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01.

INTRODUCTION

02. JANUARY 11TH, 2017

My dad: I love you a lot


I cleaned out your dresser, found some joints.
Me: I love you too.
My sister smoked ‘em, I didn’t see the point.
My dad: Remind me to let you run away if you need to
And everyone keeps saying, that I look just like you.
run places like the basement. I mean, that’s what it’s
Life don’t seem so long anymore.
a part of… that … being an individual.
Me: Yeah letting people go.
The day my daddy died,
My dad: Yeah.
I damn near quit the band.
Me: Remind me to let you go too if you need to.
The day my daddy died,
My dad: Absolutely.
I held my mama’s hand.
Me: I love you.
I cried my tears then dried ‘em up,
My dad: I love you so much. You gonna put that into a
Put my face inside my hands.
song?
The day my daddy died,
I became a man.

03. WIDE OPEN


The cops came, they did not take off their shoes.
People hug me, I smell like ten thousand perfumes.
Somebody told me God is simply what we don’t
Gave away the wheelchair, you’re gone but I’m still
know.
here.
Saw a butterfly, it was dead but it was gorgeous.
January in Detroit is cold as fuck.
And all the robots are just walking down the
sidewalk,
The day my daddy died,
Kings of the little empires that they made up.
I damn near quit the band.
The day my daddy died,
And I’m wide open
I held my mama’s hand.
Yeah I’m wide open.
I cried my tears then dried ‘em up,
Put my face inside my hands.
Dusty got shot and then Osher got married.
The day my daddy died,
Stewie’s still dead and commitment’s still scary.
I became a man.
I got a new woman but I treat her like my old one.
The day my daddy died,
If I keep this shit up I know Ima be with no one.
I became a man.
04. SONG ABOUT YOU
05. MOVE ON
Put all your stuff in a box in my room.
I don’t want to write no song about you. I wish Tracy Chapman was my friend.
But you show up in everything that I do. She would know exactly what to say.
Ooooooo. Beginnings always hide themselves in ends.
At some point I will be okay.
Since you’ve been gone, ain’t got nothing to do.
I sleep until noon, I wake up and feel bad. I got high when I met you.
I think I miss something I never had. I got high to forget you.
Oooooooo. I feel pain.
I don’t want to,
I just wanna unwind, unwind, But I have to.
Everything that makes me feel confined. Yeah I have to
Sometimes, I hate sunshine. If I wanna move on.
Sometimes, I hate sunshine.
Went to see some shaman in LA,
Now it’s a Cold War, who will call first. To hear some things I wanted to hear.
Try to be productive at work, I just can’t. Everyone just wants to feel good,
I miss you a lot but I ain’t coming back. Everyone just wants to disappear.
Ooooooo. Call up girls that live in my hometown,
To help fill up the minutes.
All your love letters and a pair of Ray-Ban’s, Lit a match and saged my house down,
I’m growing my beard, moving back in my van. It didn’t make a difference.
And your side of the bed still smells likes you doe.
These memories of us is brutal. I got high when I met you.
You know (you know) exactly how I feel. I got high to forget you.
We broke up but you be on my mind still. I feel pain.
And the worst type of sadness you could have, I don’t want to,
Is when you miss something that doesn’t miss you But I have to.
back. Yeah I have to
If I wanna move on.
06. DRIP

Something’s in the way Some say a few hours, others say a few years.
Of something in the way. All I know is a funny thing happens when you look in
I know who you are when no one’s looking. someone’s eyes that long.
Just by looking in your face, You start to see their face unravel.
I’m liberated. You start to see their most beautiful and their most
disgusting parts.
Freedom never felt so jammin’ baby. You start to see that those are actually the same
thing.
Drip, Drip, Drip. You start to see them disappear.
Your eyes, your eyes are gorgeous You start to see your mother.
Your eyes, your eyes are gorgeous. You start to see them, see you.
You start to see tears, and you aint sure who they
Avicii died belong to.
and Lil homie calls me up and he’s crying (Drip). Let ‘em fall:
I told him Ima be honest with you. If you don’t get
your shit together, you’re next. And the truth is, by Drip, Drip, Drip.
the time you hear this song, I don’t fucking know if Your eyes, your eyes are gorgeous
he’s gonna be alive or not. This is all compounded Your eyes, your eyes are gorgeous.
by the fact that She and I do not speak anymore.
I mean, am I the only one here who doesn’t know My dad: I don’t remember you ever running away
what the fuck is going on? anytime from school, from classes. You must have. Do
you?
I worked the last 10 years, Me: Yeah.
I’m a multimillionaire, My dad: Did you get caught? What happened to you?
I’m 30 years old, Me: I feel like I’m always running away.
It’s supposed to all be good.
It is not FUCKING all good.

