Professional Documents
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Music and Lyrics by MADNESS
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MUSICAL DIRECTOR / KEYBOARD1
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OUR HOUSE F
Book @ Copyright 2009 by Tim Firth
Edition O Copyright 2009 by Josef\Veinberger Limited, London
AllRights Reserved
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For individual sonr copyright details, seeappendix. e
PHOTOCOPYING THIS CO?I.RIGHT -IVTATERTAL
IS ILL.E,GAL
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Applications to perform thi.smusical must be mede,
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BEFORE REHEARSALS COMMENCE, to:
Lur,lnsn
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Iosrr'$7EINBERCER
12 - 14 Monimer Street -
London W1T 3JJ G
United Kingdom
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a MusicandLyricsby MADNESS
Directedby lVlatthewWarchus
a Choreographedby Peter Darling
a Orchestrationsby SteveSidwell
Musical Supervisor,Vocal Arrangementsand Additional Material: Phil Bateman
a 'Wnrld
PremierePerformance- 28'hOctober 20A2, CambridgeTheatre
a
Casr 2OO3WEST E}ID PRODUCTION 2008UK Toun
a ANcm
Rrecey
Andrea Francis
Matt Cross
SophiaNomvete
SamMackay
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5
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Production Notes by
=
TTHaFIRIH
1
a The main challengeof this musical is of coursethat it is rwo musicals.
on to follow the two paths rvhich
The story splits early
Joe Casey'slife could have follow.d p.rding a fatefrrl
decision he makeson t}'e night of his sixteenth birthday.
1 The lvays of represendngthose two paths iie at the creariveheart
of any production. The
transfers between the black and the white world increasein speed
and require increasing
Ievelsof ingenuity. After the experienceof two producdons, in the
\fest End and then on
tour, the main piece of advice I can offer is this: people are primarily
interested in other
= people' The audience watch the cast far more than they watch
the set, and three walls
turning from black to white to represencthe swirch from Good
Joe's srory to Bad Joe,s
1 story is nevergoing to be as effectiveas rhe actor himself simply chaneing
thecolour, say,of
a baseballhat from black to white.
= The musical rravelsthrough a young man's life from the ageof sixreen
to his early rwenties.
As such it visits many locations.The emphasishere once again need.s
to be on ingepuiry
a rather than expense.The cast should be gamefully employJ furnishing
many stationspassedthrough en route from terracedhousesto penthouses,
and creadng rhe
shops,p*br,
a schools, car showrooms, even Eg.vptian-themedhotels in L*s Vegas. \fhen
Howe I deliberatelywrote the impossible in the belief that the *oi" yo.,
writing Oar
ask from creative
a people,the more you get. The bigger the challenge,*re more people rise
to it.
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It is worth remembering that even chough in larger scaleproducrions we had a real car and -
cinematic projection and a whole host of other reats, the rwo rhings the audiencerose to !E
saluteat the end of eachshow came absolutelyfor free; ingenuiry and energy. ,-
Get theseand you are ninery percent of the way ro building Our House.
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Euuo and LBvls -Joe's besrmates,looselyrelatedto him and rakenin byJoe's Mum.
The former is a big kid who would chasesticla if you threw rhem, *re latter a more
sensitivelad with a more exposedmoral nerve.
JoE's MUtu, KerH - beatendown by life but never beaten,a heart the sizeof a housewith
a huge, feisty love for her family.
Joe's Dan - a man of fun and spirit who married rhe righr woman bur rook the wrong.
path in life, died asa result,and is now desperatefor his son not to repeatthe pattern.
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= TsNon S-qxoprtor.rE
dbl. FluteI Clarinet
TRulapst dbl. Flugelhorn/ Tambourine
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Kr,r'sonRD1 (MusicalDirector)
- Ksrsoann 2
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Gur:raR
a Bass
a DR.uh4s
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z Notes on the music by
PHtt- BATEIIIIAX (MusrcarDnacron,l
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=
In the \(est End the band for Our Househad 9 players:
3 keyboards,guitar, bass,drums, tenor sax (doubling flute and clarinet for underscore),
= trumpet and violin.
