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INDEX
No. I. AG RIP PIN A (HA.NDEL)
Col raggio placido
2. CHALET 1 L E (ADAM)
Vallons de I1Helv6tie 8
3· DARDANUS (RAMEAU)
Monstre aft'reu:x: 16
S· D 0 N G I 0 V A N N I ( M 0 Z .ART)
Madamina I i1 catalogo ~ q,uesto 32
6. L'E B R E 0 (APOLLONI)
Fu Dio che disse 42
7· E R N A N I ( V E R Dl)
Infelice I e tuo credevi 48
8. L' E T 0 I L E D U N 0 R D (ME Y E R BEER)
0 jours heureu:x: 52
9· FAUST (GOUNOD)
Vous qui faites l'endormie 59
• 10. FA v0 R I T A I LA ( D 0 N I z E T T I)
A tanto amor 63
II. F R E I 5 cH 0 T z I D E R ( wEBER)
Schweig' I damit dich Niemand warnt 68
13. H E R C U L A N U M ( D A VI D)
Je crois au Dieu 84
14. I PH I G E N 1 E E N TAU R I DE ( G L U C K)
De noirs pressentiments 88
15. J0 L IE F I L L E D E P E R T H , L A (BIZET)
· Quand la ftamme de 1'amour 98
16. J U I V E, L A (H A L EV Y)
Si la rigueur 102
17. L U C R E Z I A B 0 R G I A ( D 0 N I Z E T T I)
Vieni I la mia vendetta 106
,,..,._
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IN DE X-(Continued)
No. 21. M A R T H A ( F L 0 T 0 W)
Lasst mich euch fragen 126
22. MEISTERSINGER, DIE (WAGNER)
Nun hort and versteht (Pogner's Address) 130
23. M E I S T E R S I N G E R, D I E < W .A G N E R)
Was duftet doch der Flieder 138
24. MEISTERSINGER, DIE (WAGNER)
Wahn! Wahnl 146
25. M I G N 0 N ( T H 0 M .A S)
De son c~ur j'ai calm~ Ia ft~vre 157
26. N A B U C 0 D 0 N 0 S 0 R ( Y E R D I)
Tu sui labbro de veggenti 161 ·
27· N 0 Z Z E D I F l G A R 0, L E ( M 0 Z .ART)
Se vuol ballare, signor contino 165
28. NOZZE DI FIGARO, LE (MOZART)
Non ptb andrai 171
31. P H I L EM 0 N E T B A U C I S ( G 0 UN 0 D)
Que les songes heureux 192
35· SA R D A NA P A L E (] 0 N C IE RES)
Le front dans la poussiere 214
36. S E LV A I N C A N T AT A, LA ( RIGHI N I)
Al nome tuo temuto 221
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«Vallons de l'Helvetie.»
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Dardanus.
(1739)
English version by (<Monstre affreux.»
Dr. Th. Baker.
Aria. JEAN- PHILIPPE RAMEAU.
Andante. Quasi Recit
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(1683-1764)
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to be dread - ed, than you! Ah!
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Don Carlo.
(1867.)
"Dormiro sol nel manto mio regal.,
English 7Jrrsion by Recitative and Aria.
Dr. Th. Baker. GIUSEPPE VERDI.
(1813 -1901.)
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1. Pas- sar veggo'-"i miei gior-ni
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sol nel man- to mio re - gal, Quando la mia gior- na-tl[e g{un-tllft
sleep in roy-al state a - lone, When of my days the twi-lightshallhave
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She nev-er has be~ mine! No! her heart is not mine, she has no love for
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she has no love for me!
1':\
i6~65
82
Don Giovanni.
(1787.)
.. Allegro.
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L ' ebreo.
( 1855.)
Eng-lish 'l}ersion by "Fu Dio che disse.,
Dr. Th. Baker.
GIOVANNI APOLLO~!.
Scene and Aria.
Recit. J: (i822_1.889.)
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ce- ~a rin- tuz- za-toj·~ I-'or - go-glio: per lei re- sta l'A-
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16365
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tras se, mi tras- SfL_al-la vit- to ria L' accen - to del Si-
guid - ed, still guid - ed me to vic - t'ry The man - date of the
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gnor, la vo - ce del Si- gno·r, Mi trasse al-l a vit-
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Mi trass~lla vit-to-rl- a La vo - ce del Signor!
