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BY BOUDLEAUX BRYANT
INTRO.
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C O P Y R I G H T 9 T S S SE Y A C U F F - R O S E P U B L I C A T . I O N S
Acuff-Rose Publications Ltd. S0 New Bond Street,
London WI
International Copyright Secured Made in England AIi Rights Reserved
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CHORUS
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BTUEBAYOU
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VERSE
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I f e e l s o b a d , I g o t a w o r r i e d m i n d , I ' m s o l o n e l ya l l t h e t i m e
S i n c eI l e f t m y b a b y b e h i n do n B l u e B a y o u
S a v i n gn i c k l e s s, a v i n gd i m e s ,w o r k i n g t i l l t h e s u n d o n ' t s h i n e
L o o k i n g f o r w a r d t o h a p p i e rt i m e so n B l u e B a y o u
2nd Chorus
I ' m g o i n g b a c k s o m ed a y , g o n n a s t a y o n B l u e B a y o u
W h e r em y f o l k s I ' l l f i n d . a l l t h e t i m e o n B l u e B a y o u
W i t h t h a t g i r l o f m i n e b y m y s i d et i l l t h e m o o n i n t h e e v e n i n gd i e s
O h , s o m es w e e td a y . g o n n a t a k e a w a y t h i s h u r t i n ' i n s i d e
14
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CATHY'$
CTÍIWN By DON EVERLY and
PHIL EVERLY
INTRO. VERSE
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C O P Y R I G H T G , 1 9 6 OB Y A C U F F _ R O S E P U B L I C A T I O N S
Acuff-Rose Publications, Ltd., 50 Nerv Bond
Street, LonclonWl
lnternational Copyright Secured trIade in Englancl All RiShts Reserved
want your es that's I die each
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2nd Verse
W h e ny o u s e e m e s h e d a t e a r
A n d y o u k n o wt h a t i t ' s s i n c e r e
D o n ' ty o ut h i n k i t ' s k i n d o f s a d
T h a t y o u ' r e t r e a t i n gm e s o b a d
O r d o n ' t y o u e v e nc a r e ?
CLAUDETÏE
By ROY ORBISON
INTRO.
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get the hest- lov-ingthat ev- er get fromCLAUD-ETTE P r e t -t y tle pet, C[,AUD-
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Sht'ts g o n n a l c t m t , h u g a n d k i s s a n d h o l d h c r t i g h t
Wh cn the date is ovtr antl uctrt, at her front door
Whrn I kiss ht'r goodnight, I holltrr"Mort,, m r . r r t , ,n l o r e t t
-3-
Whcn mr: and my neu'baby har.r'a date or thrrt:
I'rn gonna ask ml baby if shrlll marry m()
I'rn gonna be so happ)' for the rest crf my liÍ'r,
Wht:n my brand nt'w baby is my brand nr:w u.ifr,.
2
DEVILWOMA]I
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A T IN I G H T
RST S E R VI Ê N0I E. R N A I I OCN( )ÀPI "Y R I S GEI ICÍ U R I O
Allegro
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V e r s e2 :
Mary is waitin_o and weepingdown in our shackby the sea
EvenafterI hurt her
M a r y ' ss t i l l i n l o v ew i t h m e
D e v i l w o m a ni t ' so v e r
Trappedno more by your charms
'Cause
I don'twant to stay
I want to get away
Woman let go of my arms.
V e r s e3 :
Devil womanyou'reevil like the dark coralreeÍ'
L i k e t h e w i n d st h a tb r i n gh i g ht i d e s
You bring sorrowand grief
Mademe ashamedto face Mary
Barelyhad the strengthro Íell
S k i e sa r en o t s o b l a c k
Mary took me back
Mary hasbrokenyour spell.
Verse4:
R u n n i n ga l o n eb y t h e s e a s h o r e
R u n n i n ga s Í a s ta s I c a n
Eventhe seagullsarehappy
G l u dl ' m c o m i n gh o m ea g l i n
N e v e ra g a i nw i l l I e v e rc a u s ea n o t h etre a rt o f a l l
Down the bcachI scewhat belongsto me
T h e o n e I w a n tm o s to f a l l .
L a s tC h o r u s :
D e v i l w o m a n .d e v i lw o r n a n
Don't Íirllow me
D e v i l w o m a nl e t m e b e
A n d l e a v em e a l o n e
I'rn goin-tbackhome.
18
tlEVt)TED
TÍ)YÍlU
B y B O U D L E A U XB R Y A N T
F C7 F
I N T R O . (Stoutty) CHORUS
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24
GEE,
BUTIT'$LONELY
Introduction By PHIL EVERLY
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danc - in's free, so if you wan - na have fun come a - long with me.
'cause -
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how's a - bout ln thin' up
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39
(;'
HI.HEEL
S]IEAKERS
U6ado e 7rír44i. 6q RaísÉ TEgzzlatda'*.
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r Ê w i l . M U s t cP u B i l s B t i l Gc 0 M P l l l YL l M l T E D . 2 0 l c2.
À t - tR I G H TRSE S E R V ÊI l0l I. t R l l A T l 0 l {C À 0L P Y R I G sHt Íc u R t 0 .
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@ c 0 P Y R t G f|i9I 7 0 Á S S t G i l tT00 S P À R Ti A l.0Rt0A MUSIC G R 0 U iPl M | l r 0 , t 0 i l 0 0 r l
À l . LR l G l l T R
s t s t R v E 0i .l i l E R i l A I t 0 l t cA0t P Y R t G H
s tI c u R t D .
