THE NATIONAL FLUTE ASSOCIATION

RESEARCH TABLE HOLDINGS

August 2010

Adams, Carl. “The Flute Works of Joachim Andersen, A Pedagogical Study.” Thesis, Catholic
University, 1982.

Aitchison, Anne. “The Flute Family in Contemporary Practice: An Essay-Demonstration.”

Master’s thesis, University of Michigan, 1965.

Arnone, Francesca Marie. “A Performance Edition of Charles Koechlin’s Les Chants de

Nectaire, opus 198.” DMA essay, University of Miami, 2000.

Artaud, Pierre-Yves. La Flûte. J. C. Lattès, 1986.

Averitt, Frances Lapp. “An Intonation Method for Flutists (Non-Exclusive of Other
Instrumentalists and Singers) Based on the Use of Difference Tones as a Practical Guide
to the Achievement of Perfectly Tuned Intervals.” DM thesis, Florida State University,
1973.

Bailey, John Robert. “Maximilian Schwedler’s ‘Flute and Flute-Playing’: Translation and
Study of Late Nineteenth-Century German Performance Practice.” DM thesis,
Northwestern University, 1987.

Ballatori, Cristina. “A Performer’s Guide: Suite Paysanne Hongroise for Flute and Piano by
Béla Bartók/Arranged Paul Arma.” DMA major document, University of Colorado,
2006.

Beard, Christine Elizabeth. “Excerpts for Flute from the Wind Band Literature: An Annotated
Guide for Practice, Performance, and Audition Preparation, Presented as a Progressive
Supplementary Teaching Method.” DMA treatise, The University of Texas at Austin,
2003.

Becker, Janet Sue. “The Eighteenth Century Flute Concerto: A Study and Edition of Two
Manuscripts from the Fuerst Thurn und Taxis HofBibliothek Regensburg with reference
to Contemporary Treatises.” DM thesis, Northwestern University, 1993.

Bent, Jane. “The Arranging of Flute Concerto Accompaniments for Band.” DMA thesis,
University of Wisconsin-Madison, 1988.

Billington, Robert David. “A Description and Application of Robert Aitken’s Concept of the
Physical Flute.” DMA essay, University of Miami, Florida, 2000.

Borde, A.M. de la. Diapason General de Tous les Instrumens a Vent. 1782. Facsimile.
Borkowski, Jennifer Anne. “From Simple to Complex: Extended Techniques in Flute Literature;
Incentive to Integrate Cognitive and Kinesthetic Awareness in University Programs.”
Ph.D. dissertation, University of Music and Performing Arts Graz, 2008.

Boulton, John B. “A Performance Test of Flute Tone Production, Intonation and Dexterity.”
Ph.D. dissertation, University of Kansas, 1974.

Brightbill, Elizabeth M. “The Flute Music of Shulamit Ran.” DM dissertation, Indiana

University, 2006.

Butterfield, Emily J. “The Professional Life and Pedagogy of Clement Barone.” DMA document,
The Ohio State University, 2003.

Cameron, Kathleen A. “The Evolving Mission and Purpose of the Pittsburgh Flute Club in the
Twentieth Century.” DMA thesis, the Ohio State University, 2009.

Cannon, Angela Renee. “A Preliminary Study of the Effectiveness of Two Breath Management
Exercises on Three Aspects of Flutists’ Performance: Duration, Breath Control and Tone
Quality.” DMA dissertation, University of Missouri-Kansas City, 2005.

Chandler, Beth E. “The ‘Arcadian’ Flute: Late Style in Carl Nielsen’s Works for Flute.” DMA
thesis, University of Cincinnati-College Conservatory of Music, 2004.

Cheramy, Michelle A. “Dwelling in the Secret: André Jolivet’s Ascèses in the Context of his
Life and Philosophy.” DMA thesis, Rice University, 2005.

Councell-Vargas, Martha Anne. “La Flauta Cubana: A stylistic Anaalysis of the Flute’s Role in
Cuban Dance Music, with Particular Reference to Paquito D’Rivera’s Gran Danzon.”
DMA thesis, University of Iowa, 2009.

Clardy, Mary Karen. Flute Fundamentals, the Building Blocks of Technique. London:
European American Music Corporation, 1993.

