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Arvo Pärt: Variationen zur Gesundung von Arinuschka

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Brilliant Classics
2016/06/20 に公開
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Arvo Pärt: Variationen zur Gesundung von Arinuschka.

Jeroen Van Veen has released a series of acclaimed recordings on Brilliant Classics of
music
もっと見る by the masters of Minimalism, that 1960s-derived aesthetic in which it is not so much
the case that more can be said with less as that less seems to be necessary in an
increasingly noisy and chaotic world. The Estonian composer Arvo Pärt has never counted
himself as among the minimalist number, nor indeed was he schooled in their new traditions,
but emerged in the 1960s as an angry and dissonant voice whose musically expressed anger
against Communist oppression of his native country could barely be contained within the
tumultuous textures of works such as the Third Symphony, but a combination of personal
circumstances and aesthetic decisions led him to pare back his style to the world of eerie
calm and yet underlying melancholy that has made works such as the Cantus in memoriam
Benjamin Britten such an enduring favourite even among audiences who would not
otherwise count themselves as aRcionados of the European contemporary music scene. But
then Pärt has never Rtted into any one stylistic box, and alongside the quiet rapture of Für
Alina we may Rnd the student-era tinkling of the intriguing early Dance Pieces, as well as
arrangements of classics such as Fratres and Spiegel im Spiegel – here interpreted by Dutch