HAROLD BLFEL

BR1GHAM YOUNG UNIVERSITY

PROVO. UTAH
 Digitized by the Internet Archive
in 2012 with funding from
Brigham Young University

http://archive.org/details/schoolofadvancedOOjose
 SCHOOL
OF

ADVANCED
PIANO PLAYING
(EXERCISES)

BY

RAFAEL JOSEFFY

PR., $3.00 NET

NEW YORK: G. SCHIRMER

Copyright, 1002, by G. Schikmer
HAROLD B. LEE LIBRARY
BRIGHAM YOUNG UNIVERSITY
PROVO, UTAH
 CONTENTS INHALTSVERZEICHNIS

PAGE PAGE
I. Five-finger Exercises I I. Fiinffingeriibungen 1

2. Three-finger Exercises with 2. Dreifingerubungenmit Stiitz-

Supporting Finger 4 finger 4
3. Passing Under and Over 6 3. Uber- und Untersetzen 6

^^ Scale-exercises 8 Skaleniibungen 8

4. Trills H 4. Triller 14

^^5. Arpeggios 18 5. Arpeggien 18

6. Thirds 34 6. Terzen 34

7. Sixths 40 7. Sexten 40
Octaves 8. Oktaven 44
4^8. 44
9. Chromatic Exercises 52 9. Chromatische Ubungen 52
10. Changing Fingers on One 10. Fingerwechsel auf einer
Key (Repetitions) 57 Taste 57
11. Repetitions without Changing 11. Repetitionen ohne Finger-
Fingers (Light Wrist-work) 66 wechsel (Handgelenk) 66
12 For Developing the Inde- 12. Zur Entwickelung der Selb-
pendence and Strength of standigkeit und Kraft der
the Fingers (Paired Notes) 68 Finger (Doppelgriffe) 68
13. Chords. Wrist-exercises 76 13. Akkorde.Handgelenkiibungen76
14. Alternation and Interlacing 14. Abldsen und Ineinandergrei-
of the Hands 80 fen der Hande 80
15. Various Styles of Touch 85 15. Verschiedene Anschlagsarten 85
16. Thumb-Exercises 88 16. Daumen-Ubungen 88
17. Sliding from the Black 17. Herabgleiten von den Ober-
Keys 90 tasten 90
18. The Glissando 92 18. Glissando 92
19. Skips 93 19. Spninge 93
20. Embellishments 96 20. Verzierungen 96
21. Extended Chords and Figures 100 21. Ubungen in weiter Lage 100

L 22. Stretches 104 22. Spanniibungen 104

23. Exercises in "piano" and 23. ''Piano" und "pianissimo"
"pianissimo " 113 Ubungen 113
24. Rhythmical Studies 117 24.. Rhythmische Studien 117

\6268
 Five-finger Exercises, 1. Fiinffingerubung-en.

RAFAEL JOSEFFY.

5 4 3 2 15

5 3 4 2 15

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1 3 2 4 5 1

5 3 4 2*5

III. 5 3 241 5
I 3 i

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^
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it
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5 3 2 4 15

5 2 3 4 15

5 2 3 4 15

5 2 4 3 15

r^-r
m m\ m m

5 2 4 3 15
m **J
14 2 3 5 1
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m
J:
2

leaos Copyright, fOOS, by G. Schirmer.

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2

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s

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m m

mm
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*

m
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m 'I rfrrf 1

t
3 gig J * J J # #

s < ^ ? _ r - * # (9

b
^ j j
j
j yj j^ (<*)
a fc*
4 * w )=*
S^
etc.

3 35
e- i=a S E I
Through all the keys.
Durch alle Tonarten.
16268
 .prrJ ^ rrr^ r rr i L

II
J I

I
.

'erat*
i>

s
s m 2
4
I
w
. A

5g ffi

t -j ^. , fU , ; .. j i p#.p

^u fPf * \ Pf? mV m ? V~r

etc.
16268
 Three- finger Exercises Dreifingerubung'en
with Supporting Finger. mit Stiitzfinger.

3/ 54 3 5 4 a 5 3 't & n

354 3 5 34534

t J

b. 4 5 4 3 5 4
3 4 5 4 2 3

3 4 5423 454354

!62H8
 ^

* 32 4 3 o 4 23423

3 2 4 8 2 4 2 3 4 2 3

3 *
fe>.>.
23 l 2 3 13 2 13 2 I 3 3

/
I

p
^i^TO ^Hl WTTn
s
:

b.
-AZ
21 3 1 2 3 l h
E
ft?.

te^.

^~TT*V
1 3 3

iSTO^-^-

/cw.

*W>

m}gm,jw&j3mjwnf%m V
52J
^i t
ft

te/^.

IbiUt*
6 Passing* Under and Over. 3. Uber-und Untersetzen.
1 8i*i 2i 2

I 12121*12 1*12

ip^fii;iii 3 >4 S
'Li* 3 14 3 1

Each hand alone.

Jede Hand allein.
3
I 23 12 1231 231212 3 1 *- * 4TT2i|vf^i-
*d *4
m 3 i

1626N
II

I
34 1*1341 341 2 13 41
2 3 1212 312 312 1231
Em^^
 '

4242 4242
3 2 3 2 3 2 2
14 12 14 1 2
a. a 13 12 13 1 2
2 2 2 2 2 2 2
12 12 12 1

-Oi ^h
ftettuto
p leggiero

m -*v

2 2 2 2 2222
-

42424242
3 2 3 2 8 2 3 2

4 2 4 2
,
D. 3 2 3 2
2 2 2 2

3X XT
i
ftenuto

S 12 12 12 12
xs

2
3
2
2
2
3
2
2
31

13 12 13 12 4 2 4 2
14 12 14 12
14 12
13 2
12 12
1
A

m J ^ J *
9
0 d * J
m
im

p leggier*)
m P P *
^*
J 1

P m 1
m m ,

l 2 1 2
13 12
14 12
5 1 5 1 5 1
2 -i r
gg
i ,

0- m-m
GfSI ***= *EP
-*v

m^* 35^

1
2
P # P
5 1 5
JL_P

1
tiS* ii*>

5
rf~w
1
3 M
iKz^m

Each hand alone.

Jede Hand allein.
Slowly. Lang-sam.

*) Do not strike the little notes, but bring" the thumb *) Die kleinen Noten werden nicht angeschlagen.
over them.
16268

Scale -exercises. Scaleniibungen.

a. *)

fci: ff <* ,-^-^^L,-^

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?t#j~rTrrrrrr^
3 13 1 ^
1 1

4
1
j
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i
i
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u -:==-=== -
*
3 1 i 2
#- -, * 4 *

IP
3 1

W
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sp
1 3
1 3 1

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4 1

# * # ^

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J J J j J J J=*=f
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1 4
1 3 4 1*

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3 14 3 12
f P m p m \ 1 1 :| -1
t1 J^- T
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p
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b%ta rrrrrrrrJJJjJjJjoj fffrrfrrrrr-rrr-

33p^
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a 14 12 13 12 a * 43
ri
1
1
3 2 13
2
' * 4
f Prfffrrf
^ i\
Through
Durch
yf
alle
all the keys
Tonarten.
f
Wfe
$ -#*
4
'
4
^^L*
l 2 1 3
3 1 1 4
165*68 The scale fingering- must always be observed here. |
*) Der Kingersatz der ScaleTi wird hier stets beibehalten.
 r 1
i 1

'
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rfP' r..
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w ^J * J , r
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1

to * f
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1
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1
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3 12 13

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9
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<fr
|

H"t
j
J
--^-- i
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1 1
1
J
m0
4
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k.'T v rfrr rfy

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w
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i
mjjjjj
J*^*J'^ M *- 9 -^-B-?_E_ _J_ 1

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T
3 31
1 .