Clayton, April. “The French Flute Sonata and Sonatine from Debussy (1915) to Boulez (1946).”
DMA thesis, The Juilliard School, 2001.

Clements, Gretchen Rowe. “Situating Schubert: Early Nineteenth-Century Flute Culture and the
‘Trockne Blumen’ Variations, D. 802. Ph.D. dissertation, SUNY Buffalo, 2007.

Cooper, Albert. The Flute. London: E.B. Reproductions, 1980. (Gift of Eleanor Lawrence)

Cox, Sandra Elaine. “Recognition, Evaluation, and Treatment Options of Performance-Related

Injuries in Woodwind Musicians.” DMA dissertation, University of Memphis, 2009.

Dobbs, Wendell Bruce. “The Career and Musical Contributions of the English Flutist, Charles
Nicholson (1795-1837).” DMA thesis, Catholic University, 1982.
-----. “Dobbs Study Guide to Selected Studies for Flute.” 1993. (CD and guide)

Dombach, Amy Sue. “The Development of the Flute Concerto in 20th-Century America: A
Comprehensive Survey and Database.” DM dissertation, Boston University, 2006.

Dombourian-Eby, Zartouhi. “The Piccolo in the Nineteenth Century.” DM thesis, Northwestern

University, 1987.

Drouët, Louis. Drouët’s Method of Flute Playing. (London, 1830) Facsimile edition with
Introduction by Janice Dockendorff Boland. Historical Flute Tutor Series- II, 1992.

Dunnavant, Jessica Guinn. “Compositions for Flute by American Students of Nadia Boulanger.”
DMA dissertation, University of Maryland, College Park, 2004.

Dunnell, Rebecca Cotton. “Mozart’s Concerto for Flute and Harp, K. 299: A Reflection of the
Socio-Musical World of 1770s Paris.” DMA dissertation document, University of North
Carolina at Greensboro, 1997.

Dzapo, Kyle J. Joachim Andersen: A Bio-Bibliography. Westport, CT: Greenwood Press,

1999. *

Ewell, Laurel Astrid. “A Symbolist Melodrama: The Confluence of Poem and Music in
Debussy’s La Flûte de Pan.” DMA research project, West Virginia University, 2004.

Fain, Susan D. “An Application of the Principles of Anatomy, Physiology and Neurology to the
Balance and Playing of the Flute.” DMA thesis, University of Oklahoma, 2009.

Fairbanks, Ann Kozuch. “Music for Two, Three, and Four Flutes by Friedrich Kuhlau.” DMA
thesis, Ohio State University, 1975.

Fairley, Andrew. Flutes, Flautists & Makers. London: Pan Educational Music, 1982.

Farrar, Carol Reglin. Michel Corrette and Flute-Playing in the Eighteenth Century. New York:
Institute of Medieval Music, Ltd., no date.

Fischer, Penelope Peterson. “Philippe Gaubert (1879-1941): His Life and Contributions as
Flutist, Editor, Teacher, Conductor, and Composer.” DMA thesis, University of
Maryland, 1982.

Fitzgibbon, H. Macaulay. The Story of the Flute. London, Walter Scott, 1913. (Gift of Eleanor
Lawrence)

Floyd, Angeleita S. The Gilbert Legacy: Methods, Exercises and Techniques for the Flutist.
Cedar Falls, Iowa: Winzer Press, 1990.
The Flute from Hotteterre to Barrère. New York: The New York Flute Club, Inc., 1980. (Gift
of Eleanor Lawrence)

Fonville, John. “Microtonal Fingerings for Flute: A Comprehensive List for Open-Hole Flute
with Low B,” Privately published, 1987.

Friedman, Eve. “Tone Development on the Baroque Flute.” DMA document, Indiana
University, 2006.

Garrison, Leonard L. “Three Late Works by Elliott Carter: An Analysis and Flutist’s
Performance Guide.” DM thesis, Northwestern University, 1992.

Garver, Sasha Gwynne. “The Oral Pedagogy of the Suzuki Flute Method.” DMA major
document, University of Colorado, 2006.

Giles, Sonja Feig. “An Interpretive Guide to Tone Development through Interpretation by
Marcel Moyse.” DMA document, University of Minnesota, 2004.

