I300SEY@HAWKES

Violon
Violine
Violn

VIOLIN

(itt

44

ci
by CAROL BARRATT
More than 25 pieces for violin and piano
Plus de 25 morceaux pour violon et piano Mehr als 25 Stcke fr Violine und Klavier
-J Ms de 25 piezas para violn y piano
 i~&~
U

C.~ L~5~L~J~

CAROL BARRATT

rayo!
Violin
More than 25 pieces for violin and piano

Edited by Edward Huws Jones

BOOSEY@IIAWKES
London New York Berlin Sydney
 PREFACE
The pieces in Bravo! Violin take the student progressively through the
early grades. They consist mainly of original material, with a few
arrangements too sorne well-known, sorne more unusual. These pieces
-

are intended to encourage the student to perform rather than mereiy play
-

- whenever the opportunity arises.

Ah too often, the early stages of leaming an instrument can be a sohitary
process. Wherever possible, these pieces should be played with their
keyboard accompaniments. Hearing the keyboard parts wihi lead to an
awareness and appreciation of different musical styles and a sense of
harmony, not just melody. In addition, playing with an accompaniment
deveiops the pupils ability to maintain his or her own part while histening
to another. And of course, its fun!

PREFACE
Les rnorceaux se trouvant dans Bravo! Violon guident progressivement
ltudiant travers les premiers niveaux. lis consistent surtout en des
morceaux originais, mais u y a galement quelques arrangements -

certains clbres, dautres plus iiihabituels. Ces morceaux ont le but

dencourager ltudiant interprter plutt qu se contenter de jouer
- -

ds quil en a ioccasion.
Bien trop souvent, les premiers pas de lapprentissage dun instrument
peuvent tre une entreprise bien soiitaire. Ji faudrait jouer ces morceaux
ayee ieur accompagnement au ciavier chaque fois que cest possibie.
Gr~ce lcoute des parties du clavier, ji sera possibie de prendre
conscience et dapprcier djffrents types musicaux et le sens de
iharmonie, et non pas seuiement ceiui de la rnlodie. De plus, en jouant
avec un accompagnement, llve dveioppe sa capacit de maintenir sa
propre partie tout en coutant celle dune autre. Et bien sur, cest trs
amusant!
 VORWORT
Die Musikstcke in Bravo! Violine leiten den Schler Schritt ffir Schritt
durch die ersten Stufen. Sie bestehen haupts~ichlich aus Originalmaterial,
aber auch aus einigen Arrangements teils wohlbekannt, teils eher
-

ungew5hnlich. Diese Musikstcke sollen den Schler ermutigen, wann

immer sich die Gelegenheit bietet, vorzutragen anstatt lediglich zu spielen.
Alizu oil ki5nnen die ersten Versuche, em Instrument zu erlernen, em
einsamer Vorgang sein. Diese Stcke sollten nach Mglichkeit mit
Klavierbegleitung gespielt werden. Das Hi5ren der Klavierstimme ffihrt zu
einer erhhten Wahrnehmung und Wrdigung von verschiedenen
Musikrichtungen und zu einer Empfindung fr Harmonie und nicht
allein fr die Melodie. Zus~itzlich hill das Spielen mit Begleitung dem
Schler, seine eigene Stimme zu spielen, whrend er euler anderen zuhrt.
Und nafflrlich machts SpaB!

PREFACIO
Las piezas musicales de Bravo! Violn integran un mtodo progresivo
ideal en las etapas iniciales del aprendizaje musical. La mayora son obras
originales, aunque tambin hay arreglos -algunos famosos, otros menos
conocidos- y estn concebidas para alentar al alumno a interpretar, y no
simplemente tocar, siempre que se presente la oportunidad.
Con demasiada frecuencia las etapas iniciales del aprendizaje de un
instrumento musical se convierten en un proceso solitario. Por ello es
aconsejable interpretar estas piezas con su acompaamiento al teclado
siempre que sea posible. Al or la parte del teclado, el intrprete se
sensibiliza y aprecia los diferentes estilos musicales y la armona, adems
de la meloda. Es ms, al tocar con acompaamiento el alumno desarrolla
la capacidad de interpretar su parte a la vez que escucha otra. Y, por
supuesto es muy divertido!
 CONTENTS