Still guid-ed me to vic-to-ryThe man-date of the Lord!
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Ernani.
(1844.)
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Che mai veg- g1- - o! Nel pe - ne -tral pin
Do I see right - - ly? Here in my homes most
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sa- cro di mia rna - gio - ne, pres-so._Jt lei che spo-saJlS-ser do-vra d'un
sa- cred, re-tired re - cess - es, by the side of her I chose to be my
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ge-lo, far di ge-lQJln-co - rajl cor, far di_ ge- lo an-co - rajl
fevers,fire that fe-vers heart and head, fire
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«0 jours heureux:>
English ·71ersion by
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Romance.
GIACOMO !'dEYERBEER.
(17!ll-11-16!t.)
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Serenade.
H. T Chorley, CHARLES GOUNOD.
re7J. by Dr. Th. Baker. Bass. (1H1H- JhHR.)
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Vous qui fai-tes l'en -dor- mi - e, Nbnten -d~z-vous pas, n~nt~n- dez-vo~s pas,
Ca-ta- ri -na,while you sham a-sleep, You con-triveto hear, you con-trive to hear!
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Thro'the lattice shy-ly peep, And see your love is near! See your love is near!_
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A: ,. m~s1 ton galant t 'ap- pel - le,_ ain-~i t~n ga -lant t'ap - pel
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To his mistress dear while creep - ing ,_ to his mistressdearwhile creep-ing,_
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spon - da Quan- d€i fc - li - ce llOll vi - vra chejn t.e, Dol-ce la
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wa-ken, When he a- lone in thee his joy shall find, _ _ Ne'er let him
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Der Freischutz.
(1821.)
Schweig'! schweig'! da -
Naught, naught shall
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nichts kann vom tie - fen Fall dich ret - ten, nichts,
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umph! __ die Ra-che ge - lingt! Tri - urn ph! die RH - che gc -
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Ra- che ge - lingt! Tri- umph! Tri - umph! di~
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74
La Gioconda.
(1876.)
"Ombre di mia prosapia.,
English 7Jersion by
Dr. Th. Baker. Scene and Aria. AMILCARE PONCHIELLI.
(1834-1H86.)
Allegro con fuoco.
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16365
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La
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Allegro moderato.
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sing, with- aJ, then rage, or dance, then ntge, or_
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There dies a
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heart!
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Herculanum.
(1859.)
«Je crois au Dien.»
Credo
Engli'sh ?Jersion hy w·ith Organ ad Uln"tunt.
Dr. Th. Baker.
FELICIEN DAVID.
(1810-1876.)
Andantino. (J:: 56)
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tientl'in-fi- ni_dans sa main! Je crois au sang ver-se sur le Cal- vai - re,
hold-eth ere - a-tion in His hand, And in the bl~od on Cal-va-ry out -pour-ed,
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lhomme -Dieu sau- va le genre hu-rnain! A !'Esprit Saint, l'ins ~pir.ateur de
fJ ~ rhere God in man saved all of hu-man- kind. In the Ho- ly Ghost, that ev'rysoulin.
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ze lan-gues de flarnrne
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Sur le ce- nacle ou p.ri- aient douze he-breux!
twelve live tongues of flame 0- ver the spot where the twelve He-brews prayed.
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(Organ begins here.)
._..~"
. Uo
con esa lta.zz"one
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C'est le slul Dieu qui re-gnc sur le mon-de! Par Lui l'im-pie un jour se - ra pu-
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'Tis God a- lone Who reignetho'er ere-a- tion,Thro'Himthe sin-nershall find his re-
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A son ap-pel que toutchretien re - pon- de, qu'a ja -
At His command let ev-'ry Christ ian an-swer, His ho - ly
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mais son saint nom s~it be- ni! C'est Lui qui garde a toute ame fi -
name he for ev - er a-dor'd. He 'tis, who keeps, for ev- 'ry soul that's
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de- Ie Pres de son trone un_ tro - ne glo- ri- eux. A- pres la
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Near to His throne a_ throne of glo - ry bright; On- ly thro'
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fgrandioso
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16365
88
Iphigenie en Tauride.
(1779.)
((De noirs pressentiments.»
English version by Recitative and Aria. C.W. von GLUCK.
Rev. J. Tro utheck. (J714-17H7.)