Gill, Sarah M. “A Collection and Study of the Published Cadenzas for Wolfgang Amadeus
Mozart’s Concerto in G Major for Flute and Orchestra, K. 313.” DM treatise, The
Florida State University, 2002. (2 copies)

Gilliam, Laura E. and William Lichtenwanger, comp. The Dayton C. Miller Flute Collection: A
Checklist of the Instruments. Washington, Music Division, Library of Congress, 1961.
(2 copies – Gift of Eleanor Lawrence)

Goodman, Kimberlee. “The Commissioned Works of the National Flute Association for the
Young Artist and High School Soloist Competitions.” DMA thesis, The Ohio State
University, 2007.

González, Ana Laura. “European Cosmopolitanism to Folkloricism: the Development of an

Argentine Nationalistic Style as Revealed in Selected Works for Flute by Amancio
Alcorta, Alberto Williams and Ángel Lasala.” DMA thesis, University of Arizona, 2007.

Gronefeld, Ingo. Flötenkonzerte Bis 1850. 2 vols. Tutzing: Hans Schneider, 1992-3.

Grosklos, Hollie Jo. “Form and Lyricism as Elements of Neo-Romanticism in Summer Music
Op. 31 by Samuel Barber (1957).” DMA dissertation, University of North Texas, 2001.

Guenther, Christina. “Laurence Sherr: Chamber Music for Flute.” DMA treatise, Florida State
University, 2005.

Guimarães, Antonio Carlos. “Selected Music for Flute of Osvaldo Lacerda.” DMA essay, The
University of Iowa, 2003.
Gunn, John. The Art of Playing the German Flute. (1793) Facsimile Edition with Introduction
by Janice Dockendorff Boland. Historical Flute Tutor Series - I.

-----. The School of the German Flute. (1794). Facsimile.

Hamilton, Amy Sue. “The Relationship of Flute Construction to the Symphonic Role of the
Flute and Orchestral Performance Practice in the Nineteenth Century.” 2 vols. DMA
thesis, Northwestern University, 1983.

Hand, Judith Elaine Adams. “The Flute Pedagogy and Educational Philosophy of Everett
Timm.” DMA monograph, Louisiana State University, 1999.

Hayes, Susan Nanette. “Chamber Music in France Featuring Flute and Soprano, 1850-1950, and
A Study of the Interactions Among the Leading Flutists, Sopranos, Composers, Artists,
and Literary Figures of the Time.” DMA dissertation, University of Maryland: College
Park, 2006.

Hensley, Betty Austin. Thurlow Lieurance Indian Flutes. Ed. Douglas Spotted Eagle. Vida,
Oregon: Oregon Flute Store, 2002. (Gift of Betty Hensley)

Heyde, Herbert. Flöten. Leipzig: Deutscher Verlag für Musik, Band 1, 1978. (Gift of Eleanor
Lawrence)

Hobbs, Julie R. “Voice of Crumb: George Crumb’s Use of Program in the Chamber Works for
Flute.” DM thesis, Northwestern University, 2006.

Hummel, Catherine. “Marcel Moyse and Tone Development through Interpretation: A Study
Guide.” DMA dissertation, Manhattan School of Music, 1996.

Johnson, Jessica Marie. “Joachim Andersen’s 24 Etudes, Opus 15: Comparison of the Editions,
Special Considerations, and an Investigation of Pedagogical Methods Surrounding the
Work.” DMA dissertation, University of Wisconsin-Madison, 2004.

Kazik, Kelly Ann. “Selected Accompanied and Unaccompanied Flute Works or Rivier, Bozza,
and Francaix.” DMA dissertation, University of Maryland College Park, 2008.

Kennard, Jennifer Christine. “Neglected Chamber Works for the Flute and the Correlating
Historical Background.” DMA dissertation, Michigan State University, 2006.

Kenote, Marie Herseth. “A Fresh Look at the Controversies Surrounding the Autograph
Manuscript of BWV 1032.” DMA thesis, Rutgers University, 1999.

Kesner, Lori Ann. “Krishna Meets Pan: indian-Western Fusion in Two Works for Flute and
Harp by Ravi Shankar and John Mayer.” DMA dissertation, University of Cincinnati
College-Conservatory of Music, 2006.
Kim, Ju-Hee. “Multicultural Influences in the Music of Isang Yun as Represented in his
Concerto for Flute and Small Orchestra.” DMA thesis, University of Alabama, 2009.

