Away in a Manger

(adapted for Oboe and Piano by Trevor Fletcher Dec 2015

James R Murray
Freely (1 = 86)
     
         
arranged by J Daniel Smith

    
 
   
 

            
Piano
 
rit.

       

    
5

    
    

 
        
a tempo

  
   

    
8

        

     
              
  
 
 
     
 
  


  
12

  
         
     
                
  
 
     
       
 
  
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     
17

            
 
   
            
        

   
                
   


 
23

       
    
  
  
   
    
  
          
    
  
   
   
28

       
 



        
  

     

 
  
  
             
   
 
32

     
     
            
  
         

            
    


Page 2 of 4
    
36

      
  
  
 
 
    
   
    
   
         

    
    

 
40

        


      
        
        

      
      

    
    
44

   

  
          

     

    
 

        
  
              
    
  

 
48

       
  

          

         
 
             
       

Page 3 of 4
       
52

 
       

                   

           
         
  

  
      

      
57

    


  

       
          

  
  

   

              
     
  

       
62

      
molto rit.


   
 
        
         
 
  
 
   
molto rit.

    
       


67

       
a tempo

        
       
      

 
     
a tempo rit.

       
     
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