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17165378
CHRISTINA DEPTH STUDY 5: POPULAR CULTURE
MANAWAITI
Table of Contents
Part A: Unit of Work ................................................................................................................................ 0
Part B: Discussion .................................................................................................................................. 17
Resources .............................................................................................................................................. 21
Learning Resource 1: Before site visit: The State Library New South Wales .................................... 21
TABLE 1: ANALYSING A PHOTOGRAPH ............................................................................................ 24
Learning Resource 2: Site visit: State Library NSW ........................................................................... 25
Learning Resource 3: After site visit ................................................................................................. 28
Activity 1: RAFTs Activity:.............................................................................................................. 28
Activity 2: Listening Task and Taking Notes .................................................................................. 28
Activity 3: compare and contrast .................................................................................................. 29
Week 7: Activity 1: Top of the Pops quiz ...................................................................................... 31
References ............................................................................................................................................ 33
Bibliography .......................................................................................................................................... 38
Password: mypoppage2017
*[Do not put the web address into a search engine only into the top website bar
otherwise you will not get to the Guest login].
1
Derived from unit of work Association of Independent Schools NSW, (AISNSW) Popular Culture (any further references noted as AISNSW).
2
Board of Studies NSW (BOSTES) (2012). History K-10 Syllabus.
102088 Secondary Curriculum 1B History Spring 2017
The purpose of the unit is to investigate in depth the global influence of Related Life Skills outcomes: HTLS-3, HTLS-4, HTLS-5, HTLS-6, HTLS-7, HTLS-9,
popular culture that has shaped Australian society since the end of HTLS-11, HTLS-12, HTLS-13
World War II. (Source: BOSTES, 2012)
Site visit:
Key terms: popular culture, high culture, cultural cringe, counterculture. State Library New South Wales (SLNSW). History Week: What
Feminism, masculinity, ‘ocker’, bloke, larrikin, disc jockey, vinyl records, goes Pop! In conjunction with the History Council of New South
transistor radio. Wales History Week 2017
Key Inquiry Question: Is popular culture a reliable and useful historical source?
Resources
Texts:
Arrow, M. (2009). Friday on our minds: Popular culture in Australia since 1945.
Danesi, M. (2012). Popular culture (2nd ed.).
History Alive10 for the Australian Curriculum (2012).
Wollacott, A. (ed.). (2012). History 10 for the Australian Curriculum.
Anderson, Low, Conroy & Reese. (2005). Retroactive 2.
Pearson History New South Wales 10 (2014).
Websites:
Splash ABC. (2017). Popular culture post-war (and others). http://splash.abc.net.au/home#!/digibook/618362/popular-culture-in-post-war-australia
Howitt, B. (2013). AC History Units: Year 10 program: Popular culture. http://www.achistoryunits.edu.au/unit-program/y10-overview-v3-1.html
Australian Government (2017). http://dfat.gov.au/about-australia/society-culture/Pages/society-and-culture.aspx
The People History (2017). http://www.thepeoplehistory.com/1945.html
History Council of New South Wales (HCNSW) http://historycouncilnsw.org.au/
State Library NSW (SLNSW). http://www.sl.nsw.gov.au/research-and-collections
The Sport Australia Hall of Fame, VIC (virtual) https://www.sahof.org.au/hall-of-fame/
Australian Centre for the Moving Image (ACMI), VIC (virtual), https://www.acmi.net.au/museum/.
The Australian Museum of Motion Picture and Television (Inc), WA (virtual), http://www.ammpt.asn.au/ammpt-2/.
National Film and Sound Archive (NFSA), Canberra, ACT, https://www.nfsa.gov.au/
Week/ Syllabus Teaching and Learning Strategies including assessment for learning. Resources
Sequence Content
The Cold War Overview Australia post World War II. Human timeline: index cards of key events
Week 1 and Australia Quick quiz: prior knowledge from units: Australia in WWI, WWII and (from Timeline History Alive 10, p. 157).