Le ciel,
The gods
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par d'e- cla- tants mi-ra-cles, A daigne sex-pliquer a vous. Mesjours sont me-na-
have fore-shewn me the fu-ture by a sign that appear~d at night; my life will be in
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strangers that here may be found, a sin-gle one, escape their wrath.
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Shall then death be my lot? How
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99
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Sansmeplaindre,Moi,je bois! Je ris! je chante! Je ris, je chan-te et _ je
So I drenchthemwellin drink! I laugh! I sing! I laugh, I sing, and I
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reux Qu'un re-g;rd de femme 1m- mi - li-e, Qu~un mot peut ren-dre mal - heu.
wight, A wo-man'seyebringshim con-fusion, A sin-gle word his heart will
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reux, Quun re - gard de femme hu- mi - li - e, Quun mot peut rendre mal-heu-
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Le ciel me -me De-vient noir.
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Eh! l'ho-tes-se ... l hotes- se ... Mo-n fla. :A
Heav'n a- ~ve all grows so black. Hey!with-in there! with-in there! Wine, I
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102
La Juive.
(1835.)
«Si la rigueur.»
English '7Jersion by
Dr. Th. Baker. Cavatina. JACQUES F. HALEVY.
(1799-1862.)
..
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16366
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Ouvronsnos bras, ii'Os bras, _ _ ouvrons ~s
8 .~--- __________________________ ~<?- .<?P~-~~r.- _________ -~~~r~-~-'------- -~-~~~
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16365
104 riten.
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ou In ven-gean - ee Lbur font ha-
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D1eu. vers toi, mon Dieu,_ mon Dieu, les ram£me en ee
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106
Lucrezia Borgia.
(1833.)
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fret- ta Col cie- co suo,_col cie-co suo _ _ fi- dar, col cie- co
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16365
110
Piu mosso .
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lun-que sia e -
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16365
. 111
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Die lustigen Weiber von Windsor.
(1849.)
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Als Biib -lcin klein an der Mut-ter Brust, hopp
r.-.. When t~1at I was and a. ti - ny boy, With
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115
Andante comodo
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Und als ich ver - tre - te~lie '
Kin - der- schuh,hopp
But when I came to_ man's e - state, With
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117
Macbeth.
(1847.)
English version by
_,,Come dal ciel precipita.,,
Dr. Th. Baker. GIUSEPPE VERDI.
( 1Hl3-1901.)
Adagio.
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Recit.
Studiail passo,o
'-' .._, niio fig-lio!.. u-
0 my son, still be war-y! A-
sciam daque-ste te- ne-bre ... Uu sensQj - gno - to na-scer mi sen- to__j.n
way from these low2ring shadows! Here in my heart now wakens a pre - mo-
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pet - to, Pien di tri- sto pre - sa - gio e di so- spet - - - to.
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E,jl mio pensie - ro_.in - gom- bra - no Di
My ev - 'ry thought is - ver - run
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16365
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Edited by
F. A. Gevaert.
II Maestro di Musica.
(1731.)
English 'Version by " Be IIa m1a
. .,
Dr. Th.Buker.
GIOVANNI PERGOLE~I.
Aria. (1710-17H6 .)
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Lasst .nfich ~uch fra-gen, konnt fur ri.ir sa-gen, was unserm Land, der Brit - ten
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Search the world o-ver, Can you dis - cov-er, Why does the Bri - ton beat his
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ist das saft' - ge Por - ter- bier, das regt _ John Bull im Ne - bel-
is the best of all good cheer, John Bull _ can fight, And guard his
128
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la! Hurrah! Konnt il'tr ~r - grlin-den, soll fcb luch kiin- den was uns,re
la! Hurrah! Here is a ques-tion FiJr yo1.tr sug - ges- tion: W:1en we re-
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Brust er- fiillt mit Lust bis fro - her Sang klan go, he? _ _ Das ist der
joice With lust - y voice, What strength in - spires us, eh? ___ Why, 'tis the
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her - be, fler - be Nass, das ist __ das Bier, ja, ______
draught of Eng - lish beer, I'll brave_ the world, nor_ _ _ _ __
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fear! Ha! Hur - rah! I'll sing of the glo-rious Malt, The best of drinks 'neat h
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rah! dem Por - ter - bier, dem Por - ter - - bier, hurrah, hur-
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rah, dem Por - ter- bier, dem Por - ter - - bier, hurrah!