Barratt Round Dance 2

Barrafl Quirk 2
Czerny Rise and Shine! 3
Barratt String Along 3
French Folk Song Fais Dodo 4
Kabalevsky Polka 4
Kabalevsky Rus sian Dance 4
Barratt Shortcake-Walk 5
French-Canadian Folk Song Qn the Wing 5
Duncombe Minuet 6
Barratt Hunt the Rosin! 7
Scottish Folk Tune Torry Burn 7
Schubert German Dance 8
Barratt Out-of-Step March 8
Hungarian Folk Song Sowing Marjoram 9
Scottish Folk Song The Night Visiting Song 9
Barraft Penny-Stinkards 10
Barratt Wimbledon Waltz 11
Barrafl Ballyhoo! 11
Barratt Harvest Time 12
Barratt Fivepins 13
Swedish Folk Song Midsummer Fire 13
Barraft Barrel Blues 14
Anon. English Jig 14
Tchaikovsky The Hurdy-Gurdy 15
Barratt Three Variations on Cat in the Snow 16
 IMPORTANT NOTICE: The unauthorised copying of the whole or any part of this publication is illegal.~

ROUND DANCE

Based on a l7th-century tune by Joachim von der Hafe

Carol Barratt
Moderato
2
~
mf
6

~
U~~J
p
11

~ mp

QUIRK

With humour Carol Barratt

L.H. piZZ. arco

~
(f)
f
6

~ }-~r~
p

11

~J~j ~ r~
f
15 nt.

rj~U ~ r
p
a tempo
arco
20 LH.pizz.
, + + + ~ 1

~r L:j ~ Fz

f
Copyright 2001 by Boosey & Hawkes Music Publishers Ltd. 11027a
 3

RISE AND SHINE!

Karl Czemy
Allegretto arr. Carol Barratt

~J4~ ~ ~

mf

~y ~ 0 -

p
7
(j
~ :~IU
mf f
lo

~
mf

14

~J :~I
f

STRING ALONG

Ragtime Carol Barratt

~
f
7

~ p
13
nt.

~ >
f ff

1 1027a
4

FAIS DODO
(Goodnight, Sleep Tight!)
French Folk Song
Like a lullaby arr. Carol Barratt
2 r~
h
e-,
mf
7

r~fl~
13 nt. a tempo

~ mp
~ H P mp

~
~ p EZZE====r====~~= )~

TWO DANCES
POLKA
Dniitri Kabalevsky
Allegro non troppo arr. Carol Barratt

~ mf

~
f mp -

RUS SIAN DANCE

Con brio *

t HH~ ~H ~
~ p
~H ~
f
~ -i
* Staccato notes to be played on the string

Copyright 1946 by Boosey & Hawkes Music Publishers Ltd for the United Kingdom,
the British Commonwealth (excluding Canada) and the Republic of Ireland.
This edition Copyright 2001 by Boosey & Hawkes Music Publishers Ltd. 11027a
 5

SHORTCAKE-WALK
Moderate ragtime tempo Carol Barratt
2
1 1

0) r r
mp

~i
lo

~
~ mf f
14

~
ff

QN THE WING
French-Canadian Folk Song
Andante arr. Carol Barratt

~
f p
5

~
f
10
~
~rr~r~r p mf

15

~ p
r ~ r r
nt.
20

~
0) 1 mf f
11027a
6

MINUET
Attributed to
William Duncombe (eighteenth century)
arr. Carol Barratt
Allegretto
4
u e e
f
8
y

~r mf
L~F ~ Lr r U EJ

12

~ mp

16

~r p
~JE_-H
20

~r IHf
24

~ ~
nnu
29

~J mf f

34 1 2rail. ..~

~ mp

11027a
 7

HUNT THE ROSIN!

In a frenzy Carol Barratt

A 2 >

rrFF~F ~
f
8

~ ~ ~
sub.p mf

14 nt. a tempo

~ -

20
n

j~fl~ rrEF~~ FF~~FFr~

f
26

~ > > >

ff

TORRY BURN
Scottish Folk Tune
arr. Carol Barratt
Lively 4

~a ~ ~ ~
f
7 4

~
mp
r~ J U ~~WGfl~J
11 4

~
mf f mf~

~ mp
=~=-
f
11027a
8

GERMAN DANCE
Franz Schubert
Moderato arr. Carol Barratt

~~Hrr~
~ ~

mf

7
~ ~

~ L~ mp
~ r ~
13
~ ~ ~
ILF~ ~
f
19 1. 2
~
~ z~~==mf f mf

OUT-OF-STEP MARCH

Strict march time Carol Barratt

~
f mf

~ ~ Wr ~r ~f ========EE=EZ
F ~P F
11 (r~)

~ r ~r mp
F ~ mf ~
r ~
16

~ F F
f
11027a
 9

SOWING MARJORAM
Tempo giusto Hungarian Folk Song
R.H. piano arr. Carol Barratt
J J ~ J J -j

f
8

~j____ u
-~ mf

~ILFF~~F r~ ~ r~ ~ ~
24

~ ~ ~ ~ :~I~ r ~ L~

THE NIGHT VISITING SONG

Scottish Folk Song
Slowly and calmly arr. Carol Barratt

mp

~ r. ~mf mp

~ j.
mf

13 .