Overview UN Rights and Freedoms. https://www.facinghistory.org/resource-
Post WWII peacekeeping Brainstorming on whiteboard: influences on Australia post-WWII. library/teaching-strategies/human-timeline
Australia Technology, Focus on changes and key developments.
the modern Group task: Human timeline: Formative Assessment: understanding Student learning cards: adapt from
world and chronology and sequencing (numeracy). Create index cards of key http://openingpaths.org/blog/2014/01/learnin
Australia events – national/international selectively hand out to students. g-profile-cards/
Week 2 The nature of Inquiry questions: Formative Assessment Video: Popular culture in post-war Australia.
Popular popular culture What is popular culture? http://splash.abc.net.au/home#!/digibook/618362
culture in Australia at Students source a definition of popular culture and discuss the difference /popular-culture-in-post-war-australia
the end of between popular culture, high culture, cultural cringe and
World War II, Video: Australian culture in the 1960s (1m 46s)
counterculture.
http://splash.abc.net.au/home#!/media/2567503/
including Teacher: definition: Professor Arrow,
australian-culture-in-the-1960s
music, film and Teacher creates ‘word cloud’ with students.
sport What does pop culture mean to you now? Word it out: word cloud https://worditout.com/
(ACDSEH027). Students identify their own areas of interest and the significance of pop
culture in their lives. Graffiti wall: Butchers paper / white boards
Students: What do you think was popular culture post-WWII? and marker pens, blue tack or cellotape.
Identify the Students view videos - Popular culture in post-war Australia and
main features Australian culture in the 1960s and then add ideas to graffiti wall. Video: The old Australian record industry.
in popular http://splash.abc.net.au/home#!/media/521155/vi
culture Graffiti wall: continued from Week 1 nyl-the-australian-record-industry-1963
including Teacher led brainstorm of four key topics –
Video: Discover Holden, the ‘all-Australian car’. (5m
music, film, music, film, sport, fads and fashion.
fashion and 44s).
Each topic has a separate graffiti page and is added to by the students http://splash.abc.net.au/home#!/media/85822/hol
sport. over the course of the unit. den-the-all-australian-car-
Students can work individually or in pairs to search a particular area
of interest and provide examples on the Graffiti Wall, e.g. Video: Surf culture hits Australia in the 1960s. (4m
Music: vinyl, transistor radios, television, YouTube. 39s)
Film: Crocodile Dundee, Mad Max, The Matrix http://splash.abc.net.au/home#!/media/1474790/s
Fads and fashion: surf fashion, surf music, Holden cars. urf-culture-hits-australia-in-the-1960s
Students: Sport – cricket, surfing, soccer, skateboarding, Phar Lap, Olympic Games.
Assess the way View videos on record industry, Holden and surf culture – add any Teacher only:
American and Hashtags, Heroines, and Histories: Popular Culture
new ideas to the Graffiti Wall.
British music in History (History Council of NSW) presentation at
influenced SLNSW http://historycouncilnsw.org.au/history-
Before site visit: State Library NSW, Sydney week/
post-war Overseas influences.
Australian
Australia – the first wave: surfing culture History Alive 10 for the AC: The rock’n’roll
below and complete the task OR *design your own (check your Audio: interview with Associate Professor
ideas with the teacher first). (Learning Resource 3). Michelle Arrow (author Friday on my mind:
Popular Culture in Australia since 1945 (2009)).
Activity 2: Listening Task and Taking Notes: Formative Assessment Mp3 file: 170831HISTORYWEEKEDIT.
Nick Parmeter on Radio 2ser Arts and Culture program talks to
Associate Professor Michelle Arrow about the contents of the Dr Arrow is Associate Professor of Modern
Annual History Lecture (History Council of NSW, 2017), on the History at Macquarie University, and author of
way in which Australian pop culture has defined and shaped us. Friday on our minds: Popular culture in
Wix website: Interview and questions (Learning Resource 3). Australia since 1945 (2009). Dr Arrow
discusses the 1970s and the politics of pop
Formative Assessment: Inquiry Question: 100 words culture.
In what ways has 'ocker' culture changed or remained the same in the
21st century?
