Professional Documents
Culture Documents
Ofer Pelz
Flute, Clarinet, Bassoon, Violin, Violoncello & Electronics
Symbols in score
The Electronic part should be played in a volume that is balanced with
the ensemble. Once the volume of the electronics is fixed, it should not be General
changed during the performance, because in the samples themselves there
are volume changes from to , but in the other hand a technician Crescendo da niente; Diminuendo al niente
should control the balance of the ensemble and the electronics. The
clarinet should be separately connected to the computer using the Max Expressive Crescendo in its end
Patch as he is the only treated in real time.
The ensemble should be very lightly amplified in a way that the Gradual progression from one playing mode to
electronics and the ensemble are in balance and coming out from the same another (in those examples; from Sul tasto to Sul
speakers. The ensemble should know the soundtrack so that they can use ponticello and from a pitch to air sound).
cues from the samples that are marked in the score.
The Max/Msp Patch provided should be uploaded with the samples given, ; accelerando ; rallentando
in an increasing order. The samples should be played one after the other. A
technician, that is familiar with the score, activates the samples and takes , , etc. Vibrato types e.g. Very slow, fast
cues or gives them. The samples are marked by- [1-39.3‘] ,[ 2-1:13.1‘]
etc. In this manner the first number refers to the sample should be # quater tone higher; # quater tone lower; b quater
activated, and the second number after the hyphen for the duration of the tone higher
sample. For example – sample no. 1 is 39 seconds, sample no. 2 is 1
minute and 13 seconds and so on. Some of the samples are over lapping Fast tremolo (woodwinds - flatterzung)
each other.
The electronic part is written in score, at some cases accurately and at
others only as signs or entry marks.
Strings The highest possible note. The finger should
nearly press the bridge. Not a defined pitch and a
relatively soft result.
Press half way the string. (as in natural
harmonics) In some cases it creates a natural Son écrasé - the bow is pressing extremely hard
harmonic and in others a noise. The string number with a slow movement. One should hear the hair
is indicated. sound of the bow and not a pitch.
In combination with molto flaut. The player is Pitch mixed with air sound
doing a squared motion with the bow; molto SP
and then slides to a molto ST position. The result Slap tongue (cl.); pizz. (fl.)
is nearly without any pitch.
Play and sing (fl.). (importance which note)
Flaut. There is a distinction between a “normal”
Molto flaut. flautando and molto flautando. In the second the Key slaps
bow is extremely light, barely touches the
string.
T.ram (fl.)
Bartok pizz. with completely chocked strings.
/& & & & & & & & & & 1 ' &/& 0 & & & & 0 0 & & & & & & & 0 &/& & & 0 & 0 0 & - -$ 0 - -$ 0 /-$ - -$ 0 0 -$ - -$ - -$ - -$ - -$ 0 0/-$ - -$ 1 -$ - -$ 1 -$ -$ - -$ - /-$ - 0
) (blow noise+pitch) )
.
noise)
. . . .
' /- - - - - -
N 1
. . . . . . .
Clarinet in Bb
s.t. . - - 3 3 3 3
f p pp
2
*
"
f sf pp
Bassoon ( ( ( ( ( ( (
! ( ( ( ( ( ( (
Violin '
*
Violoncello
" ( ( ( ( ( ( (
15'
( ( ( ( (
electronics +
! # ! $ ! &
! ! ! % ! !
! ,
4'
,
1 &/& & & 1
8
Fl. ' ( ( ( ( ( ( ( 5 ( 4 ( (
.- - ' :
f
4'
mf
* , ,
Bsn.
" ( ( ( ( ( ( ( 5 ( ( ( (
! ,
)
! III" ,
' ( ( ( ( 4 5 ; ;' 5 ( ( ( (
!
Vln.
mf
4' 1'
* , , /pizz.
- 1
Vc.
" ( ( ( ( ( ( ( 5 ( 4 ( (
pp
( ( ( ( ( 5 ;
6'
5 ( 4 (
elc. +
2 3
Full Score 3
5 6,6, ,8, 1 (
69
mf
/- - 6-8-6- - 6 - 8 - . - 6- 6-
Cl. ' 0 0- 0 0 0 0 0 0 0 0 0
fp mf cresc.
f
*
"
Bsn. ( ( ( ( ( (
! + ) ;
molto flaut.
ST
( ( ( ( (
(I
Vln. '
p f
*
Vc.
" ( ( ( ( ( (
4 5
! # !
! ! !
sing and play sing and play
!
.- 6-8-
-" -"6-"-"1 ' 6-8-"6-" -"6-" 8-" -"/-" '
26 N
( ( ( 4 0 5 ( -1 5 4
N
Fl. '
. . . . .
' '
' - 6-:6- '
$ % .- 8 - / - - .8 - / - - . 7 .- 8 - / - - / -
f
$
f cresc.
$ / / 7 6- 8 - / - 8 -
1'
- ( - -
$ $ $ $ $ $ $ $ $ $ $ $ $00
) )
- 6- (
-6- 8-6- -/ - 6- 8- - 6- - 8-
/-$ 8- -$ - -$ .- -$ - -$ - -$ - -$ & & & &/& & & $ -$ -$ - -$ - -$ - -$ .- -$ - /-$ - - - -
6 -
Cl. ' 0 0 0 -: 1 0 -: 0 8-: 6- 0 -: 1
.
fp
. .p . . . . f
f cresc.
*
Bsn.
" ( ( ( ( ( ( (
! ( ( ( ( ( ( (
Vln. '
.6 ; ; .; ; . ; ; .; ; 6 ; . ; ; . ; ; . ; .; ;
flaut.
;6 ; ;
ST
! I" SP
* ; ; ; ; ; ; ; ; ; ; ;; ; ; ; ;
arco
" 05 ( ( ( (
!
Vc.
p f
-2' - - -- -10' - - -
( ( 5 1 5 5 5
elc.
+ -
6 7
4 Full Score
- /- - - - / - -'
0 -' - -:6- 1 6- &
:0 : : 8-: 6- - 1 4 - 6- - .