~ nt.
~J
&
r J. ~ 1
,L
U
~
-F-
~
-
~
~
~
1. ~LI
mp ZZEEE=z=z====== p

11027a
lo

PENNY-STINKARDS *

Based on an Elizabethan tune

Carol Barratt
In a jovial style

~f
mf mf

12

~
17

~r f
22

~j r~nr ~r
27

~
&f p f

31

~ ~
~ff r
37 L.H.pizz.

~ ~ rrrHr
>

* Penny-Stinkards were poor (and often smelly!) people around the time of Shakespeare who could only afford a penny in order
to stand below the stage of the theatre for their entertainment.

11027a
 11

WIMBLEDON WALTZ
Carol Barratt
With a graceful uit
4 y
4 fl~I

H r ~ ~ mf
mp

atempo
nt. y 4

~ ~ ~ ~ r
16

~ mf
~ ~ f mf

22 nt.

~ r ~ ~ mp ~ ~ p 1

BALLYHOO!
Boisterously Carol Barratt

~
f ff - f
8

~
ff f f
14

~ mf

21

~I JHJ~

ii - Cd
>
U
f -~====E ff

11027a
12

HARVEST TIME
Based on a Latviafl folk-song

Carol Barratt
Moderato
. .

F r i~r ~ r ~
p mf

11

~
16 nt. a tempo pi~z.

~ -~
:::EE===r=== U pp H f~ ~
22

~ p H ~ H ~ ~ H ~ H p ~
27 arco

t~~ f

32 nt. a tempo

~ FF~JH~~fl
p

~ acceL~~
f ff~

Ah quavers crisp and detached l1027a

12

HARVEST TIME
Based on a Latvian folk-song

Carol Barratt
Moderato *

mf
rr~
6

p mf

11

~ ~ F
16 nt. a tempo pizz.

~EZ=EEE==r==== ~ U H f~ ~ H
22
>

27 arco
n

~
f

32 nt. a tempo

~
p

~ acceL~>
ff~
II
f

* Ah quavers crisp and detached 11027a

 13

FIVEPINS

Carol Barratt
Quite fast with enthusiasm
-

mf

~F r~HF ~ -

~ mf f
11
I~ n

~ FFFH

~r -~1
(ff)

MIDSUMMER FIRE
Swedish Folk Song
Andantino arr. Carol Barratt

~ LH
mp cantabile P

~Lrr ~ f agitato
11

~sub. p cantabile

15 nt.

~ \. ~ ~
pp
~ .~ . ~~ ....... .... ~ ~ 1
11027a
 ~L1OTT

61
:z==~==== t:1
H
[
w
H
~ ~
~ LI
~
L
1
H ~ 1~JJ~t
flEJ~I1~H 01E3 JJ1~ iinjof
i(1fl~U~3 q~9[ UOU~
DIf HSI]DN~E[
c~ dz
i~
6
~ ~ .fl .~
g
tu

W?JJ1~H IOJ1~3 w~q ziq A4OIS
E E
(~ ~ :sJ~A1~nb ~un~s qiii~ p~ujd ~q u~ ~id siq~
(q~L p~u~w~jj) ~ j -
pui~ (pJ~ pou~un~) ~j ~~id sup rn (oJn3s ~qi jo -pL pui~ ip p~ pou~~jj) so~ou ~
p~ji~-os ~ .ioj mo ~jooj suuoj zzi~C ms~ii~ ~qm jo ouo si ~~sonJq,, ~qj~
~ ~n~q-~j)
S~E[fl1H 1~EI}T~VH
VI
 15

THE HURDY-GURDY
Peter Tchaikovsky
arr. Carol Barratt
Moderato

mp
r ~
10

~ U. mf
r~
17

~r r r ~ mp

~ ~r
mf
~ ~ u. ~ r
30

~ ~ mf mp

36

~ (mp)

41

~ ~ u
47 poco nt.