Activity 3: compare and contrast
Activity 3: Protest Music: Compare and contrast VB ad c.1972
Video analysis using Bloom’s Taxonomy (Carroll, 2016, Critical thinking: https://www.youtube.com/watch?v=EIK6
Practical inquiry strategies.) DXnW_oM
Compilation of images from the woman’s
Formative Assessment: Inquiry Question: 100-200 words rights movement (warning – one shot of
What are the differences between the representation of women in the bare breasts – show first verse and chorus
VB advertisement and Helen Reddy’s I am Woman? only 1:00min). Helen Reddy, I am woman.
https://www.youtube.com/watch?v=NUv
Identify what the women are doing and what you see in the mPfgVTGQ
foreground and background. Alternate: Helen Reddy live performance on
Describe the gestures of the women and the men. television: 1973.
Explain what you think is happening. https://www.youtube.com/watch?v=dZMZ7_
Apply: How do you imagine the women are feeling? What is omitted w4RDM.
from the source? Lyrics I am woman
Synthesise-create: What is the perspective of the source? How https://www.azlyrics.com/lyrics/helenred
useful or reliable is the source? What is the source evidence of? dy/iamwoman.html
Evaluate / reflect: How could you find out more about these people
and events? History Alive 10 for the AC. Protest music. (pp.
174-175).
period offer Students construct and evaluate a series of questions to ask their parents ?id=3752516%20
insights into about the type of bands / musicians they listened to growing up.
the ideas, Compare and contrast with contemporary music – content, quality,
emotions and originality e.g. have there been any covers or reboots from the 60s
experiences of and 70s?
the people at Evaluate the questions and interview methods.
the time.
Focus on film
Week 5 An extension Students: Pearson History New South Wales 10 (2014).
Australian on Assess the way overseas film industries such as Hollywood, Bollywood The changing nature of Australian popular
film / development in and the animation industry in China and Japan, influenced popular culture (pp. 74-77).
American popular culture in Australia.
and other culture… History for the Australian Curriculum 10
influences Formative Assessment: Numeracy task: Graph interpretation (2012). Source 4.27 Graph “the number of
Handout graph of films released in Australia 1980-1990. Australian films released from 1980-1990,
Inquiry questions: compared with those of the United States,
1. What years did the films from the US dominate? Europe, East and South-East Asia and others
2. Why is there a change in 1984? (p. 190).
3. Are Australian film releases more or less than Europe? Why?
4. When did East and South-East Asia films become released in
Australia? What happened to cause this?
5. Where do Australian’s still get most of their films from?
6. What is the effect of migration and multiculturalism on popular Animation: Toy Story, Up!, Despicable Me (can
culture (*extension). be linked back to previous film studies in
English)
Research project: Formative Assessment
Students an work independently or in pairs, to investigate one of the key Anime:Monkey, Sailor Moon, Pokemon
focus areas in film, either Hollywood, Bollywood or animation and
discuss its impact on popular culture in Australia. Hayao Myasaki: Graveyard of the Fireflies;
Princess Mononoke, Nausicaa in the Valley of
Hollywood: focus on box office hits in Australia from the USA in the 50s, the Winds.
60s, 70s, 80s, 90s, over 2000s. Find films that influenced youth culture
e.g. Saturday Night Fever, Grease. Focus on a particular genre. Manga to series to film:
Cat Shit One: trailer:
Bollywood: which films were made in collaboration between Australia https://www.youtube.com/watch?v=9wncS6t
and India? When did this start to happen? What were the influences at O59M&list=PLQuWHiW96NcKhEJW3MDsDwhI
the time? FhQVlj8tC
China and Japan – martial arts films, anime and manga. http://afe.easia.columbia.edu/at/contemp_jap
an/cjp_pop_04.html
Group Task: Café Conversation: Formative Assessment
Goal: understanding different perspective on film, music and television Café Conversation adapted from
by engaging in conversation with people who represent other https://www.facinghistory.org/resource-
backgrounds and experiences. library/teaching-strategies/cafe-conversations
Preparation: Create 5-10 personalities with different cultural
backgrounds, political attitudes, education level, occupation, age,
gender and family status. Australian Centre for the Moving Image
Students: are in groups of at least 5 and allocated a personality and (ACMI), VIC (virtual),
background from which they create an identity chart of their https://www.acmi.net.au/museum/.
character and explore how that character might feel about the
conversation topics. The Australian Museum of Motion Picture and
Jigsaw: form groups of the same character so that students can Television (Inc), WA (virtual),
brainstorm their character, then reform into original mixed groups. http://www.ammpt.asn.au/ammpt-2/.
