Professional Documents
Culture Documents
Advantage
Recorder Plus
TM by Sandy Feldstein and Larry Clark
This method will teach you to play the recorder by having fun singing and playing your favorite songs. After learning
to play the recorder, you may wish to learn to play a band or orchestral instrument. To help you make your choice,
The Yamaha Advantage Recorder Plus Method includes information about many instruments.
TM
The optional CD accompaniment for this book is recorded by a great band. The CD will also give you an example of
how your instrument should sound, as well as the other instruments you might like to play. It will also provide hours
of enjoyable play-along experiences. (CD available separately.)
The instruments of today’s band and orchestra are divided into four INSTRUMENT FAMILIES.
The WOODWIND FAMILY (not all are made of wood), the BRASS FAMILY, the PERCUSSION FAMILY and the
STRING FAMILY. Throughout this book we will take a closer look at some instruments from each of the families.
Advantage · Practice
Date Teacher · Assignments/Goals Student · Notes/Questions Mon. Tues. Wed. Thurs. Fri. Sat. Sun. Approval
STAFF
Music is written on a five line staff. Between each line there is a space.
line 5
space 4
line 4
space 3
line 3
space 2
line 2
space 1
line 1
At the beginning of each staff there is a clef. The treble clef encircles the second line which
is the note G and is sometimes called the G clef.
measure
TIME SIGNATURE
At the beginning of a piece of music there is a time signature. It tells you how many beats
are in each measure and what note gets one beat.
YRS1
Advantage · Recorder Plus 3
Getting Started
Right
Side Hand
View Left
SideHand
View Playing
Front View
Hold the bottom or bell of the Cover the top hole in the back with Put the tip of the mouthpiece in
recorder with your right hand. your thumb and the first (top) hole your mouth and lightly blow.
on the front with your first finger. To start each note say “Tu”.
& B
Notes
A
B
Your First Note
4 Play Rest
∑
Play Rest
∑
1 &4 B B
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
YRS1
4 Advantage · Recorder Plus
Notes
& A
AA
Your Second Note
4 Play Rest
∑
Play Rest
∑
4 &4 A A
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
6
4
&4
Play Rest
∑
Play Rest
∑
A A A A A A A A
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
YRS1
Advantage · Recorder Plus 5
Notes
Side View
G Front View
& G
To play G,
keep your thumb and
first two fingers down.
Cover the third hole
in the front with
your third finger.
Front View
Theory
Repeat Sign
& ..
Go back to the beginning
and play again.
G
G
Your Third Note Repeat sign
4 Play Rest
∑
Play Rest
∑
7 &4 G G
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
& 44
Play Rest Play
∑
Rest
8 G G G G
∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air
YRS1
6 Advantage · Recorder Plus
When moving from B to A to G, your second finger covers the second hole and then your third finger covers the third hole.
Moving Down
4 Play Rest
Ó
Play Rest
Ó
Play Rest
∑ ..
10 &4 B A G
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air air
Listen to the sound. When you put your fingers down, the sound goes down or gets lower.
When moving from G to A to B, your third finger comes up and opens the third hole and
then your second finger comes up and opens the second hole.
Stepping Back Up
& 44 ..
Play Rest Play Rest Play Rest
11 G
Ó A
Ó B ∑
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air air
Listen to the sound. When you lift your fingers up, the sound goes up or gets higher.
Down and Up
4 Play
..
12 &4 B A G G G G A B
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
air air air air
YRS1
Advantage · Recorder Plus 7
Rhythm
= = half note
= = quarter note
1 2 3 4 1 2 3 4
Play the beginning of these familiar songs written with shape notes followed by music notation.
13 & 44 B A G
B A G
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
Hot Cross Buns. Hot Cross Buns.
4 ˙ ˙
&4 B
G
Count: 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
Hot Cross Buns. Hot Cross Buns.
1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
Mer - ri - ly we roll a - long, roll a - long, roll a - long.
4
&4 œ œ œ œ œ œ B
A A
B B œœ˙A A A
œœ B B B
G
Count: 1 2 3 4 1 2 3 4 1 2 3 4 1 2 3 4
Mer - ri - ly we roll a - long, roll a - long, roll a - long.
www.yamahaadvantage.com
YRS1
8 Advantage · Recorder Plus
Advantage
Performance
4
Traditional
15 &4 B
A
G
B
A
G
& G G G G
A A A A B
A
G
4
Traditional
16
&4 B
A
G
A
B B B A A A
B B B
& B A
G
A B B B A A B A
G
Au Clair De La Lune
4
French Folk Song
17 &4 G G G
A B
A
G
B
A A
G
Sing this lit - tle French song, “Bon - jour” means hel - lo.
