNER US. National Anthem Maestoso 81 mf 22 DEF SF SES,Motto rit. Dramatically stow down the tempo, Smoortu Sturrinc Andantino mm = 83 Hasaiiera from “CaRMEN” Georges Bizet Moderato : 7 (1898-1875) £ be mp Yooeuinc Sonc Austrian Folk Song Allegretto Aa ee) 2 85 f f THEME from “VioLin Concerto in D” Ludwig van Beethoven (1770-1827) Allegretto oe : , os Cn 86 mf a Fine 6 Alccenr ON CREATIVITY: Improvisation on a Blues Scale Using the pitches shown, improvise your own melody using any thythms you know. You may play these notes in any order, repeat notes, ar use rests, 37 BE jo foe aTempo MARKING Adagio SrorzanDo sfz Slightly slower than Andante. ee A strong accent. Cioc Dance Moderato 88 a Hopak from “THE Fair aT SOROCHINSK” Modest Mussorgsky div, rae Allegretto 7 (1839-1881) 89 mp oft diy. Sf fs O TANNENBAUM ‘Adagio (ele German Folk Song 90 af mp uf Biow Away THe Morninc Dew English Fotk Song Allegro 1 Accent ow TromBone (aS 92 af For more individual technique practice, see page 43, #8,A CCENT ON PERFORMANCE Fiesta Mexicaut Allegro yy © CodaDynamic Markines a or BEAMING OVER A REST Pianissimo—very soft _Fortissimo—very loud § ie) | Beam Me Up Allegretto 0 : Ve. 3 3 mf THe SorcERER'S APPRENTICE Paul Dukas (1865-1935) Vivace mp Country GARDENS (Duet) English Folk Song Moderato . af nf Alccent on tHeoRY Draw the conect ber lines, then write in the counting and clap. oo GDL yo DLL yd byKey Sicnarure = All B's, E's, A's, D's and G's should be played as Bb, Eb, Ab, Db and G> throughout. Muutipte Frats 5 [eee Adagio : fa. 7 mp Over THE River AND THROUGH THE Woops ee Allegretto 98 mf Marcu OF THE TOREADORS Georges Bizot Moderato (1838-1875) 99 te Fum, Fum, Fum | Allegro “ 100 fe =f Alccenr ON CREATIVITY: Extended Composition 101 Write your own composition of any length, using a separate sheet of music paper. Use some repeated rhythmic and/or melodic patterns to create unity. Use some contrasting material to create variety. Play your composition.| ee Terues Grace Note am mn | A quick note, Ti 3 oh = usually played just Lowe SF atone the boat THREE TO THE BEAT Moderato 102 2 mf Triptet Sonc Andantino French Folk Song # 103 Finate from “New Worto SympHony” Antonin Dvofés Allegro (1841-1908) 104 Ae DC. al Fine PRocEssION OF THE NOBLES Nicolai Rimsky-Korsakov Maestoso (1844-1908) 105 f Alecenr on trombone — — NOD 106 se For more individual technique practice, see page 43; #9,Tue Outer Limits E iby Moderato 7 : : 2 fh 107 mf Now Is THE MontH oF Mayinc (Duet) Thomas Morley Allegretto . (1559-1602) 108 mp » mp La Donna é Mosite Giuseppe Ver Moderato (1813-1901) 109 mf mp crese. Soupier’s Corus from “Faust’ Charles Gounod Moderato : (1818-1893) : = : i 110 mf Marcu from “Nutcracker” Peter llyich Tchaikovsky (1840-1893) Allegro Los oS : 411 For more individual technique practice, see page 43, #10.John Philip Souse (1854-1932) ‘Ar. by John O'Reilly ‘and Mark Williams Accent ON PERFORMANCE Sousa on Parape Allegro 5Tromsone soro Wuen Jounny Comes Marcuinc Home Arr. by John O'Reilly and Mark Wiliams Allegro 3 Trombone PianoAccceur ON ENSEMBLESDS. al CodaAlccenr ow scates Bb Masor Scate (concert Bb) G Harmonic Minor Scate (concert 6) G Metopic Minor Scate (concert c) F Masor Scate (concert F) D Harmonic Minor ScaLe (concert D) 2 D Metopic Minor ScALeE (concert D) Masor Scate (concert eb) C Harmonic Minor Scate (concert ©) Metopic Minor ScALE (concert c)Ab Masor ScaLe (concert ab) F Harmonic Minor Scate (concert F) ai F Metooic Minor Scate (concert F) t bebe » beh C Mayor Scate (concert ¢) A Harmonic Minor ScaLe (concert A) A Mevopic Minor Scate (concert a) Db Masor Scate (concert D> 2 B> Harmonic Minor ScaLe (concert Bb) B> Metopic Minor Scate (concert 6) Crromatic SCALE (Trombones only) 2 by byAlccewr