'Cause
fath - er must- think fish -
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he keeps on I g u e s sI ' l l h a v e t o s t o p
45
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to your house
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46
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48
TOBEMYGIRL
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I want you
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28
I WÍINDER
IFICARE
A$MUCH
By DON EVERLY and
INTRO, PHIL EVERLY
t' Dm Dm
CHORUS fTffi ffi
Hl+x ffi H1411 ffi
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Lust n i s h t I c r i e d my - self to sleep for the one that makes meweep I
(rtt ) p r i d e i s m a d e t o s a y , " F o r - g i v e " a n dt a k e t h e b l a m e f o r what vou did It's
I Dm Bh
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C o P Y R I G H T i 9 I 9 I 1 7B Y A C U F F - R O S E P U B L I C A T I O N S
Acuff-Rose Publications Ltd. b0 New Boncl Street, London Wi
International copyright secured NIade in England All Rights Reserved
F Dm
ffi ffi ffi
give re - lief and wash a- way the m e m- ' r y of t h e n i s h t b e- f o r e
li fe, it has no des t i - n y W h e nt h i n g s g e t m o r e t h a n I can bear
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lT'$AtLÍIUER
INTRO.
By DON EVERLY
c D7 t c
CHORUS
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8l
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o c0PYRIGH 1 I9 5 8Í t M 0 l l U S l CC 0 M P A t lU YS, À.
l , 0 i lB R l 0 G lt l 0 u s E , 3E R l D GÀt P P R o A Ct H
c À R U i il t u s t c c 0 R P 0 R A I | 0 li R 0 l, t 0 0 l l { l v l
F 0 RI H t B R T I t SC H0 M M 0 l { W E À{ttlXHC L U D l tC l GÁ l l À 0&A À u s T R Á l . A s Ê
l l l) R
, t& l s R l t t
A T IR , IGHIS R E S I R V t ÍI )I .I I T R I I A I I ( } ICi Al )IP Y R I GSHEI C U R I Í ) .
Latin beat
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49
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50
5t
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TOUEHURTS
Ao4d4 & 7//44ic 4" Aa44a4e €nAraí
@COPYRIG I 9H6Í0H O U SOI Í 8 R Y Á IP. IUI B T I C Á I I O US NA
S.
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t I G H tRst 5 E R V E I l 0l T. t R i l À Í | 0 C
ilÁ
0pL y R I GSI tI C U R E 0 .
o t r t + , r I r r t
ct t l s lc t l s
r r
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love wounds
D'l
rim
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a l r i if'r
r i' r t r rt r r - T Tf F r t
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52
I know
lot, real - ly learned a lot Love is like a fire burns you so, it's
o t f t * f
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53
C .Em. .E-. Em
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them- selves
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true, no, it is - n't true Love is just a lie made to make you blue Love
d t f Í ++f
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it )
r È
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54
O
IOUEMETEI{IIER
Wa'do & 2ríaa/. Q tttz ",&124 & 'l/eta ?1íataoo.
@ C 0 P Y R I G I1I9I 5 6t L V l SP R t S I - tlYl U S l Cl l l C 0 R P 0 R A I tU0S, l .
c À R u l i t u s t c c 0 R p 0 n À i l 0 1t tR, 0 l tB R t 0 6 E f i 0 u s E , 3B R l 0 6 E À P P R 0 l C l l , 1 . 0 i l 0H0l vNl t 0 R T t l t T t R R l T 0 n Y
0 t u i l t Í t 0 Í n c D 0 i l 0 f 6 R t t r 8 R t r i l i l & i l 0 n I H t R lttR E t A i l 0E, t R t ,t s R A i l&- I H E E n l I l s H0 0 M l l l l 0 t l sc,0 L 0 l l l E s
0 v E R s E t sr E R n t r 0 R t t s& D E p i l r D E i l c r r(sÊ x c tu 0 i l t Gc i l r À D r ,A U s T R l l . lÁ
l ll0l{tw zEAl.lil0).
Moderately slow
V E RSE
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rftrn
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t
mp
D1 G
m rïfr
ffi ffi
CHORUS
G B1 Em C Cm
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t a t a t a
Dm6 E7+ E7 A7
ffiffiffi frrïn
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G
niiii
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59
LÍIVE
Í)FMYLIFE
By BOUDLEAUX BRYANT and
X'ELICE BRYANT
INTRO.
c Ami C Ami
g{n
C } I O R U S ffi
FIIIH
f+? l]4
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Ftt-fH
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r Fmi C C
[TErf} mm
t++tt-.1
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H]+H
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c c Àmi F
EtEtE
rffiï ffi ffi
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hun - gry arms lor:3 for your charms LOVI] OF' I\ÍY
Fmi
Fqp
H+IH
LIFE,
L0vE
P0Tl01t
1t0.9
l3
Moderately bright
She's g o t a store - front at Thir- ty- fourth and Vine, - tle bot-tles of
looked a t my oalm and she made a mag - ic sign. you n e e d - is
r r f r
b-- 55
lt'"-
T-. L m
rr: È r
r r
B7 Tacet
56
I took a drink. I did - n't know if it was day or night._
I start- ed kiss-in' ev-'ry_thing sight._ But when I kissed the cop down at
Thir- ty-fourth and Vine he broke my lit - ile bot _tle of Love Po - tion Num-ber
r ' i r r
b- 57
MAYBE
Tt)MÍlRRÍlW t s y D O N E V F I R L Ya n d
C PHIL EVERLY
F
CHORUS
ffi
c G7 C
F
trfffl ffill
|_tnr1 ffi l-t f+H [ftl
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MAY.T]E TO - MOR Row_ . 1 ,n i know where or when, _
I Fr t
qffir gT+IJ
H]+N 11tïfl
ffifl
---
-- MAY-BE TO-MOR R O W_ you rti
Li/
ffi
ffi
aIIlla
rÍ r I I1
Èi-Ft-H Hí+F
\---/
cause .À they ve made us say good L)ur
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ITTIT} ffiF ffi
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MOR - ROW, - N'IAY.I]E TO.MOR - ROW. - R O W .-
MYLtlVE LITTLE
AND ME
By PHIL EVERLY
INTRO.
CHORUS
ffi
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IT|,ffi ffi
c
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need - ntt wor - rY for I would set her free For what wall could
stand be-tween MY LOVE AND LIT-TLE ME, MY LOYE AND LIT - TLE ME
c D?
