Professional Documents
Culture Documents
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e
enedetti
ilbert
Fais Dodo
Premires Partitions/First Pieces
Doucement/softly and sweetly Arr: Gilbert DeBenedetti
& 34
3 2 1 2 1 2 3 1
Fais do - do Co - las mon p'tit fr - re,
Go to sleep, my Cal - vin my bro - ther,
3 2 1 5
&
Fais do - do t'au - ras du lo - lo. Ma -
Go to sleep, you'll soon have some sweets. Our
5 4 3 2 5 5 5
&
man est en haut Qui fait du - g - teau, Pa -
mo - ther's up - stairs, She'll bake us a cake, Our
5
& .
pa est en bas Qui fait du choco - lat.
fa - ther's down - stairs, Some cho - c'lat he'll make.
3 2 1 2
&
Fais do - do Co - las mon p'tit fr - re,
Go to sleep my Cal - vin my bro - ther,
3
& .
Fais do - do t'au - ras du lo - lo.
Go to sleep, you'll soon have some sweets.
Gratefully
Arr: Gilbert DeBenedetti
1 2 3 4
For health and strength and dai - ly bread we praise thy name, O Lord.
Sing this grace as a round! When the first people to sing reach the "2",
the second group of people join in at the beginning. When the first people
reach the "3", the third group joins in at the beginning, and so on.
4 5 4 1 2 3 4
1 2
Good King Wen- ces - las looked out, On the feast of Ste - phen
4 5 1 2 1
When the snow lay round a - bout, Deep and crisp and e - ven.
Jin - gle bells! Jin - gle bells! Jin - gle all the way!
Jol - ly old Saint Nich - ol - as, Lean your ear this way!
Don't you tell a sin - gle soul What I'm going to say;
Christ-mas Eve is com - ing soon; Now, you dear old man,
3 2 2 3 2 3
1
Ma - ry had a lit - tle lamb, lit - tle lamb, lit - tle lamb,
3 2 1 2 3 2 2 3 2 1
Ma - ry had a lit - tle lamb it's fleece was white as snow.
1 1
4 4
1 2
2 4
10
2 4
2 4 2 4
14
2 1 2 2 1
3
3 3 4 5 5 4 3 3
3 2 2 2 2
1
3 4 5 5 3
1 1 2 2 1
1 2 3
3 3 4 5
2
Gent - ly down the stream,
5 3 1
Mer - ri - ly, mer - ri - ly, mer - ri - ly, mer - ri - ly,
4 2 4 2 5 3 1
&
wrote a let - ter to my love, and on the way I dropped it.
2 3 2 3 2 2
1 1 1
Au clair de la lu - ne, mon a - mi Pier - rot,
By the sil - v'ry moon - light, my dear friend Pier - rot,
2 3 2 3 2 2
1 1 1
Pre - te moi ta plu - me pour e - crire un mot.
May I have your pen to write my love a note.
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Aura Lee
Popularized by Elvis Presley as
"Love Me Tender"
First Pieces
sat and piped, I heard him sing, sing - ing "Au - ra Lee."
3 3
1 1
Oh, when the saints, Go march-ing in,
3 3 3
1 1 2
Oh, when the saints go march - ing in,
1
3 5
5
3 3 2
Twin-kle, twin - kle lit - tle star, How I won-der what you are,
Twin - kle, twin - kle lit - tle star, How I won - der at you are.
chast - ens and hast - ens his will to make known, The
wick - ed op - press - ing cease them from dis - tress - ing, Sing
e
enedetti
ilbert
Alouette
Debutant / Primer Level
Arr: Gilbert DeBenedetti
Assez vite / Rather fast
1 3 1
&c . j
?c
1
1
& . j
U
Plus lentement / Slower
5 5
&
? w
1 1 1
& . j j
.
saved a wretch like me! I once was lost but now I'm
1 2
3 4
1 2
3 1
4
2
1 4 2 1
3 3
1 2 3 1
5
5 5 3
4
1 4
or
dar - ling, Clem - en - tine, Thou art lost and gone for -
pea - nut just now, Just now I found a
stretch!
when it's dry and rea - dy, Oh drei - dle I shall play! Oh!
drei - dle, drei - dle, drei - dle, I made it out of clay, And
when it's dry and rea - dy, oh drei - dle I shall play!
Traditional
Moderately Arr: Gilbert DeBenedetti
say, was to cert - ain poor shep- herds in fields where they lay,
sheep, On a cold win - ter's night that was so deep.