And see no one’s really sure how long we were


there for.
07. STARING AT THE FIRE

I’ve always had trouble staying still.


I stand next to what I hate just for the thrill.
Spent the first quarter of my life, on a million dollar bill,
Cuz I can’t stop staring at the fire.

We’ve got our crosses and our buildings, built ‘em tall,
And my book’s another brick inside the wall.
We sure make ourselves feel busy, but we don’t do
much at all,
Except sit around and stare at the fire.

And the protestors have gathered in the streets.


Opposite a block full of police.
But they both have the same problem, with God as you
and me,
It’s that they can’t stop staring at the fire.
Went to an ashram a million miles from here.
An old man on a blanket appeared.
Watch it burn, burn, burn.
He waved me to come closer, and he whispered in my ear,
They can’t stop staring at the fire.
“Son, you’ve got to stop staring at the fire.”

But all my ego trips come in flocks.


And they tell me, “Kid it’s really not that hot.
Take your anxiety and your guilt, just throw it all on top,”
Now I can’t stop standing in the fire.

Oh watch me burn, burn, burn.


No I can’t stop standing in the fire.
08. PERFECT

People wanna know When you stare into my eyes and I’m thinking you’re
(If you) the one that’s
If you ever get tired of being perfect. (perfect, perfect)
Do you ever get tired of being perfect? When my mama tells me that she’s proud of what I’ve
done:
I got on a flight, the plane’s brand new. (perfect, perfect)
We can make it to New York in an hour or two. When the winter ends in the city that I’m from that’s
Look down on the city, from heights high as these (perfect, perfect)
Everything’s perfect. When I open up and then get hurt by someone that’s
(perfect, perfect)
And my friend tells me that I’m too nice. When you trust somebody and they don’t let you
Her voice trails up, I know she wants advice. down that’s
I recycle some quote I heard Dylan write. (perfect, perfect)
It said, “Everything’s perfect.” When somebody you love dies but you still feel em
around:
When I wake up before you and just watch you sleep
that’s Do you ever get tired of being perfect?
(perfect, perfect) Can you feel it?
When you tell me later you were dreaming of me: Yeah.
(perfect, perfect)
When I walk down the street and the trees know my
name: 09. AMEN
(perfect, perfect)
People I don’t know around an open flame that’s
(perfect, perfect)
A grandmother’s fingers around a granddaughter’s
hand:
(perfect, perfect)
People speaking languages that I don’t understand
that’s
(perfect, perfect)
10. STUCK IN THE MIDDLE

Perfume on my shirt
Puts me in the past
Too lonely to be happy
But too afraid to ask.

Here I am again,
Stuck in the middle
Here I am again
Stuck in the middle.

Too young to settle down


Too old to be in bars
It’s hard to take it easy
It’s easy to be hard.

Forgive me I am building my ship as it sails.


How do I become who I wanna be while still
remaining myself?

People love the old me


I don’t know where he’s gone
Too tired to be famous
Too vain to be unknown.

Here I am again
Stuck in the middle
Here I am again
Stuck in the middle.
12. HOW IT’S SUPPOSED TO BE

I think I’ll buy a gun and blame it on my hometown,


It’s so cold in the D.
She asked me if I think I’ll ever see her again,
I say, “Hopefully.”

And maybe that’s how it’s supposed to be.


Maybe that’s how it’s supposed to be.

My heroes all died young, they hung themselves with


fame,
11. ONE MORE SONG
And these lunatics molded me.
I got a tattoo, it’s a joke I keep a secret.
Me: Alright man
I need everyone to notice me.
My dad: One more
Me: And then I’m out.
But maybe that’s how it’s supposed to be.
My dad: And then last one.
Maybe that’s how it’s supposed to be.
Me: You want another song?
Maybe that’s how it’s supposed to be.
My dad: Mmm
Maybe that’s how it’s supposed to be.
Me: Okay
My dad: Yeah… I would like another song
I think I’ll die young
Me: Alright
With all my broken dreams.
I’ve got it figured out.
This is the golden key:
Everything is how it’s supposed to be.
Everything is how it’s supposed to be. :)

We messed it all up, now the world is getting warmer,


LA will be out at open sea.
Meanwhile I’m falling down, my heart is getting
colder,
I hurt everyone close to me.
But maybe that’s how it’s supposed to be.
Maybe that’s how it’s supposed to be.