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ACT ONE
-
t . Opening(Instrumentu}
........... .......1 \-Y
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r4. l.osPalmasSeven(Underscore)(Ins*umental)........ ..........5
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L. Our House (Priest,Joe,
Ernrno,Lewis,CaseySt. Raidznts) .................9 g-/
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2a. Our HousePlal'off(Ins*umental)............ ......18
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2b. (Instnnnental)..............
BalconytJnderscore ...................19 .lE
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SimpleEquation(Dad) ......:.........2A -
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-4. My Girl (Ernmo,BadJoe,Lewis) ...................24 ..--
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)\ . B"ggy Trousers(Reecry,
Schoolkids,Mr Jesmond,BadJoQ.................
35 )
5a' SimpleEquation- Reprise(Dad) .................45
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6. Embarrassment --J
(CareersOfi.cer, Reecey,Billie, Angie, Emmo, Neighbours,Leu'is, r+4
Aunt, Uncle,SecurityGuards,Kath, Grandad"GoodJoe)..................45 _J
.r---r
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5a. Playoff(Instrumenta\.............
Embarrassment ..............53
5b. B*ggyTrousersUnderscore(InstrumentaA
.............. .......54 )
1
Embarrassment- Reprise(EncouragementVersion)
IIE
(BadJoe,Heatlter,Sabs Reps,
Lond.onAlarms Boss,) .........55
e (I nstamental)..................
B"ggyTrousersI Our HousetJnderscor 60
I
R Driving In My Car (GoodJoe,Lewis,Emmo, Billi, Angie, Sarah)....62 :
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8a-I.
8a-II.
My Girl * Reprise(BalladVersion)(Sarah,Dad).............................59
Driving In My Car - Reprise(Dad,BadJoe,Salesman)....................59 :l
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Bb.
8c.
AfterDrivinglnMyCar (Instrumental)..............
SimpleEquation- Reprise(Dad, Choras).....
............71
..........".......73 :l
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The Return Of The Los PalmasSeven(Insawmental)
Shut Up (Reecqt,
......................78
GoodJoe)...............sr.
Coppers, ........-....83
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1i. Tormorrow's JustAnother Dry I The Sun and :he Rain
(Prisoners,
GoodJoe,Girls Chorus,BadJoe,Saralt)....................'.....'.88
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l4a.
One BemerDay (Dad, GoodJoe,Cltorw, I{ath)
Our House- Reprise(GoodJoe,
Dad) .......
............I I6
..................122
15. RiseAnd Fall (Goodloe,Chorus) .................12j
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16. House Of Fun / RiseAnd Fall / My Gid
a 15a.
(BadJoe,Julie, GoodJoe,Mr. Pressman,Choru)
SceneChange(Underscore)(Instrumental)
...........127
............."....134
1 17
17a.
N.\f.5 (Sarah,Dad, Chorus)
* Reprise(Law Firm)
......135
Embarrassmenr
(Clerh, Barrister GoodJoe,Harper, Smith, MassEt,
1 Harrassed
Small-TimeLawyer.) ...................143
17b. lJnderscore(My Girl / N\f5 / Simple Equation)
=
(Sarah,Dad, Chorus) ..................14S
18. It Must Be Love (Sarah,GoodJoe) ..............153
=
19. The Sun And The Rain - Reprise(Stallholders)
(Good!oe,BadJoe,stallholders,
Choras).........,....... ......161
=
19a. SimpleEquation(Reprise)(Dad, BadJo) ...................172
a 24.
21.
PrimroseHill / Our House (Reprise)(Dad, GoodJoe,Companl ..179
NightBoatfly'egastJnderscore)
(Company) .................ig3
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OURHOUSE,
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r-iu're allos'"d to rouclt hinr'"
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Ioe:
"Sarah s'ould
iu m"d to '*'ait
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Curofi Q - Reece1:
'\\:ell, arll, qrll." -
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she docs - g't le She takes it a11... dte vtong {.\'Aja -') -
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35
=
=
5. BaggyTrousers
"As
Q - Reecey: of today . . . school's ontl" (Betl ingt).