Cl. '
:
- 0 8- / - :
- / :
- 8- ( B B/B B : 6- -8- - 5 ( 0 -' C1 5 1-1
f
-
f
6- &
fp f f
mp f
1' 5'
,
3
* -
Bsn.
" ( ( ( ( ( ( 5 5 1 -6- ( 5
!
1' 1 '' 1 -- 1 ! III-"
6-:
mf
, -
mp arco
pizz. pizz. pizz. arco
5 1 '' #- 1 5 4'
, 6- ;'
pizz.
arco flaut
*
pizz.
"
( ( 4 ( ( ( 5 4 5 @ 1 ! I"
pizz.
#
-
Vc.
f f f p
5 5 5
6' 9'
elc.
+ 6'
8 9 10
! $ % $
% $ &
! $ !
! 6-: ' /-$/-$ -$ -$ -$ -$ -$ -$ & & & & 5 $ $$ $
) )
/&/& & & & & & & /&/& & & & -$ - -$ .- - -$ 0 -$ - -$ 0 5
6.- - - 6- &
42
/- -E E- 0 4
Fl. ' 6- - : - 4 .
4 5
6-
5
. pp . . . . .
! !%
/ -: '
$
f ff p f
$ $ $ $ $ $ $ $ $ $ $ $ $
f mf f
$
/-$ - -$ - -$ - - -$ - -$ - -$ - -$ - - /-$ 0 - -$ - -$ - - & & & & & & & & /& & & & & & & & & & & 0 5
-:
)
. . . - -6- 0 5 6-
' /- - - & 5 - - - - - 6- 6- 0 (
Cl.
. . . . . . . .
ff
= .:
- -&&
p pp f mf f
/-
4'
* : -
Bsn.
" 0- ( ( ( ( 4
mp
!
f mf
' ; .
. . . 6-
Vln.
f
mf f pp mf 3
-F -
pp ppp
@ .
arco SP
3
" 0 0- 5 4 ( ( 4
# mf
Vc.
mf f pp f
33 2'
elc.
+ 4 5 1 14'
5 5 3 4 5 1 -13'- - -
11 12 13
Full Score 5
& " !
! ! ! .-
! 1' 0&&&&&&&&&&&5 . /- $ 6-
48 T.ram pizz.
- $ $
Fl. ' 5 5 5 4 4 5 4 5 1
$
N
mf . .
# $ %
- /-
f
$
f
- & 1 - - -8-6- .- 6- - - - - - - - - 0 -$ $ $ $ $ $ $$
mp
1 6.- 6-
5 f
' 6- 6- 0 6- 1
-6-
-- 4 ---0 0 5
# ff mp . . . . . ! / -
Cl.
. - - 6-
&
f p subito pp p f
/- - -
/
f mf
mf f
* 4 -$ -$ $ 00
- -flz.
"
3
5 ( 5 0 5 1 (
- $ # 0
Bsn.
=
00 0
p
!
f mf f
gliss. 0
sf ! III"
1 ''
pp
pizz. arco
Vln. ' 6-
- - - 5 5 5 ( 5 5 - 6- -- 5 5 - -/- -6- ;
-
- f
-
.; ; ; ; . ; .; ; ; ; .; ; ; ; .; ; ; ; ; ; .; ; ; ; ; ;
f
molto flaut. alto ST SP
- - 6.-6 - 6-6-8- -
- 1'
; ; ;
ff ord.
! I" pizz. arco
*
"
( 5 5 5 1 /- - 4
gliss.
@ *
!
Vc.
mf f f mp
4 33 5 1 - -
2' 1'
elc.
+ - - - - - - - -
3 - - - - -
3
14 15
" ! &
! ! !
! $A /. 1 '
------ . 1 ' 5 1 6- - - - - - & '
53
-' -
pizz. 3 3 pizz.
' 1 0 4 5 4 4 1 4 0 --6- 5 ( ( (
# fpp
Fl.
$
f f mp f
----------- -
mf f pp mf 5 p f
/- - -8- - /-
5
* / - - -8- - - - /- / -
"
Bsn. 0 1 0 1 ( ( ( ( ( (
'
0 0 // ;3'
arco
!
mp f
1 -0 -06- -
;-
00
ST ord.
pizz. flaut.3
1-
3
-
pizz.
vib
"
Vc. ( ( ( ( ( ( (
mp f
5'
9 9
4 5 1
2' 7'
+
3' 7'
elc.
16 17 18 19
6 Full Score
& !
! !
!
C
1 4'
-6.- -6- . 8- . -6- .-6- . - -/-/- - 8- 0/- - 8-
61
1 -$
Fl. ' ( ( ( 5 1 - - 0 -6- 6- 6- - - - 0/- 8- /-6- 8- 8- 0 5
. -
pp f mp
.-6- 8.- .-/- - . - .- /.- - - 8.-/- -/- 8.-/- - 8.-/- -/-
1 4'
.-
mf
.- / - 8 - / .-
3
- .- 8 - / - - - .-
f mf f p mf mp
- 6 - - -
*
Bsn.
" ( ( ( ( ( 5 01 5 4
mf
!
.-
ord.
! III" -/-/- -
6- 0 -/- 8- 0- 4 ;
SP SP
13 '
Vln. ' ( 5 ( ( 4 4 5
mp
129
pppp mf f
1'
mf
9
arco
* 9 9
"
pizz.
( ( ( ( 5 4
# 1 --
Vc.
pp p
ff
elc. + 3'
3' 35'
20 21
! /-"" -" /-"/-/-"/- - 6- 1 ' -6-6- - -6- - -/- 0 -8- 0 -6- 5 ' - - - -6- 0 - - 06 - 6- 0 - - -6- 0 - - 6- - - - -6- - - -6- 0 1 8-/-/-"-"6-"0
68
" "
T.ram
Fl. '
/ - 0 4 1 6 - 6-
6-
6-: 8$
#f
-$ .- ' - .- ' -' -' -' .
f f mf
.- -' . 6-
8.-/- - 8.- /- - .- - - 6-6- 8.-/- /- .- - /- - - 6- - 6- 8- 8s.t. N -
.