& G G G
A B A
G
B
A A
G
Sing this lit - tle French song, “Bon - sóir” means good - bye.
YRS1
Advantage · Recorder Plus 9
Advantage
Theory
Fingering
Name the note and color the holes that are covered to play the notes indicated.
Matching Game
Whole Note
Draw a line to
connect the symbol
œ
˙
with its name. Quarter Note
w
Half Note
More Matching
Draw a line to connect the musical example to its name.
Music is divided into these.
&
YRS1
10 Advantage · Recorder Plus
Notes
& C
To play C,
keep your thumb on
the hole in the back and
cover the second hole
on the front with
your second finger.
Front View
Scale Song
& 44 ˙ œ œ œ œ œ œ ˙
A
C
18 ˙ ˙ ˙
Do Ti La Sol, Down the scale and back a - gain.
& 44 ˙
Traditional
19 œ œ ˙ ˙ œ œ œ œ ˙ ˙
Down by the sta - tion ear - ly in the mor - ning.
& œ œ œ œ ˙ ˙ œ œ œ œ w ..
See the sta - tion mas - ter toot toot off we go.
Advantage Composing
Composing Fun
Finish this song by adding a friend’s name in measures one and two. To complete the melody, add one note that you have
learned in measures four and eight. Add your name as the composer.
Friendship Song
& 44 œ œ œ œ
By ____________________
20
œ œ œ œ ˙ ˙
Hel - lo ____ - ____, hel - lo ____ - ____, I’m your friend.
& œ œ œ œ œ œ œ œ ˙ ˙
Friend - ship, friend - ship our great friend - ship will not end.
YRS1
Advantage · Recorder Plus 11
Notes
Side View
D
A Front View
& D
To play D,
lift your thumb off
the hole in the back and
cover the second hole
on the front with
your second finger.
Front View
A Minor Mood
4 œ ˙ œ œ ˙ œ œ œ œ
D
A
21 &4 œ w ..
C D A C D B move your thumb to play.
22 &4 œ œ œ œ œ œ ˙ œ œ œ œ œ œ ˙
Oats and beans and bar - ley grow, Oats and beans and bar - ley grow,
& œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙
You nor I nor an - y - one know how oats, beans and bar - ley grow.
Advantage Rhythm
Rap ’n’ Rhythm
Add the bar lines, clap the rhythm then sing the rap.
Everyone:
23 / 44 œ œ œ œ œ œ ˙ œ œ œ œ œ œ ˙
Mu - sic is such fun to play, with re - cord - ers ev - ’ry day.
/ œ œ ˙ œ œ ˙ œ œ œ œ œ œ ˙
I play high. I play low. I play fast, and I play slow.
YRS1
12 Advantage · Recorder Plus
4
Traditional
24 &4 ˙ œ œ ˙ ˙ ˙ œ œ œ œ ˙
Go tell Aunt Rho - dy. Go tell Aunt Rho - dy.
& ˙ œ œ ˙ œ œ œ œ œ œ w ..
Go tell Aunt Rho - dy, the old gray goose is dead.
& 44 œ œ œ œ
Traditional Carol
25
œ œ ˙ œ œ œ œ ˙ ˙
Good King Wen - ces - las looked out, On the Feast of Steph - en,
& œ œ œ œ œ œ ˙ œ œ œ œ ˙ ˙ ..
When the snow lay round a - bout, Deep and crisp and e - ven.
Ode to Joy
& 44 œ œ œ œ œ œ œ œ
Ludwig van Beethoven
26 œ œ œ œ œ œ ˙
When we sing this mel - o - dy, our hearts are filled with joy - ful - ness.
& œ œ œ œ œ œ œ œ œ œ œ œ œ œ ˙
Sing it loud and sing it strong, this mel - o - dy by Bee - tho - ven.
YRS1
Advantage · Recorder Plus 13
Lightly Row
& 44 œ œ ˙ œ œ ˙
German Folk Song
27
œ œ ˙ œ œ œ œ
Light - ly row, light - ly row, o’er the shin - ing waves we go;
& œ œ ˙ œ œ ˙ œ œ œ œ w
Smooth - ly glide. smooth - ly glide, on the si - lent tide.