?c
Are you sleep - ing, Are you sleep - ing, Bro - ther John? Bro- ther John?
shift up!
4 2 1 4 2 1
&
Son-nent les ma - ti - nes, Son-nent les ma - ti - nes, Din, don, don. Din, don, don.
?
Morn-ing bells are ring-ing, Morn -ing bells are ring-ing, Ding, dong, dong. Ding, dong, dong.
3 3 5 1 3
2
Jin - gle, bells, Jin - gle, bells, Jin - gle all the way,
1 1
5 5
4 4 3 2 3 2 5
4 1 2 1
3 3 5 1
Jin - gle, bells, Jin - gle, bells, Jin - gle all the way,
1
4 4 3 5 4 2
Oh, what fun it is to ride a one horse o - pen sleigh.
1
1 1
2 3
4
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London Bridge
Primer Level
Lon - don Bridge is fall - ing down, Fall - ing down, Fall - ing down,
Like a lulluby
Arr: Gilbert DeBenedetti
Je - sus lay down his sweet head. The stars in the sky looked
down where he lay, The lit - tle Lord Je - sus, a - sleep in the hay.
Beethoven
arr: Gilbert DeBenedetti
C position
3 3 2
1
1 1
5 5
3 2
1
5 5 5
2 1 2 3 4 3 2 2
1 1
3 2
5 5
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Old MacDonald
Had a Farm
Primer Level
3
1
Old Mac-Don - ald had a farm, E I E I O, And
4 3 4
3
on that farm he had a cow, E I E I O.
4
Moo moo here, moo moo there, ev' - ry where a moo moo,
3
Old Mac - Don - ald had a farm, E I E I O.
4
I've been work-ing on the rail-road all the live long day! I've been work-ing on the
rail-road just to pass the time a - way. Can't you hear the whis-tle blow-ing?
11
Rise up so ear-ly in the morn? Can't you hear thecaptain shout-ing, "Di - nah- blow your
16
horn!" Di-nah won't you blow, Di - nahwon'tyou blow, Di - nah won't you blow your horn
Di-nah won't you blow, Di - nah won't you blow, Di - nah won't you blow your horn.
25
29
Some-one's in the-kit-chen with Di - nah, Strum-ming on the old ban - jo. A-sing-ing,
l.h. over
33
37
Broadly
l.h. over
Jingle Bells
Level 1
Arr: Gilbert DeBenedetti
With good cheer
Jin - gle, bells, Jin - gle, bells, Jin - gle all the way,
Jin - gle, bells, Jin - gle, bells, Jin - gle all the way,
Jol - ly old Saint Nich - o - las, lean your ear this way!
Don't you tell a sin - gle soul what I'm going to say,
Christ-mas Eve is com - ing soon, now, you dear old man,
La cu - ca ra - cha, La cu - ca - ra - cha,
l. h. shift up
Ya no pue - de ca - mi - nar.
r. h. shift up
cross
U - na pa - ta - par' an - dar.
l. h. shift down
Light - ly row, light - ly row, O'er the roll - ing waves we go.
Sing and laugh, sing and laugh, In our rub - ber raft.
Look out for that big old wave! It could put us in our grave!
Beethoven
C position arr: Gilbert DeBenedetti
?c
5 1 1 4
3 2
3 1 5 2 3 2 1
Fine
& . . .
. .
Hey, Hey, Skip to my Lou, Skip to my Lou my dar - ling,
?
5 1 1 1
3 2 3
.3 . . 2
. . . . . . .
1 2 1 4
& . . . . #
. .
. . . . . . .
.
Lost my part - ner, What' ll I do? Lost my part - ner, What' ll I do?
?
5 1 1
3 2
.3 . .
. . . . .
2 3 2 1
.
D.C. al Fine
& . .
. . . . .
.
Lost my part - ner, What' ll I do? Skip to my Lou my dar - ling,
?
5 1 1
2 3
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O Christmas Tree
Level One
Christ-mas tree, O Christ-mas tree, How love-ly are your branch - es.
5 5
# 2
5
En dansant/Dancing Arr: Gilbert DeBenedetti
& 4
1
3
1
1
1
Ain - si font, font, font, Les pe -
How they dance,
dance,
dance, All the
? # 24
3 2
# 2 4
3 1 3
&
ti - tes ma - rio - net - tes, Ain - si font,
lit - tle ma - rio - nets How they dance,
?#
1 3 3
5
# 1
5
&
4
font, font, Trois p'tits tours et puis s'en vont.
dance,
dance, Three quick turns and then they're
gone.