' ' ' '
. 6- 6 - 8-
8- '
0 0 1 1 1 0 1 1 1 5 1 0 0
-' /-'
Cl. '
$
$ -$ - &' &
mf f mf mp
$
/-$ ' -$ 5 8-$ ' -$ 1 -$ 1 6-$ -
* -
"
3
Bsn. ( ( ( ( 5
8 -SP' -
p 3
! 8-/-/-
mp
" 5 1 - ( ( 4 5 4 4
pizz
Vc. 6- '//3
;
mf mf f f
elc. + 4
Full Score 7
- - . - 6- 6- 6- 6. 6- 6- -
6. .0 8- 8- 8- 6. 8- 6- 8-
Cl. ' 1 0 0 1 0 - 0 1 -' 0 0 6- 0 1 0 0 0 -
- - 6- -
& & - &' &' 6& & - ---
8- -
* 1 /- - /- 1 C 8- /- -8-(7 /- - - 8-6- - 6- 8- -
"
Bsn. 4 4 4 5 0 5 -
-
!
mf f f
- - - - -
0
mf
-'
-0
- - - - - - 0 F3
arco SP
8- 6-
pizz pizz
-
00
pizz arco arco ord.
6- -
arco
' 1 - 5 0 5 0 5 0 6- - - - - - - G 1 5
c.l.b c.l.b
3
SP
-
Vln.
3
-F ' arco ord.
f
06- '
mf
/3 -
0 8# - 7 00
ff pp f
' 0 0 0 0 -'
"' 1 /-; ' 6-0 6-0 6-0
6-
arco arco c.l.b
*1 5 4 1 5 0
pizz
@
pizz c.l.b
Vc. - - - - - - - 8- - - - - - 3
f mf pp pp f ff f
f
* 5 5 1'
3'
elc. 43'
22 23
*
!
!
25''
!
1 ''4
D
' '
Fl. ' 3 '- - - - - - - - 1 '4
,
'3'
' --2- - -2-2-,
0 ''4 '3 '
' 1-1- -1- -1-, ,
79
Fl.
!
Fl.
ffp fp
,
fp
!
Cl.
* D
"
Bsn. * 5 Bsn.
*
ppp pp
! 3' - - - - , ,' ,
' ' - - - 0 ''4 '3 '6-
' -.- -.- - 1 ''4
,
'3 '' 1- -1- -1- 1 '4
SP
Vln. Vln.
D !
Vln.
Vc. 1 - / - 1 - / - 1 - / - 1 - / - 1 -,
ffp
,
fp fp
-- ----, - - - - - -,
@ 3 '
' 1 ''4 @ 3 '' 0 ''4 @ 3 '' 1 ''4
SP
"
*
Vc.
!
Vc.
fp
ffp fp
,
elc. *
8 Full Score
E
!
! pizz.
SP
!*
0/-; '' 08-; '' -; '' -; -; -; -; 0/-; -; -; -; -; -; -;8-; - -; - -; -; -;
noise sound, there is sometimes a pitch but not regulary
-; ' /-E; 0 3
arco ST
! III"
"
Vc. ( 4 - 6- /- 0 4 ' 4 ;
9 69 8- - 9 - - mp
f
* ,
(
5 5 5 0
14' 1:14'
24 25
!
!
! ! III"
93 SP
( ( ( ( ( 0 0 0 0 1 0 0 0
Vln. '
/- - 8- -/-/-8-6 - 6- -8-/- -8-6- - -6-6-8- - - - - -' - - - - - - - -
1 ;! ; / ; ; 8 ; 6 ; ; 6 ; / ; 8 ; 8 ; ; pp; 6 ; ;cresc.6 ; - 8 - 6 -
molto SP (most of the notes
/;
'
arco are ment to be without pitch)
/9
/- 9
6; ;' 0/; 0 ; 6; 1; 01; ' ; 1 1; ; ;1; ;1;8; 0 ; ; /; ; 6; 8;8; /; ; 6; 8;8; 0 ; 8; ; ; 6; 06; 8; ; ; ; 06; ; ; ; ; /; 8;6; ; ;/; ;6;: ;8; 8; /;8; ; 1 6; 0 ; 0
; /; 8;/; ;6;8; 0/; ;/;
pizz. molto vib.
"'
7
//)9
* ! III"
3'
Vc.
f mp cresc.
4'
f
elc. * 7'
50'
26 27
# !
! !
!
F
- 0 -- - 1 '
N
1)
102
;
Vln. ' -- -6-/- -0 ; ; ; ; 0; ; ; ; ; ; 0 ; ; ; ; ; ; ; ; ; ; ;6;/; 0/; ; 0; ;6; 0; 0; ; ; ; ; 0 6; /; 0; ; ; 06; ; ; ; ; 0 ; 0 ------ 0 -- 0 -- - - 0 - ( ( ( (
f mf mf
!!!!!!!!! ! ! !! !! ! ! !!!!! !! ! !!! !!!!! ! ;
8; ; ;;HHHHHHHHH H H HH HH H H HHHHH HH H HHH HHHHH H ;;;;; ;
; ; 8; ; ; ;; ; ; ; ; ; ;1;
;/;8; 0/; ;; 0; 1' 4'
* ;6; )= 0 -'
molto vib.
"
8; 0 0 0 0 0 0 0 0 0 0 0 0 0 0 ( * (
pizz.
'
9
Vc. (no pitch)
f mf mf f
the highest note possible. molto flaut.
the result is something inbeetween a extremmy high note and a noise.
elc. * 50'
15'
28 29
Full Score 9
! - - -
113 q=100
Fl. ' ( ( ( ( ( ( ( ( ( ( ( ( 5 - /- 3 1
mf cresc. espress.
-' -
- 3 3 - /- - 6- -
* - -: 1 ' 4 6- 6& 6-/- -6-8-6 - - 3 - 8 - -/-
5 1' 8- - - - - /- ' - C - C /- - '
ad libitum
"
/9
-&
( ( ( ( 4
#f 8.3
fp #
Bsn.
3 mf cresc. espress.
