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EXHIBIT 1
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Exhibit 1 1
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Exhibit 1 2
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Exhibit 1 3
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Exhibit 1 4
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Exhibit 1 5
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Exhibit 1 6
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Exhibit 1 7
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Exhibit 1 8
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Exhibit 1 9
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Exhibit 1 10
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Exhibit 1 11
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Exhibit 1 12
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Exhibit 1 13
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Exhibit 1 14
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Exhibit 1 15
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Exhibit 1 16
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Exhibit 1 17
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Exhibit 1 18
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Exhibit 1 19
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Exhibit 1 20
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Exhibit 1 21
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Exhibit 1 22
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Exhibit 1 23
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Exhibit 1 24
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Exhibit 1 25
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Exhibit 1 26
Case 2:17-cv-02185-MWF-JC Document 27-1 Filed 08/03/17 Page 28 of 28 Page ID #:309

LOONY
By
Gary L. Goldman

When his ego inflates to Hindenberg-ian proportions,

ZEKE AMORY, brilliant but eccentric cartoon genius,
gets kicked off his own hit TV show, like The
Simpsons, which he created and for which he does
all the voices. Suddenly Zeke no longer owns his
famous characters, who are based on people from his
life and on the many warring aspects of his
personality.

Traumatized, and without the creative outlet that

kept him sane, Zeke starts to be haunted by his
wacky creations. Of course, only he can see them.
So he seems totally out of his mind.

With dizzying swiftness, Zeke loses everything: the

Beverly Hills mansion, obnoxious Ferrari, starlet
girl friend. He gets arrested for vagrancy, is
bailed out by his mother, and has to move back in
with his parents, sleeping in the little twin bed in
his childhood home back in Nebraska. Once there, we
recognize the models for Zekes characters.
Suddenly, he is reliving the adolescent nightmare
that inspired his creative vision in the first
place.

Befriended, coached, and harassed by incorrigible

cartoon characters who wont leave him alone, Zeke
has to put his life back together before he loses
his sanity and the woman he has always loved.

Exhibit 1 27