& œ œ œ œ œ œ ˙ œ œ œ œ œ œ ˙
Let the wind and wa - ters be min - gled with our mel - o - dy,
& œ œ ˙ œ œ ˙ œ œ œ œ w
Sing and float, sing and float, in our lit - tle boat.
www.yamahaadvantage.com
YRS1
14 Advantage · Recorder Plus
Rhythm
1 & 2 &
Eighth
Notes œœ œ œœ œ
1 & 2 &
Œ quarter rest
Aura Lee
& 44 œ œ œ œ œ œ ˙
Folk Song
29 œ œ œ œ w
As a black - bird in the Spring, ’Neath the wil - low tree.
& œ œ œ œ œ œ ˙ œ œ œ œ w
Joy - ous - ly I heard him sing, of his Au - ra Lee.
Jingle Bells
4 œ œ œ œ
James Pierpont
30 &4 œ œ ˙ œ œ ˙ w
Jin - gle bells, Jin - gle bells, Jin - gle all the way!
& œ œ œ œ œ œ œ œ œ œ œ œ ˙ ˙
Oh what fun it is to ride a one horse o - pen sleigh! Hey!
& œ œ ˙ œ œ ˙ œ œ œ œ w
Jin - gle bells, Jin - gle bells, Jin - gle all the way!
& œ œ œ œ œ œ œ œ œ œ œ œ w
Oh what fun it is to ride a one horse o - pen sleigh!
Count the beats and clap the rhythm, then sing the rhythm Quarter
/ 44 œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Rest
31 œœœœœ Œ
1 & 2 & 3 & 4 & 1 & 2 & 3 4 1 & 2 3 & 4 1 & 2 & 3 4
YRS1
Advantage · Recorder Plus 15
Rhythm Musicianship
Ó half rest Tempo: Slow, Moderately
Jingle In Eighths
James Pierpont
& 44 œ œ œ œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ œ
Slow
32
Jin - gle bells, Jin - gle bells, Jin - gle all the way! Oh what fun it is to ride a one horse o - pen sleigh! Hey!
Over My Head
Moderately
Half African-American Spiritual
& 44 Ó w Œ œœœœœœ w
Rest
33 œ œ œ
1 2 3 & 4
O - ver my head, I hear mu - sic in the air.
& Œ œ œ œ œ w Œ œ œ œ œ œ œ w
Yes o - ver my head, I hear mu - sic in the air.
& Ó œ œ œ w Œ œ œ œ œ œ œ w
O - ver my head, I hear mu - sic in the air.
& Ó Œ œ œ Œ œ œ œ œ ˙ w œ Œ Ó
There must be a heav - en some - where. Yeah!
YRS1
16 Advantage · Recorder Plus
Theory Rhythm
1 2 3
– three beats in each measure
– quarter note gets one beat Dotted
œ œ œ
Half
Note
˙.
43 ˙ . ˙.
1 2 3
Tie
1 2 3 1 2 3
Barcarolle
Jacques Offenbach
3
Moderately
34 &4 ˙ œ ˙ œ œ œ œ ˙ œ œ œ œ
France is home to the great com - pos - er who wrote the
&˙ ˙. ˙. œ ˙
tie—hold note for six beats
œ ˙ œ
Bar - ca - rolle. France is home to
1 2 3 1 2 3
&œ œ œ ˙ œ œ œ œ ˙ œ ˙. ˙.
the great com - pos - er Mis - ter Jacques Off - en - bach.
& 43 œ œ œ
Sandy Feldstein & Larry Clark
35
œ œ œ œ œ œ œ œ œ ˙ œ
Here is a rid - dle, the an - swer’s not fid - dle, but is the
&œ œ œ ˙. ˙ œ œ œ œ œœŒ œ
name of a wood - wind. It’s made out of met - al, sounds
&œ œ œ ˙ œ ˙ œ ˙ œ ˙. œ Œ Œ
high as a lute. Of course it is a ______________________.
YRS1
Advantage · Recorder Plus 17
Love Somebody
Traditional
Moderately
36 & 44 œ œ œ œ œ œ ˙ œ œ œ œ œ œ ˙
Love some - bod - y! ’Deed I do! Love some - bod - y! Now guess who?
&œ œ œ œ œ œ ˙ œ œ œ œ œ œ ˙
Love some - bod - y! Have you guessed? You’re the one that I love best!