!
fp mf
fp
Vln. ' ( ( ( ( ( ( ( ( ( ( ( ( ( (
/- ' - 3
vib N
--
slow vib.
*
arco
"
/3 4 ( 4 ( ( ( ( ( ( (
pizz. pizz.
9 3 -
# #
-- 9 3
Vc.
. f
fp f f
elc. * 9'
30
" !
- /-'
! 8 9. !
! /- ' 7 7 -' -.- 1- / .- -/- /-
8- '
- /- - .- 3' /- -$/-$ $ $ /-$
127
5 /-7 3
1- 8- 6 - - . -
5 - - 5 1 5
3
Fl. ' - - 8- - /- 8- -
!
f mp
4'
SP c.l. batuto
' ( ( ( ( ( ( 1 (
Vln.
----
p
*
Vc.
" ( ( ( ( ( ( ( (
elc.
* ( ( ( ( ( ( ( (
10 Full Score
! I /3' ! E- - '. E-
135 !
- ! ! q=80 - - -' / 3 -/-' 3 J - - -' 9 9 3'
! - - - - 6- ' - 6- - 3 .3 -' - /9
1' 1' D
- 6- 3 - ,
Fl. ' 5 4 D 5
# ff
- /-' - 3 J - - -' / E- 3' ,
f f
-' -E
mf
-' 6- - - 8- - - - -' / 3 9 9
' ( 1 C 1C 4 5
3 -6- -
-6- - -6- -8- - f #
Cl.
3 9
- ' - - - -6- 3
f mf ff
31 32 33 34 35 36 38
*
37
& !
$
-$ $ -$8 - 0-
G
! !
!
1 0- ' 1 -$ /-$ -
flz.
00
147
q=120 Tempo primo
9 9
00
( ( 5 ( 5
flz
Fl. '
!
.- 6.- . 8.-
p mf
6- 9 9
mf
- - - -$ -$ -$
( 5 5 6- 6- 6- 8- ( 0 -1 5
3 3
'
6- - - - - - 6-6-8- - - 6 - - /- - - / - -
Cl.
!
-$ - -$ -$
mf p mf
/- /- /&
-- 6- -
mp
/- --
- - /- 0 /- - 0 1'
8- -/- 0/- - 08- 4 - 6 - 6-
* 1 -6- 0 1 8-
"
Bsn. ( 5 0 /- 1 /- 6- ( 05 5 1
mf p 5
mf
f
mp
! /-/- - - - - - - -
ST
( ( 5 1 0 5 5 ( ( (
- / - -0
Vln. '
0 - - 1-
mf mp pp
"
;
-0'
( 4 5 5 4 1 4 1
SP
Vc. 6; 8- '
3 mf
f ppp mp pp
elc. * 0 5' 5 5
20'
5 5 1:14'
39 40 41
Full Score 11
H $
$ % 9) /-
!
$
)
)
-$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ -$ & & & & & & & & & & & &
154
! 3
- 8 - -6- -$ 6-$
mf
8 - -
pp pp
* - - 6- - -6- - 6- -
mf
Bsn.
" D 01 5 4 ( ( ( 4 5 1
-
/ 6 con sord. /5
3 f
! /)
mp
-E '
Vln. ' / 9 4 - /- - -/- - - 1 0 -/- - 0 -/-/- - - - - 0 /- - 08- - 0/- - 0 0/- - -8-/- - 8-/- - 08-/- -
- 8- . 8- . . /-8- . . /- . /-
/6
ppp
/5
p . . . 3 # f mp cresc.
.
8- /- -/- -
ord. p
/- ' - 5
- / - -/-8 - / - - -8 - / -
mp
Vc. ' /)
6- 1 - 1 0 6-6- - 0 - - - @0 /- -
" /9
4 * 4 1 8- - 1 5 1
/;3 8-
mp mp
ppp p
elc. *
3
-3 3'
! 8.- - - 6- .- .- 9
6- 0 6-6- 0 8- 6- 8- 06- .- 1 '
160
0 -/- - -/- -
0
Fl. ' 4 5 4 5
mp mf`
- - -
f
69 63 3
1' -6- 8- -6- - 8-
5
00 07
-.0
* C
flz
"
flz.
1 ( ( 5 1
30 #
Bsn.
3 -' 3 ff
!
6-
fp
1
fp
- 0
arco
-
pizz.
0
Vln. ' /- - -8-/- - - -
- 6- 0 -6- 0 - 0 - - - - 0 - 0
- /- - .6-6- 8- 6-6 - 8- 6- - 6- .6-6 - 6- - - 0 -
6- - . 6- 0 -
6- - 6- 0 -8- 6- .6- - .6-6 - 8-6- 1 - - 1 0 .-/- - 06- - 08-6- 1
0 0 8- 0 0
. . /- . . 6- . 6- . . . . - . . 8- . . . . .
. .
- 06- ' 1 1
- -
f
00
-/- - -
@ -/- 6- 6-6- 1 .-/-8- 0 -6- 06- 06.-8- -6- 0
pizz. senza sord. pizz.
"
30
1 1 4 5 4 1 1
arco
*
c.l.batutto
6 -
-'
----- - -
#f -
Vc.
3 f
fp
3
elc.
* 1 3'
42
12 Full Score
8- /- 8- -
! - /- - /- 1
6-
- 8- / - -/ . 8- 8- - 6- 8- 6- 8 - 8- - 6- 8- 8- -. - -
0 - 6- 8- /- - 6- 8- 1 0 6- 8- - 6- 6- 8.
166
Fl. ' 1 8- - 0 8- - 8- 1 0 8. 1 1 6- 0
- - - .
st. - 6- - .st. - 6. 6- 6-
6. st. .
st.
6st.. .
st.
8- 8-
' 1 0 0 1 0 0 6- 0 1 0 0 1 0 0 6- 0 1 6- ' 0
st.
-
Cl.
- 6- 6- -
-
f cresc.
6 - - - 8- -6 -
0 0
-
* 0 6- 8- - 8 - 1 &
6-0 30
7
" -0
flz.
