Autumn Leaves II-V-I study

Bmaj7 Emaj7
                        
Cm7 F7

                     

 
 

      
  dorian mode  F# diminished scale    
          


    
  
Am7(5)
 
   

        
         
   C minor melodic ascending  FC pentatonic  

is a 'subset' of
 
min melodic ascending scale
 

   

  
       
 
        
                   
D7

 
                 
   
 
 

D altered scale is really the - - -  - Eb minor melodic ascending   the "riff" 
   
      

   
Am7(5)
 
  


              
D7 Gm 9


 
             
  
   F pentatonic scale   D altered scale   
 
 
          

     
      


 
 
       
                       
Am 7( 5) D7 Gm 9

 
            
   F pentatonic scale   DORaltered   
  

 
scale
  
try Ab pentatonic


    