4 12 3 1

k = W=0 VM* u

-i
frfff r
1-
4
F^H^f
1
d 9* ^^ -14-
to

12 2
^
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2 4 1 3 l

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3

2
ST
1 4
1

^ J Jl| J
3
J J ^^ ,
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13 12
liiui,
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\

frJJ MJJ Ml
Lf^# r r r^r rfrr^JJJJjJj J M M
r 4 i s
1

^JJJ A
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'
'

etc.
i

16^68
 10

legato

) Or right hand alone. *) oder rechte Hand allein

**) Or left hand alone. **) Oder li like Hand allein.

I

11
5 4 t5

2 -

f^M
I

"J
>

'

y /
m
hfc . ^~
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16:268
*)As before 3 1 ?
I02GS *) Win vorher.
 13

tete ?#^i

4 1
1 *

"te^ei

. ,y^ Mefiyei*

fete &--

16268
 14
4.

Trills. Triller
I.
Moderate
a.

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SH'ffi^^E'ffiH gggrtirErcgErgfBi
12
2

i ^ i

i&tkrB^fes^gfe

M &<* +.0 +.0 +.0 +.0 +.0% I.0+.0+.0

tz^tj
"

feccftf^fe^rgfE

ilEas i
^g^g^fegg^g S^ '

P '
tCifg^ fe^^

^mffi^^^sitefflffite^'
mLfirfrr
frt^nri
frtr ^v ^-r
f r~fr
r\ #-r j wf ^>r j-r jrt rr ^"f j^r
PRm
n rw n n wx
P fc
%
9

b. * Allegro.

16268
 II. 15
a. Moderato
4 ,

Allegro.

5M E5
4
etc

;,
li . . J J i J <l
J
i nrm
is
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f f p
:
f|i P ,i ?
i j i j)
* J ^3
5 ^ ffi^
'
iJ

ji ^ J
^ T YrT r r ^ r/r f
j<m
\f P m f * J F^

16268
16 III.
Moderate.

by. Allegro.

i f ,j
ra
i i < i f
it
>f
p r p f f rf p f / T r
'

y a^
" arccr tliw&rji 5 m a
>M-^M
mm&
4* ffi f r f p f r
J^3 ^ JT J^ T^ pSfi: ^^
J
teg # rv^ J *3* J^]^ S j 7^ J *J*J3 J J JJJ -

16268
 "

IV. 17
iModerato.
3-. 4 5 4

4 5

i anr j-r rr nm
m Ffr n
.rr

tm
b. Allegro.

I ?
4

*
5

* i * , J-J ^ JJ'J * S JiJJJ/77.Jlg

^& 4
etc.

= =
\
d >' d f Hm/ITO
i J-
-4- %

3^
etc.
Jdt -Wl
* i
^rr rr rrr rrrr r
rrr r-^ see
T3^
16268
 E i '
18
5.
Arpeggios. Arpeggien.

I.

# 1 ^
-j K>

^
I I I

fc

*Hm-P&2**
P#
m
# ^ ^-m
*>2 m-r. I 6
0\
^2
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9
P53
3 Z 42 42
4 W ^ -<"
(m g =^EK pis #&
00 Pp_i

_P * r

wrJ b: BS i s =" 4-
rt#
p n
i

N*=

P- -
0-
m
p-
p
m- 1 7
p
0-
p
;p
^
3^

p-

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ff

p*
t b-

Ei

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0-
p

f^* ma
16V
)

\
e-^- E
wtj
E p p0- wrj > p
m p__
p
:z
rv-fr
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p-
fa
^ ^--
p
fiJ- *i ^ ^
w
r^
T ^r

p4 ^ ^^ l
0& 1
E

=5"
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r

*&
gzi *
+& 0&
?

3 5
Pp 1
#-J
0& +=. ^0 0&
T -e^- 4fsn

hJ &F ES
p-
4 T
2
Fw- P
WL
p
_
P
f^pr =^=t
E P> -^^r=jpf
E
i i
y ^= M -P- p p
p
ft
4
ft
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3:
< J^ < 1
1

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#*- -P^94
MJ4^ "*r
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at

1

wto
16268
fB
 . 3 8 w
Am: 'A. 0/5
# lf f mf >m wf m* wf gb^frfrfA MMvti, Ifr.PWCT
3) 2

^
4i v m
M M M ^
:2
w
m wm wm
it
w y ^VVVV^tefif^ ^ _
^ 2 90 c + *=iJ
'

-rr4 i-H- te s==ii=^i-s!^a ;:'p"

p jE
rU 1 1
"Id
5 3 5 4

16268
 j TT

5 3
a. ,

4 |L. _bpi +% 4
2

16268
 21

km Jf-A li A Jf | f*y"T#ffc lg=ni:

b.
4 L.

16SJ6N
 '

a.*
Moderate
z
H-4^ d la * p _
P" * j>

I
I

a ,

--A B
K B -
-^
/^ m piT^ ii

y
Andante^ 4* tew 2jU i^l * -rfl
J? .
fefe^

i .fc

16^68
wrp6
 23

Nrtr Bp ;|
,^'tft,

S^ "W ,U
V" i
42

> jaw
el J
-t

gi^im^

:=

16268

24 II.
In this first exercise hold each finger down firmly. Bei der ersten Ubung jeden Finger fest liegen lassen.

.
"fljjjl
-^ ^ etc.

i^^3 i*m o IS ?r

Through all the keys.

Durch alle Tonarten.
13 3 4 5 1423 5

mm w 1
I PI 7*
ft" w^
r
^^
leg'g'iero

si ir#rr ^ rr PT
#-= ^
HB p
?5
:
13*45 14335
2 3 3 4 3 4 3 4

(pfl # # #^-#
*
g
I ra
S
etc.

^fH i .
:
3 3 3 4 3 4 3 4

iTH 55 * * vm '
# ;:: s^affl
^ UjH * M m
etc.

3 1m m _mf
i i
-<i _*
%

>fl 1 1 Vr

^4-li_3_5_a4
3 JL 3
fitf* i 4 2 a

16268
 i
+ r teJfe t*M r
i w^ t

ri^ etc.

i i

g a i 5 *
jj
j
y
i*>jj j j
j

13268
 ttf g 1-M fL

j
M i
*
I ^jSff : i 1-T
R Jpf
#-|*
E =
etc.
t;
2^E b>
4V OT
Si
an
i^^30
,;
!*-#
SE^ il
IP 1
If
1 I f
16268
 n
27
V e 4

ft * 8

f= P
w~f^\
4r\fk>r, rf ft? ifftr-sifrnf-
""""
p r>
=*=~i B
=:!l:;g--::: ^+f m-

^
s
1-1
^fr-
*
#-
.a.

P---
*
4-- E^77r Psl*
'-*
8
1
m
e tc.

:p
4|

BE. ... -J-JJ

5

4
4 5 4
3
#1 5

p , r r P rrr
f stew
-*
-f ^
P EE
...

t
ri
n *i*"->*
. K...
^p ....

ttf r-f--=
1
k

r
!

^>
7 I
4 .P>lt B -fiw -

4 a ii,,,_ rT "Pm\*
'

j p- " I*F~F
5
g= ,i 'it. r
,.!
|p_ L

P# H
-:;Tr --KT ?Pf

trWrt
P?f 1 %

^ w 'h^.