Topics: (not limited to these)
1. How might Australian audiences relate to films made in Asia or National Film and Sound Archive (NFSA),
India? Canberra, ACT, https://www.nfsa.gov.au/
2. What is the future of the Australian film industry?
3. Technology, such as CGI, will eventually put actors out of work.
4. Australia’s film industry is dying. Wraparound activity:
5. We need more Indigenous content in films. https://www.facinghistory.org/resource-
library/teaching-strategies/wraparound-
Reflect and debrief on conversations. Wraparound activity: each student whiparound
shares one idea from their conversation.
Pearson History New South Wales 10 (2014).
Week 6 The changing Students: The changing nature of Australian popular
nature of Describe how advances in communication technology changed at least culture (pp. 74-77).
Changes popular culture ONE of the following during the post-war period in Australia: music, film
and the or television History Alive 10
influence of
overseas Formative Assessment: Research and written task. Australian Centre for the Moving Image
developments Consider the development of CGI and the progressive influx of science (ACMI), VIC (virtual),
(ACDSEH122). fiction and superhero films from USA. Compare/contrast films from the https://www.acmi.net.au/museum/.
60s, 80s, 2000s (think Star Wars originals and prequels).
The Australian Museum of Motion Picture and
Students: Television (Inc), WA (virtual),
Discuss how overseas influences have affected ONE aspect of Australian http://www.ammpt.asn.au/ammpt-2/.
popular culture
Formative Assessment: Inquiry question National Film and Sound Archive (NFSA),
Has Australian culture been permanently changed by globalisation and Canberra, ACT, https://www.nfsa.gov.au/
overseas influences?
Can you guess the correct hit for the correct decade?
40s 50s 60s 70s 80s 90s 2000s 2010+
Name the ARTIST, SONG, YEAR Wix website quiz: Top of the Pops
Answer the 10 quiz questions – formative assessment https://cfhm23.wixsite.com/popularculture
Group share results and discussion. Password: mypoppage2017
Week 8 Continuity and Students: Students can use any resources supplied to
change in Outline and assess the impact of Americanisation and global events date and must do additional research of
Beliefs and beliefs and on Australian society over time sources.
values values that Discuss the nature of Australian popular culture today and the legacy
have of past influences Americanisation – film, food, McDonalds,
influenced the McMansions
Australian way Formative Assessment: Egalitarianism
of life Students investigate and research three to five examples of Democracy
(ACDSEH149). Americanisation and/or globalisation that have impacted on Religion
Australian pop culture. Activism
Any class sources can be used and at least two additional self- Consumerism
searched sources. Terrorism - 9/11
This research can be used as a resource for the Summative Environment – climate change
Assessment.
Week 10 Activity 1: Think, pair, share Butchers paper / white boards and marker
Assessment Game: Biggest hits and misses of the decades – class vote. pens, blue tack or cellotape
Task / Class construct their own list for each decade from 40s to today.
Review and Class vote on hits and misses. Exercise books: original Anticipation Guide
reflect questions.
Activity 2: Reflect on Anticipation guide: Formative Assessment
Is your answer the same? What did you learn that changed / did not Handout Assessment marking and feedback.
change your opinion? What evidence do you have now to support your
answer?
1. Post WWII Australia borrowed popular culture from around the
world.
2. The Cold War had no effect on popular culture in Australia.
3. Global events had a strong effect on Australian popular culture.
Class tally: how does it compare with the start of the unit?
contributed to continuities Consider continuities such as cricket, rock ‘n’ roll, television, film, new technologies, outdoor lifestyle (surfing),
and changes in the Australian and the generation gap.
way of life in that period. Consider changes such as the emerging impact of American culture; new technology, music, social media, sport
(football), and women in sport.
