Professional Documents
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The This project is designed to consolidate your practical knowledge of studio equipment with
project theoretical skills. The project will cover a number of aspects of audio recording. You will be able
brief to use the components of the modern recording studio whilst applying your understood
knowledge of sound theory and digital audio concepts. You will be able to record and number of
instruments and mix your recordings with technical skill and creativity.
Scenario A recording studio has asked you to produce a multi-track recording, and wants you to log and
present the process, with technical detail, so as to act as a guide for future recording engineers
at their studio.
Learning Outcomes
LO 1 Be able to use the 1.1 Match signal sources and destinations within the recording studio
components of the environment.
modern recording 1.2 Define appropriate gain staging.
studio. 1.3 Select correct routing and patching techniques within the modern recording
studio.
LO 2 Understand sound 2.1 Justify microphone placement relating to sound theory.
theory and digital 2.2 Evaluate correct gain staging in the modern studio.
audio concepts.
LO 3 Be able to record 3.1 Follow technical and artistic guidelines to inform appropriate microphone
instruments and choice.
voices within the 3.2 Follow technical and artistic guidelines to inform appropriate microphone
technical and placement.
creative boundaries 3.3 Carry out interfacing of various sources in the modern studio.
of the product.
LO 4 Be able to mix a 4.1 Edit material accurately.
recording to a 4.2 Produce appropriate registral placement using equalisation at the mixing
professional stage of a recording.
technical and 4.3 Create appropriate depth and width at the mixing stage of a recording.
creative standard. 4.4 Use dynamic processors at the mixing stage of a recording.
4.5 Present a mastered recording adhering to industry standards.
Learner declaration
I certify that the work submitted for this assignment is my own and research sources are fully
acknowledged.
SESSION TIMES WILL BE STRICT AND YOU MUST ENSURE THAT IF YOU HAVE CLIENTS YOU ARE
FULLY PREPARED BEFORE THEY ARRIVE.
ASSIGNMENT BRIEF
The This project is designed to develop the practical skills required to provide the sound engineering
project services appropriate to the running of live events. You will acquire the competencies to set up
brief basic sound systems, run sound-checks, run concerts, communicate with clients and understand
elements of theory relevant to these tasks. On completion, you will be able to safely operate
sound systems in small to medium-size venues, working with a range of programme material.
Scenario You will be in charge of operating the live sound for the HNC function band on a number of
performances, both in house and at other small to medium-sized venues. The role will involve
working closely with the band and understanding personal and technical requirements.
TASKS EVIDENCE
Task 1 The Sound Experiments: Written
1.1, Get to know the studio and present an illustration that matches signal sources with guidebook
1.2, potential destinations, understanding and evaluating the importance of gain staging, with audio
1.3, and suggest correct patching and routing techniques. Demonstrate how an and
2.1, 2.2 illustrations
understanding of sound theory is important for the correct placement of microphones.
Task 2 The Recording Process: Video, audio
3.1, You must demonstrate your knowledge of microphones, what they do and what context and
3.2, 3.3 you should use each. When recording use a number of placement techniques, and photographic
document the success you have. Carry out interfacing of various sources in the studio evidence.
Observation.
and illustrate this.
Written blog.
Task 3 The Mixing Process: Video
4.1, You must present a professional sounding mix that adheres to industry standards. evidence,
4.2, Therefore you must be able to show that you can edit and EQ material effectively. Observation.
4.3, Create appropriate depth and width at the mixing stage of a recording and use dynamic
4.4, 4.5
processors at the mixing stage of a recording.
Criteria The evidence shows you are able to: Achieved (tick)
1.1 Match signal sources and destinations within the recording studio
environment.
1.2 Define appropriate gain staging.
1.3 Select correct routing and patching techniques within the modern recording
studio.
2.1 Justify microphone placement relating to sound theory.
2.2 Evaluate correct gain staging in the modern studio.
3.1 Follow technical and artistic guidelines to inform appropriate microphone
choice.
3.2 Follow technical and artistic guidelines to inform appropriate microphone
placement.
3.3 Carry out interfacing of various sources in the modern studio.
4.1 Edit material accurately.
4.2 Produce appropriate registral placement using equalisation at the mixing
stage of a recording.
4.3 Create appropriate depth and width at the mixing stage of a recording.
4.4 Use dynamic processors at the mixing stage of a recording.
4.5 Present a mastered recording adhering to industry standards.
Merit Distinction
Action Plan
Summative feedback