U=m&M& as
__
%
\
p
u
0~i I
leg'giero
les'sriero

r-HH

etc.

165J68
 Ue ?\>?

'

J 'HH JIt

b.
P^k >,:
'K f fW 9:
!k tfc

k_ I

* jg

P^H ^m 2*
H P# E
-U

R

I626S
 .

III.
S9
In this first exercise hold each finger down firmly. I In der ersten Ubung jeden Finger fest liegen lassen.

X 4 pA m 3 i

W
1
I

u
ga^pp
LeUJlLU

(
m _ = P if
f
fr

I
=3
PF
9= e r
M ffi
5 4 3 5
^
s I
*
Through all the keys
4 3 4 5 3 4 5 4 3 2 4 Durch alle Tonarten.
3 2 3 4 2 3 4 3 2 13

16*68
30

a.

gpm^ii
16268

31

b.

A-K W+ ttr fffpfr

rf ^rrrffffrrf U -_ . -

^
1

a.
'^g^
l '

rfgffBffTrTI
m
-Wm\

*#
WW*
1

^^
rPLL^^UJTfr^
i u

*
v ^

cdtflfrr
0_m

ll
ft ggfl>-* *^U^ 1
,

-^ 0-m
#
-
J
^TrrrifTTT^
^W
^rrn^

I6i!68
 ;
32
IV.

Black keys only. Obertasten allein.

a. S 3 1 2
5 4 a i
4 a ^

fesi
* a m 3 r >
5 i f f f #.# f
BgP
Eg !L f i

* 8-4-*
3 5
1 =-##
#=
*J
3 i
3
_JL

^& i
p^zm

b.
8 a 4 5 3 4 1 8

3 4 1 3 2 5 3
4
3 4 3 5

#
Mr g

t

#

s 3.1

S #

*3 o3

*) Also without accent, forte and piano. I *) Auch ohne Accent, forte and piano.
16268
 33

I6sJ6K
34 6
Thirds. Terzen.
3 4 5 4

5 4 5 4

j0^h^^^^^^f^T^

5 4 5 4 4 3

^TO^
3 3
* rir * }i. * +t +9 i 9 +i \ m
m 'vw
7m i^.l.
mmm
i gig i g a ^/^y l!<t/^
|
{j^JJJJ33^J^J5 ^ :

^ tt
fe^j^ ^/ jl^l^^j^
'

^ ^r^f^r^r^r^g ^
ti^iU^ ^73 pf73 pPj^ Jj^Jjj J7] J^ sl||y|iy||||j| ^#

3" At beginning, each group 4 times. Anfangs jedes Viertel 4 mal.

4

3 ESI
> <\
j Z M? ^ = U- -
5 -c a. r J> -t J. * Jr * %i' J- z:j. i a. l- * j j :+ i 4 jmiwi
B
'

16268
 35

^iityi&M

b 5 '*

16*6*
36

1 2
3^35
3 4

2 1 * %
4 3 4 3

"
| f

i.wfll,,r.frffpffr flPFfFFfFfuJ^ 1

fj

-^MH -----i^^ 1 1 I < ^ L *-

1 1
gj
L
2 | '

* 3 4
4 3

16268 *^ Also practise through several octaves. *)Auch im Umfang von mehreren Octaven zu iiben.
 -

37

Each hand alone. Jede Hand allein.

4
rill

^W
leg-atissimo ,. 4 - ! 'rA

pup
ttti

4
1626N
 a g
as

4 \ 5 5 5
-3 4 4 4

1 i 1
/' staccato e leggiero ^^j^^* 'J

4 4 4
5
I ! ! 5

b.
4
5545 .'J 8
5
4
5
4
5
3

i 5<* i
|1 r^^
* p
^ & ' 4 *
t.\ > Pf* >
i

8
1
8
1
8
1
3
1
4
8
11*11
* 4 3
2
1
1 3
1
1
2
1
3

3 3
Jp Je^ato_

3 & ^^r S wi J p?i

f
b
id f>i
434
555542 3 4
5
3
5

g^fa Tp J 1
pp 1 j j
^ S s
2i

S =?*=*
IP
Moderate).
4 1 s I
B

U
_

1
.
\\\
_ _

i t jxJ
, _

3 4 3 a 3 i 4 a a * a 4 3 *
5 5 5 4 4 5 5 5 4 3 4 5 5 5 4

1626S
 39

I etc.

iy.
$fj$jf fff^ffffMy
\>

\>p * pHf
\>

f p t p

Allegro.
3 4 3 4
2 1 2 1

BE fjLS t
*> i
,i iMMi j d j i ^ d* yp Hp*
etc
v
fcp^pp
^:tf
i ^F MFFf Ff FfF
i.

;
ppp^y^jrffff ^ii*f*ij

16^68
 r

40 7.
Sixths Sexten.
a . Moderato.

Through all the keys.

Piil mosso Durch alle Tonarten.
b. T ^3

t* -*
JjJ *I*d**i*4 4 **** _*~^
m* m m -wm *J^JT^
> \>
\
-m-m
\f
P wl w m

legato nrf-T 3
J J^J J J J j J*J S^S*dS J5
'^
^#
4f sp #.p #fpp pf pp
r #f
* r pf r
pff '
p j p f ~t^ff~r
rr ifs:

h*
J^JJj^-jj j 'J J H
~
a
p^inr ^jb #-# JjJ JJJLJ Bqi
* 3> # #
S UlT L;
Z a-
^zz
*^W
jJ # r#
n^-n^
l -f*
* ri*iii %Jj-~JJjJ Jjj"
# W# W0
I td

w-
a. 5 4

P*4'0 f O el;
S
a & F^
M?J* J*J* J *JJjL lyi3
1
| m W0W
mm 9 M W
i

4 5

etc

u
M^ ffl
4
> ifijjj^- f^fi fto s JSjB
#*#-
fc

V
165i68
 1 ^

41

Wg^JCT^
>7 ri
J
^p tppnfr^^
^f *n
,

JTl .^71
etc.

WFr
tir rrrprrrpr
ttfttftz?
l|

'i

*'f
'i
tir [tftirtif i
it

ccrcfrcrr cs
_

V cier

^ zirtzrzzr
m
m Wfrmer ^B
^
f
j~] j^is-j^j d$
JiP

1 jJjJ J J J J JjJJJ] Jjp3 JJJi^

:i

l; t-; U
gFfflg W>o
'>ff if i
r

L ^_jU fL El &

etc.
Left hand two octaves lower.
Die linke Hand zwei Octaven tiefer.

^fi*P#f*W#^^
etc.

Mode r at o. 4 5
3
a. a 1

-* "J
-1

p- f- p-i
J- - r-J *-
_
0-
0
Kp Fiff. 0~n

p w
V
0
p-
^F r~i
V *-
f-
#- w--^i
0 pJL^
J legato \
a
5 *
^^^

5
k=
b -
5 % * !

!
w) * kCrprprrrrrrr*^r p
-\ _r r r r r r r r r r r r p
**

p
a 4 3
4 3 5

l2y
16-itiK
 43
Each hand alone
Jede Hand a lie in.
allein.
^^i 5 4 5

^^^
W c
v^u
j<J-J JJ-H-
JJ
J
SA

o
^
i
^s
77

1 2 I

^
l * 2
2 2 I

^S
II 1

* 5 1
1
f u 5 4 5
jTTJiJ-f;
^
5 4

4 5 13

# Hf ff>
u i
f-
-

^ \*L>uM Jd tffefe
1H4HS
44 8.
Octaves. Octaven.
5 5 5 5 5 3
a.

