ATS2804 From The Erotic To The Exotic: Music in The Nineteenth Century (Clayton) (Semester 1, 2016)

01/06/18 ATS2804 From the erotic to the exotic: Music in the nineteenth century
(Clayton) | Monash University
ATS2804 From the erotic to the exotic: View Online

Music in the nineteenth century (Clayton)
(Semester 1, 2016)
Dr Paul Watt: Faculty of Arts, Sir Zelman Cowen School

of Music: Paul.Watt@monash.edu - List maintained by
Monash University Library contact
carol.appelt@monash.edu
Assael, Brenda. ‘“Music in the Air: Noise, Performers and the Contest over the Streets of
the Mid-Nineteenth-Century Metropolis”.’ The Streets of London: From the Great Fire to the
Great Stink. London: Rivers Oram Press, 2003. 183–197. Web.
<http://images.lib.monash.edu.au/ats2804/04200695.pdf>.
Atkinson, David, and Stephen Roud, eds. Street Ballads in Nineteenth-Century Britain,
Ireland, and North America: The Interface between Print and Oral Traditions. Farnham,
Surrey: Ashgate Publishing, 2014. Print.
Bailey, Peter. ‘“Introduction: Making Sense of Music Hall”.’ Music Hall: The Business of
Pleasure. Popular music in Britain. Milton Keynes: Open University Press, 1986. viii–xxiii.
Web. <http://images.lib.monash.edu.au/ats2804/04200858.pdf>.
Barzun, Jacques. Berlioz and the Romantic Century. [1st ed.]. Boston: Little, Brown, 1950.
Print.
Bass, Michael T. ‘Street Music in the Metropolis: Correspondence and Observations on the
Existing Law, and Proposed Amendments | Hathi Trust Digital Library.’ N.p., 1864. Web.
<http://catalog.hathitrust.org/Record/006935885>.
Bass, Michael T., and Archive.org. ‘Street Music in the Metropolis: Correspondence and
Observations on the Existing Law and Proposed Amendments.’ N.p., 1864. Web.
<http://www.archive.org/stream/streetmusicinme00unkngoog#page/n6/mode/2up>.
Bass, Michael Thomas. Street Music in the Metropolis: Correspondence and Observations
on the Existing Law, and Proposed Amendments. Primary source edition. Nabu public
domain reprints. [Charleston, SC]: [Nabu Press], 2013. Print.
Berlioz, Hector, and Hugh Macdonald. Berlioz’s Orchestration Treatise: A Translation and
Commentary. Cambridge musical texts and monographs. Cambridge: Cambridge
University Press, 2007. Print.
---. Berlioz’s Orchestration Treatise: A Translation and Commentary. Cambridge musical

texts and monographs. Cambridge: Cambridge University Press, 2002. Web.
<http://www.loc.gov/catdir/toc/cam024/2001052619.html>.
Berlioz, Hector, Hugh Macdonald, and Cambridge University Press. Berlioz’s Orchestration
1/8
Treatise: A Translation and Commentary. Cambridge musical texts and monographs.