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Die Meistersinger ·von Ni.irnberg.
(1863.)
Allegro.
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p cantabile
Fest, Jo-han-nis- tag, ihr wisst, begeh'n wir mor - gen: auf grii - ner
ho - ly fest-al day, Ye know, we keep to- mor - row: In mead-ows
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poco crese.
- -,
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--
-
Brust _ _ gc - bor- gen) ver-ges - sen fWi - ner
r
.r em
s, or_ gen) r.
r
Je - der
glad - ness bor- ro-.:.v, And cast a- side all sor- row; So each will
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---.,
poco cresc. 3
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-~
~
L
~
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- ....,
-
freut sich; wie er mag. ri·1e Singschuf ernst im IGr- chen-
sport as best he may. The Sing-ing-school we Mas-ters
-----
~ u
Jl
IJ }
--
poC:fl
1!11.-.-
-fl.
-
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I
J.
..,
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dun.
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n
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.. J bJ bJ J • bJ ...
_
'ill
.
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,
chor die Mei- ster selbst ver - tau-schen, mit Kling bnd Klang hin- a us z'Um
II -
•
- --------
here A st~ church- choir will chris - ten; From out the
.;~ I ..._.I '"I i ..,
.
f;. , SJ gates with mer- ry
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do lee - -
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16iHi5
t32
.. ~
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. -- 1"'"
Thor, auf off'- ne 'Vie - se zieh'n sie vor, bei hel-lem Fes - tes
cheer To o- pen mead-ows we will steer, While fest- al ban- ners
,- -=::::::::...
----- J J ! J
~ ~. ~~ l:J. I _.t. ~J j- J ~J J ..L )~ q~ ;~
-. - - ~=
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poco cresc. I
. ~ ~ ~ I~
L_ - - Jl""--
f
Rauschen, d·as Volk
glis- ten: The
./
.. ... ---= ~-
. ,.. ,., .
ohr. Zu Ji- n~m 'Verb- und Wett'- ge-sang ge-
ear. For those who best SUC-Ceed in song Are
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t tJ ~ ~ ~
dim.
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< p p cresc.
. -~ ~ ·""' - •
I
f'•
...
f' l I
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- on
-
--
stellt sind Sie - ges - prei- se, uhd bei- de preist man
gifts of di - vers siz- es, And all will hail, full
....---
---
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r
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f dim~ p cresc.
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.. . IY~J~~l ~ -~J ~· -
- I
I I
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16365
133
rn
.. -- - .1"":
- • - 1':-
schuf mich Gott zum rei- chen Mann; u'lld giebt ein Je-der wie er
tJ
It
am, thank God, a
__ ,
~
wealthy man;
..-
I ... j })'j
--
And, as each giv-eth what he
;---..
.lie
at
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t
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be
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f
ben declamat,
.. . .
fu dlutschen Lan-den viel ge- reis 1t1 hat oft es mich ver-
Thro' Ger-man lands when I have roved, It pained me, as I
fJ a tentpo
) tJ
:ft:~· "e-
~ ..
dim~ cot canto
./
.. ~
r r r r d B .. r r r
dros-sen, dass man en ur-ger we- nig preis't 1 ihn karg nrnnt und ver-
list- ed, To hear the Burghers· are not loved, Deem-ed selfish and close-
fJ
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f,
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r
schlossen. A~ Ho-fen, wle ~n nied~;er Statt1 des bller~n Ta-dels ~ard[ch
~ v~
fist-ed.
'1
- --
rft•nr- ... ~!
In low life as in courts the same, I always heard the bit - ter
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ores~ p cot canto
f
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7
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r
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- '
f.-
.-
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- a temponif cantabile
I
satt, dass nur auf Schacher und Geld sein Merk der Bur - ger stellt! Dass wir im
blame, That on - ly treasure and gold The burghers thoughts can hold! That we in
i _1 dol~
(I v~
:>- f , ~ llff r· J~
~\ - lladtiEi iJ
-<
(I?= • p- It
16a65
135
wei - ten de.utschen Reich die. Kunst e.in - zig noch pflege.n, d'ran
all __ the kingdom's bounds A- lone Art_ have pro-mot-ed, I
.. - -
r
-poco cresc.
r
-
~
.... -
we.- nig ~e. -
I
diinkt ·'It - nen
1 I e.-gen. oc h w1e
Dr r. uns das zur Eh- re ge-
fan - cy they scarcely have not-ed. But how in this our hon-or re-
ll .... - -.........