Koidin, Julie B. “Benedictor Lacerda and the ‘Golden Age’ of Choro Flute Playing.” DM
dissertation, Northwestern University, 2006.

Kolczynski, Charlotte Ann. “The Eighteenth-Century Transverse Flute: Literature, Structure

and Performance Practices.” Master’s thesis, Crane School of Music, 1977.

Komugi, Kanae. “Demystifying Takemtisu’s Voice: his Philosophy and Elements of Hogaku
found in Voice.” DMA document, University of Oregon, 2007.

Koncelik, Denise R. “The Alt-Flöte Arrangements of Theobald Böhm.” DMA lecture-recital

document, Texas Tech University, 2004.

Lancaster, Linda K. “Analyzing Flute Pedagogy: A Discussion with Selected Pedagogues.”

DMA thesis, University of Missouri-Kansas City, 1994.

Larson, Julia Ann. “Flute Without Accompaniment: Works from Debussy: Syrinx (1913) to
Varèse: Density 21.5 (1936),” DMA thesis, University of Maryland, 1990.

Lasocki, David and Betty Bang Mather. The Classical Woodwind Cadenza. New York:
McGinnis & Marx, 1978. (2 copies)

Lasocki, David. Fluting and Dancing. New York: McGinnis & Marx, 1992.

Lau, Jennifer Robin. “A Pedagogical Approach for Handel’s Solo Sonatas: Developing the
Comprehending Performer.” DMA document, Michigan State University, 2003.

Lee, Chia-Jui. “Flute Music form the Mid-Twentieth Century by Three French Composers:
Jean-Michel Damase, André Jolivet and Henri Tomasi.” DMA dissertation, University of
Maryland College Park, 2009.

Lehtinen, Ilari. “Frederic the Great and his Influence on Flute Music.” Sibelius Academy, 1996.

-----. “Some Remarks on the free Ornamentation in the Flute Music during the First Half of the
18th Century.” Privately published, no date.

Lenski, Karl and Karl Ventzke. Das goldene Zeitalter der Flöte. Celle: Moeck, 1992.

Library of Congress. Music, Theater, Dance: An Illustrated Guide. Washington: Library of

Congress, 1993.

Likar, Amy L. “The New York Woodwind Quintet: A Continuing Legacy.” DMA document,
The Ohio State University, 1999.
Loewy, Susanna. “George Crumb’s Vox Balaenae and Idyll for the Misbegotten: An Embodied
Analysis, Flutistic Extended Techniques, and an Interview with George Crumb.” DMA
document, Rutgers University, 2009.

Luce, Brian A. “Light From Behind the Iron Curtain: Anti-Collectivist Style in Edison
Denisov’s Quatre Pièces pour flute et piano.” DMA dissertation, University of North
Texas, 2000. *

Lyden, Megan C. “The Story of the Soni Ventorium Wind Quintet.” DMA dissertation,
University of Washington, 2000.

Maaser, Leslie Goldman. “Antoine Reicha’s Quartets for Flute and Strings, Op. 98: An
Historical Perspective and Stylistic Overview.” DMA document, The Ohio State
University, 1998.

Mader, Ronda J. “Expressive Movements of Flutists: Categories and Functions.” DM major

document, Northwestern University, 2002.

Mann, Rochelle Gayl. “The Use of Kodaly Instruction to Develop the Sight-Reading Skills of
Undergraduate Flute Students.” DMA thesis, Arizona State University, 1991.

Marrs, Leslie Ann. “Integrating Extended Techniques into Flute Pedagogy: A Resource Guide
for Flutists, Teachers, and Composers.” DMA dissertation, The University of North
Carolina at Greensboro, 2004.

Mather, Betty Bang and David Lasocki. The Art of Preluding, 1700-1830, for Flutists, Oboists,
Clarinetists and Other Performers. New York: McGinnis & Marx, 1984.

-----. Free Ornamentation in Woodwind Music, 1700-1775. New York: McGinnis & Marx,
1976. (2 copies)

Mather, Betty Bang. Dance Rhythms of the French Baroque. A Handbook for Performance.
Bloomington, Indiana: Indiana University Press, 1987.

