Coleman Hawkins' Solo on "All The Things You Are"

from "Hawkins: Alive!" Transcribed by Dustin Mollick

Tenor Saxophone on November 2nd, 2010

  
G‹ C‹ F7 B¨
     

       

  
5 E¨ E‹ A7 D
    
         
    

9 D‹ G‹ C7 F

               

13 B¨ B‹ E7 A
  3

    
       
 
 

  
17 B‹ E7 3
A
           
    

    
21 G©‹ C©7 F© D&7
    
      

  
25 G‹ C‹ F7 B¨
             
 


E¨ E¨‹ D‹ C©‹

29
  
         
    
Break
C‹ F7 B¨ A‹7(b5)
D7(b9)
     
33
      

          
 
2 Tenor Saxophone
37 G‹ C‹ F7 B¨
              
 
             
3

  
           
41 E¨ E‹ A7 D
   
  
     
3

45 
D‹ G‹
     
C7
F 
        
           

49

B¨
 
E7 A
B‹
    
    
                
5

53 B‹

E7 A  
                        
      
3 3

57 G©‹ C©7 F© D&7

             
       

61 G‹ C‹ F7 B¨
        
                    

  
E¨ E¨‹ D‹ C©‹
    
65
      
             

C‹ F7 B¨ A‹7(b5) D7(b9)
 
  
69
 
                       
3
 Tenor Saxophone 3
73 G‹
  
C‹ F7
   3

B¨
        
      
3

         
77 E¨ E‹ A7 D
             
      

D‹

G‹
      C7 F
       
81

         
   

     
B¨ B‹ E7 A
 
85
             
     
 

89 B‹ E7 A
 
              
 
     
3

93 G©‹ C©7
    F© D&7
              
      
3

     
G‹ C‹ F7 B¨
 
97
         
     

     
E¨ E¨‹ D‹ C©‹
101
     
                
3

105 C‹ F7
 B¨ A‹7(b5) D7(b9)
             
              
3
4 Tenor Saxophone
G‹ C‹ F7 B¨
         
109

              

     
E¨ DE‹ A7 3
113
   3    
                   
 3 3 3
D‹ G‹ C7 F
117
        
                  
   
3

121

B¨
 
E7

B‹ A
      
        

B‹ E7 A
   
125
        
    

129

G©‹

C©7

F©
 D&7

           
     

 
133 G‹ C‹ F7 B¨
     
           
           

  
    
E¨ E¨‹ D‹ C©‹
 
137
           
 

141 C‹ F7 B¨ A‹7(b5) D7(b9)

                      
    
3

145 B¨

    