?#
2 3
5
Oh, beau - ti - ful for spa-cious skies, for am - ber waves of grain, For
10
mer - i - ca! A - mer - i - ca! God shed his grace on thee, And
14 Slower
Only use finger 2, both hands. These are your "chopsticks." Arr: Gilbert DeBenedetti
r.h.
l.h.
5
13
17
21
25
29
Anoton Dvork
Sentimentally Arr: Gilbert DeBenedetti
3
j j
5 3
& c . .
j
. w
F
? c ww w
w
w w
w w
1 1
5 5
2
3
j j
1 1 Fine
& . . j
.. w
? ww #w ww
w
1 1 2 3
5 5 5
3
move hands up!
4 2 2
& .. . J ..
D.C. al Fine
w
f - p first
w w
time loudly,
second time softly
? .. w w ..
4 5
Silly!
Arr: Gilbert DeBenedetti
Do your ears hang low, Do they wab - ble to and fro? Can you
tie them in a knot, can you tie them in a bow? Can you throw them o'er your shoul der like a
6
cross
1, 2 3
11
Yo ho! ho!
Low G Low C
3
Slowly, longingly
3 Arr: Gilbert DeBenedetti
&4
My bon - nie lies ov - er the o - cean, My
?3
4 .
1 5 2 shift 1 2 4 1
shift
3 shift 2 1 2 3 3
5 shift
& .
bon - nie lies ov - er the sea. My bon - nie lies o - ver the
..
? . # . .
5 2 1 1 1
3 shift
3
11 l. h. over
&
.
o - cean, Oh bring back my bon - nie to me.
?
2 4 shift 4 3 2
5 4
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Ode to Joy
Level 2
Beethoven
D position arr: Gilbert DeBenedetti
l.h.
moo moo hereand a moo moo there here a moo, there a moo ev'-ry where a moo moo
Oh! say, can you see, By the dawn's ear - ly light, What so
Whose broad stripes and bright stars, through the pe - ri - lous fight. O'er the
And the rock - et's red glare, the bombs burst-ing in air, Gave
15
19 Slower
say, does that Star - Span - gled Ban - ner yet wave O'er the
23
rit.
land of the free and the home of the brave!
Sur le Pont d'Avignon
On the Bridge at Avignon
Deuxime Niveau / Level Two
. . .
Sur le pont d'A - vi - gnon l'on y dan - se l'on y dan - se,
? c .
3 2
5 5
1 2 Fine
& . . .
. . .
. . .
Sur le pont, d'A - vi - gnon l'on y dan - se tout en rond. -
? .
Lentement / Slowly
1 U U
&
D.C. al Fine
Les belles dames font comme a, et les mess - ieurs comme a.
?
3
5
u u
1.This old man, He played one, He played knick knack on my thumb with a
knack knack pad-dy wack give the dog a bone, This old man came roll-ing home.
2. ...on my shoe...
3. ...on my knee... 7. ...up to heaven...
4. ...on my door... 8. ...on my gate...
5. ...on my hive... 9. ...on my spine...
6. ...on my sticks... 10. ...back again...
John H. Hopkins
Arr: Gilbert DeBenedetti
Moderately
foun - tain, moor and moun - tain, Fol - low - ing yon - der star.
Dal Segno
rit.
moun - tain - side, let free - dom ring!
e
enedetti
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Au Clair de la Lune
Niveau Deux
&b c w
? c
Au clair de la lu - ne, mon a - mi Pier - rot,
w
b
3
1 3
&b w
Pr - te - moi ta plu - me pour - crire un mot.
?b w
3
5 2 5 4
&b b
? n n n w
Ma chan - delle est mor - te, je n'ai plus de feu,
b
2 4 1
1
&b w
Ou - vre - moi ta por - te pour l'a - mour de Dieu.
? w
b 3
Richard Wagner
Slowly, with dignity Arr: Gilbert DeBenedetti
rit.
A Tempo
rit.
G. F. Handel
Majestically Arr: Gilbert DeBenedetti
11
pare Him room, and heav'n and na-ture sing, and heav'n and na-ture
16
Fine
DC al Fine
?c
3 1 4 2
5
2 3 1 3 5 2
&
5
.
nev - er fail - ing,
p Our help - er, He, a - mid the flood
? ..