Cambridge: Cambridge University Press, 2002. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://dx.doi.org/10.1017/CBO978051148194
9>.
Bernstein, Susan. ‘“Liszt’s Bad Style”.’ Virtuosity of the Nineteenth Century: Performing
Music and Language in Heine, Liszt, and Baudelaire. Stanford, Calif: Stanford University
Press, 1998. 109–130. Web. <http://images.lib.monash.edu.au/ats2804/04209188.pdf>.
Bloom, Peter. The Cambridge Companion to Berlioz. Cambridge companions to music. New
York: Cambridge University Press, 2000. Print.
Bloom, Peter, and Cambridge University Press. ‘The Cambridge Companion to Berlioz.’
Cambridge companions to music (2000): n. pag. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://dx.doi.org/10.1017/CCOL97805215938
85>.
Bohlman, Philip Vilas. The Music of European Nationalism: Cultural Identity and Modern
History. ABC-CLIO world music series. Santa Barbara, Calif: ABC-CLIO, 2004. Print.
Bohlman, Philip Vilas, and Ebooks Corporation. The Music of European Nationalism:
Cultural Identity and Modern History. ABC-CLIO world music series. Santa Barbara, Calif:
Abc-clio, 2004. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://www.MONASH.eblib.com.AU/EBLWeb/p
atron/?target=patron&extendedid=P_265477_0>.
Boutin, Aimee. City of Noise: Sound and Nineteenth-Century Paris. Studies in sensory
history. Urbana: University of Illinois Press, 2015. Print.
Boutin,
Aime
́
e, and JSTOR (Organization). City of Noise: Sound and Nineteenth-Century Paris. Studies in
sensory history. Urbana: University of Illinois Press, 2015. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://www.jstor.org/stable/10.5406/j.ctt14jxv
mw>.
Citron. ‘“Women and the Lied, 1775–1850”.’ Women Making Music: The Western Art
Tradition, 1150-1950. Urbana: University of Illinois Press, 1986. 224–248. Web.
Cone, Edward T. ‘“The Historical Background”.’ Fantastic Symphony: An Authoritative

Score, Historical Background, Analysis, Views and Comments. Norton critical scores. New
York: Norton, 1971. 1–46. Web.
Curtis, Benjamin W. Music Makes the Nation: Nationalist Composers and Nation-Building in
Nineteenth-Century Europe. Amherst, N.Y.: Cambria Press, 2008. Print.
Curtis, Benjamin W., and EBSCOhost. Music Makes the Nation: Nationalist Composers and
Nation Building in Nineteenth-Century Europe. Amherst, N.Y.: Cambria Press, 2008. Web.
2/8
<http://ezproxy.lib.monash.edu.au/login?url=http://search.ebscohost.com/login.aspx?direc
t=true&scope=site&db=nlebk&db=nlabk&AN=498658>.
Dahlhaus, Carl. Nineteenth-Century Music. California studies in 19th century music.

Berkeley: University of California Press, 1989. Print.
Davidson, Jane W. ‘“Introducing the Issue of Performativity in Music”.’ Musicology Australia

36.2 (2014): 179–188. Web.
Deathridge, John. Wagner beyond Good and Evil. Berkeley: University of California Press,
2008. Print.
Deathridge, John, and University of California Press. Wagner beyond Good and Evil.
Berkeley: University of California Press, 2008. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://portal.igpublish.com/iglibrary/search/U
CPB0000261.html>.
Deaville, James Andrew, and Michael Saffle, eds. Liszt’s Legacies: Based on Papers
Presented at the International Liszt Conference Held at Carleton University, Ottawa,
Canada, 28-31 July 2011. Franz Liszt studies series. Hillsdale, New York: Pendragon Press,
2014. Print.
Doggett, Anne. A Far Cry: Town Crying in the Antipodes. North Melbourne, Victoria:
Australian Scholarly Publishing, 2015. Print.
Ebooks Corporation. Erik Satie: Music, Art and Literature. Ed. Caroline Potter. Music and
literature. Burlington, VT: Ashgate, 2013. Web.
---. Street Ballads in Nineteenth-Century Britain, Ireland, and North America: The Interface
between Print and Oral Traditions. Ed. David Atkinson and Stephen Roud. Farnham, Surrey,
England: Ashgate Publishing Company, 2014. Web.
---. Women and the Nineteenth-Century Lied. Ed. Aisling Kenny and Susan Wollenberg.
Farnham, Surrey: Ashgate, 2015. Web.
Ehrlich, Cyril. ‘“Introduction” to The Piano: A History’. The Piano: A History. London: Dent,
1976. 9–26. Web. <http://images.lib.monash.edu.au/ats2804/04200697.pdf>.
Einstein, Alfred. Music in the Romantic Era. Norton history of music. London: Dent, 1947.
Print.
Graf, Max. Composer and Critic: Two Hundred Years of Musical Criticism. London:
Chapman & Hall, 1947. Print.
Greenwald, Helen M., ed. The Oxford Handbook of Opera. New York: Oxford University
3/8
Press, 2014. Web.