Make a list of sources used including class notes, textbook, websites, video clips or images.
(Source: Adapted from: History Teachers’ Association of Australia (HTAA) (2013). AC History Units: Assessment)
HT5-1 explains and assesses the historical forces and factors that shaped the modern world and Australia
HT5-3 explains and analyses the motives and actions of past individuals and groups in the historical contexts that shaped
the modern world and Australia
HT5-4 explains and analyses the causes and effects of events and developments in the modern world and Australia
Source: NESA (2017). K-10 Syllabus support materials: 7. Reflection and evaluation http://syllabus.nesa.nsw.edu.au/support-
materials/units/
Part B: Discussion
Popular Culture is part of a 50 hr unit, The Modern World and Australia, and is a
depth study into Australia’s place in The Globalising World. The unit follows the core studies
of Rights and Freedoms (1945 – present), and Australians at War (WWs I and II). The study
of popular culture includes music, film, television, sport, and fashion, in post-war Australia
from 1945 to the present. Students explore the social, political, economic and technological
changes that influenced popular culture, especially the impact on youth culture. The unit
utilises the historical inquiry approach to “explain how people, events and forces from the
past have shaped our world” (BOSTES, 2012). Students work towards the final summative
Identify the main forces in Australian popular culture in the period since World War
II, and explain how they have contributed to continuities and changes in the
Australian way of life in that period. HT5-1, HT5-4, HT5-7, HT5-9, HT5-10. (History
Teachers’ Association of Australia (HTAA) (2013).
Hence, the unit focuses on developing historical skills in searching for, and interpreting
primary sources to examine historical concepts which include: continuity and change, cause
and effect, differing perspectives, and empathic understanding. Emphasis is given to the
significance of international popular icons and movements. The limitation of this approach is
The Syllabus outcomes state that by the end of Stage 5 students “develop knowledge
and understanding of the nature of history and significant changes, developments… events,
movements, people and ideas that shaped the past, the modern world and Australia”
(BOSTES, 2012, p. 16). Therefore, teaching strategies and sources are used to develop skills
in the process of historical inquiry by offering multiple experiences in engaging with content
17165378 Christina Manawaiti | Part B: Discussion 17
102088 Secondary Curriculum 1B History Spring 2017
such as: how to access and use a database, a site visit, online research, interaction with
online learning resource (Wix website), independent and group strategies (brainstorms,
learning needs of students across the full range of abilities and diverse learning backgrounds
(BOSTES, 2012, APSTs 1.3, 1.5, 1.6). The overall strategy to achieve these standards is the
integration of Universal Design for Learning (UDL) principles within the unit (CAST, 2011).
UDL principles allow for flexible and adaptable learning environments that provide
6). Bloom’s Taxonomy (Macmillan, 2012 and Carol, 2016) is applied to a RAFTs activity
(McCarthy, 2015), and compare/contrast task (Week 3 post-site visit) which tiers the
questions from lower to higher order thinking tasks. Students can target the areas they are
to World War II and the global Rights and Freedoms movements post-World War II to
meet the needs of heterogeneous and diverse learners (Aronson, 2017) therefore students
progressive Graffiti Wall (Franco, 2010) to visually chart the major influences in each
decade. These strategies meet Syllabus outcomes in chronology, sequencing and numeracy
representation (visual, written) are incorporated with action and expression of learning
(oral, physical) (CAST, 2011). Visual tools such as timelines, graphic organisers and learning
charts provide multiple means of representing content and learning for diverse learners
In addition, UDL principles are integrated with the process of differentiation and
historical inquiry by establishing learner readiness, interests and learning profiles in Week 1
(CAST, 2011 and Tomlinson, 2014). This baseline sets the tone for student engagement
through the modification of content to focus on student interest areas in the design of case
studies that are flexible according to ability (Week 4 focus on television, Week 5 focus on
film research project, Week 7 sporting personality, and Week 8 formative assessment).
