Professional Documents
Culture Documents
Olivia Tharpe
Ethnomusicology
30 November 2018
Greyhouse Coffee
When I was back in my home town of Lafayette over Fall break, I decided to go to a
coffeeshop on the campus of Purdue University. Purdue is right across the Wabash River in West
Lafayette. The coffeeshop that I chose to go to is called Greyhouse Coffee. As a high schooler I
loved going to Greyhouse because of how trendy it was and therefore, the crowd it attracted. I
always found it fascinating to sit, drink coffee and watch the interesting students and professors
mill around the place. When I went back this time, they had remodeled the shop to make it more
open and inviting. There were more places to sit, which meant more customers, which meant
more music. This venue may seem boring at first, or too “western,” but there are so many
countries represented at Purdue. It is a melting pot of different cultures that come together to
make a new kind of culture. Before I delve into the analysis of my specific soundscape, I want to
talk about the definition of music and how we have talked about that in ethnomusicology this
year.
At the beginning of the year, we defined music as a group of sounds. Ideas govern these
sounds are different depending on the cultures present in the environment. It is incredibly hard to
define music because each culture has an idea of what music is to them. A Soundscape is all
sounds in a space. From every chair moving to bell ringing to a bird chirping. All these sounds
are a kind of music. They come together to create unique harmonies or interesting melodies.
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One of the first things I heard when I walked into Greyhouse coffeeshop was the sound of
the barista yelling out names and orders for people. From this sound and the sight of people in
the shop, I gathered that they were busy. I walked in around 12:14 so it was lunchtime. When I
was able to sit down, I noticed the music that was playing in the background. This music was
what many of us at Millikin would immediately think of when we think “music.” It was an
eclectic mix of indie rock and pop. One of the first sounds I noticed in my fifteen-minute clip
was the clinking of dishes. It was a high-pitched porcelain sound. It was very bright but a little
like percussion. The clinking of the dishes was a clue that they served different foods there. It
also showed me that people were ordering food. There was also a lot of indistinct chatter in the
In the background the song Woods by Bon Iver plays on the speakers. This song
specifically says a lot about the kind of audience Greyhouse wants to attract. Bon Iver has been
lumped in to the huge category of indie music. His “official” genres are indie folk, chamber pop,
and folktronica. Bon Iver came to popularity in the early 2000’s which is when indie music and
“hipster” culture started to become more mainstream. His music was different for the time. He
uses almost angelic vocals that are layered on top of each other. One of the most stunning parts
of his music is the use of guitar (chordophone). The music is pretty stripped down which makes
it feel intimate or special. His lyrics are filled with emotion of past trauma, but they are
ambiguous enough to make the listener feel like the song could apply to them. This feeling is at
the root of hipster culture. People want to be different but understood at the same time. This song
is also important to my soundscape because of my personal history with it. I sang an a cappella
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version of “Woods” as a part of Dissonance. I recognized the song because of my history with it,
and it brought back many personal memories and feelings. In fact, not just the composed songs,
but all the sounds in this space are connected to my own memories.
The sound of chairs moving indicates that people are getting up and walking around or
sitting down after grabbing their orders. The frequent moving of chairs and the chatter tell me
that the customers are full of energy. The barista would yell out things like “apple cider” and
“hot cocoa” that would be a clue that I recorded this during a cooler time of year, specifically
autumn. I can also hear the espresso machine and the steaming milk machine. This is another
indication that I am in a coffeeshop. Not only that, but the baristas are probably making latte’s
which probably have latte art another popular trend. People my age and younger love to take
pictures of fancy latte art. It is part of the aesthetic of our culture in America. We constantly must
share things that we find beautiful. There are both male and female voices intermingled in
conversation. Many of the female voices that are audible sound very animated. From their tone
and the sound of their voices I can tell that they are young and probably students. The different
pitches of people’s voices create unique harmonies. I hear laughter which indicates that people
are happy. After “Woods” plays more acoustic indie music makes its way out of the speakers. I
can hear people coughing which could indicate sickness and indicate that the seasons are
transitioning.