~
1 1027a
16

THREE VARIATIONS ON CAT IN THE SNOW

(A German Folk Song)

THEME
Carol Barratt
Stealthily

p mf

~f e ~ ~ ~

VARIATION 1. WALTZ
13 Moderately 4

~IL~ ~
~

mp mf
2nd time
19 (~

~ ~

mp
J u ~ ~ u. ~ :j ~

VARIATION 2. MUSETTE
25 Fairly fast ~
~tILJfl~flJ~U ~ \___ ~ ~ \__;

f sub.mp
2nd time
29 ~ y (t?~)

~ f
- :~I~
VARIATION 3. JIG
~ With a uit

~g IL~ ~ ~
,.---.

mf

i 112
38
~ ,... nt.
~!
-y
SI
i
~
1r fr.
e NIfli 1 :~Iflr~ 1
0) -~f- -0- ~ tItj ~

mp f
1 1027a

After graduating from the Royal College of Music, Caro
Barratt was awarded a Martin Musical scholarship for
composition by the Philharmonic Society and studied
with Elisabeth Lutyens. Her compositions have often
been performed and broadcast, particularly the Flute
Suite, Brass Quintet, Tuba Sonata, Oboe Sonatina and
the song cycle Love. . .a Strange Disease. Her
Magn~flcat and Nunc dimittis were first performed in
1992 at St Pauls Cathedral in London. In 1995 her Six
Songs for Singing were chosen to be performed as
part of the celebrations of the 5Oth anniversary of the
Composers Guild. A highly respected teacher, Carol
Barratt now presents her unique compositional style in
the Bravo! series of music for young players.
Nach ihrem Abschlui3 am Royal College of Music erhielt
Carol Barratt das Martin Musikstipendium fr
Komposition von der Philharmonischen Gesellschaft
und studierte bei Elisabeth Lutyens. Iher Kompositionen
werden haufig aufgefhrt und im Rundfunk bertragen,
vor allem die Flten-Suite, das Blechbl~serquintett, tie
Tuba-Sonate, die Oboen Sonate und der Lierderzyklus
Love. . .a Strange Disease. Ihr Magn~ficat und Nunc
dimittis erklangen erstmals 1992 in der St. Pauls
Cathedral in London. 1995 wurden ihre Six Songs for
Singing ausgew~hlt, um als em Bestandteil der
Feierlichkeiten zum 5O-j~hrigen Jubilaum der
Composers Guild aufgefhrt zu werden. Carol Barratt,
de auch eme sehr renommierte Lehrerin ist, legt nun in
der Reihe Bravo! Musik fr junge Instrumentalisten vor,
in der ihr einzigartiger Kompositionsstil zum Ausdruck
kommt.
ISMN M-060-11027-6
BOOSEY@HAWKES
Il I~I h U IHUN UII~ UII
9 790060 110276
Boosey & Hawkes Music Publishers Limited
295 Regent Street, London W1 B 2JH
www.boosey.com
Aprs avoir achev ses tudes au Royal College of
Music de Londres, Carol Barratt obtint de la
Philharmonia Society une bourse de composition
(Martin Musical scholarship) et suivit les cours
dElisabeth Lutyens. Ses compositions ont souvent t
joues et retransmises ~ la radio ou la tlvision,
notamment la Suite pour flte, le Quintette pour
cuivres, la Sonate pour tuba, la Sonatine pour hautbois
et le cycle de chants Love.. .a Strange Disease. Le
Magn~flcat et Nunc Dimittis furent crs en 1992 ~ la
cathdrale Saint Paul de Londres et les Six chants ~
chanter furent excuts dans le cadre des festivits qui
marqurent, en 1995, le cinquantenaire de la Guilde
des compositeurs. Ensegnante de grand renom, Carol
Barratt prsente aujourdhu son style de composition
trs personnel dans la srie Bravo! de pices pour
jeunes instrumentistes.
Tras graduarse en el Royal College of Music, Carol
Barratt obtuvo la beca de composicin Martin Musical,
concedida por la Philharmonia Society, y estudi bajo
la direccion de Elisabeth Lutyens.
Sus obras se tocan en conciertos y se difunden
radiofnicamente con regularidad, especialmente la
Suite para flauta, el quinteto de viento, la sonata para
tuba, la sonatina para oboe y el ciclo de canciones
Love. . .a Strange Disease. Sus obras Magn~ficat y
Nunc dimittis fueron estrenadas en la catedral de S.
Pablo en Londres en 1992.
En 1995 sus Seis canciones para voz fueron elegidas
para ser interpretadas en los actos conmemorativos del
cincuenta aniversario de la sociedad de compositores.
Maestra muy prestigiosa, Carol Barratt presenta en la
actualidad su singular estilo de composicin en la serie
Bravo! para jvenes intrpretes.