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of this example
and Wilber Morris on bass' In the middle
is a Conn C tenor played
#18
Here is that the different sounding tenor sax
Otio f,mt Super Tone Master (rubber) '083"' *iit'r ,n" same mouthpiece, then I go back,to my silver-
on my #92444MarkYI
*""inpi"." -ni.n t have used
olated 10M. Don't expect to play loud with a mouthpiece
SelmertenorSaxsincelg88'(I,veonlyplayedMarkVlafew ?avorite Sonny Rollins records is The
it'i" ,ntt. -t
ti*", in the 1990s but I'm still comfortable with it)' Bridge. On "*""t
this he uses a Selmer Soloist'
#19 #3r
Selmer brass tenor sax mouthpiece
with small round cham-
The horn is Conn DoubleTimeBluesisaBobAckermancompositionrecorded
Ler. Like the Larry Teal chamber '085"' November 1998'
used larger cham- fr"" the Millburn, New Jersey' Library in
ri""l-flt"a c m"toay' In the 1920s they
gives yort a chance at a This "is a chance to study 3 different approaches to the tenor
L"r" #,n no baffle' This mouthpiece ,".. U."g Lawrence is o" u #101000 MVI tenor with '108"
#277800 with
moreetherealmodernsound.(}anGarbeck&JoeLavano itf". fti" Master' Bob Hanlon is on his 10M small sized
havebothusedCtenorsaxophonessuccessfully).oftenI. for
chamber mouthpiece ii,i .toS" tzrubber Berg & I'm on the '088"plated 10M' First
saw off the back of a modern small H"fiy*""a Bobby puiott with my silver
C tenor saxoPhones' soloisBobAckerman,secondsoloisDougLawrence,and
#20
The horn the third solo is Bob Hanlon'
fro* Oo.rg', High Heeled Sneakers album on Fable'
neck' This is the 'rr"r*tr'
is a #168000 Selmer Mark VI with a
#123000
it is in My is a Bob Hanlon composition' This cut
Edsel
is on #s 1-19' Also'
,u*" orgu.,ist (Adam Scone) that on all these also comes from our Al & Zoot Tribute
concert at the
Otto Link to study the
the same .108" Super Tone Master Millburn Library' lt gives you another chance
Bob Ackerman'
cuts. in."" t,yf"t. first sot'o is Bob Hanlon' second
#21. then Doug Lawrence'
Tt's called
f.o- Oo.rg', SouI Carniaal album on Fable'Selmer Mark VI fiJJ
ir**U ttiilty.The horn is a great #85000 composition S1-:
Uonaoy Night Blues is a Bob Ackerman
that he borroied from Ted Klum' STM '108"' three tenor sax players but in the rhythm
section was Rich-
41) on bass' and Steve
t Blues and is a ard Wyands on piano, Chip Jackson
.rr, is from a demo CD, it's called Nerues
i-il, anyone could ask for' First
STM ;;h"t ;" d.ums. They were all the second solo Bob
#45000 Selmer Super Balanced Action'
'108"'
i".,o. ,o1o was by Bot Hanlon'
Lawerence'
& Frank West' Ackerman, and the third solo Doug
;;- Grover Mitchell recording with Doug J+
ii, "
Oo.rg on his #168000 Mark VI' STM '108"'
't+

April 1998 at
io*aoa Bob Ackerman composition recorded
was edited' This is
#24 L""gf-tt"g Dog Studios where this project
ittir it a Doug original called Soulmate' lt's the same on a gold plated
10M #260000 series' my Meyer Brothers medium chamter '090"
fOS"S,rp". Tone Master with a Conn iJrln ift., Berry #201005 series' Mike Richmond on bass'
Demo CD made at the
#25 &. #26are solo sections from a n"fUy Kapp on drums' I wish this format could be used
directs a sixteen piece
Black Orchid in Chicago, where Doug more often, it's my favorite context'
It's great to see that
Uurra fo.r. to six nights- every week'
music & they often accom-
someone is still presenting this MUSICIANS
like fotnny Dankworth & Cleo Lane' The
p""y Tracks #1-#19
^"1*.u*",
;;;'".i";" Master '108" is now on a gold plated Conn
# 247463 series' FIe says this is ADAM ASCONE
Naked Lady Art Deco model
Hammond Organ
finally his horn. Adam Ascone is a young rising star
in the. contemporary
of William Paterson
#27
Daagnin' New York iazz scene' A recent graduate
goU e.t"r- an's 1979 album Tanya's Waltz on Doug I-awrence's
Mark VI #92444' Coif"g"', (NJ) Ja,z Program' tte ^on
ls
Ct'rurti" Ventura Dukoff '080" on Selmer worked with
uigt"uiara sn'ik"' (track 20)' He has
#28 "-;;;
*""y *"Uftshed players such as Eric Alexander'
Bob Ackerm an 1982- The album
is Pam Purvis' Daydream on
b*gr,ir,, Dukoff D7
Bobby tip on same #92444 Selmer'
'100"
Tracks #20-#26, #31-#33
#29 DOUG LAWRENCE
1983 using a Mas-
Bob Ackerm an, Pharoh's Gold onDaagnin
--OorrgSaxoPhone
Tenor
i., f-tttt with a step baffle '095" tip on the same #92444 Luwren.e has been one of the most
sought aflet jazz
NYC scene since he
Selmer. soloists and. section players on the
illustrious career has in-
#30
a 1960s Selmer small arrived in the early 198bs' His as well
Free improv of Bob Ackerman playing cluded appearing on over one-hundred
recordings
et.u.n"modelinthelongersoloistform'-'085"tip'TheseThis with some of the greatest
withthe computer' ;'t *.# wortaliiae aPPearances Sarah
are short examples strunitogether names in the business includlng Benny Goodman'
Charles on drums
was recorded in 1995 *iti tft" late Dennis

May lJune 20A0

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