Christianity and Literature
Vol. 57, No. 4 (Summer 2008)
Awakened to the Holy:
“Sinners in the Hands of an Angry God”
in Ritualized Context
Stephen Richard Turley
On the afternoon of Wednesday, July 8, 1741, the Northampton pastor
Jonathan Edwards began to preach a sermon titled “Sinners in the Hands of
an Angry God” at the second meetinghouse in the town of Enfield. Following
George Whitefield’s visit earlier that year, the neighboring town of Suffield
was experiencing a significant revival, with ninety-five communicants
added the previous Sunday (Medlicott 218). Such enthusiasm, however,
had not reached Enfield. In response to this spiritual lethargy, a number
of clergy had banded together to stoke the fires of revival by instituting a
series of weekday services, traveling back and forth between pious Suffield
and impious Enfield (Marsden 219-20). Those weekday services included
a visit from Northampton’s pastor. What greeted the Enfield congregation
was a sermon of unparalleled logic and vivacious imagery delivered by an
orator known not for theatrics but for a pulpit voice characterized by “a
powerful sense of restraint, authority, and discipline” (Buckingham 139).
Stephen Williams provides the contemporary account of the congregation's
response to Edwards:
He preached a most awakening Sermon from those words [in] Deut.
32:35 and before [the] Sermon was done there was a great moaning &
crying out throughout the whole house: what Shall I do to be Saved - oh
Lam going to Hell - of what shall I do for a Christ, etc. The Shreiks &
crys were piercing & Amazing (qtd. in Medlicott 218).
The people of Enfield had just experienced what would be considered “the
most famous sermon in American history” (Minkema 663).
It took a while, however, before “Sinners” received the attention of
literary analysts. Kenneth P. Minkema documents that studies on Edwards's
preaching style and sermons began in the late eighteenth century as part
of larger studies in American sermonic literature and continued into the
507508 STEPHEN RICHARD TURLEY
twentieth century in the work of literary scholars such as Wilson Kimnach
and Helen Westra (663-64). Originally published in 1741 in Boston, “Sinners”
began receiving literary attention only in the 1930s with its inclusion in
the Faust and Johnson Representative Selections of the Writings of Jonathan
Edwards. But in 1949, three prominent events converged around Edwards
and “Sinners”: Edwin Cady published his “Artistry of Jonathan Edwards”
in the New England Quarterly (detailing Edwards's masterful use of images
of suspension and suppression in “Sinners”), Perry Miller published his
biography of Edwards, and Billy Graham preached “Sinners” in Los Angeles
(Minkema 664).' By the 1960s, “Sinners” became the “proxy” for Edwards
in high school and college early American literary anthologies, though
the sermon has been “balanced” with the inclusion of other selections of
Edwards’ writings in the Norton Anthology of American Literature and Carla
Mulford’s Early American Writings. Cady’s article was followed by a stream
of literary analyses of “Sinners, with the sermon receiving the attention of
two articles in the June 2000 issue of the New England Quarterly (Minkema
669).
In rehearsing the various proposals for explaining precisely how
Edwards’ rhetoric moved his contemporary audience, Edward J. Gallagher
concludes that the question for literary critics has always been accounting
for the how and the why of the sermon’s power (220). And yet, in the midst
of rehearsing the various proposals, each observing aspects of Edwards's
rhetorical strategies, logic, form, and stylistic artistry, there appears a
basic assumption that the sermon’s original power can be accounted for
by inherent rhetorical features abstracted from the nature of religious
discourse and its ritualized context.’ Several historical factors contribute
to the implausibility of such an assumption. First, Edwards preached the
sermon earlier to his own congregation in Northampton with no notable
effect. Though widely recognized among literary analysts, there is very little
account for this discrepancy of reaction between Northampton and Enfield
in the secondary literature, other than Northampton had perhaps been
desensitized having heard sermon content like “Sinners” before. Second,
according to Kimnach, it is questionable as to how much of the sermon was
actually heard amidst the tumult of the congregation (“Edwards as Preacher”
116). Third, the response to the sermon was so overwhelming that Edwards
apparently did not even finish preaching it,’ which may have been the only
time that happened to him (Stout “Jonathan Edwards’ Tri-World Vision”
44). Thus, a text-centered analysis of the efficacy of the sermon’s original
delivery must address this gap between the sermon text and its original
ritualized performance.“SINNERS IN THE HANDS OF AN ANGRY Gop” 509
This study will attempt to address this gap by a heuristic application of
a ritual-theoretical approach to the sermon text. The analysis will follow
several lines of inquiry: How is ritualized speech (i.e. the sermon) different
from mundane language, and how can the nature of ritualized speech
account for the efficacy of the sermon? How do the auditors in a communal
context contribute to the efficacy of ritualized speech, thus accounting for the
discrepancy between different reactions to the same sermon? Do emotional
states obtained in ritualized settings account for intense experiences in the
midst of limited apprehension? And how do the performer and audience
interact to affect conversion on the part of the auditor? By interacting with
both the literary features and the historical factors specific to the sermon’s
original delivery, these lines of inquiry can illuminate the ways in which
the dynamic interplay between ritualized speech and its communal context
contributed to the sermon’s original efficacy.
Performance and Authority
We begin our analysis by asking: How would Edwards's speech from the
Enfield pulpit differ from ordinary speech characteristic of mundane life?
And does that difference contribute to an understanding of the sermon’s
efficacy? Philosophers over the past few decades have been highly interested
in the distinctly performative characteristics inherent in ritualized speech,
characteristics termed “performative utterances” and “illocutionary acts” by
J. L. Austin and “speech acts” by J. R. Searle. The peculiar characteristic that
has attracted attention is the creative or generative quality of performatives.
Speech acts, as in the case of ritualized speech, do not so much correspond
to reality, as do the reporting nature of what Austin called “constatives,” (3,
passim) statements, or reports, the truthfulness of which being determined
by the degree of correspondence to a reality objective and previous to the
statements. Rather, performative or ritualized speech generates reality; it
creates a state of affairs the truthfulness of which is an inherent property
of the speech itself. As such, ritualized speech functions as the inverse of
the correspondence theory of truth.* The utterances that transform a prince
into a king, dub a knight, bestow manhood upon a Marring boy through
supercision, or pronounce newlywed status upon the betrothed do not
entail statements considered true because they report a previously existing
state of affairs; rather, these states of affairs are considered true to the degree
to which they conform to the ritualized utterances (Rappaport 132).