3 3 3 4
5 5
5 3 1 3 4
& #
9
.
Of mort - al ills pre - vail - ing. f For still our an - cient
? ..
2 2
4 1 5 2 3
.
4 3
13
& . .
foe doth seek to work us woe, His craft and pow'r are great, And
? . #
1 3 3 4 3
3 1 3 5 U 3
1
&
18
.
dim.
armed with cru - el hate, On earth is not his e - qual.
?
.
2 5 4 2 3
5
2. Did we in our own strength confide, 3. And though this world, with devils filled,
Our striving would be losing, Should threaten to undo us,
Were not the right man on our side, We will not fear, for God hath willed
The man of God's own choosing, His truth to triumph through us.
Dost ask who that may be? The prince of darkness grim,
Christ Jesus, it is He, We tremble not for him,
Lord Sabaoth is His name, His rage we can endure,
From age to age the same, For lo! his doom is sure,
And He must win the battle. One little word shall fell him.
Morning Song
Edvard Grieg
Peacefully Arr: Gilbert DeBenedetti
1. 2.
7
13
19
rit.
4 1 2 1 2 1 2
j
5
& .
.
F
? .
w
2
3 2 1 3 2 5
9
& w
f
w w
?
3 1
1 2 ... www ... www
14
&
p
? . & . J ?
3 3 1 5 1 4 2
4 1 2 3 1 2 5
& . j j
19
.
F p
? w w
U
.
Slower
24 1 4 4
& J
? w & w w w
5 u
Cripple Creek
Level Three
Fiddle Tune
Lively Arr: Gilbert DeBenedetti
Crip-ple Creek's deep, I'll wade old Crip-ple Creek, 'fore I sleep. Roll my britch-es up
Goin' up Crip- ple Creek Goin' on a run, Goin' up Crip- ple Creek Have some fun.
Goin' up Crip- ple Creek Goin' in a whirl, Goin' up Crip- ple Creek See my girl.
1.God rest ye mer - ry gen - tle - men, Let no - thing ye dis - may. Re -
2.From God our heav'n- ly fa - ther, A bless - ed Ang - el came, And
Emin C B7
mem - ber Christ our Sa - viour was born on Christ - mas day. To
un - to cer - tain shep - herds Brought tid - ings of the same. How
Amin G Emin D
G B7 Emin Amin
1, 2, 3 4.
Emin B7 Emin Emin B7 Emin
3. We are not daily beggars 4. God bless the master of this house,
That beg from door to door, Likewise the mistress too,
But we are neighbors' children And all the little children
Whom you have seen before. That round the table go.
Love and joy, etc. Love and joy, etc.
It was tall - er by half than the old man him - self, But it
day that he was born, It was al - ways his treas - ure and pride.
tick tock) His life's sec-onds num-ber-ing (Tick tock tick) But it stopped
Hark! the her - ald an - gels sing, "Glo - ry to the new-born king!"
"Moonlight" Sonata
Op. 27, No. 2
Level 3
Ludwig van Beethoven
Adagio
5
Arr: Gilbert DeBenedetti
? 24
1 3
3 3
?2
4
1 2
5 b 5
?
3 3
1
4
?
3 5
5 5
5
3 4 4
? # #
1 2 3 2 3
7
&
?
prepare l.h.
4 1
5
F 3
&
10
. .
?
l.h. same notes as previously in r.h.
5 2 2 1
?
5 2 1 5 3 1 3 1 4 3 1
5
3
.
17
&
?
5 3 1 4 3 1
20 4
& . #
?
5 3 1 5 2 1 3 4
5 3 1 2
&
23
?
1 5 3 1 5 2 1
5 3
3 1 3 1
3 5
3 U
?
26
&
dim. e rit.
? #
3 1 3 5
3
O Canada!
Level Three Calixa Lavalle
Arr: Gilbert DeBenedetti
Maestoso
3 5 3
## c 1 2 j 1
& ..
. w
f O Ca - na - da! Our home and na - tive land,
w
O Ca - na - da! ter - re de nos a - eux,
? ## c .
1 5
4 4 1
## j
4
1 5 1
& # .. .. .
.
True pa - triot love in all thy sons com - mand. With
. .