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c D?
r[tïm
rrEFn
gffi
A
.TTT-I dÍr f'rfn
ffi t t a a a l
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60
m'"m
ab sb
Ab
ffi
love that's love - and n o t fade a- way._
for you toknow just how I feel._
4b Bb I t.
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trffi H# To Coda0
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ffior'ïm:i nl Bb
ffiH ffifl ffion iwï
rurffl mtr
rell -
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D.S.(lyric I ) al Coda
62
ffi.'.ffi
Not fade not fade
bt
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Ab , BO,
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63
OHBOY
Ua"44 & 7/í4412 &V Saazq ?/eat, &i/l7c/t4'a4e e ?íotraa
@ c 0 p y R t G H1I9 5 7i t p t c 0 t í M U i l t c a i l 0 tt {t s{ c 0 R p 0 R Á T E 0 .
?ear/.
P t t R M U S T( UCt(U ) M t Í Ê 0 , 8 - 1 4V E R U t ASi lT R E EtT0.i l D 0 l vt { c 1 x8 t z .
Á l - rR T G H TRSt S t R V t Dt .i l T t R i l Á I t 0 i l C
il0
- pyRtGH s tÍ c u R E D .
Ilrightly
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I
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TÍTTN
f il I tl
LLLTU
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t t t t a t t t t t t t t t t t t l
rTrTn
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a t t t t a t t t a t a
ne
Wlren you'r'ewiÍh llte, oh. hoyl- The world can see that
arr orI
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I)1 G C 7 Am7 D7 G
I]Q ooo ooo xxo
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67
G7
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faTrn
tllUl
I I TI1I
I trccn wait- tn-. to - night thcrc'll hc no ltcs - i - tat - in', oh. boyl- When
r .r - oF.7 D f I
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rl
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G L' C Gdirrr D]
ooo
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scc that you wcre me ant íirr
you'rc ,,r.,itlrrrrc.. olr. hoy ! Thc world can
( ' f 7 D 1 co o o D1
Hltll
- F
H-l+Ít t-lHH iiia
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rï-ÍT1 tït] fl aïtïTl
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fir
f--t
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r
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è T' Fïr
68
D1
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You'rc s()n- na scc what you bcen lniss , in', oh. boyl_ When
a
i I t r a F'"r rF:' r r I r
G C G Gdim DT
ffil" Íiïï ïiÍÍ' iifr
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yotr rc witlt rnc. oh. boy! - l'he world can see that you were meant for
a Ior | I
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ia
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tïïIlt tïïïI1 TTITTl tïrrn
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69
()
0H,w.g_wME
o c 0 P Y R t 01Í l9 5 8
A C U F F - R00PSR
A c u F t - R 0M
t Y L À[ N
s tU s t tci l c 0 R P 0 R À u T st 0À,
! UDS tuCM t I t 0 ,t 0 i l 0 0 lt iV t .
A I . IR- I G H IRSE S E R VI E
} IÍI)T. R I I Á I I OCI O{ API Y
- RIG ST HC I UREÍ)
INTRO.
C
|..ffi
i+*H
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OH' LONE-SO}ÍE IÍE.
OH, LONE-SO}TE
(r D7
ffi ffi
, n Ft Ê
ffi
Èftt-H
f i n d s o m e - b o d -y
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t)H,$Í)
MANY
YEAR$ Words and Musicby
FRANKIE BAILES
INTRO. CHORUS
c
ffi
man-y years I've l o v e d y o u but no one has known No
g'o on pre - tend-ing that my li fe i s , gay And
7 )
l ê
D G
trffi
ffi ffi H1+1
ffi ffi
s i d e m y h e a r t a n d s m i l e dt h r u a l l m v tears My darl - ing I loved you
heart is long - ing just to haveydu near My darl - ing I Iovedyou
C O P Y I T I G I I T . ! - i Í ) + 7 B Y A C T I I ' 1 . ' - I t O S EP L i B L I C A T I O N S
Acuff-Rose Pultiications Ltd. 50 Neu, Bontl Street. London WI
International copyright Securecl Nlade in Engl:rnd All RiÍ{hts Reserr.ecl
D7 c
ffi
Fft-t-t-l ffi ffi
Ox, So Mrrv-v night wittrin lone - ly room I crY, Dear, o -
Ox, So Mnx-v fate will lead down a path where we will meet
o D.?
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H-H
C.
H
r r t ?t Í*a-T ï i r f , t 7 {
PÍlÍlR
JENNY
By BOUDLEÁUX BRYANT
And FELICE BRYANT
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By BOUDLEAID( BRYANT anil
FELICE BRYANT
INTBO.
YERSE c G
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Put your Ups close to mine, dear. Won't you kiss me once, Ba- by ?
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72
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rocks in the tree tops, alltheday longr Hoppirfand a bop-pin'and a sing-in'his soËg.
Evjry[t-tle swal-low, evJrychick-a-dee, Ev -'ry lit-tlc bird in the trll- oaL tree.
CBORUS
70
Blow, Rock-int Ro-binicause wetre real - ly gon- na rock
To Patter
pret-ty lit-tle ra-ven at the bird band-stand, taughthimhowtodothe bop and it was grand Thcy
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71
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SHAKE ROLL
RAITLEAIID ?4a44o & ?líaart 6q eádilzo edh44-.
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WETELL
$HÍIULD HIM
By DON EVERLYand
INTRO. PHIL EVERTY
VERSE G7
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GoBadf
INTRO. DON EVERLY
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DREAMS of you ev- ry night
DREAMS of you' things I know
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ad lib.) Thecê ere the rords o( e Íron-tier lad rho lost hle love vhcn h. hrrrd bd _
- a
TAKE A MES SAGE TO M A - R Y but - don't sayl'm in a Jam.
Please don't men tion the stage-coach and tlte shot Írom a care - lese gun.