=
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real - I,t nun ott bed All
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C)h lihit iur: s'e had et the dme it seeated so bad T4' - ilg did vrls
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to fifit with ost dor's school'
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Dalogue p{rJesmond)
-
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S.Bag Trousers 39
=
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-tl 63
2 Oh
Conduct
vhat fin vc hrd but did it rcal - lv tlrm out bed. All I leamt at schol
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40 5. Bagg, 7 roasers
Bb
Dance Break
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5. Bagg Troasers +J
lRccceyerBadJoc
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44 5. Bag T'rousers
e
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huh
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time it seemed so bad'
but at tltc
Oh vhat fur *e hrd
huh llrh hdr ll*t
huh h{il t-
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=
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5a.SimpleEquarion(Reprise)
= After applause - lio cue
j=152
=
a
a
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cor - tec -uql el - sti - *tes rnake yot
il cor - rect
Em
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Sure - h' rcn'e goilr avodd r.lrcre you'c on dre rig.ht prrh ,ght qr.tcs right gilp
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6. Embarrassment F
e
'Take me or leave me'"
Q - Joe:
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Re - ctived I let - ter lst the oth - d@'t sem they wm M
t-
Bbme Abe Frra Fm
Bbme/C Bbm
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6. Ernbanassment 49
-
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a
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lir it em - bnr - 6ss - otnt e [ir- - i0g etr - do6a - fleoL f'hc in - to - tiod dut
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6. Embarrassment t-
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6. Embanassment 51
=
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To l.te to r e c d - s i d - e t No - me's gm -m sd - fl knov y^l
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Middre
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6. Embanassment
e
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n...and sav drat I'm a
"...Uh-huh-" Q - loe:
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Q to art Clou'n:
Slow
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54
MD / Keyboard1
6b. BaggyTrousers(Underscore)
"But
Q - foe: the chances of anYone
6;.s6yg.i.g that are very slight."
"I
Q - [mmo: thought you didn't wmt
tJ "od up housebre;king Like your dad."
lr
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=
IlaDTKtffiaI 55
= 7. Embarrassment
(Reprise- EncouragementVersion)
=
"Ap ap ap!"
Q,Joe:
Slightly freter J. : tOO
=
Iffil
.=
day !?e've hed se - cmd thoglr
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7. Embarrassrnent(Reprke - Encourngenent l/ersian) /.J
56
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ispoket linu, no rhyrhn. a$er -Lah's)
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Here he is. The rising st r, C*ey "{s Disrrct ll*reger here rt
-Joe
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7. Embanassment (Reprise- Encouragementtr/ersion
) 57
=
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I Thc po oise tlr*r he ht* rhou Th;s is the shrt of { loog tcra re - La - tim - rhip.
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60
MD / KeyboardI /-
5-
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F
Ta.BaggyTrouserc/ Our House -a
E
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(Underscore)
-
E_\9-
/a
Q - Reecev:
"HeyJo-io." Q - loe:
"lt's okReecey. t-
.-:9- -
Iin irot g.tting irrto all that" Diak:gue
-
E
la
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"An'persorrall-t
Q - Reecer':
Ii* "lo'"r'i tbund-cals easier." -
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61
---? 7a.Bagg T\ousers/ Our Hoase (Undtrscore)
lX: Trt
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8. Driving in MY Car b
-/
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- Bf,lie + Argie: "GoodbYe " E
-
Q
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5-
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Kbd2Q(MadnesPiano)
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D A M a
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D Arr D Art
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8. Driaingin My Car
e
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lEmmo+Lcwis I
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8. Driuingin M7 Car 67
=
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dlovc t-long thc A for - g - five I hed her up to fif - ty .iChr.
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e
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"Fnll.str:p."
t
lBi[lc+AngicI [c"AJ*+s".'t'-l
&i - rilg il mr car- He lihes &i -viog io his w Doo't look nnch but I've beeu far. Doo't lmk nuch'
t
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Kbd2Q
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=
Muted Tpt
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8a- IL Driving In My Car - rePrise
- j:r80 Sq{ng-feel
-
e
t
70 -
Salesman:
"Here
we are sir, I thinl
E
e
youll fike this one, it's a twin calb
four litre petrol-engined...
e
t
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/-
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--
@ Fi*-;-l -
F
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on the door. - Fin - islt, tiim, Md CIi -arte cd -trolled eu - to - ma -tc
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Dialogue
Q - Joe:
".,.lirrrousine business." (Dm)
A
Q -Joe:
"...I give yoo." (C1n cmsh) t
F
e
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a
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MD / Keyboard1 a4
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Q - Emmo + Irwis (.rzzg): and a cinema"
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"Depends
if r-ou're irrto that."
;: 160
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