Ton front est ceint de fleu - rons glo - ri - eux! Car ton
? ##
4 1
3 4
## 1
j
2
j
5
& .. ..
glow - ing hearts we see thee rise, The true north strong and
? # #
l' - p - e, Il sait por - ter la
bras sait port - ter
3 4
## 1 5
1
j j 2 4 1
& . . .
. . #
free! From far and wide, O Ca - na - da! We stand on guard for
? # #
croix. Ton his - toire est une - po - p - e Des plus bril - lants ex -
4 4
3 3
## 1 j 1 1 1
& w .. w ..
w J .
thee. God keep our land glo - rious and free!
? ##
ploits Et ta va - leur, de foi trem - pe,
..
3 1 2 4
2
4
## 5 4 4j 5 4
& # . w
O Ca - na - da! We stand on guard for thee.
Pro - t - ge - ra nos foy - ers et nos droits.
? ##
3 4
2 5
## 1 2
..
3 1 3
& J
w
O Ca - na - da! We stand on guard for thee.
www
Pro - t - ge - ra nos foy - ers et nos droits.
? ##
2 4
Oh Hanukah
Level Three
Let's have a par - ty, we'll all dance the ho - ra, Ga - ther 'round the ta - ble, we'll
give you a treat, se - vi - von to play with and lat - kes to eat. And
while we are danc - ing the can - dles are burn - ing low,
mind us of days long a - go. One for each night, they will
Traditional
Arr: Gilbert DeBenedetti
1 4
Slowly and Flowing 2 1
& b 34
5
p
? 3
b 4
5 5 3 2 1 4
4 2 1
&b
5
F
?b
5 5 3 1 2 4 1
1 1 3 5
&b .
9
.
p
# . #
?b
3
5
1 1 3 5 1 2 1
.
1
&b . . #
13
.
f p
.
? b # #
.
3
Traditional Spiritual
Arr: Gilbert DeBenedetti
Slowly 5
& b c .
3
j 2j 1
3 5
. .
P Swing low,
sweet char - i - ot, Com - ing for to car - ry me
?b c
1 2 1 1 1 5
4 5 4 3
5
5 2 1 4
jj 3 5
& b .
5
.
4
. .
1 2 3
b
home, Swing low, sweet char - i - ot, Com-ing for to car - ry me
?b
5 4 3 4 2 1 1 1 1 1
5 5 4 3 5
5
3
1
& b . ww
8
w
p
f
? b
home. I looked o - ver Jor -dan and what did I see, Com - ing for to car - ry me
.
1 2 1 3
J J 2 J4 5 1
2 5 2
b
5
. w
ww
12
& .
1 p
f
home? A band of an - gels com-ing af - ter me, Coming
- for to car - ry me home.
? .
b 5 1 21 3 J 1
2 2
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Tte, paules, Genoux et Pieds
Head, Shoulders, Knees and Toes
Troisieme Niveau / Level Three
4
Arr: Gilbert DeBenedetti
4
j 2 2
Vif / Lively
& c . #
Tte, - paules, ge - noux et pieds, g'noux et pieds.
Head, shoul - ders, knees and toes, knees and toes.
?c
3 5 1
5
4
j 1 2
& . #
Tte, - paules ge - noux et pieds, g'noux et pieds. La
Head, should - ers, knees and toes, knees and toes, And
?
3 5
5
2 3 5 2
&
bouche, le nez, les yeux et les o - reilles.
b
eyes and ears and mouth and nose.
?
2 3 5
3 1
.
3
& .
J
Tte, - paules ge - noux et pieds, g'noux et pieds.
? .
Head, shoul - ders, knees and toes, knees and toes.
J .
1 1 2
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Waltzing Matilda
Level Three
Australia
Carefree Arr: Gilbert DeBenedetti
CHORUS
Ave Maria
Level Three
For Stephanie "soccergirl3"
Franz Schubert
Slowly Arr: Gilbert DeBenedetti
A -
with pedal
ve Ma - ri -
a! gra - ti -
a ple - na. Ma
ri - a gra - ti - a ple -
na.
A - ve Ma ri - -
a!
rit.
Beethoven: Symphony Number Five
Level Three
13
cresc.
legato
25
31
cresc.
36
both hands
44
50
56
Lulluby
Level Three Johannes Brahms
Arr: Gilbert DeBenedetti
Gently
rit.
p P
?c
1 3 1 3 2 5 3 2 1 1
5 4 5
4
.
3
4
2 1 1 2 4
& J
F
?
2 3 2 1 2
2
1 3
j 4 2 1 3
& .. .. j
1
j
.
b
P
?