Students also express their pre-and-post opinions of global influences on Australian pop
culture (Week 1 & 8, Anticipation Guide) as a reflection on prior knowledge and learning.
Students develop empathic understanding of the past through the lens of personal interests
and also explore their context in comparison to their parent’s experience (Week 4 parent
interview) and other perspectives (Week 5 Café Conversation). These strategies encourage
student to use historical thinking to understand how their view of the world has been
Multiple forms of assessment that give immediate, accurate and relevant feedback
are essential tools in guiding student learning and modifying teaching strategies (Hattie,
2012). Therefore, informal assessment for learning is ongoing each week, with frequent
check-ins of student progress to assess student understanding, which includes: exit tickets,
quick quizzes, observational checklists, 3-2-1 quizzes, open-ended questions and work
product (McCarthy, 2014 and Regier, 2012). Assessment as learning strategies are included
which encourage students to think historically by evaluating their research methods (Week
3 site visit), interview questions (Week 4) and the analysis of the usefulness of sources
(Weeks 3, 4, 5, 7).
a site visit to the State Library of New South Wales (SLNSW), to view and then research the
What Goes Pop! photograph display (Historical Council of NSW, 2017). Pre-site visit
preparation includes a step-by-step teacher led demonstration and resource, for searching
the Library database and analysing photographs (Week 2 Learning Resource 1, Week 3
Learning Resource 2, and Wix website, Learning Resource 3). This extension skill is carefully
constructed to ensure multiple forms of presentation (oral, written, visual) and scaffolding
of the task (CAST, 2011, Tomlinson, 2014). This strategy meets Syllabus outcomes in
identification and evaluation of resources (BOSTES, 2012, HT5-5), as well as the different
contexts, perspectives and interpretations of the modern world and Australia (BOSTES,
2012, HT5-7). Post-site visit learning strategies consolidate and then extend learning.
Debriefing and group completion of Table 1 is followed by tiered activities: RAFT task
(McCarthy, 2015), listening task, and comparison task that can be approached according to
In this unit, students are challenged to think about popular culture in relation to
women’s rights and the differences in representation of men and women in the pop culture
(Week 7 Top of the Pops quiz). The overall strengths of the units include the emphasis on
the historical skills such as: comprehension and analysis of sources, and the understanding
of continuities and change. Each week contains assessable specific inquiry questions that
build towards a greater understanding of the global influences on Australian pop culture.
Resources
Learning Resource 1: Before site visit: The State Library New South Wales
Teacher-led instruction and demonstration / Students: 1 laptop between 2 or BYOD.
Activity 1: HINTS FOR FINDING THE STATE LIBRARY NEW SOUTH WALES DATABASES
5. Internet search: State Library NSW = http://_______________________
6. Did you go here? State Library website homepage screenshot
7. Which tag in the top tagline is likely to take you to a database? Circle the correct one.
9. Which link will take you to find your chosen photographs? Circle the correct one.
Catalogue single search / Manuscript, oral history & pictures / EResources?
11. Now we search for a photograph, for example, from the What goes Pop! display.
The caption / display card does not really answer questions about historical significance.
All we know is the year. Which is? 1950. What does the small ‘c’ mean? circa or around that time.
And the catalogue or database it came from. Which is? ____ON 388/Box/Item 292
NOW: put the identification number in the search box on the webpage and click
12. Did you end up here? (see next page). Can you see the photograph in the collection? What
details do you have now? Work together
14. CLICK on the PHOTO bottom right and find the page with a DOWNLOAD icon
to save the photograph (check in your ‘downloads’ folder) or onto a USB.
[Teacher: Check in: Did everyone find the photo in the database and find answers to the
questions in Table 1?]
What historical
event/issue/personality
is it describing?
What else is happening Caption:
at the time the source
was created?
How reliable is the
source?
How useful is the
source?
Other comments
Where was it
published?
What is its date?
Location?
What is its caption?
What historical
event/issue/personality
is it describing?
What else is happening
at the time the source
was created?
How reliable is the
source?
How useful is the
source?
Where was it
published?