ow rayrums red te ge 14 byl dt gl 2 gL LT a a4 JTL DL a DL LL sf OL OO Ty Lo PDL TL by by of OTL yy OD I pees) a ee ee ee of VO Dy on,«gL TL Ty op TO oh ym, pl TT. byAccent on restsAccent ow rromponeAccent ON CHORALES We GatHer TOGETHER Andante Netherlands Folk Song pore mf mp rit. Now Tank We Att Our Goo Johann Sebastian Bach Maestoso (1685-1750) mf we rit Ma-oz Tsur (Rock oF Aces) Moderato nN Traditional Hanukkah Song rae ALL THROUGH THE NiGHT Andante Welsh Folk Song mp = mf =~ mp-p a mp ——— rit ETERNAL FATHER, STRONG To SAVE Adagio Nawy Hymn mp mf ——— mp pp —__—— uf molto rit.Guossary Accent (=) Play the note stronger Apacio Slightly slowor than Andante AtrorD, KenneTH English composer (1881-1945) AuecreTro Modoratoly fast tempo Awtecro Fast tempo ANDANTE Moderately slow tempo ANDANTINO Slightly faster than Andante ATempo Retum to the previous tempo Bacu, Jonann Seasnian German composer (1685-1750) Beetioven, Luowic van German composer (1770-1827) Bier, Georces French composer (1838-1875) Common Time (@) Same as 4 time signature Cur Tue ((2) Same as 3 time signature CREscenDo (===) Get louder gradually D.C. (Da Capo) aL Copa Go back to the beginning: then skip to the coda D.C. (Da Capo) at Fine Go back to the beginning and play until Fine Diinuenoo (=) Get softer gradually DS. (Dat Secno) at Cona Go back to the sign $$: then skip to the coda D.S. (Dat Secno) at Fine Go back to the sign and play until Fine Dukas, Paut French composer (1865~1935) DvosAx, Antonin Czech composer (1841-1904) Ennarwontcs Any two notes that are written differently, but sound the same. (Ff = Gb) Fermara (7) Hold the note longer Far (}) Lowers the pitch of @ note one half step Forte (f') Loud FP. Play loud the first time and soft the second time Formissimo (ff?) Very loud Foster, STEPHEN Ametican composer (1826-1864) Gounop, Cartes French composer (1818-1893) Grace Note A quick note, usually played just before the beat Gries, Eovaro Nonvegian composer (1843~1907) Hatr Step The distance between any two adjacent keys on the piano Hanpet, Gzorce F. English composer of German birth (1685-1759) Hersert, Victor American composer (1859-1924) Jopun, Sort American composer (1868-1917) Key Sicnature Indicates notes which are to be flatted or sharped throughout Larco Very slow Magstoso In a majestic siyle Mezzo Forte (mf") Medium loud Mezzo Piano (mp) Medium soft Menoetssonn, Feux German composer (1809-1847) Moperaro Medium tempo Motto rir, Dramatically slow down the tempo Morty, THomas English composer (1559-1602) Mozart, Wotrcano A. Austrian composer (1756-1791) Mussorcsy, Mopest Russian composer (1839-1881) Narurat (}) Cancels a flat or shorp until the next bar line Orrensac, Jacues French composer (1819-1880) Pranissimo (pp) Very soft Piano (p) Soft Racumaniorr, SERGE! Russian composer (1873-1943) Rimsiy-Korsakov, Nicotai Russian composer (1844-1908) Riraroawoo (Rit) Gradually slow down the tempo Rossint, GioaccHino Italian composer (1792~1868) Stare (f) Raises the pitch of a note one half step Scuuserr, Franz Germon composer (1797—1828) Srorzanbo (f5) AA strong accent Sousa, JOHN PHILIP American composer (1854-1932) Staccato (-) Play the note 12 its normal length Tonaikovsky, Peter I. Russian composer (1840-1893) Tenuto (—) Hold the note for its full value TrANsPosiNG Rowiting @ melody, beginning on @ different starting pitch Vero1, GiusePPE Italien composer (1813-1901) Vivace Very fast tempo Vivatot, ANTONIO Italian composer (1678-1741) Waoner, RicharD German composer (1813-1883) Whuote Step Two half stepsTromsone POSITION CHART ‘st and Br ath sth 6th 7th SLIDE POSITIONS Numbers under notes indicate side positions.4 3 2 tor6 5 4 3 2 tors 4 3 2 torbs 3 2 1Home practice recorp Total Parent Signature