3 1
3 5
4 3
3 1 3 2 2 1 1 2 1 3 1
&
b n
w
ww
p
rit.
? w
3 5 1 3 2 3 2 w
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Habenera from Carmen
Level Four
Georges Bizet
Arr: Gilbert DeBenedetti
With a Latin swing
1 2
12
14
16
3 3
con ped.
l. h. same notes as
previously in r.h.
13
21
25
29 l.h. l.h.
l.h.
33
l.h. l.h.
l.h.
Moonlight Sonata p. 3
37
r.h.
41
45
cresc.
49
dimin.
53
l.h.
r.h.
Moonlight Sonata p. 4
57
l.h.
r.h.
61
65
rit.
69 A tempo
73
Moonlight Sonata p. 5
77
81
84
87
dim. e rit.
The Four Seasons: Autumn
First Movement
Level Four
Antonio Vivaldi
Arr: Gilbert DeBenedetti
Allegro 31
1
2
&b c
f
&b c ?
2 5
1
3 5
2
&b
p f
?b w w &
5 1 4
4 3
2 4 2 1
1
1
2
&b
&b
3 5 1
&b
Fine
p 2
go on to page 2!
&b
r.h.
?
&
2 2
5 2 4 3 1
1 3
b
1 1
4
&
f
l.h.
2
&b
(3)
5
1 2 1
3
& b
1
3
5 p
&b w
3 2 1 1 3
5 b
4 3 1 4
&b
3
l.h. 3
&b w 1 3
5
w w1 bw
3
& b
2 2
&b
w
1
w w
D.C. al Fine
b
& b
2 2 3 3
5
rit.
&b
Toreador
from Carmen
Level Four
Georges Bizet
Arr: Gilbert DeBenedetti
.
&b c
March time
4
r
. . .
f
. . . . . . . . . .
? c . .
b
2
4
4 5- 1
&b
4
.
p
. .
? n
. .
b
1 3 3
3 5 5
#
1 4 2
& b # . n
7
F f
n
? b
ww>
2 5 1.
4 1
2.
4
&b .. w
10
. .
f
? b . .. .
w
w>
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Amazing Grace
Level Four
Arr: Gilbert DeBenedetti
Slowly
?c
4 # 4 #
5
4
3
b ..
1
b www ..
&
b .
4
? b
1 5 b n 4 #
4 1
5 5
2 4
www ..
1
b www
1 www
.
8
&
?
1 3 5 3 b 4 #
U
4
2
p b
. b
1
5w
3w
& .
12
w
u
rit.
? ..
w w
u .
>
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Sonatina in G: Movement Two
Keyboard Classics Ludwig van Beethoven
# 6 j j j 3 j j
Romanze
3 3
& 8
p . . . .
. . . . . . #
?# 6 . .
8 1 1 1
5 5 1 4 2 4
3 2 2
3
#
3
4
j 3
1
J
3
..
&
5
J
. . F
n
? # .
..
5 1 5 2 2 2
3 4 5 2 3 4
1. . . 2 2 j 5. . .
# . 4j 3
3
. .
1
#
3 1
& . # J
10
F p
. # ..
? # .. .. .
2 1 1 1
4 5 2 5 5
j . . . j . . .
3 1
15
# 3 2 3
3
&
cresc.
?#
2 1 2 1 2 2 1
5 5
# 5 4 3 U
4 4
19
& J
f
U
dim.
?#
~~~~
~~~~
~~~~
1
2
3
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#
Beethoven: Sonatina, Movement 2
2
13
jj j
3
j 3
& #
23
j
p . . . . . .
. . . . #
?# . .
5 5 4
5
# j 3
3
3 1 3
& . J ..
27
J
. . F
n
? # . ..
5 1 5 2 2
3 5 2 4
# 3 2 j . 3
j
32
& j
p
..
?# . . # ..
1 1 5 1
3 2 4
5 4
# 4 3 2
j 5 2
j 5
1
& .
36
J J J
F
? #
2 3 4 2 1 2 3
3 5 5 3 5
5
# .
5
1 4
1
&
40
J J
f
?#
4 2 1 2 3 2 1
5 3 4 5
Minuet in F
Andante Leopold Mozart
13
11
17
20
23
26
Rondino
Allegretto Jean Philippe Rameau
Fine
D.C. al Fine
dim.
dim.
dim.
13
dim.
dim.