I think I’ll die young


With all my broken dreams.
I’ve got it figured out,
This is the golden key.
The day my daddy died, My dad: Well, here we are. This is Sunday morning
I was down the street. October 2nd, 1988 and this is for Sahjo and Mira. Sahjo
I lost my only friend, I talked to last night and she wanted to see Michael so
People don’t grow on trees. there he is! Let’s see if we can get him. Michael look up
here. Here you go Michael.
But maybe that’s the way it’s supposed to be.
Yeah I think that’s the way it’s supposed to be. Me: (Indistinguishable baby noises :)
Yeah everything is how it’s supposed to be.
I think that’s the way it’s supposed to be. My mom: Yeah, okay.

I think that’s the way it’s supposed to be. My dad: Anyway, he is a real good kid.
Yeah I think that’s the way it’s supposed to be.
Everything is how it’s supposed to be.
I think this is how it’s supposed to be.

© 2018 Island Records, a division of UMG Recordings, Inc. 1755 Broadway, New York, New York 10019. Distributed by Universal Music Distribution. All rights reserved.
Thank You Super Matt Tony Corey Adam Duke Jesus Coomes Phil McIntyre
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Tom Gates S.N. Goenke The Viceroy James Valentine Jason Borba Groves High School
Jen Vitry Tara Mandala Buddhist Jacob Smith Pete Kuzma Chaplain Kevin Samantha Maners
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Mary Kachel Uncle David GRiZ Jacob Scesney Tycoon
There are thousands of others who helped me create
this album. Thank you to all those not named.
In love and gratitude, Michael.
Mixed by Ricky Reed
Credits Mastered by Chris Gehringer for Sterling Sound
Acoustic Guitar by James Valentine (ASCAP), Sexual Vanilla Music (ASCAP), Poslaniec Publishing (BMI)
Drum Programming by Nate Mercereau / Nice Life Songs (BMI) / Sony/ATV Songs LLC (BMI), Takacs Music
Published by North Greenway Productions/Sony/ATV Tunes LLC Guitar Synthesizer by Nate Mercereau Publishing / Sony/ATV Ballad (BMI), Frederic and Ried Music/ Songs
Executive Produced by Ricky Reed and Mike Posner
(ASCAP), Adam Friedman Publishing (ASCAP)/ Burnett Music Group Wilsonic by Nate Mercereau From The Boardwalk (BMI)/ Sony/ATV Music Publishing, LLC (BMI)
Management by Ryan Chisholm and Robert Dugan at Work of Art
(ASCAP), James Bowen Falson (BMI), Jean Marc Belkadi Publishing Bass Synthesizer by Nate Mercereau
Management
(ASCAP) Guitar by Nate Mercereau Amen
Aide-De-Camp Duties by Nicholas Angelo Spera
Engineered by Ethan Shumaker and Nate Mercereau Vocals by M. Jon Posner and Mike Posner
Legal Representation by Aaron Rosenberg and Joshua Karp at
Song About You Recorded at Elysian Park and Mike’s Old House Produced by Mike Posner and Ricky Reed
Myman Greenspan Fineman Fox Rosenberg & Light LLP
Written by Mike Posner, Eric Frederic and Dan Wilson Mixed by Ricky Reed Recorded by Mike Posner
Artist & Repertoire by Zeke Silvera
Lyrics by Mike Posner and Eric Frederic Mastered by Chris Gehringer for Sterling Sound Mixed by Ricky Reed
Artist & Repertoire Administration by Gabrielle Rosen and
Produced by Ricky Reed Published by North Greenway Productions/Sony/ATV Tunes LLC Mastered by Chris Gehringer
Meredeth Oliver
Programming by Ricky Reed (ASCAP), Valentine Valentine Dos Publishing (ASCAP), administered Published by North Greenway Productions/Sony/ATV Tunes LLC
Marketing by Tony Corey
Drum Programming by Ricky Reed by Universal Music Corp. (ASCAP) (ASCAP)