#i T
m m mm

t fr k rr
sr

^^ i ^ i

^^
^^^^*^B*
5
*
^"- "" --- ,

5 5 5 5
5 5 5 5
b.

'^rm&M
5 5 5 5 5 5 5
4 44 5444
gagggggft

5 5 5 5 5 5 5 5
444 54444
4 *

Jiii i ^ ^ i
# , i i T-r -&

simile
fT*
* *
J
.
i

i

JJJHTESfBJTJlfiBfi mmm m m

r f T Y r V
i A
?
r

S 3__.
fififiBJ^fiflfififiE
r r T T T r
1B2RS
 45

stave.
5 55 55 5 ^S^SS
Ummmm Mn_^_ I^^^^S^
Wi
JCTRfe
Jeggiero 3 1* f
i
^^^ etc

M
&m
5
T?

5555
J/fatftf.
^
5
aM m

5 5 5

1
m
J33
w mlPWP m.m W
fe

^fc^
a
U>. rr . I p^ u ^.-i'L
"'
Hffl
i
lti
lf^ fr

frrtlTHUff
1
f

^ j s?
alrtfrcctfEna- etc.

Wrt JS J
fJ^JJjp!
I O-

few. few few. few. ten.ten.

*)

ten. ten. ten. ten.

itiim&tititi raw ten.ten. etc.

etc.

16268
Through all the keys.
Durch alle Tonarten

*) Wrist-stroke. Throw back the hand quickly before the *) Anschlag vom Handgelenk- die Hand wird vorder Pau-

rest. se rasch emporgeschnellt.

Hold the arm easily. Die Haltungdes Amies ungezwungen.
**) After sufficient preparation, practise also with the 4th **)Nach geniigender Vorbereitung, auch mit dem 4tenFih-
finger on the white keys and the 3d finger on the black keys. eerauf der weissen und dem 3ten auf der Obertaste zu tiben.
r>*-

Equally adapted for the stud}- of "broken" octaves. Ebenso zura Studium dergebroehenen"Oktaven geeignet.
4(3

3-.
#h ei
i \f
----# .J.J.V
"
L
*

M
m

J J
a
1
A
-#|

-J ^r
#^
W~
P-f~
M
j '

m
1
-*
. 3
It* I etc.

5_5 5
***~4 4
16S6K | 43*
**4
*) In skips, use the 5*_0 finger only. *) Bei Spriingen der 5te Finger ausschliesslich.
*+^ Employ the fingering 4 4 in legato- playing. **) Der Pingersatz: 4 4 ist beim Legato anzuwenden.

X. 47

Through ;ill keys.

Durch alle Tonarten.

injiirfi^ fca
mi
r*m ~mn
i
i

/
_}
r
_^ a d
^l-bJ-J^ _J
N _ B l- ^J
W PI 1 _M p H
.jLT__*_b_Hj
'

H _,-_
.4^1-
*
*J_ j^_ _L_
f*

*_lJ
I n
9
i i=z
+.MJ. # *V J: * :
#

3"

16268
 i

48
4 *

-
'"
Aia L i,
J"TT3 ri
j J 3
^jj
*--
-1
rfftfffi ifH-Jr* *~
# m?
1
W
9m ^

f
9- 9
S

&S=i

16268
^ / 49
*)

iE
stacc. ^H m
ion * Jj
J *
b.
n etc.

fl
I

r-fcr~w p- *- ^*
1
:
f

i 5b3^* ta

y::-~ryF
fc _^_:
*
bi
E
b^ w*
W
te
11
[>i

etc.
U
3 ta * 53
i^-IX

5*
u bi w "K
V:

wj\>4 =;
16268
*)
* 5
"
With the 5th finger throughout
^45 *) Durchweg- mit dem fiinften Fing-er.

50
Legato

Through all keys.

45 *& Durch alle Tonarten
'
/
-.4 . 15
v t
4n
54 - 15 1,
.

54
f
'

MrSm
r i
H- P i
0
=^
-4 h=
*4- P~
f=k
0 # U.
i
pfc *
9)
)
6 k etc

-**4K
s
~*n
,
m

H-

m
p

*_\>m
*=
_
V
W
"=2=
...
P>
- *

V
-fe
Z

'V
:

v

0.

54 54 54 5 45 45

16468
 51

343234*4
5 5 5 4
2 2
5 5

5 | 5 4 8 4 & 4
a 4 a 2 L
,
3 o

5 5 5 4
16268

52
9.
Chromatic Exercises. Chromatische Ubung en. ,

i fc N^-
& e
E^S N5^
*r r'fpr 'ir W' Ei

^ jJp.^t
;n:ri
#^
azr-rij-i
*^&
* ^It^JpPtt^ S ^j^W'TO'OT
5 2 5 3 5 2 5 3

5 2 5 3 5 3

iiiCT^ifTTi
Is*
i+ m n 1
m # m 99&
j
iJ 3*
g hJftJ
P
L II UJilJ UJ.U

g 'iriM
 53

i ^^^^r ^^f^^ }
]

tl! p^^ 'etc.

7 rrtfrtrf
5 4 3 6

4 2 3 4 2 2 4

Right hand alone. Rechte Hand allein.

i '^^^ dJ ffiPP 1
, ,

| l

'^xrtfsrffirtt
BaaBaasfs-,
I 2
E
f^, IT? toaf ''"
lilB [La * 3 2 f,

Left hand alone. Linke Hand allein.

1 2 l 2
L2 3 I 2 13 1 2 1 3

CT3 BBBErJ^^Sfflt^Sai:
1626H
 2 2

Left hand alone. Linke Hand allein.

1626ft
165168
56
Rierht
345345
hand alone.
1 2 I
Rechte Hand
2
r 1
allein.

343435 343 |2?

3 - .,43..
^? hmxK
I i L

1 1 I7MJH1 . ..i i rt i
WI /yiH i iii/^M
i
i
lj,
F> ii '^^F<tfr^ iB

Left hand alone. Linke Hand allein

* 5 3 4 5

16*68
 10. 57
Changnn^ Fing-ers on One Key (Repetitions) Fing*erwechsel auf einer Taste.

2
4
124 3124 3124
3 2 12 1 2 1 2 2 3 4
3 2 3 2 3 2 3 5 4 5 4 5 4 5
5 4 5 4 5 4 5

2
4
124 3124
3 1 ft | * I
2 3 4
4 5 4 5 4
3 2 3 2 3
5 4 5 4 5

1626S
*) Strike the tied aotes silntty, but with force. I
*) Die gebundenen Noten sind lautlos doch kraftig Anzuschlagen.

58
II.

Left hand an octave lower. Linke Hand eine Octave tiefer.

4 5 5 4
4 5 4 5
3 4 3 4
3 4 4 3
2 3 2 3 2 3 3 2

2 12 1 3 2 2 3
3 2 3 2 4 3 3 4
4 3 4 3 5 4 4 5 5 4 4 5
5 4 5 4 4 3 3 4
3 2 2 3

12 2 1
2 3 3 2
3 4 4 3
4 5 5 4

etc.
Through all the keys.
Durch alle Tonarten.

lJJ JJ ^JJJJ^
& fc
i 2 3 4 5 4 3 2
^m % S3 00
r r r
p p p

m 1 23 45 43 2
Jz.
i rrrrrrr^
rrrrrrrr^

i ^s i
ffffffffifffffffftf
3 s ^^ ttrttr+rf
r-r-r

etc.