21
dim.
25
dim.
29
Prelude in C
from The Well Tempered Clavier, Book One
Andante J. S. Bach
Ped. simile
15
18
21
Bach: Prelude in C. p. 3
24
c r e s c - e n - d o p o c o a p o c o
27
30
d i m i n u e n d o
33
poco rit.
Arabesque
Allegro scherzando Friedrich Burgmller
cresc.
10
cresc.
14
23
27 a tempo
cresc.
31 1 2
36
risoluto
cresc.
Minuet in G
J. S. Bach
Moderato
# #
. . . . . . . . . . . . . . .
? b b J. .
j n .
.
j n . ..
b 1 5
S 5 S 4
.5 .3 2
3
b
4
1 1 . .
1 1.
. .
& b b n
11
. . . . . .
cresc. f
? b b . . . . . . . . . .
n
b 2 1
1 1 5
3 4
U
1 5 5
bbb nnn
3 2 3 2
17
& .
. . > >
>
> n >
? bb . . . U
b nnn
1 2 3
1
3 > 1
2
1 3 1 5 . 1 3
& .. . . . .
23
.
p
. . . . . . . . . . . .
dolce
? ..
1
31 4
5 5
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Burgmller: Ballade p.2
1
5
4
. 3 4
& . J J
29
J J
. . . . . . # . . . . . .
?
1 1
2 1 3
3 5
5
2 1 2
4 j b j
3
. . .
2 4 3
& . b . . b . .. b
35
J
.
poco rit.
. . . .
animato
. . . .
?
J ..
1 1 1
2 3 2
5 5
3
1 4 2 1 2
3
j j b 3 2 1 4
bbb
& . . b . . b . b b
41
. . . .
S
. . . . dim.
? b . . .
1
. bbb
2 3 5 1
2
b
& b b
49
. . . . . . . . . . . . . . .
p
? bb j .
b 5 n n n n . J3
1 4
b
& b b
54
# #
. . . . . . . . . . . . . . .
? b b J. .
j n .
.
j n .
b
S S
Burgmller: Ballade p.3
b
& b b
59
. . . . . . . . . . . . . . .
? b j . . j n .
b b n n n n .
J3 J .
1
S
5
. .
4 3 1
bbb
1 1
. . n . .
64
& # #
. . . . . . . . . . .
j n . . . . . . . . .
cresc.
? bb
b . n
S 2 1
3 1
4 1
5
. . .5 .3 2 1 3 2
5 5
b . 3 2
&b b
71
.
. . > >
f >
> n >
? b b . .
. .
.
b
1 2 3
1
3 > 1
2
bb
4 1 4 1
& b j
79
n n n n n n n n .
f
j
dim.
? bb n
b n n n n n n n .
1 4 1 4
5 5 . . 5
. .
b 2 2 2 3
& b b . 1
84
. ..
p.
.
dim.
. . S
? bb . . ? ..
b 2 &
2 2
4 4 4
Sonatina, Op. 36, No.1
First Movement
Allegro Muzio Clementi
13
21
26
31
35
Fr Elise
Ludwig van Beethoven
Poco Moto
1. 2.
dim.
1. 2.
rit.
leggiero
11
cresc. cresc.
17
a tempo
poco rit.
22
33
38
43
49
cresc.
Spinning Song, page 3
54
leggiero
60
cresc.
66
a tempo
cresc.
poco rit.
72
77
dim. rit.
Minuet
Keyboard Classics
from the notebook of
# 3 3 4 . 4 .
Animato Anna Magdalena Bach
& 4
1 2
. . . .
f
?# 3
4
5 4
5 4
1 2
5
# .5 .
4
3
.
2
. 5 .
&
?# . .
.3 3
. . 2
4 4
# 4 . .
&
9
. . . .
?#
# 5 5
3
..
13
& . . .
.
3
?# . . ..
3
4 2 .
2 5 3
# .3 .
& . . . .
17
. .
p
? # .. # .
#
1 2. . 1 2 1 3
4
2 1
5 3
# . .
2
. # .2 # . 4 . 4
.
22
&
3
?# . . .
. . .
3 2 4 3 1
# . 4 3 3
4
27
& . .
. .
?# . . .
cresc.
.
5 3
2. . 3 2
# 3
4 .
& .
32
. .
f
?#
1 2
4
# . 5
5 4
..
36
& . . .
. .
?# .
. . ..
.
3 5 4 2