Professional Documents
Culture Documents
Prof. Pedersen
FWS 121
Weekly Response #7
November 2017
Introduction
In 1836, Woyzeck, a literary gem which would be discovered at the turn of the century, was
created by Georg Büchner. He died prematurely in the following year at the age of 23, but his play
reveals the concealed problems in the human social structure, which we are still not able to fix
nowadays. Structural suppression is uncompromisingly eloquently portrayed here, and trembled the
European society when it was published in 1879 and premiered in 1913; for the first time, the
Europeans were fascinated by the expressive capacity of Woyzeck and haunted by Büchner’s profound
Preliminary argument
Woyzeck is a representation of the victimized class in the whole industrial capitalism structure,
while simultaneously he is also a perpetrator in a domestic scale; the ever-transferring yet unceasing
oppression was later personified in the trend of fin de siècle and expressionism. Essentially, Woyzeck is
a message that claims itself as a futile attempt to remedy capitalistic (on even fascistic) violence.
Outline
Woyzeck and the relation with capitalistic suppression (i.e. how it is portrayed in this play)
Conclusion
Bibliography
Büchner, Georg. The Major Works. Edited by Matthew Wilson Smith and translated by Henry J.
Orr, John. Tragic Drama and Modern Society. London: The Macmillan Press Ltd., 1989.
Ramanathan, Geetha. Sexual Politics and the Male Playwright: The Portrayal of Women in Ten
Richards, David G. Georg Büchner’s Woyzeck: A History of its Criticism. United States:
Stromberg, Roland N. Realism, Naturalism and Symbolism: Modes of Thought and Expression