Bsn. 4 ( 1 5 6- - 1 4
6- ' .- - .- ' -- 6- - -- - - 6arco
-- 6- 6- - 6- - 6-6-
mf f p f
!
fp mf f
1'
---
-- 0 0
C C
pizz.
--- pizz.
Vln. ' 4 0 1 0 0 0 1 1 1 5 0 01
1-
senza sord.
- 1 ;- '' .1 ;-
; '' .1 ;- .1 ;- .1 ;- .1 ;-
--
.
8- -
mp subito
1 1- 1 '
8- 8- -
arco getato arco getato
- ;- ;- ;-
f cresc.
* 1 /- /- - /- /- - /- /- - -
0-
arco pizz. ord.
"
ord.
1 1 * 4 @ 1 1 0
- -
8-
Vc.
mp f f mf
* 7
9'
elc.
43
*
& ! Ipoco rall.
! ! . . .&/ & & .& & /& .&/ & & /.&/ & &
- - -
! /& & & & &
1 /& 1' 0 / & / & & & 1 & / &/ & 0 & & 0 & & & 1
6- . - - 6- 8- 6-8- - 6- - -- -- - /-
171
0 /.
T.ram
Fl. ' 0 6- 0 6- 0 0 -1 5 00 1 1 0
. -
/ $:
. . .
6- ' 6- ' 6.
dim.-----------------------------------
ff f
6. 6- 6- 6- 6- 6- .
add exagerated key noise mp p
1' 0/& 0 & & & & 0 0 & & & & & & & & /& & & & & 0 .& & & & & & 5 &/& & & 0 0 & & & .& & & &
8- 8- 8-
st. 3
6- '
5
1 0 1 1 1 5 1
st. st.
'
6- ' . . . . .
Cl.
-0' & 06& & & & & & .& & & & & 1 ' .& 0 .&
& & & 0 0 & & & & & & & 0 &6& & & 0 -: 0 0 & & & 0 & & 0
3'0
- 0 /- - /-8- 0 - /- 0 -
6&
. .
flz.
* 1
"
1 /- 1 5
. . . .
Bsn.
6- ' - 6- - -6- - - f 6-
mf mp ff p add exagerated key noise
-
! 1 6-
1 -- 0 13 .9
ss. dim.-----------------------------------
0 0 0 0 0
gli
0 1 -01 5 63
arco molto flaut.
9
' -
Vln.
-
.1 ;- ''
a squared motion with the bow
.1 ;- .1 ;- .1 ;-
ff f (only intentional)
/ - - / .-
.
1' 1 0 * -0'
do not synchronise the bows movements
@ 1
arco N
"
- 0 /- - /- - 0 - /- 0 - 1 1 5
molto flaut. do not synchronise the bows movements
Vc.
. /9 a squared motion with the bow 9 9
f ff f (only intentional)
dim.-----------------------------------
elc.
* 54'
44
Full Score 13
! / & 0/.& & & & & & & 1 .& & & & 0 /.& / & 1 0 .& & & & .& & & & & 1 1 /&/& & & & 1 & & & & 0 /& /& & & & 0 - 0 0 & & & & 1 ' /&/& & 1 /& & & & & & & & & & & 0 0 & & & 1 /&/& & 1 ' & & & 1 0 .& & &
q=70
.
177 T.ram T.ram
Fl. ' :
p 8$
/- . . . / $: . . . . . .
.& & 0 0 0 & 0 & 0 &
& & & & & & & 1 0 & & & & 0 & & & & & 0 0/& & & 1 & & & 1 & & & & & /& & 1 5 0 && &0&&0 1 /& & & 1 & & & & & & & 1
.5 . . .
5
0 0 4
& &
Cl. ' / /
-: . . . . . . . . /& & & .
& 6 & / & & & & 8&
. .
mp p
& & /.& /& & & & & & & 0/.&/& & & & & & & & & & 5
p
! I;" ; ; ; ' ; ; '' ! ;I " ; ; ;' ; ; '' ! ;I " '' ; ;' ; ; ; ;;;
alto ST 3 3 3 3
p pp
! II;" ; ;; ; ;
p
gliss.
* 3 C C
! II"
C
Vc.
" 9 3 molto flautando '
3 3 3 3
p pp p
elc. *
*
& !
! !
! &6&6 & 6& &6& &
.
0 /& &/& & & & & & 1 & & & 0 - 4 1 ' /&/& & 0 - 5 0/&/& & 1 & & 5 5 ' 6& ' 6& & &
. .
' /& 1 6& 6&8& & 04
183
6& &
T.ram T.ram
5 4 4 6 ( (
6$
T.ram
6- . /$
$
.
Fl.
. . . .
p:
/& & 1 0 & & & &/& & & & 0 & & & 5 0 & & & &/& & & & 0 & & & 4 & /& & & & & 5
.
mp
' 4
/ & /& & & & /.$
4 ( 5 0 1 5 ( (
. . . . .
Cl.
. .
* /&/& 0 & & & & 00.& & & & & & & 5 /& 0 00 .&/& & 0 & & 0 5 ./& . & /.&/& & & & .& & & ./& &
5 5
" /- 4 0 4 ( ( ( (
.
Bsn.
:9+/ ; '
5
! I " ;! ;! H! ;! ;! H!
! ! ;II" ; ;' ; ; ; 0
! II" alto SP
(
Vln. ' the highest note possible, the finger is closest to the bridge possible. molto flaut.
;! '
3 3 the result is something inbeetween a extremmy high note and a noise.
; ;; ; H! alto SP ;! H! ;! ;!
;; <
! II" ! IV" H!
C ! I"
"' (
*
molto flautando
3'
Vc. 7
I 3 3
pp 6- 9 do a very short break between
(dim)---------------------- pppp the movements.
elc.
* 5 5
18'
45
2
14 Full Score
J
! & # ! " !
201 ! ! vib. ! ! ! !
! 1 1-$7 3$ ' 1 G 6-$8-$6-$03 - -$/-$8-$ - - 9
3$ -$ 1
(
6- '
7 - $ $ 3
pizz.
&' &' &' &' &' & & &' &' &' &' & &
. B
non vib.
q=70
0
( ( ($ ($ ($
' -$ - -$ - -$ - B B B 05 5 5 ( 4
!