3
16*68

59

4 8

o
-3 2 3 1
i-

lN 4 3 2 14 3 2 1
^Li-J J J J J J

rfff rrrr
mm**.
'S rrrrrrrrfff frrrr

1 00 ED * fe^t
;i 40 00 00
etc.
L
* torn* Cttf CS cEjjatr rcifmr ^f^fff f

ffff

i ag ^
321
4 32
iw

s -4-3^
14 3 21

^tfEccj^r

4 3 8 1 4 3 8 1

a. 5 4 34 5 1 4 3
5 4 3 4 5
&OTJ I
1 00000
i f f00
E
S i -#

ttffff 0. *
00000 #-*

5 4 3 4 5 1 4 3 2 , 5 4 3 4 5 1
5

t k

i g 5
etc. \>.

m #-r 0-0 r &t

p
16868

60
j~ Allegro molto
4 5
5 4 5
W 0* s
b,
* i-

i
1
-i a i-

P legg"iero [,
it
ffi
s #
i E
5 4 5 12 1
2 15 4 5 1 5

b b.

i * 5
S fel

^
Moderato.
5 4 3
lf^

4
M =
b
etc.

#-#-#
N

Allegro. 4
2 4 6 5

^ EZX
E^ - "f1 -
\-0
yf g g n gL<L<L< <M _ 4 0~ _'.0
:

etc.

>
S |op 2

-P--
j 2 p
*"
.

*~If
Si*ir
?
:

'f fffi r lT r f f
i-9-
-0-9-0-

i
0Z0Z
z

46268 5 5
 1

61

0
0 w |P b # ^p V bp
-\r
^h=f ^P-

[7

*F -
p- 0- 0 W
SI

0-0
0 0- # p ^ P r^ p
f-f- r^
'-r
2 .

9 0-\
'

m p-
A
& 0~\
1
>0- P-i
tb
P
0- * EZ
Ft *

Allegro moi ierato.

5
4
0-0-
3

^ ^==#=^f==q^ r if"" f VI m MT*f *

# i=f 9 r.

I 1 t

MZ --afc-: c =4- f
z z
-
J"
-J-jg |i^_ 4-^Tk
-
*J-JJr pbJJ-j
V >
iUU#4i
K- * *\M
i 17=
^ \
Jr i

Allegro.
4 3
* ( # *- -
5
*
=#=2

j leggiero
c i
3JC
I
etc.
b
4 3 i ,b

'^ i 00
p 00 00 PHP~

I
38.38 u y*
ti*$tfc %
J? legg'iero
I m m m

i
i tfy

*
I
<
-34t -3^8-

eMW^LQW g^
I 377! 7?
'

^
I
gF
te*
p

etc.
f/'? 4 3 2
W
ai i
14 3 8
I
#
; |i ^

16268
 3

62

Allegro.
3 2 1 3 3 2 L L o 1 I 2
1 3 2-

l^-^n^m m
INw&$ CT* *=*
#r r rj

S^JLii
P~TF

3 2 1
:

*
->' :*:Sp '
clicr f^r^^N Hit

it e

i 2 3 2 #-
# 3

Allegro.
2 14 3 43 1
4 3 13

4 3 4

^-# #-#
i 1
-# # *
-# MZM
rra
5* -*

s
etc.
i,

4
s *g-g =F=F g-# * * ip-i*
g-g-
i
^^ E

**
^ f || F r~^^ fTTTll
Moderate
45 !>
b
:zi 5
i :=M ,
5 i
/^2
b
;3j
i ^H
6

^^
JP legato
1

*
ffl?^ p## *p -* S:
C 5i-:^: l5
Si i
ift
15
f 45
~ b li-
P* 45 *p F
16268
 1
63
3 4 3 4 3 4 % 3 4
12 12 12 1 2

4 5 4 5 4 5
2 3 2 3 2 3

gW****^
5 4 5 4 5 4 5454
4 5 4 5
2__3__2_J| 1 3 1 ?
*****
p 1 mfc
Ifc

Through all the keys.

Durch alle Tonarten.
; ,
M i*E
etc. 3"

5 4 D
=
4r

tt # ilftt ma 0-0
:be ac
B$ ^IlJJJ t44< mv
9! s^-

etc.

7 at 1 1 1 1 P 1 !-!- lM t< . ''

< - - m -"" 4 4 J #
f#r
3^
ii
17
* 2_V-
t#3 1

> fc
-X Cgf
^^S: Eg
4J Pltf^-r
S** lip
stfSSS
4= 7
J pin
-* -*

*->-

W
k& 4
mm mm
^
;

,,< hi #> m ^
-A J. J_0 etc,

3 fi^
16268
iHHi srn? jl

33311jil^i^ ^ *
 -
leg>g"iero
i 5 3
^
a. i i ^L

_ I

P tC 2 hCM-iK-1J *J j J 4 L.H 1
ff> ^ "jiii '3 J '
r
*
fri
<l
a-l-j-1 -frl-i
n

54 5 4
b. i_y_2 4
2
* f 4 5
2 1

J r ittr E CFffo tpqrl

PIP
fell! 1 *
8
1
5
3 2 2 12| 7 *8
P*P?=e;
5 8 3 53 5 5
5

^ r% It mm- 1

-1- Mkf P~
-*
-4 *~
->
Ir p a [m PP
b a --*
i k*
pz "
^i
F *^
bfc^
;
ih tj
t;
^J* i>:
i
5

434 34
12 12 1
54 5 4 5
12 3 2 1

1 2 1 21

4 3 4 34
a. Pres to
3 2 -3 1 #
P-rfr.
m P -P- P A *~f it p p
f= p I -p-U p
3
"Hi
2
J
3
b Lp P
^

2 2
fn, to 3
'
2 3 ^m '

3- PH P P P P p
P w r
-1 * J , 5Ew 1
>^ i /
E*
2 -3 -2-
-P-
P- P- p 3
4 i
~t~
-p
p

i
* :p~P B b

b
fc

W-JW E3
b
^p
is ZPZPE * POK
S
b

*?=

W
b

^i bceb i p-p b,

e
JT E3
j.
.b

E
b*tb b
16268
 t y P # #
65

te fe F.
I S6 ;r~ tote ^
#i fW J p i[jfjf
F^i
:r~y p <t

etc.

^^^
F ^=* F^ 1 iff If
3
I #
*
f
*

b. 3 *
8j ik
3
JAf'r rf

'

P P

J J
rjiJ p -- E tr f a ~)
m Ejza^*
JbJ

& V*
1

:
:

3^ * f*
P Til-
1

1 i

#'' w
#
p-

8 4
m 3
1

4
^
3 F
4

3 4
: bm
P
rt -p-

^^
m& * $ -# s*$ &4 4^ ^ i I
I
!fF*F f * Fgfp F
g.-
4
r.Jr
cg r * J
Fj =
h
i
F
1*3
I"
w
1
* F s

i
iP!SP * ^ F

tf

J J ir ir*r rf F P^-r*
1
P
F^= "i^t"-^ 1

p
p [{-
f

Hi
etc.

S P
t ii>-J 1p r
p r P !
zza
/

t #

Allegro. 4
5
*Vr U-

16268
 o

m 11.
Repetitions without Changing- Fingers. Repetitionen ohne Fing-erwechsel.
(Lig^ht Wrist-work.) (Handg-elenk.)

* i2ki

4 3 2
a.
5 4 3

i'i J^T. 6
^f 3
stacc. e
# # #
leggier
in j ^d'jjjj J # J ^

IE
ws W
affr a 13:

^ tf*
* l *
^ *5
<d-
-
| j m

etc.