My heart's ach ing Íor Ma - ry, Lord- knows [- mise her ao.
c'
eay Cre'd bet - ter not walt Íor me but t tell her Im Jatl. Oh,
pleaee don't men-tlon my lcne - ly cell where gon-na Purc wry un-
aheld bet - ter find aoute-one new to - leh - and hold. oh,
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THE
PRICE
ÍlFLÍIVE
By DON and
PHIL EVERLY
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did K I S S E DY O U
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TRAUELTIJI'MAN
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94
62
WAKE
UP,LITTLE
$U$IE
By B O U D L E A U X B R Y A N T a n d
FELICE BRYANT
INTRO.
"ïïm Cm Dm
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SIE wake up 1. we've bourbeen sliíd a - sleep, WAI(E UP,
2. The mov .. ie wrs-o't so hot It did -
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LIT-TLE SIFSIE, and u/eep Ths m o v - t e ts o - v e r , t t s four o l c l o c k a n d we're in trou -
have much of a p!ot \il'e fell a-sleep, our goose is cooked, our rep-u-ta-tion
C O I T Y R I G H T € . I - q : i 7B Y A C U F ! ' - I I O S E P U B L I C A T I O N S
Acuff-Rose Publications Ltd. 50 Neu, Bond Street. London Wi
International copyright secured N 1 a d ei n E n g l a n d Ali Rights Reserved
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C O P Y R I G I { T G , 1 9 6 OB Y A C U F F - R O S E P U B L I C A T I O N S
Acuff-Rose Publications, Ltd., b0 New Bond Street, London Wl
International copyright secured NIade in England AII Itights Reserved
61
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10
ABRAND
NEWI.IEARTACHE
By FELICE BRYANT and
INTRO. BOUDIEAUX BRYAI.IT
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when a guy movedin nert door_ I íeel A BRANDNE\ryHEART-ACI{E
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C O I ) Y R I G T T T€ - I 9 5 ? I ] Y A C U T ' F . R O S E P U B L I C A T I O N S
A c u f f - R o s e P u b l i c a t i o n s L t d . 5 0 N e r , vB o n d
Street, London Wl
International Copyright Secured X{ade in England AII Rights Resrved
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H E A R T - A C H Ec o m- i n g o n ._ OII r
HEART
GHEATIII'
YOUR ?.|/a'da & 7rí4ai.6t 7"*á ?OaAaano
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96
ATTHEHOP
?./a4doe ?rtu.tu 6" r4. Seaqst, ,. 7rí€d444& D. A&ze
o c 0 p y R t G1H9Í5 i A R Ct t u s t cc 0 R p 0 n A T tu0si lA. .
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0 tp y n l c Hs rt c u R t D .
With a beat
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Oh you can rock you can roll it do the
Ab7
ffi
re-cordsstart to spin-nin'you ca - lyp-so and you chi-ckenat the
Ab
ffi
do the dance tionsthatare sweep-in'the na
Ab
ffi CHORUS:
Ab7 Ab
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Ab
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Verse2:
Oh you can swing it you can groove it
You can really start to move it at the hop,
Where the jockey is the smoothest
And the music is the coolest at the hop,
All the cats and chicks
Can get their kicks at the hop.
.L---.
ll
BARBARAAlIlI
?'/o'rdo e 77í<a.&6q hod Taaae*
@C ( ) P Y R I G I 9HGT1I O I I G I T UM| )UES ICCO i I P A IUI Y S ,A .
w t i l 0 s w Ep
pAI c t F ttcí u s t cu M t T Ef00 RT H tu t (& E t R E .
Á U .R t G H T RSE S E R vtEi l0Í t. R l À Í t 0 t rcA0t p- y R t GsHt rc u R t 0 .
Fast
Bar - b'ra
(Ba - Ba Ba - b'ra Ann Ba Ba Ba - b'ra Ann)
À Bb
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LLEB]
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l. went to a dance look - ing for ro- mance, saw B a r - b ' r a Ann so I
2.3. Played our favour- ite tune, dancedwith Bet - ty Lou, tried Peg - gy Sue but I
Bb
ft++fl
ffi
thought I'd take a chanceon Bar- b'ra Ann, Bar- b'ra Ann.
Take my hand oh Bar- b'ra
knew they would- n't do, oh Bar- b'ra Ann, Bar- b'ra Ann.
À ,q.
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ililtl ffi
Ann, Bar- b'ra Ann, take mv hand vou sot me rock - in' and a' rol
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?,1/o4do
BIRIIIIOG
A 7rí4.b Ar et<a4r* e'u/4.tí
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t c u F t - R 0 s E0 P n Y l À i l i0l u s l c l - l M l I E 0L, 0 t l 0 0 lwl 1 .
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Moderately
d l l l l t,/l l l l
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Hey, bird dog, get a - way from my quail.- Hey, bird dog, you're on-
o t l l r l )
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the wrong trail. Bird dog, you'd bet - ter leave my lo - vey dove a - lone.-
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Hey, bird dog,you'd bet - ter get a - way quick.- Bird dog, you'd bet - ter find a
a) I
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Verse2:
Johnny sings a love song (Like a bird)
He singsthe sweetestlove song(Youever heard)
But when he sings to my gal (What a howl)
To me he's just a wolf dog (On the prowl)
Johnny wants to fly away and puppy love my baby (He's a bird dog).
(Chorus)
Verse3:
Johnny kissed the teacher(He's a bird)
He tiptoed up to reach her (He's a bird)
Well, he's the teacher'spet now (He's a dog)
What he wants he can get now (What a dog)
He even made the teacherlet him sit next to my baby (He's a bird dog).
(Chorus)
l4
GHAIITII1YLAGE?'/o4Ao & 77í4ak Q ,.". Reáanlaa.o
@ c 0 P Y R t G IH9I5 86 t À DM U S I CU, S À .
P t E R i I U S I( C
U l ( )l , l l í l Í t 0 , 8 - 1 4Y E n U I A S
MI R E t I ,L 0 l l 0 0 tW
l Cl.
A tt R I G H TRSt S t R V E 0| i. l I t R i l A T t 0 l t C À 0t p y R I E HSrt C U R t D .