Fl.
9 9
p f
1-
ppp p f ppp
9 9 33 33
5 1-
9 9 3
' 19
3
69 9 4 7 1
s.t.
( ( 4 5 5 5 5 4 9 9 3 4
Cl. 9 . 3 3 - 9 9 3
/& & !
$ $ & & 6& & 6 & 8&
6& &6 &
pp p mf
6&8& &
6& ' &
p p
* /9 9 9 3
" ( 4 C 1 ( ( 4 1 5 5 5 4
=
> non vib. !
;! ' H! ;! '
Bsn.
pp
!
mf f
/9 9
5 ' 1-7 - 00
-
-
;'
non flaut.
5 -' 1 4 1 5 5 5 4 4
)
SP
7
molto flaut.
Vln. '
!
c.l. battuto
! ; ; ; ;
gliss molto flaut.
6.- - - - !
ppp
p mp ppp
00 00 00 4
c.l. battuto p
! IV" f alto SP
*
" 4 0 ( 15 4 ( 4
non flaut. molto flaut.
molto flautando pizz. arco molto flautando
.- # 9 9 3 3 9 3
Vc.
-
89 9
non vib.
ppp ! mf f
pp p pp =
* 9
9
9 18' 5 5 0 5 5 5 5 5 5 5 -- 9
18'
9
9 9
stop 6' 7'
elc. stop
- 9 9
46 47 48 49 50 !
51
& ! I ! &
19 ! .9
/- - :/+ - 9
! !K !3 !
! $ $
1$ $ 5 $
212
69 3' 3 /3 - 3 /-
8- - /- /- / - - 6-
Fl. ' 4 4 ( slow vib. faster vib.
5 ( ( ( - /-
-
-
p
3' 1-
mf p
5 & $ 3'
6 -- 9 9 9 9 9
4'
9 9
mp mf f mf
9 9 9
5 169 9 1 6-- 9 9
' 4 1-
4 ( ( ( 9 9 3' 9 9
Cl.
9 9 9
$ 3$ 3$ 8 3
mf mf
p pp p mp
- 9 9 3'
oxx/xxo
4'
4 Bb
*
" ( ( 4 5 5 ( ( ( /3B" 9B""9B 3B""3B
# mf
vib
/ pp3B"3B 9B 3B
Bsn.
/-
p pp p mp
! 4'
molto flaut.
5' 5'
p
1 6- .- 1- 69 9 9
1$ $ ' 1$ ' $ $ 1$ ' $ 1- 3
flaut. son flute- alto ST ST
Vln. ' ( 04 7 ( - 9 3
pizz. arco
5 -
#
-
very slow vib.
- 3 9 9 3' ! III" p molto flaut.
/- '
mf
5' 7 00 5 .$ $ '
f alto SP
$
pp ppp
* $ $ $
ST
"
molto flaut.
1- 3
son flute- alto ST
( 5 ( ( 4 3 -
non flaut.
vib.
3 3 9 9 3' C
#p
Vc.
! III" p mf
pp
52 53 54 55
Full Score 15
& ! - & 1- !
slow stretch of the pitch
- 6- -
gliss.
226 ! ! ! !
/- - -
! /- - - 3
/- L
6- 8- - 1 ' $$ $ $$ $
3 gliss. 1- -$ - - -$ - 0 -$ -$ -$ -$ ' 5 -$ - - -$ - 0 -$ -$ -$ -$ ' 0 $0 1 5
-$ -$ -$6 -$ -$ -$ - 6 -$
slow stretch of the pitch T.ram
' ( 5 5 6- 9
Cl.
9 3' . . .
3$ ' 3$ ' .-
mf mf p subito p
3' 63 -
pp
6- 3 6- 6- 8- - -'
* 6- 8- - 6- -
oxx/xxo
" 1 5 1
" " 33B""3B
//33BB"3B 9
9BB"9B
Bb
B
Bsn.
3' 3'
p mf
3' 13 63 '
mf f p pp
- /3 3' -
!
flaut
gl
1 0 0 - 0
iss
Vln. '
SP
.
)
f (only the intention is F the result is P)
p subito
.- - / - - /0- 3' ; ;
* 3' 00 @0 00 00
molto flaut. SP molto flaut.
------
3 - - -----
/ - 0 0
flaut.. SP
" 1;
- - - ---- -- *
;/; ; 8;6; ;6;/;8; 8;
. -
gl
iss
.
Vc.
.
pp p subito ppp
13 ' . -$
-$ -$ $ $
-$(7
!
M
Fl. ' $ $ $ 0 $ $ 0 $ $ $ 0 $ $ 1
' ,
-$ -$6 -$ 0 - - 0 -$ -$ /-$ ' -$
234
--- -- --- -- 1 5 ( ( 1
. . . . . $ $ . !
.9
9
ppp pp p
$
6-$8-$6-$ -$ - -$ -$8-$ -$6 -$ $ $
9 ,
5 13$' 4 (
.9 .9
6 - 8 - 8 -$ & '
Cl. '
9 3
ppp pp $ $ ! - 3'
9
p
&' & & 6& ' & & & & 6$ 4'
* ,
" 4 ( ( ( 5
#
Bsn.
>= H'' )
p 3 f p
! ) ) ,
molto flautando
- 13
K
' 6- - 8- /- - 8- 6- - - 6- 6- 8- - 1 H ( ( (
!
Vln.
very quite gliss, sounds not clear, harmonics.
pppp
)
pp
* ; 0 ; 6; /; 6; 0 - /- 8- - 6- 0 8- - /- /- 8- 6- 6- - 8- /- ; ,
"
( ( ( ( 4
13
non vib.
; '
!
Vc.
pp ppp pp
9 ,
( ( 9
9
16'
elc.