Publishing by Lou Al-chamaa, Clio Massey at Sony/ATV
Bass by Ricky Reed
Cover Illustration by Eric Gorvin
Synthesizer by Ricky Reed Staring at the Fire Stuck in the Middle
Art Direction and Design by Eric Gorvin
Guitar by Dan Wilson Written by Mike Posner Written by Mike Posner and Adam Friedman
Package Production by Eric Gorvin
Guitar Synthesizer by Nate Mercereau Lyrics by Mike Posner Lyrics by Mike Posner
Mastered by Chris Gehringer at Sterling Sound, New Jersey
Engineered by Ethan Shumaker Produced by Ricky Reed, Mike Posner and Nate Mercereau Produced by Ricky Reed, Adam Friedman and Nate Mercereau
Business Management by Mark Asire, Matt Malles, Vanessa
Recorded at Elysian Park Electric Guitar by James Valentine and Nate Mercereau Acoustic Guitar by Mike Posner
Ashelford
Mixed by Ricky Reed Treated Piano by Nate Mercereau Bass Guitar by Nate Mercereau
Business Affairs by Cindy Zaplachinski, Antoinette Trotman, Ian
Mastered by Chris Gehringer for Sterling Sound Bass by Nate Mercereau Electric Guitar by Nate Mercereau
Allen, Vol S. Davis III
Published by North Greenway Productions/Sony/ATV Tunes LLC Synthesizer by Ricky Reed and Nate Mercereau Percussion by Nate Mercereau
(ASCAP), Songs From the Boardwalk/Sony/ATV Songs, LLC and Piano by Nate Mercereau Synthesizer by Nate Mercereau and Adam Friedman
Introduction
Frederic and Ried Music/Sony/ATV Songs, LLC, “© 2018 BMG Drum Programming by Ricky Reed Drum Programming by Ricky Reed
Vocals by Mike Posner
Monarch (ASCAP) / Sugar Lake Music (ASCAP) / Songs Of Big Deal Percussion by Ricky Reed Background Vocals by Adam Friedman
Produced by Mike Posner
(ASCAP) Flute by Daniel Casares Drums by Victor Indrizzo
Recorded by Mike Posner
All Rights Administered by BMG Rights Management (US) LLC. 808s and a Couple Other Weird Sounds by Mike Posner Programming by Ricky Reed
Published by North Greenway Productions/Sony/ATV Tunes LLC
Used By Permission. All Rights Reserved.” Transition Piano by Pete Kuzma Engineered by Ethan Shumaker and Nate Mercereau
(ASCAP)
Programming by Ricky Reed Recorded at Elysian Park
Move On Engineered by Ethan Shumaker and Nate Mercereau Mixed by Ricky Reed
January 11, 2017
Written by Mike Posner, Adam Friedman, Eric Frederic, Dan Wilson Recorded at Elysian Park, Mike’s Mom’s Basement, and Mike’s Old Mastered by Chris Gehringer for Sterling Sound
Written by Mike Posner, Pete Kuzma and Adam Friedman
and Nate Mercereau House Published by North Greenway Productions/Sony/ATV Tunes LLC
Lyrics by Mike Posner
Lyrics by Mike Posner Mixed by Ricky Reed (ASCAP) and Adam Friedman Publishing (ASCAP)/Burnett Music
Produced by Adam Friedman, Mike Posner and Nate Mercereau
Produced by Ricky Reed Mastered by Chris Gehringer for Sterling Sound Group (ASCAP)
Synthesizer by Pete Kuzma
Electric Guitar by Mike Posner Published by North Greenway Productions/Sony/ATV Tunes LLC
Vocal Arrangement by Pete Kuzma
Synthesizer by Nate Mercereau (ASCAP) One More Song
Background Vocals by Adam Friedman
Acoustic Guitar by Nate Mercereau Vocals by M. Jon Posner and Mike Posner
Drum Programming by Mike Posner and Nate Mercereau
Drums by Victor Indrizzo Perfect Recorded by Mike Posner
Engineered by Ethan Shumaker
Percussion by Victor Indrizzo Written by Mike Posner, Pete Kuzma, Eric Frederic, Ryan Merchant Produced by Mike Posner
Recorded at Elysian Park and Mike’s Old House
Drum Programming by Ricky Reed and Nate Mercereau Mastered by Chris Gehringer
Mixed by Ricky Reed