~
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f_ • ... ... - -'--'- ......:J. r r-·~
poco cresc.
~~
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~----~· ... I
reicli, und dass mit ho - hem Muth wir schii - tze.n) was schon und
dounds, And how with proudest care We trea - sure the good and
gut, was we.rth _ die Kunst, und was sie gilt, das
rare, What Art__ is worth, what it can do, Now
16365
i36
ward ich der Welt zu zei- gen gewillt; d)rum hort, Meister, die Ga~ die als
I have a mind to show un- to you; So hear, Masters, what thing As a
)lJ
.~---· ~- n
espre~..,. .
P• ~
·o
- ..
Preis bestimmt ich hali! Dem Sin- - ger, der im
prize I mean to bring. The sing- - er to whose
~~- ~ .~-! I ~J
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m·esc.
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r r ~
am Sankt JO- han- nis - tag, sei er, wer er auch mag, dem geb'
fJ ~
On John the Baptist's
I~
-r.
day, Be he who-e'er he
---
may,
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1
I, Veit
if'
t· II l/ .l_-vr
Hi:H-lil
~
137
.. ,, - - --
r
ich, ein Kunst-ge- wog'ner von :Nii-renberg, Veit Pogner, mit all mei- nem
Pogner, an art- sup- port-er, A .townsman of this quarter, Will give, with my
fJ ~I I I ,~ ,fi l, ,; --....._.
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p cresc. _
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-
- poco ratl - f
- e1lfatico
!..
.,_. ~ a
~ La tempo
+- .. - .P· ...
Gut, wie's geli und steh', E - va, mein ein-zig Kind, zur
gold and goods be - side, E- va, my on-ly child, for
t\ t\
A A a tempo
.:---;---~ q~ ~--= #< It I # !
\~ poco ratl ---
- ~~~¥~~~~ ~
jlr
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"i =-
16366
138
"
u o----_
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l
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pz'ltp -===== :::::::=-
. ...----:-....
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pmp
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pp
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dolciss.
t6365
139
teneramente
Un poeo riten.
doleiss.
.. - ..
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~
1..1
I
Was gilt's, was ich dir sa-gen · arm, ~in - f'l- tlg'
r k ann? B.1n gar e1n
What boot such thoughts as I can span? I'm but a poor, plain-mind-ed
Tempo prz'mo, un poco rz'ten
. .
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pp
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p·iu anz'mato ~. sempre aecel.
'To'V
. 11 ll
- ~
I r . 1 r r r 1 p p F.
Mann! Soil mir die Ar-beit nicht schmecken,gab'st Freund,lie-bermich
man! Whenwork'sdespised al- to - geth- er, Thou, friend, settest me
piu animato sempre aecel.
at~ ---!a
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/: f
-:::::
1 y
--
erese. _
ljiilf
7
16365
t40
...----...... ... _
.. n-
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- l"'r l"'f h.-.
-- -
frei, thiit besser, das Le- - - der zu strecken, und liess' al-le Po-e- te -
free; but I'd bet-ter stick to my leather, And let all this po-e - try
~"
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.. -
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a-··-~ #~~ • ~
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Vivace.
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16365
lH
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p
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Und doch, 'swill halt nicht geh'n:
Moderato molto. And yet, it haunts me still:_
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pp dolce -=r====-- pp
.. n~- .__,j ~
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ich fuhl's, u~d k~mrs nfcht ver- steh'n; _ kann's nicht be-
~I feel, but com-pre-hend ill; Can-not for-
f)
w
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•
~
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~k~.
- :=:::::=-
w
r f
fJ --- I ----
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poco
'3
a
... .poco cresc.
.......
L_ 3 h.
rall.
Molto largamente.
l' ~
.. _j_
,_,_
- - -,... ~
" _ll..l!i
kann ich's nicht messen! Doch wie wollt' ich auch mes- s~n, was un -
e'en when I clasp it! But how then would I gauge it? 'Twas mea-
fJ ~~
. l.=::t J-J--J·.,:::f:S~"=flJ"-1 ~
~
I"'t.
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u
rakt. molto cresc.
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16365
142
.. --- ~
- :Mode rat ~
n - - -""-- -~
I I
I
d~rn. _
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r ["
- JJ dolce
~
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f c.. •
3 Un poco anintando
rxf!E.