<http://ezproxy.lib.monash.edu.au/login?url=http://dx.doi.org/10.1093/oxfordhb/97801953
35538.001.0001>.
---, ed. The Oxford Handbook of Opera. Oxford handbooks in music. New York: Oxford
University Press, 2014. Print.
Grey, Thomas S. The Cambridge Companion to Wagner. Cambridge companions to music.

Cambridge, UK: Cambridge University Press, 2008. Print.
Grey, Thomas S., and Cambridge University Press. The Cambridge Companion to Wagner.
Cambridge companions to music. Cambridge, UK: Cambridge University Press, 2008. Web.
96>.
Institute of Musical Research. ‘Francophone Music Criticism: Welcome Page of the

Francophone Music Criticism Project.’ N.p., n.d. Web. <http://music.sas.ac.uk/fmc>.
Katharine Ellis. ‘“Female Pianists and Their Male Critics in Nineteenth-Century Paris”.’
Journal of the American Musicological Society 50.2 (1997): 353–385. Web.
<http://www.jstor.org.ezproxy.lib.monash.edu.au/stable/831838?seq=1#page_scan_tab_c
ontents>.
Kenny, Aisling, and Susan Wollenberg. Women and the Nineteenth-Century Lied. Farnham:
Ashgate, 2015. Print.
Kift, Dagmar. ‘“The Music-Hall Programme”.’ The Victorian Music Hall: Culture, Class, and
Conflict. Cambridge: Cambridge University Press, 1996. 36–61. Web.
Loesser, Arthur. Men, Women and Pianos: A Social History. New York: Simon and Schuster,
1954. Print.
Loesser, Arthur, and Ebooks Corporation. Men, Women, and Pianos: A Social History. New
York: Dover Publications, 1990. Web.
Longyear, Rey M. Nineteenth-Century Romanticism in Music. Prentice-Hall history of music

series. Englewood Cliffs, N.J.: Prentice-Hall, 1969. Print.
---. Nineteenth-Century Romanticism in Music. 3rd ed. Prentice-Hall history of music series.
Englewood Cliffs, N.J.: Prentice Hall, 1988. Print.
Murphy, Kerry. Hector Berlioz and the Development of French Music Criticism. Studies in
musicology. Ann Arbor, Mich: UMI Research Press, 1988. Print.
‘Music - Library Guides at Monash University.’ N.p., n.d. Web.

<http://guides.lib.monash.edu/music>.
Parsons, James. The Cambridge Companion to the Lied. Cambridge companions to music.
4/8

<http://www.loc.gov/catdir/description/cam032/2003051229.html>.
Parsons, James, and Cambridge University Press. The Cambridge Companion to the Lied.
73>.
Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe.

1st ed. The Norton introduction to music history. New York: W.W. Norton, 1984. Print.
Potter, Caroline, ed. Erik Satie: Music, Art and Literature. Burlington, VT: Ashgate, 2013.
Print.
---. ‘“Monsieur Le Pauvre: Erik Satie and Paris Street Music”.’ Erik Satie: A Parisian
Composer and His World. Woodbridge, Suffolk: Boydell Press, 2016. 1–15. Web.
Potter, John. The Cambridge Companion to Singing. The Cambridge companions to music.
Cambridge, U.K.: Cambridge University Press, 2000. Print.
Potter, John, and Cambridge University Press. The Cambridge Companion to Singing.
57>.
‘Retrospective Index to Music Periodicals : Répertoire International de La Presse Musicale