(arp. ad lib.)
a wig - gle in her walk and a gig - gle in her talk, they're gon - na
o 1.v
l'l'r
1 ' 1 È- r - r '/ I_!J È r
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ffi ÊHÏ$
'round.-
make the world so Ain't noth - ins in the world like a
o .l' 1' ' tf t 'F f' t ' i a 1' | ,'_! l ï' thrf; r ) v' 1ï ?
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ooo
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big eyed girl- to make me act so fun - ny, spendmy dog - gone mo - ney, I
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feel real loose like a long - necked goose, like a (spoken)wa, ba-by that's what I like!-
.
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Do I what? Will I what?
you up at eight? And don't be late? You gotta be jokin' woman,
a ''TU1-r' q.
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Can't never tell babv. ha ha ha ha I might,
I thought you might pick me up at eight and don'r be late.
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what I like!-
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Verse3: (patter)
Wooha ha ha ha ha honey,you're tearin' me up on this telephone.
I swear I don't know what I'm gonna do with you, you yap and yap
and yap and yap and yap but when you break it all down you know
what I like. (to CHORUS)
17
GOMEOlI
7,Oa4/oe 7rí4uz 6" O44zá Seuv
@ c 0 P Y R l Ê Hl sl 6 3 A n c i l u s l c c 0 R P 0 R À l l 0 lu{s, À .
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P U B L r S H l lC{ Ê S lT( R t t r ,L 0 l l 0 0 lllY c 2
A I - IR
- I G H TR
SESIRYED API ,Y RI GH I S T CURI Í ) .
I T. I I E R I I Á T I ( ) tCI O
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laid off from my job- and I can't af-ford to check
ro'
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since my ba - by part - ed, come on,--=- I can't get start- ed, comê on,_
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I can't af - ford to check it, I wish some- bod - y'd come a - long and
o e
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V
Verse2: Verse3:
Ev'rything is wrong sinceI've beenwithout you Ev'rything is wrong sinceI last saw you baby,
Ev'ry night I lie awakethinkin' aboutyou, I really want to seeyou and I don't meanmaybe,
Ev'ry time the phonerings soundslike thunder, I'm doin' ev'rything tryin' to make you see,
Some stupid jerk tryin' to reach another number. That I belongto you honey and you belong to me, so,
Come on, sinceI've beenwithout you, Come on, I wannaseeyou baby,
Come on, steadythinkin' 'bout you, Come on, I don't meanmaybe,
Come on, phonesoundslike thunder, Come on, I'm tryin' to make you see,
There's some stupid jerk tryin' to reach another number That I belong to you and you belong to me.
l9
@ C0PYRIGH
CRAZY
Waado e 7/íq4iê 6" Wí//& 2lzk4,o
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A t t n t 6 H I sn t s E R v t 0 i. l t I E R i l Á T t 0 l c{ A
0 tP Y R t 6 Hs Tt c u R t 0 .
Moderatelyslow
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fr3
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-3------r
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3--1 :=-3----_
20
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3
cÍa-zy for try- in', cra - zy for cra: zy for lov - in you.
l--t--- -3-----.,
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EUERYIIAY
Aaado e ?ríqo,c" 64/e44rlz4 ?d"&h & Tlaanaa ?ea.1
@ c 0 p y R t 6 HtT9 5 7 p t t R t i l I E n i l t i l 0 i l Act 0- R p 0 n À I t 0 l t .
P E E R i t U S( tUCt ( )U M t I E 0 , 8 - 1 4v E R U t À S MI R t E I ,t 0 i l 0 0 [ t t c t .
A i l -R t G l t TnSE S t R V E n 0 Í. E R l t À T t 0 i l A
C t0 p y n t 6 HsTE c u R Ê 0 .
Very brightly
^t'.]-"'
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C F G'7 C
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F G7 (.
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fast - er than a roll - er - coast - er, Love like yours will
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9_ = - -< - * - - €- - > { >
tru l)' my way.
26
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27
Eb7 G7 Dm7 G1
Eb Ab7
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do you ev - er long for true love from rne'?-
,
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f f i f f i
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28
SUMMERTIMEBLUES
7'/o4doe 2ríqliz q. fuáz
o c 0 P Y R t G1H9I5 8Á t í t R t C A
ea4iao e /euA Oa/444rr
i t iUl S t iCl C 0 R p 0 R À I U ES0 ,A .
c l i l t P H 0 l lM
r cU s r cc 0 M P A iUl YM t I t 0 ,8 / sr R t r Hs r R E r rr,0 t { 0 0Ti l, 1 .
Á L IR- I G H TRSE S T R VIEI Il T) ,E R I { A Í I O C tOI A
P IY- R I G
S IHCTU R T I ) .
Moderately
F ( ' C
!
ffiffiffiffi
F; l r-r- r r r- -L-Ë 1
- a t H r r l l I - ? - - - - T , 1
Q-t 1
to try to earn a dol - lar,
tacet -
Spo ken
b o s s s a y s , " N o d i c e , S o n ,y o u g o t - t a w o r k
f f *1'
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78
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Sonre-tirnes I won<ler what a - g o n -n a d o , - B u t t h e r e a i n ' t n o c u r e f o r t h e Sum-mer-time-
Blues.
I
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well my
gon- na)
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t o l d n r e ," S o n ,y o u g o t - t a m a k es o m em o - n e y , If you
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F G
ffi ffi
rr+441
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w a n t - t a u s et h e c a r t o g o a rid - next- Sun - day," Well, I
take- my- prob-ler.n to the I T ni-ted Na - tionsl Well, I
7g
F
tacet
ffi Spoken
"Now you
did - n't go to work- Told the boss I was sick- use the car 'cause you
called- m y - C o n - g r e s s - m a na n d he- said (quote) "l'd_
help you, Son, but you're
rer r
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n't ryork
young Some-times
( (;7 C C C
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Sum-mer-time-
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80
TOK]IOW
HIMISTOIOUE
HIM
Aa4d. e 7/í4412 Q ?4rl Spz<taz
o c 0 P Y R T G 1H9T5 8B YV { A R M AMt U t S TCC0 M P A t l H Y 0, i l . Y W 0 0 U
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t GS AA i l DC A i l A 0 AC)0 i l Í R 0 r r r D
8Y
B 0 u R i l iM U S TLCt M t T E 03. 4 / 3 6M À 0 0 0 IS Í R E t T[.0 n 0 0 i lW 1 .