~;
~
dolce
Es klang
It seem'd
~J ~ J OJ
1.6365
143
cresc.
:Moderato.
_/'2. ,..-_ ..
Noth, die legt' es ihm in die Brust:
hand, His soul with this did en trust:
.-~ ...~
___ ....... -1. ~-:i-==fJ·
I I I I I I I
p --=::::.:: ::::::::=-
-
~~
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ii
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dolce
wie_
L •
: &. ' --.;;---.: I o --.:1
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~ .._ - I "'-~'---
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d
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konnt er's, _
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16365
145
.. . Moderat
To
. ...
ITA
son- d~rs.
heed - ed.
{ 7
f'l
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r-;) ~m
.
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ratl.
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dolciss.
-----
con calore lt. ___ ~
3 9 3 3
f energz'co ::::>
.. • - • l"!'
wach- sen; macht' er den Meist~rn bang', garwohl ge- fiel es doch Hans
wax - es; Masters may feel dis - may, But well con- tent with him Hans
{
,
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.
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Sachs en!
Sachs is!
-;... .,.-.,•
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i6365
"' "' '""
I I r
I
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146
Wahn! Wahn!
Hans Sachs's 1\llonologue.
English version by
H.~ F. Corder. RICHARD WAGNER.
(1813-188:-J.)
:
A
~~~---
-
...
. -- . :---.._
_ll
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'Vahn!Wahn! U - ber-all
Mad! Mad! All the worlds
~ ..,j.f. b~ •. l ~ .~
~~ • ' I
~ : pp _ pp p dolce ..
o .L
-----
-&"-- _/-&'--
..
Ben rn£surato
1"'1
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r
--
.Jot'.
Wahn!
I r
Wo - hin
r
ich for- schend
r I
blick'
r r
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r
pp dolce p tenuto
.
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I
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=
'Z:~·
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.. .
,
nik,
r r
den Grund mir auf - zu -
r r
fin - den, wa- rum gar bis auf's
chives, And seeks to learn the rea- son Why peo-ple strive and
.. J.L - - u.
~ I .
I ~'= I
.... ~ • ...
16365
crese. 147
. r-1 - Ll-
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.
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Hat
-
r
e1- ner k.
1
r
Lohn nochDank da - von:
l
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r
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,,. .. -
.._. - gen,wahnt
r er
r
zu ja - /en: hart nicht s!in ei - gen Schmerz-ge-kreisch,
- ing·, They think they're chas - ing; Scream-ing in pain, they can - not hear,
.d:---
~ ~ J... . LL
J I LL n ~_bi-.
J~
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wenn er sich wlihlt in's eig'-ne Fleisch, wahnt Lust sich zu er - zei-gen!
When their own f1esh their fin-gers tear,_ Joy's phan-tom still em-brac-ing!
-~
.
ro. hJ~ J ll ~
~ /:- r
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to..
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16365
r
148
.. ..c ba
-
,[ r r
Wer giebt den Na- men an? 'sist halt der al - te
What tongue the cause can phrase? 'Tis just the same old
w .~
!
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pp
. I
...__.,
.-
marc. . . ~ ., ~
~ ~~
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f
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u
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7
P_.
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cresc_
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~~~
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an: gleich wacht er auf, dann schaut, wer ihn be- mei - stern kannl
force: Soon it will wake, Then lo! who can con-trol its course?
16365
149
..
\
~
t.
t.L
Tranquillo come przrna.
poco ratt. _
=
-
a tempo ps~
.
... 17-l
. . ..
i
marcato
•
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.--..
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ion
.
I
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-- \___~ I ~----
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t.J~ ll pll I
"-....__ "'I ~
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cantabile
leggz'ero e stacc.
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16366
150
..
berg?
yt --- . --
~ .1 J J..~ J J r, . . .. ..
0 -- 0
. 0
.-: • • •• •. 0 -·
. • •
. . ..
~ ._ ,• "'-'=ooi....J I ~ ~ •• I :. "' -!l ....,: •..[ ~ ; ,r .•
pi-it cresc. rtr~ - ~- f.l(ben tenuto .....-.. ..J. ,...-a ~ b
I. -~'·
'j ..,. - I ~ •Ll ... I .n I ~
. J .J ~)
. ...