+ 9'
9
58 59
16 Full Score
3$ 3$ $ - -8- -
! - - 6- 6-8- 0 4
242
Fl. ' 1 4 1 & 0 &' & & & & & & 0 & & 5
. ... . . ff
$$$$$$$$ $
f
6- - - - - - - - - - - - - - - - - - -
f
1 '' 5
mf mf
9 9
Cl. ' 9 9
( 5 - -- 5 6& ' .& .& ' 6.& .& & .& &' .& ff&'
0
- --
- -
6- - 8- 6- -8
mf f
-
1' 5 4 1' 4' 0 &'
* 4 8- 8- .& .& .& & .& &' .&
" 5 -- ( -- 4
Bsn.
-/- - -/- -
p f ff
!
mf f
1'
pp
6- '' -6- 0 5
s.p. flaut. son écrasé
' 3 .3 - - - 3 .3 - - - - - - -
1 5 5
6-8- -
-1
6- - -
- 1 0 5 1 1 1 1 1 5
ss.
-
gli
Vln.
.
pp
. . . ppp mf f
mf f
"'
- 1 '' 5 *1 /- - - -8- - - - - -
3'
1 1 5 1 5 1 1 1
vib flaut. son écrasé 3
Vc.
9 - - - - 9 /9
ppp mp pp subito
? mf f
elc.
+
stop
5 1 37'
60 61
%
!
40''
$
!
!
N
3 '' K 0 ''4
, ,
248
-E . -E -E .-E -E
Fl. ' ( 0 0
% !
1, $
3 '' - ''4
9 K,
pp
Cl. ' 69
9 /- - - -
0 - - 0
E E
. !
/ .-$ -$ -$ .$ / -$ $ %
pp subito
$
pp
' 0 ''4
- - ,
* 3 '
"
Bsn. 0
!
!
pp subito
,
3 '' /; ''4
flaut.
flaut.
13 '
Vln. ' 5 0 ; 0
9 . ; ; . ; ; ;
!
.,
3'
pp pp
9 .; 1 ; ; 1 ; ; .; 1 ; ; 1 ; ;
3 '' 0 ''4
flaut.
flaut.
* 5
Vc.
" 0
pp pp
!
elc.
+
3
Full Score 17
O
! $ ! I " !
! q=75 % ! ! ! !
! 5' $ 0 /- 8- - 5
251
6 - - -/-/- - 8 - - -$8-$ - -$
' ( ( ( 1 5 -/- -/- -6-8- 0 - - -/- 8-6- 8- 5 - - - 0
Fl.
3 -/- -/- - 6 - 8-/- -6 - /- D
- ' .- - ' .- 6.- - 8.-(7 - - ' .- - ' .- - - - p pp subito pp
!
F F7 F7 F F F L F F F F7 F
' - -' -'
3
- 6- '
! IV"
-( F F
- /.- ' 3' 3' 3'
- 3 - - - 63 -
molto flaut. SP
-F ' .-F -F .-F ' F .-F ' -F .-F ' ;= ' ;= '
! II"
6 3F -F -L .- 3 -7 3F 3F 9 3' ;=
-' - - -' -'
molto flaut.
*
Vc.
" C C
3 - - - 3 3 3 -
C ppp subito
ff 3 3
( ( ( (
+
2:57'
9
elc.
62
! # I !
! ! ! !
! /- - - -/- - - 08- - - -/- -6- 8- 6- - - -6- 8- 0 -8-6-8- - -6-6- & &8&6& &6& 06&8&/&6& &8& 08& &6& &8&/& 1 8& & 6& & 8&/& 1 ' 6& &/&6& & 8& 06& 8& & &6& &
258
' - -6- - - - 1 /-8- -6- - - - 8- 6 - 6- - 08- - 8 - - 06- - -6-6-6- 5 -/- - /-8- 0 - -/- -8- 0/- - /- -8- 1 -/- - /-8- 0 - -/- -8- 0/- - /- -8- 1 - - -/- - 8- /- - 6- -8-8- 1
Cl.
- - - 8- - - 8-
p mp p
.
*
"
Bsn. ( ( ( ( ( (
! 0
83 ' -0
ord.
Vln. ' 9 9 3 3 9 9
)= )= :8+ 3 )
fppp pp
9
00
SP
3 3' - ord.
*
Vc.
"
fppp pp
elc. +
18 Full Score
!
P
1 - /-/- 8-8--/-8- 0/- -/- -8-8- - - -6.- - 0 1' - - .- .- .- .$ '
264
.3 .- .- .- .- -(
.7
* C
" ( ( ( ( 5
#f
Bsn.
mp cresc. espress. 3
ppp
!
F F7 F F3
0 00 0 00 -' -(
3
30 30
3
- - - - 6- - - - - --- - - - --
-'
ST ord.
Vln. ' - 3 3 3 9
- 9 .- - - - .- .- .- .- .- - - - - - - .- .-
) -F ' .- - - - 6.- .- .- .- .-
mp cresc. espress.
ord. F
00 00
- 3 - ; 3 9 3 3 -( - - - - -
F -F .- .-
* 0 0 -' - - - - - - - - -
"
--- - - - --
Vc.
C
3 3 3
mp cresc. espress.
5
7'
elc. +
* 63
& !
! !Q
! 8- -6- ' -
271
Fl. ' ( ( 7 0 0
9 9 3 -- - - - - -6 - - -' - 6- C - - 6- -8- -
ppp mp cresc. mp
' ( 1 0 /- 1 1 0 1
/ - - / - - 6 - - 6- - - - -8-6- 6- 8- -6- -6- - - 8-6 - 8 - / -
Cl.
69 9 9 3
* C
"
Bsn. 1
3 3 3 3 mf cresc. espress. 3
F F F3 F
!
F F F F
-' -'
F7 F F F F F F7 F7
6- - - - - - - ' - - 5 /- - - - - - - -6- - - ' - 6- 8- ' -7 -7 -(
3 .
-(
3
3 - - -
9 3 9
- -/- - 1 8- - - - -
---- - - - - - - -' -------- - - -' .- .- - ' .- # mf- ' cresc. espress..- .- '
3
Vln. ' - - - - 8- - - - /-
-
.mf - - - .- - .- .- --- - - - .- - 3 - - .-
6- - - - - - - ' .-F -/- - 8.-
F .-F .-F -( --- - -F -F 6 - - - /- ' /.-F -( 8 - .-F .3 .-F ' -F 6.-F -F ' .3F
' - - -' - -' -'
- -
* ---- 8- - - -
Vc.