(RIPM).’ N.p., n.d. Web. <http://ripm.org/index.php>.
Rodgers, Stephen. Form, Program, and Metaphor in the Music of Berlioz. Cambridge, UK:
Cambridge University Press, 2009. Print.
Rodgers, Stephen, and Ebooks Corporation. Form, Program, and Metaphor in the Music of
Berlioz. Leiden: Cambridge University Press, 2009. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://www.MONASH.eblib.com.au/EBLWeb/p
Rowland, David. The Cambridge Companion to the Piano. Cambridge companions to music.
New York: Cambridge University Press, 1998. Print.
Rowland, David, and Cambridge University Press. The Cambridge Companion to the Piano.
02>.
Samson, Jim. The Cambridge History of Nineteenth-Century Music. Cambridge histories

online. Cambridge: Cambridge University Press, 2008. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://histories.cambridge.org/book?id=chol9
780521590174_CHOL9780521590174>.
---. The Cambridge History of Nineteenth-Century Music. The Cambridge history of music.
5/8

atron?target=patron&extendedid=P_201828_0&>.
Cambridge: Cambridge University Press, 2001. Print.
---. The Cambridge History of Nineteenth-Century Music. Cambridge histories online.

<http://ezproxy.lib.monash.edu.au/login?url=http://histories.cambridge.org/book?id=chol9
780521590174_CHOL9780521590174>.
Cambridge: Cambridge University Press, 2001. Print.
---. The Late Romantic Era: From the Mid-19th Century to World War I. Man & music.
London: Macmillan, 1991. Print.
Schick, Robert D. Classical Music Criticism. Perspectives in music criticism and theory. New
York: Garland, 1996. Print.
Schick, Robert D., and Ebooks Corporation. Classical Music Criticism: With a Chapter on
Reviewing Ethnic Music. Perspectives in music criticism and theory. New York: Garland,
1996. Web.
Scott, Derek B. Sounds of the Metropolis: The Nineteenth-Century Popular Music

Revolution in London, New York, Paris, and Vienna. Oxford: Oxford University Press, 2008.
Print.
---. Sounds of the Metropolis: The Nineteenth-Century Popular Music Revolution in London,
New York, Paris, and Vienna. Oxford: Oxford University Press, 2008. Print.
Scott, Derek B., and Ebooks Corporation. Sounds of the Metropolis: The
Nineteenth-Century Popular Music Revolution in London, New York, Paris, and Vienna. New
York: Oxford University Press, 2008. Web.
---. Sounds of the Metropolis: The Nineteenth-Century Popular Music Revolution in London,
New York, Paris, and Vienna. New York: Oxford University Press, 2008. Web.
Shesgreen, Sean. Images of the Outcast: The Urban Poor in the Cries of London. New
6/8
Brunswick, N.J.: Rutgers University Press, 2002. Web.

<http://www.loc.gov/catdir/toc/fy044/2003389366.html>.
---. Images of the Outcast: The Urban Poor in the Cries of London. New Brunswick, N.J.:
Rutgers University Press, 2002. Web.
<http://www.loc.gov/catdir/toc/fy044/2003389366.html>.
Solie, Ruth A. Music in Other Words: Victorian Conversations. California studies in

19th-century music. Berkeley: University of California Press, 2004. Print.
---. Music in Other Words: Victorian Conversations. California studies in 19th-century

music. Berkeley: University of California Press, 2004. Print.
Solie, Ruth A., and University of California Press. Music in Other Words: Victorian
Conversations. Berkeley: University of California Press, 2004. Web.
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---. Music in Other Words: Victorian Conversations. Berkeley: University of California Press,
2004. Web.
CPB0000292.html>.
Spedding, Patrick et al. Bawdy Songbooks of the Romantic Period. London: Pickering &
Chatto, 2011. Print.
Spedding, Patrick, Paul Watt, and Alexander Street Press. Bawdy Songbooks of the
Romantic Period. London: Pickering & Chatto Ltd, 2011. Web.
<http://search.lib.monash.edu/MON:au_everything:catau21165554590001751>.
Steinberg, Michael P. Listening to Reason: Culture, Subjectivity, and Nineteenth-Century