0{[.,1 1 ""~ 1 1 r 1 v v
Un poco meno largo
.. .
r I
Doch ei-nes A - bends spat, ein
But on one eve - ning late, To
fl
- ~~
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l,..,. -Jq:t:
J. ~J .J~
675-
l-·
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q
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f ==-=----=-- I
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dim.
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p
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pii't p
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• • '-J - - - - - -
_____ u ------..:....__
-- ---=--=====
----
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Un - gllick ,:er - hii - ten bei ju - gend- hei- ssen Ge -
hin - der
·. in some fash - ion The youth- ful fol - lies of
. ... . .
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pp
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...
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r
mu - then, ein Mann weiss sich nicht Rath; ein Schuster in seinem
pas - sion, A man trou - bles his pate; A shoe-mak-er all un-
.~taccato marcato
1'1
. . .. - .... • . .
. .--~
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... - .
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poco eresc. -
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16365
~
------------- -6 I I
151
Piu animato
. - --
3
- --
La-den
r .
z1eht an des "'\Vah- nes
r
Fa - den: wie
knowing Sets the old mad- ness go - ing: How
11 I I I I I
. ., . ..
\~ r
<
- ~- ~--~ ~=={ r 1 r r I r I r i r
J J P,
I . J- I
I I J ~
cresc. poco
a poco
~
f.{J..
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16365
152
1JWSSO
agz'tato con
.
• v " ...
muss es Prli - gel reg- nen, mit Hie-ben, Stoss und Drescb.en den
cud- gel blows must show-er; They seek with fuss and poth-er The
fJ •••• ~ ..... ~ I I ,, I I ~- - •
<
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f- r- t ~
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Wu - thesbrand zu loschen. Gott weiss, wie das ge-schah!
fires of wrath to smother. God knows how this be- fell!
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day! Let's see, then,what Hans Sachs can
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macht, dass er den Wahn fein lenken kann,_ ein ed- - lfW
weave To turn the mad- ness his own way,_ To serve for
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,De son coour j'ai cal-me Ia fie - vre! Un SOU-
From her heart the fe - ver de - part - ed! Eer my
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Copyright, 1901, hy G. Schirmer.
t636ll
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child! :\lay God be ev _ er - more thine aid! Ah, poorchild!
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161
Nabucodonosor.
(1842.)
,
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- - - (1H13-1901.)
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o!... Me ser-vo mania, per glo-ria d~I - sra - e - le, Le te - ne-bre___a squar-
me. For Is - rael's glo-ry He sendeth me, His ser-vant, To dis-si-pate the
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Tu sul lab -bro de' veg- -gen- - ti Ful- mi- -
Mor-tal voic-es Thou in- -spir- -est To pro- -
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gi1'::do _ fi spez- - - za- - - ti La tua leg- -ge sor - ge-
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i- -dols men shall tram-· :::::::=::-~p1e, ~Vho Thy ho- -1y law ae-
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163{}5
165
Le Nozze di Figaro.
(1786.)
"Se vuol ballare, Signor contino .,
Aria.
W. A. MOZART.
(1756 -1791.)
Allegretto.
..
-
....- --- -
Se vuol bal - la re, Si-gnor con - ti - no, -r Se vuol bal -
..
And so, my lord,-- you'd fain dance a mea- sure, and so, my
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la - re, Si-gnor con - ti - no, 11 chi- tar - ri - no Le suo - ne -
lord,_ you'd fain dance a mea-surei Dance at your plea-sure To my:_ gui -
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ro, II chi- tar - ri - no Le suo- ne - ro, si, Le suo- ne -
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Dance at your plf'a - sure To my gui - tar, sir,
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L'in - se - gne - ro; Se vuul ve - ni- re Nel - la m1a SCO-la,
Wise as you are. Are you for ca-pers? Would you be - fool me?
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La ca - pri - o - la ·m-se-gne- ro, s1, I ' '
LIn-se- gne- ro, s1,
Sir, I will school ye, Wise as you are, sir, wise as you are, sir,
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pran -do, Di qua pun - gen- do~ Di la. scher-zan- do~ Tnt - te le
do - ing, My time a - bid- ing 1 While you are WOO-in~, Guile give for
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mac - chi- nP Ho - YP-S<'ie- r<l, Tut-te lp macchi-ne Ro- Ye-scie- ro,
knav- e-n', All's fair in war, guile give for knave - ry, all's fair· in war,
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16365
170
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ti - no, Se vuol bal - la - re, Si-gnor con- ti - no, Il chi- tar -
mea-sure, and so, my lord,_yoti'd fain dancea mea-sure, Dance at your
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ro, Sl, Le suo- ne - ro, sl, Le suo- ne ro!
to my gui - tar, sir, to my gui tar!