3 ˙ ˙ œ ˙ œ ˙ œ ˙
37 &4 œ œ œœ˙
Mon - day, Tues - day, Wednes - day, Thurs - day, Fri - day, Sat - ur - day, Sun - day.
œ ˙ œ ˙ . ˙ œ ˙ œ
&˙ ˙. ˙.
All the days are fun, but I like _______________ best.
www.yamahaadvantage.com
YRS1
18 Advantage · Recorder Plus
Notes
Side View
A
F Front View
& F
& 44 œ œ œ œ œ œ ˙ œ Œ œ Œ
A
F
œ ..
39 œ œ œ œ œœœ w
& 43 Œ Œ œ œ œ œ
Slow
40
˙ ˙ œ œ œ ˙
Good - bye, Old Paint, I’m leav - in’ Chey - enne. Good -
œ œ
& ˙ ˙
œ œ œ
˙ œ œ œ œ ˙ œ
bye, Old Paint, I’m leav - in’ Chey - enne. I’m leav - in’ Chey - enne. I’m
œ ˙ œ œ œ œ œ ˙
& œ œ œ ˙ ˙ .
off to Mon - tan! Good - bye, Old Paint, I’m leav - in’ Chey - enne.
YRS1
Advantage · Recorder Plus 19
Notes
A
E Side View Front View
& E
4 œ œ œ œ œ ˙ ..
EA
41 &4 œ œ œ œ ˙ œœœœ˙ œœ œ œ œ œ
Solve the riddle and fill in the name of the song.
&œ œ œ œ œ œ œ œ œ œ œ œ œ ˙ Ó
I’m in ev - ’ry Dix - ie - land set, my name’s the _____________________.
Rockin’ Recorder
Play each line separately, then play as a duet.
(Duet)
Moderately Sandy Feldstein & Larry Clark
4
&4 œ œ œ œ œ œ œ œ œ ˙ œ œ œ œ œ œ œ ˙ ..
43 Prac - tice this song both in and out of school. Rock - in’ Re - cord - er is real cool!
& 44 œ œ
œœ œ œ œ œ œ œ œ œ
œœœœ œ œ œ ˙
..
Rock - in’ Re - cord - er, rock - in’ the blues. You know Rock- in’ the Re - cord - er is real cool!
YRS1
20 Advantage · Recorder Plus
Notes
Side View
D
A Front View
& D
Theory
..
2nd time
Jolly Old Saint Nicholas
4
Moderately Traditional Carol
44 &4 œ œ œ œ œ œ ˙ œ œ œ œ w
1. Jol - ly old Saint Ni - cho - las, lean your ear this way!
2. Christ - mas Eve is com - ing soon; Now, you dear old man,
1. 2.
œ œ œ œ .. w
D
A
& œ œ œ œ w
œ œ ˙ 2nd time
Don’t you tell a sin - gle soul what I’m going to say.
whis - per what you’ll bring to me, tell me if you can.
Advantage Rhythm
Add the bar lines, write in the counts, clap, sing and play.
45 / 43 œ œ œœ œœ œ œ Œ œ œ œ œ ˙ œ œ œ œ Œ Œ
Advantage Meet The Instruments
YRS1
Advantage · Recorder Plus 21
Lullaby
4 ˙
Slow Traditional
47 &4 ˙ œ œ w œ œ ˙. œ
Sleep ba - by sleep, sleep ba - by sleep. Your
Musicianship
Tempo: Fast
Solve the riddle and fill in the name of the song.
Speak the Rap. The _____________ Rap
Sandy Feldstein & Larry Clark
Fast
/ œ œœœ œœ œœœ œ œœ œ œ œ œ œ œ œœ Œ
lieve it’s be - cause I pro - duce a great tone. I’m the one and on - ly ______ - ____ - ________.
Frog Song
Moderately (Round)
A. B.
& 44 œ œ œ œ œ œ œ œ œ œ ˙
Japanese Folk Song
49 œ œ ˙
Hip hop hip hop hip hop hop. Hip hop hip hop hip hop hop.
& œ Œ œ Œ œ Œ œ Œ œ œ œ œ œ œ ˙ ..
Ribit Ribit Ribit Ribit Sing the frog song in a round.
YRS1
22 Advantage · Recorder Plus
Advantage
Theory
Name the Notes
and Draw the Fingerings
4 œ Œ œ Œ ..
50 &4 œ œ ˙ ˙ œ œ œ œ ˙
& 43 œ œ œ œ œ ˙ œ Œ œ ˙ œ œ œ œ œ œ ˙ ˙ . ˙ Œ ..