Bass by Ricky Reed Lyrics by Mike Posner Published by North Greenway Productions/Sony/ATV Tunes LLC
Mastered by Chris Gehringer for Sterling Sound
Tabla by Arjun Singh Produced by Ricky Reed, Nate Mercereau, Mike Posner, Adam (ASCAP)
Published by North Greenway Productions/Sony/ATV Tunes LLC
Programming by Ricky Reed Friedman, Ryan Merchant and Pete Kuzma
(ASCAP), Sexual Vanilla Music (ASCAP), Adam Friedman Publishing
Engineered by Ethan Shumaker and Bill Malina Piano by Pete Kuzma How It’s Supposed to Be
(ASCAP)/ Burnett Music Group (ASCAP)
Recorded at Elysian Park Eerie Synthesizer by Pete Kuzma Written by Mike Posner
Mixed by Ricky Reed Drop Piano by Nate Mercereau Lyrics by Mike Posner
Wide Open
Mastered by Chris Gehringer for Sterling Sound Bass Guitar by Nate Mercereau and Adam Friedman Produced by Ricky Reed, Nate Mercereau and Mike Posner
Written by Mike Posner, Adam Friedman, James Bowen and Jean
Published by North Greenway Productions/Sony/ATV Tunes LLC Synthesizer by Nate Mercereau Acoustic Guitar by Mike Posner
Marc Belkadi
(ASCAP), Songs From the Boardwalk/Sony/ATV Songs, LLC and Percussion by Nate Mercereau Synthesizer by Nate Mercereau
Lyrics by Mike Posner
Frederic and Ried Music/Sony/ATV Songs, LLC, “© 2018 BMG Glockenspiel by Nate Mercereau Bass Guitar by Nate Mercereau
Produced by Ricky Reed, Nate Mercereau and Mike Posner
Monarch (ASCAP) / Sugar Lake Music (ASCAP) / Songs Of Big Deal String Synthesizer by Nate Mercereau Electric Guitar by Nate Mercereau
Additional Production by Adam Friedman
(ASCAP) French Horn by Nate Mercereau Mellotron by Nate Mercereau
Acoustic Guitar by Mike Posner and James Bowen
All Rights Administered by BMG Rights Management (US) LLC. Trumpet by Nate Mercereau and Stewart Cole French Horn by Nate Mercereau
Electric Guitar by Mike Posner
Used By Permission. All Rights Reserved.”, Adam Friedman Electric Guitar by Nate Mercereau Programming by Ricky Reed
Guitar Synthesizer by Nate Mercereau
Publishing (ASCAP)/ Burnett Music Group (ASCAP) String Arrangement by Nate Mercereau Drum Programming by Ricky Reed
French Horn by Nate Mercereau
Violin by Shaina Evoniuk Drums by Victor Indrizzo
Percussion by Nate Mercereau
Drip Drum Programming by Ricky Reed and Adam Friedman Engineered by Ethan Shumaker, Bill Malina and Nate Mercereau
Drum Programming by Ricky Reed
Written by Mike Posner and James Valentine Programming by Ricky Reed Recorded at Elysian Park, Some House Mike Rented for a While in
Wilsonic by Ricky Reed
Lyrics by Mike Posner Additional Vocals by Matthew Schuler Marina Del Rey, and Mike’s Old House
Synthesizer by Ricky Reed
Produced by Ricky Reed, Mike Posner, Nate Mercereau and James Engineered by Ethan Shumaker, Nate Mercereau and Robert Dugan Mixed by Ricky Reed
Synthesizer Vocal Chop by Adam Friedman
Valentine Recorded at Elysian Park and Some Big House in Telluride, CO Mastered by Chris Gehringer for Sterling Sound
Programming by Ricky Reed
James Valentine appears courtesy of Interscope Mixed by Ricky Reed Published by North Greenway Productions/Sony/ATV Tunes LLC
Engineered by Ethan Shumaker and Nate Mercereau
Drop Section by Nate Mercereau Mastered by Chris Gehringer for Sterling Sound (ASCAP)
Recorded at Elysian Park and Mike’s Old House
Electric Guitar by James Valentine Published by North Greenway Productions/Sony/ATV Tunes LLC
This album is dedicated to my father, M. Jon Posner.
April 4, 1943 - January 11, 2017

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