A L TR I G H TRSE S E R V IIOI I.T I R I I À I I O NCÀOTP Y R I GSHtTC U R T Í ) .
{( l i i m ))
(yor-rI
81
Bb Eb
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HM FFFEB
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l|dl be good to l(hVi omu A n d fl ' d l b r i n g l o v e t o l n t m - l
? {t'll\ -\a ll'll\ (you _l
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love- fhim'-f4n,1 1
atvou,-l ,
B7
82
know.know, know- )llt^ll-l rr to
' y o u _ r- - . lovc, lovc, love- ihilí--t Jusr ro 5....\ltirnl :,}'1.:_
íyou._t tyou\
3 ? 3.. ?
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k n o w ,k n o w , k n o w -Ill i r n- ' 1 , t o
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83
ÏWE]ITY ROGK
FTIGHT
?,Oa'doe 7/44"2 6./ %"/ 7a"rárlí A fuáe e6</44ro
o c 0 P Y R t Ê Hl 9Í 5 i À M E R t C À Mi Ul S TiCl i C 0 R P 0 R À r 8U0S, r .
C A i l P B E tCt 0 l l l { E t L&YC 0 M P A I l{ -Yl M l Í E D8./ S t R I T HS I R E t Tl,- 0 t l 0 0 w
t ll .
À I - IR, I G H I S R E S T R l , EI IOI T
, E R I I A T I OCI IOAPI .Y R I 6 S
HETCURIO.
Medium beat
F6
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u+ffi
tftfi1
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all a lone where I can hold her tight, But she lives on the twen - ti - eth
I'm in bed- with the ach ing feet," This went- on- for
love my ba - by too- much to wait, Alt this-climb - in' is
l'
84
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rfi#
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floor up town, The el - e-va tor's bro down
cou ple of days, But I- could n't stay way.
get - t i n ' m e down, T h e y ' l lf i n d me hang in' ov rail.
CHORUS F6
C7+ F7
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trrïrrl
So I walk one two flight, three flight four, Five six sev - en flight, flight
Bb7 F6
FfITTl
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U p t o t h e t w e l f t hI ' m Fif-teen floor 'to
sag, Get to the top,
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85
WPEOUT 8V ?/eba* A 7q//2,
@ c 0 P Y R T G 1U9I 6 3M T R A T E SMTUES T&C R 0 8 | l i[ 0 0 0 M U S TC C0 i l p A i l yU, S Á
À t T R I G H TRST S I R V E IDI {. Í E R I I A T I ( ) C
I I(A) IP- Y R I GSHTTC U R T O .
Brightly, with a beat
'ffi'
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F+I_FH
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(lmprovisation)
"tr
A
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WHY
IIOFOOTS
TAILIlILOVE
?,/ozdo & ?/íqdi.6? har&ie Zr/taro & %íoaar:o .4e<'r/
o c 0 P Y R I G H1 I9 5 6( R E i l T W EBDr)6 S r V r i lC 0 R P 0 R A T r 0 UiSl ,A .
c H A P P E iMl -U S TU CM r T t 0 ,1 2 SP A R ÍS Í R t t ï , r . 0 i l 0 0 w
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88
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why does the rain fal from up a- bove? why cro fools
a)
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tell me whY!-
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fall in love?
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TRUETOVEWAYS
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o c 0 p y R l c H 1T 9 5 8M p r C 0 M M U i l t C Á T t n0 ci l0SR p 0 R À T E 0 .
p t E R M U S (t C
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t c1.
A I . LR I G H TRSE S E R V IIOI I,I E R I I Á Ï I O IC i AOI P Y R I 6 S H tI C U R I D ,
Slorvly
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t- .-a ,i- 1
c a -
8b Gm Gm7
rim Cm7
ltFSl m .rfiTl
Ht?n fttffl ti?t?t tltH
_==
=_-t
know Love Ways
91
8b Dm F7
t1 m
m ffi f-tf+fi
l# l-ftiÈ ftHn .tffb
djln
sorne
_ a
Dm F7 8b
8b
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+R
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Tt =
F7 Bb Eb Bb Ebm
sFn m 'l]'s ffi m
'rl ]t-l*m
}#]#
i+''n |-tt|H fftl+l ifit!
it?tfl rtttit
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+ 1
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/
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Ab7 8b 0b
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m
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m l-fti-fr
tlnn Fl'l!
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=
'l'rue to sntrc
our Love Way
92
Some - times
Eb F7
-}+* Ím
f++tN
l-itfH Ittt!
ju
J-'r-
Love- Ways
Í i
93
HEART
GHEATIII'
YOUR ?.|/a'da & 7rí4ai.6t 7"*á ?OaAaano
'' ïiïii'ïlJ:ï"IÏif'ï;-'l ï i"^
ii i ïlllllJ'lJ-'fJ'l
A L I R I G H TRSE S E R V EI It I) T. E R I I A Í I O C
I {O
API . Y R I GSHÊÍ C U R T O .
Moderately
F
c Ím
cm H+++t
ffi
Heart
Heart
j
e -_
-;
r-7-
r-t
, T
. È -
mP à)éa-
Ab7 G7
trm
ll't#
m
Hlfi Ëtin
and try to
You'll cry a
you threw
And crave
c G7 c
ll'1g
m l*
ft+|H
f?tfri
tttl!
94
c7 F Ab7
m
IEP f{+}H
iri+fi fftfH ttllí
,f
G7 c
m
ndf itfrH
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{}
1 T f i l T
np t4
c7 F
tr89
l#
f+i+tt H+ffl
07
trm
Fff++t
ttttn
95
G7
I@
l*
Èfin
You'll walk
c c7 F
lIM
l#
l{.*
f+tffl ItitH ffi
Ab7 G7
m
l.H
l.l.g
d1lí Ëití
96
HEY!