YRS1
Advantage · Recorder Plus 23
Musicianship
f - forte
p - piano
Dynamics: loud
soft
52 &4 œ œ œ œ œ œ œ ˙ ˙. œ œ œ œ œ œ
f 1. Beau - ti - ful beau - ti - ful brown eyes, smi - ling right in - to my
2. where are those beau - ti - ful brown eyes,
2.
˙ œ .. ˙ œ œ œ œ œ œ œ .
& ˙. ˙ œ Œ Œ
heart. But now why must we be so far a - part.
Theory
1st and 2nd endings can be more than one measure long.
Fast
53 & 44 œ œ œ œ œ ˙ ..
p
Fill in the missing word. Trumpet Tune
Moderately
4
Sandy Feldstein & Larry Clark
& œ œ œ œ œ œ œ œ œ œ œ œ Œ ˙ œ Œ
Push the valves down. Push the valves down. Play the Trum - pet Tune, yeah!
4 œœ œ œ œ œ œ œ œ œ œ œ ˙ ˙ ˙ œ œ œ Œ ..
B. C. American Folk Song
55 & 4 œœ œ ˙ œ œ œ
p I have a don-key Hap - py is his name. I have a don-key Hap-py is his name. He is my best friend.
YRS1
24 Advantage · Recorder Plus
Theory
Pick-up Notes
56 & 4 œ œ ˙ œ œ ˙ œ œ œ ˙. œ Œ œ œ ˙ œ œ
f 3 4
From this
1
val - ley they say you are go - ing; I will miss your bright
& ˙ œ œ w œ Œ œ œ ˙ œ œ ˙ œ œ
eyes and sweet smile; for they say you are tak - ing the
& ˙ ˙ œ Œ
˙ ˙ œ œ ˙ œ œ w ˙
sun - shine that bright - ens our path - way a - while. 1 2
Musette
Moderately
& 44 ˙ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ œ œ
Johann Sebastion Bach
57
p Jo - hann Se - bas - tian Jo - hann Se - bas - tian Jo - hann Se - bas - tian Bach, we love him.
& ˙ œ œ œ œ ˙ œ œ œ œ œ œ œ œ œ œ œ ˙ ..
Born 1 - 6 - 8 - 5 died 1 - 7 - 5 - 0. He wrote the great B Mi - nor Mass.
YRS1
Advantage · Recorder Plus 25
Theory
Repeat within piece
.. ..
& 44 œ .. ˙ ˙ ˙ ˙
Traditional
59 œ œ œ œ œ œ œ œ
p It’s rain - ing, it’s pour - ing, the old man is snore - ing. He
1. 2.
& œ œ œ œ œ œ œ œ œ œ œ œ ˙ œ œ .. ˙ œ
went to bed and bumped his head and didn’t get up till morn - ing. It’s morn - ing.
60 & 44 œ œ œ w œ œ œ œ w œ œ œ œ
f Oh, when the Saints go march - ing in, Oh, when the
˙ ˙ ˙
& ˙ ˙ w ˙ œ œ ˙. œ ˙
Saints go march - ing in, Yes, we’ll all get up and
œ ˙. ˙ œ œ ˙ ˙ ˙
& ˙ w œ
join ’em, When the Saints go march - ing in.
4 œ œ œ œœ œ œ
Fast
61 &4 œ œ œ œ œ œ ˙ ˙
f When I play the sold - iers come. You know me, I’m the great snare ________.
YRS1
26 Advantage · Recorder Plus
Notes
FA#
Side View Front View
&# F#
Theory
The sharp sign (≥) affects all F’s that appear in the same measure.
Yankee Doodle
Moderately
4 F#
Folk Song
62 &4 œ œ œ œ œ œ œ œ œ œ œ œ ˙ #œ Œ
f Yan - kee Doo - dle went to town a rid - ing on a po - ny,
Also F #
& œ œ œ œ œ œ œ œ ˙ œ Œ
#œ œ œ œ
stuck a feath - er in his hat and called it mac - a - ro - ni.
Moderately
This Old Man
4 œ
Folk Song
63 & 4 #œ ˙ œ #œ ˙ œ œ œ #œ œ #œ œ œ œ
f This old man, he played one, He played nick - nack on my thumb, With a
& œ œ œœœ œ œ #œ œ ˙ œ œ œ œ # œ œ œ Œ ..
nick - nack pad - dy whack, give a dog a bone! This old man came roll - ing home.
