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301 day 3
- Boulezian multiplication
- was a method of creating a harmonic depth to his essentially linear structures
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Anyway
John Cage (1912) was the philosophical father of the New York School
Morton Feldman & Earle Brown - both born 1926, in 1950 fell under the creative aegis
of Cage
The personal objectives of the school were very different from the European serialists,
though their aims were similar
- Cage had studied with Schoenberg in California, as well as Henry Cowell. These
influences can be seen to blend in his systematic aleatoricsm
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- John Cage's development can be traced in a few compositions
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Monday, January 11, 2016
- the series of imaginary landscapes (1939 - 52) create amazing (analog and live)
soundscapes
In general the compositional perspective of the Americans differs greatly from that of the
Europeans, his textures seem earthly and built on the relationship between the
performers and instruments at the moment of performance, while the equally
democratic sounds of the Europeans have a removed attitude
Morton Feldman began writing his perspectives with the 1st for solo cello (1950)
- his works involving range notation was very involved with the sound of the
instruments and the relationship of the performers
Earle Brown's influence in the school focuses on his use of graphic notation, though his
interest in music included a career in jazz and as a recording engineer.
Christian Wolff also had a diverse career as an academic and composer. The New York
School saw his genesis as a composer