" ---- - - - - - - - -
C
- --1 - - - - --- - - - 5 - -
C
--- - -- 3 -
C
-
C
3
9 3 3 3 3 3
mf mf cresc. espress.
elc. + 5 14'
64
Full Score 19
! 0 -' 06-6- 8- -6- ' - - /.-8-8-6-6-8- - - - 1 6- 8.- 6-6- -8-6- 08.- -6-6- 1 1 /- - - /- -8- - 0 - 1 '
. .
278
7 0
Fl. '
- - - - -6 - - C - -6- - 8 - - - 6 - 6- - - -8-6 - - - -6 - 6- 0 8-
. . .
- - -' -(
.7
.- -' .- - - -' .3 .- .- .-
* C
"
Bsn. 1 1
3 3 3 3
! 3
F F F7 F F F F F F7
-'
F7 F7 F F F F7 F F F7
- 6- ' - -' -' -'
-(
3 3
- 83 - - - 63 - - 6- - -
-' .- - ' - .- ' -' -'
Vln. ' -
.3 .- 3 - - .- .3 .- .- .- .- .- .-
.-F -F -F -( 3F .3F .-F ' -F 6.-F -F ' .3F .-F -F -F -( 3F -F ' .-F -F -F 6 -F -
*
" - - - 3 3 -' - - -' 3 - - - 3 -' - - - - -
Vc.
C C C
3 3 3
elc. +
*
# !
! !
! 8- - - .- -/.-/- - -8.- - 0 /.- - /- 8- - -/- -/- - - - -8- 1 .-8-8-/- -8-8-/- - - - /.- - 1 8.- /-/- 8-8- -/-8- 0/.- -/- 8.- - - .- -6- - 0 8- -6- ' .- - .- - -
0 .-6-
283
' -1 - C -
-' C
? f p
Fl.
mf f mp f
! -(- - - -
f
F F3 F F F F F F F3 F F FF F7 F F F F F3 F F F FF F F
- -'
3 3
-(
3 9
- -
3
- - - 6- - - - -/- -1 8- - - - - - /- - - - - - - -6- -
- -'
Vln. ' 8- - - - - -
-- - - - - .- .- - - - - .- - - - .- - .- .- - -- - - - .- .- - - - - - - - - - - .3
gliss.
-F -F '
f
-( -
F -F -F - -F -F .-F .-F .-F F .-F .-F -( -F -F -F - -F -F .-F .-F 6 -F .3
-F 6 -F -F --/-- --1 8.-- -F -F -F
- -'
-
gliss.
* -- - -
"
- - - - - - - - - - - - -- - - - -- - - - -
Vc.
C
3 3 3 3 3 3
f
elc. + 5 1 34'
65
20 Full Score
! & !
! ! !
! . $ $ @
-$ -$ - $
289
@
$K $ -$ .-$ ' -$ .-$ 3$
6-
1- ' 1.3 ..3 ..- -'' $'
' 7 7 7 K (
Cl.
6- - - - .- 6.- - - - - .- 6- -' - -' .- 3
3
. -$7 -$ '
pppp
! 0 0 @
-0 0 0
Vln. ' 83 '
30 30 30
flaut.
13
- 3' - 3 (
9 - 9 3'
pp p pp ppp pppp
*
3' ; ;'
00
- 9 - 3
0
- 3
00 flaut.
3 /9 3
0
3 3' @
" (
Vc. (
pp p pp ppp pppp
@
(
elc. +
66
4
Full Score 21
5 5 0 1 5 5 4 0 0 5 1 - - - - -5 4
$ 3 3
Fl. ' 3
3 3 3 /$$$$$
&&&&5 1- 3'
1' 1- 3' 5 1' &
3 - 3 -
mf pp f mf mf p mf p pp f mf f mf pp
.-: 0 1
s.t.
5 5 4 5 5 5 ( 1 05 5 4 5 5
vib.
' - 3'
.- - . !
Cl.
fppp
! fppp
1 &' &
ppp pp mp
"
* /& & & G1 4 /& &&&& 1 1 0 '5 0' 4'
6&
Bsn. 5 5 4 4 4 5 ( 5
3 3 3
ppp p pp mf pp pp ppp p p mp
1-
pizz. left hand
randomaly , every 2-5 seconds, pluck the chord withourt stopping the mouvement
' of the bow. bring the finger back in harmony position gradualy each time.
p 3 3
scodutura - la and re quater tone up
-
2-
pizz. left hand
* randomaly , every 2-5 seconds, pluck the chord withourt stopping the mouvement
E flaut.E;
! II" 2;
E; E; E; E; E; E;
2;
of the bow. bring the finger back in harmony position gradualy each time.
* 3 ''
! III" molto
; ; ; ; ; ; ; ''4
mp
Vc.
" scodutura - sol quater tone down
p
1;58'
elc. +
67
*
& I ! I & ! I
! ! ! ! ! ! pizz !
! $ -& -&
5 /& & & G 1 5 /. 1 ' 1 &&&&&&1 5 /& & & G 1 5 /. 1 ' 1
307 T.ram (inhale) T.ram (inhale)
3 3 3 1 - - - - -5 5 4 5 4 1 - - - - - -5 5 5 4
/$ $ $ $ $ /$ $ $ $ $ $
Fl. ' 3
13 3'
mf p f mf p mf f mf
' & & & & 5 1' 13 ' 1 5 1' & &&& & 5 1' 4'
3 -
5 5
3'
G0 5 0 5
$0'
flz
.- 3 &&&&& .3
Cl.
! - !
/& & & & & &
sfz fppp
0'
ppp ppp pp pp
Bsn.
" 4 ( ( $ 5 $ 5 4 5 5 5
mp p pp
elc.
+
22 Full Score
I & I ! "
! ! ; ! 1& & & & & 1&
! !
! B @
1 $ $ $ $ $ $ 5 5 1 AC 5
T.ram
13 13 @
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