-----. Interpretation of French Music from 1675 to 1775. New York: McGinnis & Marx, 1973.
(2 copies)

Mather, Roger. The Art of Playing the Flute. Iowa City, IA: Romney Press, 1989. Vol. 1, 3.
Vol. 2*

-----. “The Flute Sound of Georges Laurent,” Woodwind World-Brass and Percussion, vol. 15,
no. 2 (Spring 1976) and vol. 15, no. 3 (Summer 1976).

Miller, Dayton C. Catalogue of Books and Literary Material Relating to the Flute and Other
Musical Instruments. Cleveland: Privately published, 1935. (Gift of Eleanor Lawrence)
Miller, Tess Anissa. “Why Did It Sound Better in the Practice Room? A Guide to Music
Performance Anxiety and How to Cope with It through Journal Writing.” DMA
dissertation, Michigan State University, 2004.

Min, Kyoungjoo. “Analyses of the Twelve Fantasies for Solo Flute (1732-33) and the Twelve
Fantasies for Solo Violin (1735) of G. Ph. Telemann.” DMA dissertation, University of
Washington, 1998. *

Mitchell, Teresa Lynn. “Alternative Methods of Resolving Hand and Wrist Pain in Woodwind
Players.” DMA essay, University of Miami, 2003.

Molumby, Nicole L. “The Application of Different Teaching Strategies Reflective of Individual

Students’ Learning Modalities in the University Flute Studio Class.” DMA document,
The Ohio State University, 2004.

Music, Petra. “’Als Eine Aussicht Weit...’: Literary Quotes in Nicolaus A. Huber’s Music for
Flute.” DMA dissertation, University of Illinois at Urbana-Champaign, 2008.

Nelson, Amy Catherine. “The Flute Concerto by Carl Nielsen and the Contributions of Holger
Gilbert-Jespersen.” DMA dissertation project, University of Colorado, 2002.

Nelson, Susan. “Georges Barrère,” Journal of the Association for Recorded Sound Collections,
vol. 24, no. 1 (Spring 1993).

Neuhaus, Margaret Newcomb. “Six Flute Concertos by Johann Baptist Wendling, a Performing
Edition.” DMA thesis, American Conservatory of Music, 1984.

-----. The Baroque Flute Fingering Book. A Comprehensive Guide to Fingerings for the One-
Keyed Flute Including Trills, Flattements, and Battements based on Original sources
from the Eighteenth and Nineteenth Centuries. Naperville, IL: Flute Studio Press, 1986.

Nourse, Nancy. “The Piccolo: An Overview of Its History and Instruction.” Master’s thesis,
Crane School of Music, 1981.

O’Kelly, Eve, ed. Irish Composers, 3rd edition. Ireland: Contemporary Music Centre, 1995.

Oleskiewicz, Mary A. “Quantz and the Flute at Dresden: His Instruments, His Repertory and
Their Significance for the “Versuch” and the Bach Circle.” Ph.D. dissertation, Duke
University, 1998.

Onovwerosuoke, Wendy Hymes. “African Art Music for Flute: A Study of Selected Works by
African Composers. DMA thesis, Louisiana State University and Agricultural and
Mechanical College, 2007.

Pellerite, James J. A Notebook of Techniques for a Flute Recital. Bloomington, Indiana: Zalo
Publications, 1967.
-----. Performance Methods for Flutists, a Notebook of Techniques for Recorded Flute Recitals,
Vol. II. JP Publications, 1968.

Pereksta, Linda Helen. “Twentieth-Century Compositions for the Baroque Flute.” DM treatise,
Florida State University, 2001.

Perlove, Nina Margaret. “Ethereal Fluidity: The Late Flute Works of Aaron Copland.” DMA
thesis, University of Cincinnati—College-Conservatory of Music, 2003.

Pimentel, Bret. “Woodwind Doubling of Folk, Ethnic, and Period Instruments in Film and
Theatre Music: Case Studies and a Practical Manual.” DMA dissertation, University of
Georgia, 2009.

Poor, Mary Louise. Guide to Flute Teaching. Naperville, IL: Flute Studio Press, 1983.