PAULA
?,/o44o & 7rí4uz Q R*t TaHztlaa'd
O C 0 P Y R l 61l 9l Í 6 2& 1 9 6 3l t B l l - i[ l U S I & C i l A R E l lÍ ,í LU S l C .
r . r E r r I M u s t ci l t t I t 0 , i l t G t A i l 0 .
A U -R T G HRT ESS t R V E i l t0I.E R l t À I t 0 C ll0
Á pt y R t GsHt cTu R t D .
Slowly (Easytempo)
Boy(Paul) es
G
ffi
Paul - a I wan-na mar-ry you - ey! Hey!Paul- a no one
Em
ïffi
else will ev-er do- I've wait so lonB for school to be through
(add G
no FÍ)
Paul I've been wait- ing for- you Hey! Hey! Hey!
29
G G
ffi ffi
I wan- na mar - ry you, too If you love me true
Em7
(add G
EiH no Ff,;
D? Am?
ffi ffi
life for two Be-ing to-geth-er the whole day through
A7
ffi
Truelovemeanswait-ing and hop-ing that soon Wish-es *'e've made- will
30
Hey! Hey!
ffi
Paul - a I've been wait-ing for- you Hey! Hey! I want to
G Am
^ (add D)
A? (add A)
ffi A
3l
JAMBALNW//.UJMBAY
@ c 0 P Y R r 61N9T5 2R E i l t Y í 1t 09 8 0À c u F t - R 01s íEu s l lct l c 0 n P 0 R l T ut 0s ,l .
lcutt-R0s0 E P R Y I - Al ítul 0s l ct l M l I t 0 ,L 0 t l 0 0wl ll .
, R I GSHt C
S t S E R V tl lDt Í. t R i l À r 1 0 icl 0ÀP1 Y
À tI R t 0 H I R I URt0.
Moderately
G7
Ím
|.{*
tttt!
54
3. Settle down far from town, get me a pirogue
And I'll catch all the frsh in the bayou
Swap my mon to buy Yvonne what whe need-o
Son ofa gun, we'll have big fun on the bayou
56
PEGGYSUE
?'/udo e 7ríqaz A /e4',4 ráUr.ae, Tlanaa ?aq, & 3qdd4 ?oll4
o c 0 p y R t 0 fl isI 5 t i l p t -c 0 t t u l t c t l t 0 i l st t { c 0 R p 0 n t I E 0 .
' lil ïï;,1ï
Jïiiliïl',fi-ï,'*'-
lïi,'-ïL,
* fI;#iiSl-ï31
Very lightly
a . l
t
l
l
' I-l a a €
n-f
----_\-
I
G c G C
G G
ffi #
C -44+-
ffi
C G D7 C c7
ffi -44{-
ffi #
FFTFN ffi ffi
Oh, well,I
B.GOOIIE
JOH]I]IY ?./a4do & ?rí4t1t 6? eát1íá SonA
@ c 0 P Y R l Ê1H9l 5 8r n c i l u s l cc 0 R P 0 n t I l 0ut ls,r .
l i l0Gi l P t i l lY, l t l Í t 0 , 2 2 0 t t l t A R ls( I R E E Í[,0 l l 0 0 ltl Y c 2
P U E l - t S HC
I i l Y i l -t í U S t C
f l R E S E R YItl0{ Í. t R l l l I l 0 l l Acl 0- P Y R
A u .R T GI S | Ê H Ts E CuRt0.
With a beat -
-l-lIl-l ' l-T-
d l-'Ltt r t
?I t
' - r qr (
I
l >
2? I I
ffi
'way
l. Deep down in Low'si- a-na,closeto New Or- leans,- backup in thewoodsa-mongthe
F7 F
ffi ffi
there stood an old ca-binmadeof earth and wood,- where lived a coun-try boy named-
c7 F
ffii ffi
Who'd ne- ver e- ver leamed to read or so well,- but hecould play a gui-tar- justlike a
F7
ffi
John-ny!Go!
Bbe c7
FFFFR
++++ iffií
John-nyl Go! John-ny!Go!
r F6
n'ïïiffi
C+7 F Gb1 F6
Verse2:
He used to carry his guitar in a gunny sack,
Go sit beneaththe tree by the railroad track;
Ol' engineerin the train sittin' in the shade,
Strummin' with the rhythm that the drivers made.
The peoplepassin' by, they would stopand say
Oh my, but that little country boy could play.
Verse3:
His mother told him, "Somedayyou will be a man
And you will be the leaderof a big old band;
Many peoplecomin' from miles around,
To hear you play your music till the sun goesdown.
Maybe someday your name-'ll be in lights
A-sayin' JohnnyB. Goodetonight."
33
LUGITLE
Ao444 e 7/t/4rz q rÁU"rt eaUrru & Rkl4rd Pera*ta,o
-"--rt
t-
Ar.r.RIGrrs -, $ r"tï Lli Lïlï i i ;iï' r rÍ srcuRrD.
lltedium boogie tempo
F9
ffi
ffi
G9 F9
$iH
ErnÍ
ffi
ffi
ffi
c
trm
dljn
ffi
ffi
34
ffi
FtrrË
F?
ffi
tir"
e +._-e
you ran a- way and left, I _ you still.-
been good to you - ba - by, Please don't leave me a - lone. -
I slaved for you - ba - by, And gave you such won- der -ful start.-
F1
ffi
ffi
was not in sight. I askedher friends a-bout her. But their lips were tight.
C c7
ffi
tttrn
ffi
ffi
F7
ffi
ffi
Moderatebright tempo
a
d o ' që {E}
€>
d q ë f o á q + - .(E}
N G
ffi
TÏ-TTT1
ffi
ffi
u'im
|.-.|...l..m
wall. (Long)
14
a) q{> a4'
8 €>
€} €>
J t a
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I
lq.
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a a t
I
Verse2: Verse3:
Help me, information,get in touch with my Marie; Help me, information,more than that I cannotadd;
She'sthe only one who'd phoneme herefrom Memphis,Tennessee. Only that I miss her and all the fun we had.
