2nd Horn in F William Walton

Orb and Sceptre

Alla marcia  = 108 circa
 4 3    
                 
 4           
 
10 1 3
 
                           
 
  
18 2 Pomposo
           
                           
 

 marc.
22
         
                       
    
        
     

25 3
  
                    
                      
 
32
     
 
                     
 
 

 
  
 
 


 

 
 
4 cresc.
38
  
    
                                   

43
      
                              

47 5
                   
  
              
52
                      
        
    
 
58 6 Meno mosso  = 92 circa 7 Maestoso
 15 
                    
     
 
79
                         
        

  
86 8 a Tempo I
       
              
  
            
  
93 9
   3
     
                   

102
                 
    

          
 

106
10 Pomposo
                        
                         
 
 marc.
110
          
                  
       
     

114 11
         
      
                    
 
120
       
       
                
  


     

 
125
cresc.
12
                   
   
  
         
        

130 13
           
           
                   

2
135 (Allegro)
        
                                     

   

140
  
                           
3 3

   

144 rit 14 Largamente

           legato
    
                              
      

150
                           
          


156
                                  
     

163 15 Sub vivace  = 126 circa

                       
                
   
    


170 16 rit a tempo rit

marcato a tempo sub.
    2 
                      
3
 