-----. “The Use of Instruments in Early Italian Baroque Music,” Unpublished paper, 1976.

Pritchard III, Robert Donald. “20th-Century Music for C-Flute Quartet.” 2 vols. DMA thesis,
Boston University, 1989.

Procopio, Mary J. “Haitian Classical Music, Vodou and Cultural Identity: An Examination of the
Classical Flute Compositions of Haitian Composer Werner A. Jaegerhuber.” DMA
dissertation, Michigan State University, 2005.

Ragusa, Sandra. Julius Baker: A Tribute. Brewster, New York: Oxford Recording Company,
2004.

Raposo, Jessica Ann. “Defining the British Flute School: A Study of British Flute Performance
Practice 1890-1940.” DMA thesis, the University of British Columbia, 2007.

Rasmussen, Mary and Donald Mattran. A Teacher’s Guide to the Literature of Woodwind
Instruments. Milford, New Hampshire: The Cabinet Press, 1966.

Rasmussen, Mary. “Some Notes on the Articulations in the Melodic Variation Tables of Johann
Joachim Quantz’s Versuch einer Anweisung die Flote traversiere zu spielen (Berlin 1952,
Breslau 1789).” Reprinted from Brass and Woodwind Quarterly, vol. I, no. 1 and 2
(Winter 1966-67).

Rea, Stephanie Jeanne. “The Suzuki Flute Method: A History and Description.” DM treatise,
The Florida State University, 1999.

Reber, Margaret Susan Moffatt. “Dramatic Use of the Solo Flute, Alto Flute, and Piccolo in
Benjamin Britten’s Chamber Operas.” DMA thesis, Arizona State University, 1996.
Reedy, Deena K. “A Performer’s Guide to Creating a Listening Road Map: Applications to
Late Twentieth-century Solo Flute Compositions by American Women Composers Joyce
Mekeel and Jennifer Higdon.” DMA dissertation, University of Nebraska, 2002.

Rentz, Heather Ann. “Nineteenth-Century Events Contributing to the Prevalence of Flute Theme
and Variation Pieces of the Composers Boehm, Tulou, Andersen, and Hahn.” DMA
document, University of South Carolina, 2005.

Riley, Pamela M. “J.S. Bach’s Harpsichord Concerto in f minor, BWV 1056: Musical Origins
and the Process of Transcription, including and arrangement for Flute and Keyboard or
Strings.” DMA document, Rutgers University, 2007.

Riner, Nicole. “The Girls in the Band: Women’s Perspectives on Gender Stereotyping in the
Music Classroom.” DM dissertation, Indiana University, 2004.

Royal Conservatory of Music. Flute Syllabus, 1992 edition.

Sagul, Edith A. “Development of Chamber Music Performance in the United States.” DE thesis,
Teachers College, Columbia University, 1952.

Schmid, Manfred Hermann. Theobald Boehm. Tutzing: Hans Schneider, 1981. (Gift of
Eleanor Lawrence)

Schmitz, Hans-Peter. Querflöte und Querflötenspiel in Deutschland während des

Barockzeitalters. Kassel: Bärenreiter, 1958. (Photocopy)

Scott, Lorie Elizabeth. “Gradus ad Parnassum of Modern Flute Technique: An Explication of

Musical Intention and Design in 30 Capricen für Flöte allein, Opus 107 by Sigfrid Karg-
Elert.” DMA dissertation, University of North Texas, 2005.

Shotola, Marilyn W., “Orfeo I: An Analytic Investigation of Thea Musgrave’s Work for Flute
and Tape, with Performance Guide.” DMA thesis, University of North Texas, 1989.

Siegel, Merrie R. “Samuel Zyman’s Concerto for Flute and Small Orchestra and Sonata for
Flute and Piano.” DMA thesis, Rice University, 2000.

Sinclair, John D., ed. Flute Stories: 101 Inspirational Stories from the World’s Best Flute
Players. Malibu, CA: Windplayer Publ., 2003.

Small, Heather A. “The Life and Teaching of Albert Tipton 1917-1997.” DM treatise, Florida
State University, 2006.