Not many more new sounds are introduced into the space until the shop reached its peak
time. About halfway through the recording there is so much chatter and the volume escalates.
More people in the shop means more business, more sound, and indicates that it may be a
mealtime.
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I believe that the original purpose of this coffeeshop was for it to be a more
contemplative area. It used to be more closed off and did not have as many seats. There was the
door to go inside then a small open space with the cash register. Further back there was a little
hall area that led to the back of the shop where overstuffed chairs beckoned for people to sit
down. There also used to be boardgames lying around that people could pick up and play.
Because the shop became more popular with the college crowd, in the last few years, they
remodeled to make it more accessible to larger crowds. Because of this space change, the
dynamic of the soundscape also changed. It was very busy when I went. I had to wait to sit down
and detected many interesting conversations happening around me. Along with noise inside the
store, there was also noise from the street outside when someone would open the door.
Greyhouse is on one of the main streets of campus. It is right on the peak of a hill where there is
a stoplight. You can hear cars stopping and starting and the occasional honk of a horn.
Conversations in the shop bounce off each other because it is a more intimate place.
Students discuss majors and upcoming projects. As more people come in the volume increases.
Not just because there are more people in the store but because people have to start talking
The sound in the shop was very friendly. No one in the space seemed to be negatively
affected by the amount of sound. When you are outside you cannot hear any sounds from the
inside of the shop. The volume in the shop never gets too loud because people are trying to be
Because this coffeeshop is on a huge college campus, the prices are pretty high. It attracts
a more affluent crowd. I have applied to work here before and believe that the barista’s make
above minimum wage for Indiana. Everyone who talks in the soundscape sounds very well
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educated and most likely from upper middle class or middle-class families. There were a lot of
international students as well. I remember hearing a couple of languages when I was there.
I am almost positive that the music in the shop was playing off a Spotify playlist. We
talked about the practices of Spotify earlier in the semester and how little they compensate the
musicians they represent. You can also use the app Shazam to find songs that are playing in the
background. The app listens to the song and then finds it through the internet.
Because many of the people in my soundscape were students, and it was around the time
of midterms, they were most likely studying or talking about subjects related to school. Many of
the people in my soundscape were international students. I heard a couple of languages during
the hour that I was at Greyhouse. The baristas were extremely busy the whole time. They had to
make sure all the customers were happy and get their drinks quickly but efficiently. They wear a
lot of different hats because they have to make drinks, clean, and prepare all of the food.
International students may be worrying about getting a flight home for the holidays. I don’t
know what anyone in my soundscape is personally going through, but I can tell by the chatter
cultural processes that extend beyond the boundaries of nation states.”1 In class we said that it
soundscape environment. The world has become smaller because of the invention of internet,
smart phones and social media. We are able to post videos and pictures from any part of the
world. When we see these videos and hear the music of other cultures, it can be easier to become
open minded about our differences. We can learn to appreciate the beauty of every culture. Like I
1
Richard Huff, “Transnationalism,” Encyclopedia Britannica, accessed November 30th 2018,
https://www.britannica.com/topic/transnationalism
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said earlier, it helps weaken geopolitical borders. On the other side of the coin, our exposure to
different world musics can make it easier for us to “steal” music that is sacred to other cultures. I
put steal in quotes because it is such a gray area. All this music is out there on the internet for us
to enjoy. Because there is so much information, it is impossible to monitor everything that goes
on. As soon as one copyrighted or plagiarized thing is taken down, someone else uploads the
same thing.
I think the environment and the soundscape of the coffeeshop is particularly interesting
because not only are people from different cultures coming to enjoy the atmosphere, but the
trendy hipster culture is also influencing them. They, in turn, will share photos or videos of the
shop with people back home who spread it around to even more people. It is amazing to see how
people influence other people. It is almost impossible to know who had an idea first, or where a
certain way of talking, or instrument comes from. Especially with the sounds of a soundscape,
this is not documented like “normal,” composed music would be. Because it is undocumented,
we do not place a high importance in knowing where it is from and therefore, we often do not
Works Cited
https://www.britannica.com/topic/transnationalism