3S m
*

m a
8-

P
i
> 9

E
i -w %-

i ^^
18-.J6K
 67

4 4 2 1
5 5 4 jj

Allegro.
_
a. & 5

I ii il" i><
^i
iFg
j
fc
FW3i
b
A P
ii
leggier?)
1 J
I t v ll
etc.

^e^ 3

Allegro. 4 4

^
2 2

i t*it FW iffi
Ti R ,1
^ ^f.^^
Pf
S 2
4

i
3
16268
 68
12.
For Developing the Independence and Strength Zur Entwicklung der Selbst^ndigkeit und
of the Fingers. (Paired Notes.) Kraft der Finger. (Doppelgriffe.)
*) legato

4 3 4 3

^>
I *P ;ir^~^~i

3 4 3 4
Efc 55

P^ r f fr r f % rn ^o
ft

3 * 3

45 4 5

5 5 5 5

L'/Lpup ^ttu
i^cHg ^ r ftr
'f r
-
r tfr
v r r
ti

r
^ r r rtfr *f r r
^jfe525E25E3 r r
5SSSCS9
r-^HM^^?^
S3523 SS5SE9
\ 2 2 2 2 3 3 3 3

f
VQ- ---p-*- # , # ^^^-.J
p p ggjfr P
2siif r# if f r* 'if r r^r^r rr*r
4 4 4 4

16468 *) Each measure 4 times *) Jeder Takt 4 mal.

 t

g u1g

* 5 i
iii
1 etc.

>>
^S JT^ j
- t m f

16268
70

5 5
3 4 3 4

wrni

16268
 a
71
Legato. 5
% 5

M
a. 4 3 4
1 3
--

4 E h vm *> = E
J -?|: jfej
ti
ip a p j n

y
* *r
1
m 3
E^ JF t
,rg ^m
Hf
2 4 3 4
5 3 5 5 5
3 4 2 4

iJS5 =I1J! = zz:

#I g
*=^ $$ * i=j=j^

^ z
IE e _
ir~~Pg lg_f e r *

3 ! 4
t 4

t 5
3 3
4

a a N4#
Li ^ i 4*^t-4
3 J
a a '

a a

' -W-' W~ -0- -0- v S -0-

^0
-r

S1.
|
1

i
feg-

3
Tp p^f
i=

3
c ef ~
r
^
=p= r p~# r
=-' *~v z 1
r>s
a *-
^^_^^
li;tf p cr*~>g .11

b.

J3L 11 Jm m m m ijtx ^ a a a ?'!'> * i* A

p a-

w ^^
'I'

a a
_^ a
if- ff fjf &f$ ztfr- =*=
rt

a*^ m m
-r-K
^- >4^m.
k-W 1
^=S *
a a 3" ^
Liip
a
wB t=: I-
a
a .

P^
>- ==
17
1

frr;: L~f~ f-y^
m~m f
.fL
^-K*| a P a^ a

3 m*
" L

O TJ^ '

J J ^ I
o ,

if
r-^

P If f- ^j
sec

r*
-^35^ P
if^^
7-K % P( P P

16288

72
Moderate.
a.
:iu w i # ^ pf <*i

4& 9 F~ * g*
i i
/'

b=i
1 99

tei^P. E=S h^rrJ^rffr 1

i 1 ZIE iifc

*
b

a i
k
g ?# 5ct

b
ikr m
p
m . m "
m * v
# H
* fe IF
m m
i TTM _
f9J T r
*

i A_ * b
^ i #1

\
ZZZM ?S wnw
mz p m
tfW M % w~w

i
k
um
Hi ^ W-f-W i
ZIK
^ It
tttjr Pj #mf- MZIB

^-*
m B
E I
til

m f m m
i=a:
& r I FtI ^TP*

i*- .

i i ^-#
P^ _ \m - i
P5*3f
I*

s
1B26S
I
^^p^E; -9 9-
*'-^
T*
an:
S
 Allegro, 73
5 4

,tmB.jM JOT] .men

i
V
I S T-J "LJ H ili * g f =i r :

etc.

4
> j
1

gii^zfitt^# > tt
2

^ . _
tn #^#
tfi
J&3 *
I 2F
5 4

legato
a 4 4
12 12
tf^^
*
5 3 5 3

_P e i
* '
.,|=g P iJ^'^r I
<ot
^5 .
f,p >
I
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4

b. 5 3
1 2

aft : i^i te
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4 ppeps * $
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5 4

a " 5~~4

BBSs!
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3
3
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p 1
1

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b.
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ffltOTg
legato

i
? ^jy^ffe ii frVW^Trrri
434 434
t p ii pf H*

1f>V>BH
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74
Allegro.
3 4 B
i 2 1

Allegro.

3E#

3
2

3^ s
xn
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1
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tt^ffigjf^g
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in:

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2
1
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m $Pg i
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TW*=
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t
t^^ JT^ ^ t* i* i
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etc.

mvTp~v~r t^
p * p p p
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i

i I p I B > P p-EFEg
i

16*68
 * ^
75
legato
n * 3 4 H
# J J J J J
m/ p
f/
J
im f
J
m
J
f
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m r
r -m m
1 2 3

^

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ra ni jtb
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hz * 7 fc*
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pa r
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43
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@
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^fr^r
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18!i68
7<S
13.
Chords. Wrist- exercises. Akkorde. Handg'elenkubung'en.

Through all the keys.

Durch alle Tonarten.

*5# Pi 3 s
i 1 &raP
!>:* * ' * * t* * * * 4{ a - It * * f
. ,1>S **
etc.

*IP m j^ ji ^* jT^'j
#
^ 1 ii jjti fPf W
i-
d* jj j
^.

The inner parts very distinct Die Mittelstimmen sehr deutlich.

 77

Is

5* 5 4 5 4 3

Allegro moderato. .

Allegro

16*68
 : o

78
5 5 5 5
3 4 4 3
2 2 2 2

5 5 r,
5
4 s 2

iPPPi him S533

h=m:
i \iwi^'jt 0-0-
un
* i"
mfstacc. leggier
a

,
00000

5 5 5
3 4 4
2 2 3

2 2 3
3 4 4
5 5 5

Allegro

\H2bH

The inner parts very distinct Die Mittelstimmen sehr deutlich.

 Moderate ^

16268
 1

80
14.
Alternation and Interlacing" Ablosen und Ineinandergreifen
of the Hands. dor Hande.

ill it^liii li'i^^'JJ

* /
@0 E&r^
m S^r
Through several keys.
Durch mehrere Tonarten.

t & /
W5H

'>
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5

16268
 -
81

ft ft
A A
sfJ
3 p#
s

Tf
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-
k^- etc

^
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-tk.

legato
'HE
J h r
vif l ^\
^
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Wm -^-i--
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&zs
9L-9.

m ^3
^
^
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16268
82
a.
Allegro

Ate fp *. * fpfp^M^. #.#^ fi

Moderate

S a 1 4
_

2
#

i a
f
1
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3
f
H 1 4

16268
 83
2 1 3 1 3 1 4

2 14 2 1 3 1 3 1 4

Piu mosso
i 5 4 g 1 4

36
"8a
llgill f^ 1 I

%L
fFFF f
Andante, legato

16268
12 14

84 Allegro.
3 4

b.
:
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f JP r"-^ 1-*- 1-^ 1-?-!- " p
PC
r FFr W W 9
tJLJ

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p -*-- g
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1
w~^~ P ^ P p|* | J* |

16268
"*J ir
 15. 8;

Various Styles of Touch. Verschiedene Anschlagsarfen.

m a
E

^M I^V.JjJ
ptfta TO
jj ^JfrJ^ I I

S Mm
/
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tz3^3
c.