YRS1
Advantage · Recorder Plus 27
Theory
Key Signature
#
&
Key of G – one sharp (F≥)
Play F’s as F≥
# Slowly
4 ≥ ( ) Traditional
#
& œœœœ œœ˙ œœœœ œœ˙ œœœœ œœ˙
Like a dia-mond in the sky. Twin-kle, twin - kle lit - tle star, How I won - der what you are.
66 ˙ œ œ œ œ œ œ
f Hail! To the vic - tors, val - iant, Hail! To the con - qu’ring her - oes
#
& ˙ ˙ œ œ œ œ ˙ œ œ w
Hail! Hail! To our lead - ers they are the best.
#
& ˙ œ œ œ œ œ œ ˙ œ œ œ œ œ œ
Hail! To the vic - tors, val - iant, Hail! To the con - qu’ring her - oes
# ˙ Œ
& ˙ œ œ œ œ œ œ œ œ ˙ œ
Hail! Hail! To our lead - ers champ - ions of our school. Yeah!
& 43 œ ˙ œ œ œ œ ˙ . œ Œ œ ˙ œ ˙ . œ œ œ ˙ .
Moderately Sandy Feldstein & Larry Clark
67
f The large trom - bone can not hide to change its sound you use a ________.
YRS1
28 Advantage · Recorder Plus
Mary Ann
# Moderately
& 44 ˙ ˙
Caribbean Folk Song
68 ˙ ˙ œ œ ˙ w ˙ œ œ
f All day all night, Ma - ry Ann, Down by the
# œ œ œ œ
& ˙ ˙ œ œ ˙ w ˙ œ œ
sea - shore sift - ing sand. All the lit - tle chil - dren love
# œ ˙ w
& œ ˙ œ œ ˙ ˙ œ œ ˙ w
Ma - ry Ann, Down by the sea - shore sift - ing sand.
#4 . Slowly 1. 2.
69
& 4 œ . ˙ œ œ ˙ œ œ œ œ œ œ œ ˙ . œ .. œ œ œ œ œ ˙ œ
p This theme we all know was com - posed by Jo- han-nes Brahms. This posed for the First Sym - phon - y.
YRS1
Advantage · Recorder Plus 29
# Moderately
3 ˙. ˙.
Harry Daere
71 & 4 ˙. ˙. œ œ œ ˙ œ
f Dai - sy, Dai - sy, give me your an - swer
# ˙.
& ˙. ˙. ˙. ˙.
˙.
do. I’m half cra - zy
#
& œ œ œ ˙ œ ˙. œ Œ œ œ œ œ ˙ œ
all for the love of you.
p It won’t be a styl - ish
# ˙ Œ
& œ ˙ ˙ œ œ ˙ œ œ ˙ œ œ
mar - riage; I can’t af - ford a car - riage. f But
# œ
& ˙ œ œ Œ œ ˙ œ œ œ œ œ œ ˙ œ ˙. œŒ Œ
you’ll look sweet up - on the seat of a bi - cy - cle built for two.
72 &4 œ œ œ œ œœ˙ œ œ œ œ œ œ œ ˙. œŒ
p My string sound is high not low. To make that sound, I use a ___________.
www.yamahaadvantage.com
YRS1
30 Advantage · Recorder Plus
Advantage
Performance
This Little Light of Mine
(Duet)
A DESCANT is a second melody or duet part played above the main melody.
#4
Moderately Spiritual
73
p
#4 Melody
œ œœœ œ w
2 & 4 œ œœœ œ w
f This lit - tle light of mine, I’m gon - na let it shine,
# œ œœœ œ œ œ œ œ œ œœœ œ œ œ œ œ
Descant
1a &
# Melody
# œ œœœ œ
Descant
œ œ œ œ œ œ
1b & œ œ ˙ œ œ
#
œ œœœ œ
Melody
2b & œ œœœ œ w ˙ œ œ
This lit - tle light of mine, I’m gon - na let it shine, let it
# Descant
œ œ œ
1c & ˙ œ œ œ œ œ œ ˙ ˙ Ó
# ˙ Melody
œ œ Ó
2c & ˙ œ œ w ˙
shine, let it shine, let it shine.
YRS1
Advantage · Recorder Plus 31
Fingering Chart
Right
Hand
Left
Hand
Thumb
in back
YRS1
the Yamaha
Advantage TM