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tar, sir,
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16H65
171
Le N ozze di Figaro.
(1786.)
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lo-ni, col - le ne-vi ~j sol L io- ni, al con-eer- to di trom-
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non piit.Jt -
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Le Pardon de Ploermel.
(1859.)
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all. Fol-low my call, Come, one and all, Hunt-ing is jol-ly! When night is
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Philemon et Baucis.
(1860.)
English 7Jersion by <<Au bruit des lourds marteaux d' airain. >>
Ed·ward Oxenfo,rd. Vulcan's Song.
AllegTo CHARLES GOUNOD.
(1H1H-1H9a.)
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Au bruit des lourds mqrteaux d'ai-
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se, __ Dans mon em - pi - re_ sou- ter - rain Je marche et
ing ; - All fierce and loud the_ bel- lows roar, A-bove the
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U n poco piu anima to .
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Je regne en rna!- tre sou - ve rain. Mais
The Black-smith's voice is heard all o'er: _ _ _ __ "I
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love the chat of neigh-bor, That cheersthe hours of la - bor; The
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U n poco piu anima to.
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as_ the breez- es, And I_
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reux Pia - nant sur vo- tre te-te En UD- di- vin som-
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vine __ Wind you as in a spell i - May your hearts be at
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La Reine de Saba.
(1862.)
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nel, 0 per- fi - de Bal-kis! tu me fuis, tu m'e- vi- tes! Tu
wane; 0, my love,why so late! Cru-el one, to for-sake me! Thou
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S'il s'ar-mait ce- {en-dant de ~a pouvoir su-preme! ..
Wake,oh wake from the spell, and be a King a - gain!
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Robert Bruce.
(1846.)
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sen - ce Je te lais - se le so in de veil -ler SUI' le
leave thee, In my ab - sence the King I com- mit to thy
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fran - ee! Mais il ie faut! veux - tu don-ner ta
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V hand On the in- grate whose fore- es for Eng -land now gath-er?
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Thy pure soul, 0 my daugh-ter, be-friends me~ It will
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210
Robert le Diable.
(1831.)
<( Nonnes qui reposez:•
English version hy
Dr. Th. Baker. Invocation.
GIACOMO MEYERBEER.
(1791- 1864~
p ~-~
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Ces fil-les des au - te1s, ctrint l'in- fi-dele ar - deur B:u-l~nt p6ur d~autres
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Dr. Th.Baker. "Al nome tuo temuto.)) VINCENZO HTGHINI.
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Simon Boccanegra.
(1856.)
English version by "II lacerato spirito.,
Dr. Th. Baker.
Romance. GIUSEPPE VERDI.
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A te l estremo ad - di- o,
Fare-well to thee tOr ev-er, Thou haughty
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te-ro, fred-do; se- pol-cro del-fan-gio-lo mi- o! Ne_;:t pro-teg-ger-lo
pal-ace, tomb of the an-gel from whom I must sev-er! Couldst thou not e'en pro-
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vat-~i!... Oh ma-le - det-to !... oh vi- ltl se-dut-
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II la- ~e-ra -to sp1- r1 - o Del me-sto ge- ni - to-re
Pit-y a fa-ther's wound-ed heart, Torn by the pangs of madness,
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For it has borne a woe- ful_part In sor-est shame and sad - ness!
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all the pain thy life has known) May Heav'n be kind to thee!
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Re-S£Lal1 olgor de-gil_an - ge-li, Pre- ga, Maria, per me,
When thoushaltstandbe-fore the Throne, Ma - ry, ah pray for me!
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I Vespri Siciliani.
(1855.)
English ·1•ersion by
Dr. Th. Baker.
"O, tu Palermo., GIUSEPPE VERDI.
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Die Walkiire.
English words by (1870.)
H. & F. Corder. Wotans Abschied. R.WAGNER.
(1813-1883J
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life of my heart!
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THE VOICE
ITS PRODUCTION, CARE AND
PRESERVATION
BY
GUSTAV KOBBE