\A

PW tnw$ 1
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wm
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M J *J* MJ My.*
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hT J ## <r # tt
fe *J d jeJm
etc.

W5
^te
^ g rT
BzBm
*- # _
prti*w tit
a
16268
 .

All tones of equal force. Through all keys.

Stimmen gleich stark. Duroh alle Tonarten

leggiero
16268
 87

fef^ k i E
i i Ii !

%W*0L
f j j j rJ

kT
E
3Y*^ E!EfcES
I ^
^=^ ^
gup pi ^l ?
J
P y P
y ^ *i
*=M a ? 'r ?
I
v
y f=f
E

legato

Through all the keys.

Durch alle Tonarten.
165268
 '

88
16
Thumb -exercises, Daumen-Ubung'en.

v* f#i* p p F i pljfp^ pfr ,

21
-9 9
*
1*
9 *
P
,

; *(
B_ *_
>f- !;*,
ft PltM LUJ rnprLLU B rf

^
etc.

Pg -

Lllt fe^g irrhrLmrrrraa^ rrtr

* 0 P 9 P* m 9 9 ~>P m , * m 1
|

Allegro. Right hand alone. Rechte Hand allein

legato

fe
y&
stacc} * * *
tz

rrijrjrrr c ccri
stacc.
gg
legato

stacc.

Left hand alone. Linke Hand allein

stacc. u stacc.
I
|
1 ^*Z^i 1 1 1 I

legato
16268
 89

Allegro.

$ nJ
h s

m e JC^jB Wm
a "'rfrfrf^

etc.

p -^p p ~p- \ p-

Allegro molto.
1 2 i
2 1 2. 1 8 1 2 , 2
tt :*:
1
ft
I

m VP m

3^ 1
i.

2 I 2 1 ? I 2 I I 8

^L ^ # m _m
I
hi
T
EB f-

etc.

>* ^ PeMjJUl*iJ&
TTrrrrrrrrrr Trrprr rrrrrrr rrrrrrrrr g gg tnrrrfr ,

16268
90

17.

Sliding: from the Black Keys Herabg*leiten von den Obertasten

*
* t 1

P i^
- a 3445
J tJ J
5 4 4

#
;
t

p^ S 5 5 4 4

leg'ato, forte
4 3 12 o 2

a
I
4

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f
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tt J
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2 2

r
1 2

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I r^P I 4 5 5 4 ?
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1
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3 4 43 3

P
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J.
>> ffl^tfryiUA JL r
sjT r rfl

7 2 2 3g 44 7 44 22 33 T
165J68
 91

5 5
4 4
4 4 4
3 3 3

Kl
4 ^ Rt
BS
tew. ir-
_o_

$ 3
2
3
2
3
2
to!
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2 2
2 2 2 3 3
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1
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i

2
l
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A. ten.

S " rs:

s3L
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to^if'fljtf
it-

-O-
3 3 3 3
4 4 4 4
4 4 4 4
5 5 5 5
6 5
2 2
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3
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4 4 4

5656
? 2 2 2

5 5

16268
92
18.

i-23 3 The Glissando Glissando

8 " S U :

a 44 is

:*
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rffP (rfPrrfrr.
PPf
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16268
 Skips Sprung^
1 5
v

$
m
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staccato e leggiero

S 5

W >

t;

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-fa- fa- h ^ fa-

I S BJ

r
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s I

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fa fa. k I*
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7
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te
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l;e fi "P P
i
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I
fi

16^68

94

^ ^j
f## ^
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r ^ ,
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iF a
etc.

* > J
3 C J) ,J>
Jt A
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5 5

t.

&N f f -i
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ssst *rtuJ-Uan
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k- be fi Vt * jte fc ^ %
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b* b* ^ * te fe !fe g
g * a s
fc 1

ete fc *

ft ft
mm i t_j_j.

JII^^i$
b* g J> Jr J,

etc. etc.
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a
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jr
Jt
f |
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f B n ^ ti - > f f ft ft ft

Ud/Ltuda if

a
a.

fc

*i EErt
* v ts *
etc.

te k
P *
16268
 95

^^PV

2 5 2 I
1 4 t 5 5
* 4

b k
*=i J* 3 8fc fri
I
i i ?
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I =* p I

m
l^i
staccato

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5
2
w=** ?! 5 K
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1 If f .

'ff t 1

1 # u I i ate * *
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3=
tm etc.

= 7W f
** *
he
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16268
96
20.
I

Embellishments Verzierung*en.

5
a.

TF*" jmiJnjaJTJflJfljjJT] jfe

I J$.
\
^-
legato
*

V rO-
etc.

v: " 's* qir ^^P m[xr c

fCij ,ff Lcj tf
cr.
4

m SE

b.
fftrimfl r^n j^Q jn J3
i
rj mJ-2 trjTZ ijin
M
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^
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4

^'to c.]* ccfC j' Etfrr ^r =p In t tut J ^[j^gg

Moderato

m 9 rf

'etc.
i

a S3 i i
Andante.

16268
 Andante tranquillo, 97
3 4
a.

&
B 3 d d a J m
m w J J
|J legato i
y
S m "

# li3 ,4

m
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3 4
3 4
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i f-rr-v
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i
H*^-*
etc. /^

a * (Tpy-P WlEM
J=k
w^m
9 F
Th ro u ^h
m J # F # F^K
all keys

3 4
Durch alle Tonarten

Allegro.

a ^C^"^ A -Q-
^i=^ fet ^
I ^ffi^sggsragg Pi**
P*
SjCii
*
jjffg * a

3q <t ; ^j
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^ J ^J^J d ^j^J^j^j^JjJ
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etc.

^
4 4
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8
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;
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^* eJ >J > ^J >

$ ^H
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^S == S
a *
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r ^ r r * r
Am
^r *r *r
3

imp ^^&P^g^s
3
3 2 . te't

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ten. *
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'

etc.
te

^Tlr^r^ 33= tr^ b

1626N
3
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gp ^>tirjf
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98
o
4 4 ;i

^ /ift
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J bj '^- -r hH-
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iJ
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4 B 4

r^ltM-t^-
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9
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*=t#^FF
f f - I ^^f^^Sf
Allegretto. 5 &
* a
43
F4-^a
ii gfs N ^&r-^^
w^'tf & t / 5 fj' t,.
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^
f

etc.

f-1
&L
'* f m gg : fa
-*T

5 5

5 5
Allegro. 4 4

* 3 i razz
n..,n
MJWV^ fe f*H*
^ly-gp
'
ffg
r
a
f ^S
^
if f I

^9Ij3?
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4 4 etc.
5

Moderato

rm* *cif

1626N
5
4
=
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4
f ya *rn ^ fe
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99

a.

b.
m 4

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6
2

* legato
*^ iriM
m j}J
j
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i;i
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J- ^3 J.
c
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etc.

^^#? ?

5 *
fe

8 3 i 2 ^
as
5*1
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S
*=3=
etc.
5
Allegro.
1 - *
=*-
t
!
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$ obab^ w * '

P^igy*&i
JrV 4>

i
5
4*5
1 i^2

X
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fei
etc.

a. 5 5

?~ &b - Mb t .5 <X
^ ^
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ifc-
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i

V-** '-* *
^a* v^ y j
ii ^ ' i
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W-* u*
K etc.