Music. Princeton, N.J.: Princeton University Press, 2004. Print.
Steinberg, Michael P., and Princeton University Press. Listening to Reason: Culture,
Subjectivity, and Nineteenth-Century Music. Princeton, N.J.: Princeton University Press,
2004. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://portal.igpublish.com/iglibrary/search/P
UPB0000700.html>.
Taruskin, Richard. Music in the Nineteenth Century. The Oxford history of western music.
Oxford: Oxford University Press, 2010. Print.
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history of western music. Oxford: Oxford University Press, 2010. Web.
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Van Rij, Inge, and Cambridge University Press. The Other Worlds of Hector Berlioz: Travels
with the Orchestra. Cambridge, United Kingdom: Cambridge University Press, 2015. Web.
<http://ezproxy.lib.monash.edu.au/login?url=http://dx.doi.org/10.1017/CBO978113903009
0>.
Vazsonyi, Nicholas. The Cambridge Wagner Encyclopedia. New York: Cambridge University
Press, 2013. Print.
Watt, Paul. ‘“Street Music : History and Historiographies”.’ Nineteenth-century music

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‘Higher Civilization’ in the Late Nineteenth Century”.’ Music and Letters 95.2 (2014):
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att.html>.
Whittall, Arnold. Romantic Music: A Concise History from Schubert to Sibelius. London:
Thames and Hudson, 1987. Print.
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ATS2804 From The Erotic To The Exotic: Music in The Nineteenth Century (Clayton) (Semester 1, 2016)

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01/06/18 ATS2804 From the erotic to the exotic: Music in the nineteenth century

(Clayton) | Monash University

ATS2804 From the erotic to the exotic: View Online

Dr Paul Watt: Faculty of Arts, Sir Zelman Cowen School

---. Berlioz’s Orchestration Treatise: A Translation and Commentary. Cambridge musical

Treatise: A Translation and Commentary. Cambridge musical texts and monographs.

Cone, Edward T. ‘“The Historical Background”.’ Fantastic Symphony: An Authoritative

Dahlhaus, Carl. Nineteenth-Century Music. California studies in 19th century music.

Davidson, Jane W. ‘“Introducing the Issue of Performativity in Music”.’ Musicology Australia

Press, 2014. Web.

Grey, Thomas S. The Cambridge Companion to Wagner. Cambridge companions to music.

Institute of Musical Research. ‘Francophone Music Criticism: Welcome Page of the

Longyear, Rey M. Nineteenth-Century Romanticism in Music. Prentice-Hall history of music

‘Music - Library Guides at Monash University.’ N.p., n.d. Web.

Cambridge: Cambridge University Press, 2004. Web.

Plantinga, Leon. Romantic Music: A History of Musical Style in Nineteenth-Century Europe.

‘Retrospective Index to Music Periodicals : Répertoire International de La Presse Musicale

Samson, Jim. The Cambridge History of Nineteenth-Century Music. Cambridge histories

Cambridge: Cambridge University Press, 2001. Web.

---. The Cambridge History of Nineteenth-Century Music. Cambridge histories online.

Scott, Derek B. Sounds of the Metropolis: The Nineteenth-Century Popular Music

Brunswick, N.J.: Rutgers University Press, 2002. Web.

Solie, Ruth A. Music in Other Words: Victorian Conversations. California studies in

---. Music in Other Words: Victorian Conversations. California studies in 19th-century

Steinberg, Michael P. Listening to Reason: Culture, Subjectivity, and Nineteenth-Century

Trezise, Simon. The Cambridge Companion to Debussy. Cambridge: Cambridge University

Tunbridge, Laura. The Song Cycle. Cambridge introductions to music. Cambridge:

Watt, Paul. ‘“Street Music : History and Historiographies”.’ Nineteenth-century music

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