What is its date?
Location?
What is its caption?
What historical
event/issue/personality
is it describing?
What else is happening
at the time the source
was created?
How reliable is the
source?
How useful is the
source?
From the photographs that you researched from the State Library What goes Pop! display,
choose one of the prompts below and complete the task OR *design your own (check your
ideas with the teacher first).
Dr Arrow: "One of the things I have long learned about Australian films and pop culture
in the 1970s is that there was a real pre-occupation with ‘blokes’ and with the ‘ocker’ in
particular - beer and sex ... mateship. On the one hand we have a preoccupation for
'ockerish masculinity' in film, television and music (pub rock)... and on the other hand its
the era of the woman's liberation movement."
1. Dr Arrow talks about the ‘Ocker’ culture of the 1970s – what is she referring to?
2. Dr Arrow contrasts two opposing concepts of the 1970s: ‘ocker’ masculinity and
…………………………………………………………………………
3. What is feminism?
4. Dr Arrow says that ‘ocker’ culture is a reaction to the women’s liberation
movement”. Does she give any evidence for this statement?
5. Nick mentions “cultural cringe” what does he mean?
6. Was 'ocker' culture popular or unpopular?
7. Who was Gough Whitlam?
8. How does MA’s focus on gender relate to ‘Rights and Freedoms’ last term? What
other movements were happening?
In what ways has 'ocker' culture changed or remained the same in the 21st century?
What are the differences between the representation of women in the VB advertisement and Helen
Reddy’s I am Woman?
Identify what the women are doing and what you see in the foreground and background.
Describe the gestures of the women and the men.
Explain what you think is happening.
Apply: How do you imagine the women are feeling? What is omitted from the source?
Synthesise-create: What is the perspective of the source? How useful or reliable is the source?
What is the source evidence of?
Evaluate / reflect: How could you find out more about these people and events?
Oh, I am woman
I am invincible
I am strong
I am woman
I am invincible
I am strong
I am woman
Work in Pairs
WATCH each video
Name the ARTIST, SONG, YEAR
WRITE the answers in your exercise book and then, ANSWER these questions:
*Helen Reddy ‘I am woman’ 1972 *Which *The Seekers ‘The Carnival is over’ 1965
artists are https://www.youtube.com/watch?v=61yYcAv
Australian? 2O6A
*Savage Garden ‘I knew I loved you’ Lukas Graham ‘7 years’ 2016
2000 https://www.youtube.com/watch?v=LHCob7
6kigA
Split Enz ‘I got you’ 1980 *Men at Work ‘Downunder’ 1983
https://www.youtube.com/watch?v=
YmQlBfxh4Us
References
Aronson, E. (2000-2017). The Jigsaw Classroom. Social Psychology Network. Retrieved from
https://www.jigsaw.org/
areas.aspx#/history
Australian Curriculum History Units (2013). Year 10 popular culture: Assessment task.
http://www.achistoryunits.edu.au/assessment/y10-popular-culture-assessment-
1.html
Council for Education, Early Childhood Development and Youth Affairs (MCEEDYA),
Board of Studies, Teaching and Education Standards (BOSTES) (2012). History K-10
CAST (Centre for Applied Special Technology). (2011). Universal design for learning
guidelines version 2.0. Compiled by David H. Rose and Jenna Gravel. Wakefield, MA:
http://www.udlcenter.org/aboutudl/udlguidelines/downloads
Darlington, R., Jackson, L. & Hawkins, T. (2012). Chapter 5: Depth study 3: The globalising
Facing History and Ourselves. (2017). Resource library: teaching strategies: rapid-fire
strategies/rapid-fire-writing
library/teaching-strategies/graffiti-boards
Franco, E.V. (2010). Using graffiti to teach students how to think like historians. The History
http://www.societyforhistoryeducation.org/pdfs/Franco.pdf
Hattie, J. (2012). Visible learning for teachers: Maximising the impact on learning. USA and
Canada: Routledge.
History Council of New South Wales. (September, 2017). Hashtags, heroines and histories.
http://historycouncilnsw.org.au/wp-
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