S
ft
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I
f I, Jrp

ft.
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1
h
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9
ftf
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ft
r f r ft>l
1

b. Moderato. 3* ^
HE ** -
g* 'TIT 1 * P-+-
3
J

fe legato
W 1* * w =^
etc.
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/

*

i> /
5 -^

i> etc

jg Jfl , ^j.^

^m %
4

3 25 5^5 -*
?*-*
won:

4 :{
34
3^ fit

16*68
100
21.
I

Extended Chords and Figures Ubung-en in weiter Lage.

. ^ 5 8

Through all keys.

Durch alle Tonarten.

W$%?
16268
 j 4

3 43
a. 5 M o4 derate 4
P
8 . o
b Mr
=C=1
m 0 0 0
* 9
p * 9 0 i
1
0 9
1
U-
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9 9
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b. 1*
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|^p
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f f f f "Ft f
'
PF
1
f f
I
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i
A
f

JL

f ^^

etc.

1* I ^3 * > - -^--^3-*^- j
j
a i
i
j
3 H
j j
j
1

JjjHJ^H
b
b

16268
102

2 3 5 * 4 5

3
m i
# # JPs #
ta
#-
i
JJ^ %
^3
tR
T 7P J^^ i
fc

etc.

m
l.h.
a:
5
13
1
o

two octaves lower. _l.h. zwei Octaven

I

tiefer
^
20 i
^ 90
^ 0'0 m

FiycffCF.p'tffcphrtef i /a V i r.p i rtftjr i rhfr l

1f>-^N
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8 -0
4
p
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=- 0
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I*
f 0 f 1

=P=S= p m f
p

% m m r|Tp
H

"IP
r f" #-

Pt r i

rj

Allegro.

16268
104
22.

Stretches. Spanniibungen.
I.
Right hand alone. Rechte Hand allein
Slowly. Langsam.
Left hand alone. Linke Hand allein.

Jfil
Ai-.k *Ai gQV* j "TO-*- *1l ^
P Allegro moderate r
_

*H
l

/P
- ^V
5^
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a m-* a ^ b m m m
I
trr~cf*r
232 3
a.

gs^s
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2 3 2

Cf^r-Ef^r
2 3
.

2 3 2 2 3
2 2 2

S
2 3 3

F3~i-~F^~. USalsiBa ^RrbEr i

fe^ - JD^J
i
g^S j
'C~Efrf~Ef
jm 3 2 3

P Ej-r-j-r
1

1
2
2
1

I
2
2
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12 12
I 2 1 2

S J=^-i J=3 *B *Efe 4 4 4 4 -& 4:

\^^J^-^

126H

*) With a free, easy movement of the elbow. *) Mit freier, leichter Bewegung des Ellbogens.
**) Each finger held down. **) Jeden Finger liegen lassen.
 105
2 5
b. bi
*
4 4 5L 5 s:z
4 4 ! l
=

W.ZM
00 7-i P t-
5
4t
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fa=k
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d^0rruJ legato 2 2
20
M 5 b.
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1
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1
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b

^ * :!>
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-0

2 512
V0 W

m m
W VW
bi
90
bi
i>

a. 4 4 3 3 2 2
4
P P. TT II
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li i ii

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ii *
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2
2
l I
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-3-3-
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I ifiP

jJj* * i
SS Ezz
Jg -3-3- ir^r
r llf
w
4 4
16268
urn

Allegro.
5_ 5
I #
Uf
== i feU
*P^i *
^^ etc
Sffi^ Si ^--*^--^-*!!
X
J * MM

2 8*
3
5~ f
5

Moderato.

E ^jtojj]
^
ipw]ja
I
wm
legato
'1 J-
uMM
1
etc.

Is = ^4 M' ftM*
j
/ ij.

* i ta 4
I f

^

4
*
i
i
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BH
etc.

4
vf+p-*
5 4 5
^^^^^^P^^^^^^^^^^^^P
4 5 4 5

yn egato
p W^ I I P i
etc.

S
*
JP

tiff iFP
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^*f -

id*
a

* 3 4 3
16!i8

107

J*
2 3
^^
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2 3

I
Au: ,,-W r, f

rJHh-^"^ 1^-4^-~^rr^ ^^-"^ 5E =-U

etc.

E" ^
^ r p-p
h> M " r^r
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16288
 109

legato -+'- + - * j
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Left hand two octaves lower. Linke Hand zwei Octaven tiefer. * 5
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3 3 3 3 3 3 Through all the keys. Durch alle Tonarten.

ten. ten.
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16^68
112
Allegro.
3535a 5 a 5 3535

nort troppo
Allegro.
5

16268
 ii3
23.
Exercises in "piano" and "pianissimo'.' Piano" und ^pianissimo" Ubungen
Allegro.
5 a

4 l

:i 4 2 i

3 4
1 4
16268
 114

Allegro.^

Left hand two octaves lower.

Linke Hand zwei Octaven tiefer.
Alle gro leg-ato
.

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Vivace.

16^68
 115

j
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4 ., a 5 k

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24.
Rhythmical Studies. Rhythmische Studien.
Moderate*.

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Through several major and minor keys.
Durch mehrere Dur und Moll Tonarten.
a> Allegro moderato.

16268
 I

118

a . Alleg-ro

i tranquillo .

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16268
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120
Allegro
ten.
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16sJ68
 i

121
Allegro vivace.

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p M *

ten- ten. ten.

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16268
 m

122

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16268
 * p
124

Moderate
a.

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16s>68
 p

125
, Moderate
" 5 5 5

a V V gg^
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^^ ;
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m m w
f
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5 5 5

b. Piii mosso.

aI
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m _
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m m
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Allegro non troppo.
legato

JT1 JT? to
P *fc
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grazioso
j-3 ra 3=e^
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T'^Tt CITCIT
16268

120
Moderato.

g&
legato

j^wwfn ^y^^r^^^^
vM^Ai &H
legato

stace.
&mm5m&&S vJT~y>-
P
b.
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a
3
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v
etc.

J 7
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1 1
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legato
g
LLP
9
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safe
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j-

r * -
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rrrr r rrj"r rT r rn
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fete
i

Through all the keys.

Durch alle Tonarten.
:>

i i
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ii
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3^

s & . *a
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fc
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16268
4
I ^ b?
4 b

I
&

127

d
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7
9
1
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mrrrnn n

as r
t ! ^m W=k
f r t
etc.

b i J i i .J

3 5
I
1 I
Moderato

4 5 4 3 4 5 4 5

J W3baSI rf y
Cvii7i%M; f^l
L
1 2
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2
it

2 2
I
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p
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vk ^
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w-*-m V 71 I .

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etc.

'> il
J
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kJ * J J

Allegretto 4 5
a 4 4

2^ 4
8 4 4 5 5 5

' W^b
23
3 4 * * *
.
1 2 2 1
V
JP leg-ato

^S 3^

tp.
j

1

c
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to.

Gr?r
J uJ uJ ^
16268

128

Andante.
legato
|
86

t >k \
, r, SK-0M* I
SEggEggHE^
? -* * !
m \
f 0n m P
1 Hffg
*
^hAH^ 21

Allegro.
4 5 3 5 2
4 5 :i 5 2

i te r
t>t> J * J*J_i* #% 3 m _ m
3 b
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t;
c^r 11 112 P

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p%g>g-iero j_,
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si
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5 tf 5 2
4 S 18 5 2
4 5 8 5 4

EH ss
^= j* =
i i r I
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d OP
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J^iI I
te^ :*
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rMttc B 4 5

Allegro.

5 4
16268