Smiley, Marilynn. “The Recorder Versus the Transverse Flute, 1700-1750.” Master’s thesis,
Northwestern University, 1958.
Smith, Catherine. “Characteristics of Transverse Flute Performance in Selected Flute Methods
From the Early 18th Century.” DMA thesis, Stanford University, 1969.

-----. “Special Expressive Characteristics of the Pre-Boehm Transverse Flute,” Woodwind

World-Brass and Percussion, vol. 14, no. 1 (Winter 1975) and vol. 14, no. 5 (Holiday
1975).

Smith, Kristen Lia. “The Influence of Folk and Popular Music on Twentieth-Century Flute
Music of Brazil.” DMA thesis, University of Cincinnati, 2000.

Swilley, Wanda Sue. “A Comprehensive Performance Project in Flute Literature with an Essay
on Flute Embouchure Pedagogy in the United States from ca. 1925-1977 as Described in
Selected Writings.” DMA thesis, The University of Iowa, 1978.

Thompson, LeeAnne. “Risk Factors for Flute-Related Pain Among Hight School and College
Students.” DMA dissertation, University of North Texas, 2008.

Timlin, Francis Eugene. “An Analytic Study of the Flute Works of Jacques Ibert.” DMA
dissertation, University of Washington, 1980.

Toff, Nancy. “Doctoral Dissertations on the Flute.” Loose articles and listings from 1986, 1991,
1992, and 1995.

-----. Georges Barrère and the Flute in America. New York: New York Flute Club, 1994.

Tomasone, Adeline. “Christophoer Rouse’s Flute Concerto: Origins, Observations and

Analysis.” DMA monograph, Temple University, 2007.

Treybig, Carolyn Marie. “Amy Beach: An Investigation and Analysis of the Theme and
Variations for Flute and String Quartet, Op. 80.” DMA treatise, The University of Texas
at Austin, 1999.

Tromlitz, Johann George. The Virtuoso Flute-Player. Trans. and ed. Ardal Powell. Cambridge:
Cambridge University Press, 1991.

Tully, Amy Hardison. “Henry Cowell: Diverse Works for Flute in Chamber Music.” DMA
thesis, University of South Carolina, 2007.

Vester, Frans. Flute Repertoire Catalogue. London: Musica Rara, 1967. (Gift of Eleanor
Lawrence)

Waddell, Rachel Lynn, compiler, and Erich Graf, collector. “A Tribute to Julius Baker.”
Memorabilia book created for Julius Baker tributes at the 2004 Nashville NFA
Convention, unpublished, 2004.
Waddell, Rachel Lynn. “Marcel Moyse Between Two Centuries: Examining Early Twentieth-
Century French Flute Performance Practice Through Recordings.” DMA dissertation,
University of Nebraska, 2002.

Walker, Kerry Elizabeth. “Cheek Inflation and Vowel Posture Techniques for the Flutist: The
Exploration of a Kincaid Vision of Resonance Made Through Analogies to Vocal
Pedagogy.” Thesis, Texas Tech University, 1995.

Welch, Christopher. History of the Boehm Flute. Facsimile of Reprint of 1892 edition. New
York: McGinnis & Marx, 1961. (Gift of Eleanor Lawrence)

Whitman, Ernestine. “Analysis and Performance Critique of Debussy’s Flute Works.” DMA
thesis, University of Wisconsin-Madison, 1977.

Wilkins, Wayne, comp. and ed. Index of Flute Music including The Index of Baroque Trio
Sonatas. Magnolia, Arkansas: The Music Register, 1974. (Gift of Eleanor Lawrence)

Will, Claudia Anderson. “The Transverse Flute in Early American Society and Concert Life,
1630-1800.” DMA thesis, University of Iowa, 1990.

Wilson, Joyce Anne. “Johann Sebastian Bach’s Ouvertüre, BWV 1067: Studies in Genre, Style,
and Chronology.” Ph.D. dissertation, University of Wisconsin, Madison, 1984.

Wright, Keith I. “Arthur Ephross: An Editor’s Impact on American Flute Literature.” DMA
dissertation, University of Kansas, 2003.

Wye, Trevor. Proper Flute Playing. London: Novello, 1988.

Zubak, Amy I. “An Analysis and Discussion of Ray E. Luke’s Sonata for Flute and Piano.”
DMA thesis, University of Oklahoma, 2007.

*missing from collection at this time