Her home is on the southside,high up on a ridge, But we were pulled apart,becauseher Mom did not agree,
Justa half a mile from the MississippiBridge. And tore apartour happyhome in Memphis, Tennessee.
Verse4:
Last time I saw Marie, she'swaving me goodbye;
With hurry home dropson her cheekthat trickl'd from her eye.
Marie is only six yearsold, informationplease,
Try to put me throughto her in Memphis,Tennessee.
37
MO]IYMO]IY
Aa44o & 7rí44i4 6" 8aí4" eh&e, Rtc/12 ea4*//, 8o y'.enocrl'& ?a"**ev /4"t24
@ C 0 P Y R I G1 I9I 6I 8t 0 t l 6 l I U 0l E
í U S IC 0 l t l P l tU
l YS, A .
r l n 0 s t Y E P IA C T i rl C
í U S rUCM r r t 0F 0 RI H t U r & ( ilnÊ.
À U -R T G HRT tSS t R V t i0l .t T t R i l Á T t 0Cl t0ÀPt Y R t GSH t CTU R t 0 .
Brightly
Here -
Wake
H#
rrrrn
A
frrrn
[Ím
ffFrn
38
D A
ffiffi
I feel -
it feels
a r - z
e
i _\-_/
t a
all ngnt- now._ You got me
SO good- yeah.-
e +
C
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Eoo
o
ffi
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x
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39
A
ïfri
H#
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-3- Chorus
So good,
(Mo - ny Mo - ny) (Mo - ny Mo - ny) (Mo - ny Mo ny)
D
tlfl!
t I I ' I '
[|-TTII
(Mo- ny Mo
40
roA o
II'FFFI
I taaaI
ililtl
tItill
D.X.tofade on Chorus
MYBOYtOttIPOP
Wa4do e ?ríqotu 6./ %ía'n/o r'*f
'' o" *''ll*'oïï,ï,'
& /44'írír/ Roí<rrÍo
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liï,'l,l-;ïi ll ïï;ïï:ï ïï ï ffJ'
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D6 D G A
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ffFTH
rrrm
H+m
rrrrn ffi ËIIH rïrrn
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atl.rTTa
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42
D D
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ff1fn
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A D G
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rnm rrrrn
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lrrm
|-H-FH I Iftfl FTF'FI Hffi
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t t t t t l
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t t t l t t ffi {IIII1
l l t l l l l-t-r-fH
r
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be-cause it would - grieve me,- my - heart- me so.-
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rrrm
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43
g" roA o
nrm rrm
all ffa
Tfmn ffi
need you, I need you, I you so,_ and I'll nev - er let you go. -
-3- -J-
_ t
-J-
-J- -J-
I
e
ft l r ?t ft t r )a
L ? J - r - f - f
' 3 " L J J L J J - J J L J J LJJ LJ.J LJJ
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- - /
My boy - lol - li-pop, vou make mv hearl go_
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73-
i
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A D A
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LLIIU
f++tf] t t t t a l
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l t t t t l
rrrrn t t l t r l
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my lol pop.-
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l.[, Ê=f L,!
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p". roA o
D ,P7
nTm
t a t t t t
l t t t l l t lftLJ
tII'I'
rrm
| | tata
a t t t t a ililtl
l t t l l l
ilttal
lltilt
ttiltl D.X.alCoda
rJ-
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my lol li - pop. -
boy lol li - pop. -
,-3- -J-
-J- -3-
r I * f=f r a
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t
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lr.. 45
OII1YTHEtOlIElY
Aa'do e 7/í&z 4 Rq Aí&4.o A ,oe 7rídg"oe
@ c 0 P Y R t G Hl SI 5 0 ( R t i l E W E109 8 7 )A C U t t - R 0 SÍ E íUStC i l t C 0 R p 0 R t T t u0 S
. Á.
A C U T F - R 00SPER Y L À iM l 0U S TiCl i l t T E 0 .r - 0 l r D 0W i ll .
À t t R t 6 t i r sn t s E R v E 0i .l i l E R t { À I t 0 l tcA0t P Y R r G H sEr cuRtD.
CHORUS
D7 Am7 D7 G
.,+9t-
ffi
FIIIH
ffi
rrrrn
ffi
Ffl-|-r| ffi
G7
ffi
46
A7 D7
C
ffi
-9.-9-4
H++fi
TNTN ffi
C
G G1 D7
.'tt+-
ffi ffi ffi ffi
Frn-ï]
D7 lla
.r9?{-
ffi
FÍ.FTN ffi
47
PEGGYSUE
?'/udo e 7ríqaz A /e4',4 ráUr.ae, Tlanaa ?aq, & 3qdd4 ?oll4
o c 0 p y R t 0 fl isI 5 t i l p t -c 0 t t u l t c t l t 0 i l st t { c 0 R p 0 n t I E 0 .
' lil ïï;,1ï
Jïiiliïl',fi-ï,'*'-
lïi,'-ïL,
* fI;#iiSl-ï31
Very lightly
a . l
t
l
l
' I-l a a €
n-f
----_\-
I
G c G C
G G
ffi #
C -44+-
ffi
C G D7 C c7
ffi -44{-
ffi #
FFTFN ffi ffi
Oh, well,I
\j
G C
G Eb
ffi trTm
ffi ffi #
Pret- ty, pret- ty, pret- ty, pret- ty, Peg - gy Sue,- Oh , r y Peg - gy.-
58
rare and true, - Oh Peg - gy, __
G D T G
ffiffiffi
PEPPERMI]ITÏWIST
Aa4d4 & 2ría.it A /""" Deo e ?e'c'ra Elrue
@ c 0 P y R r 6 Hl r9 6 l & 1 9 6 2B t 6 S t V E i tl U S t CC 0 R p 0 R A l t 0 ui ls. Á .
, E W f l .M U S T P
C U E t . r S H HCÊ0 M p À NU y i l t I t 0 , 2 2 0 i l t M t R t (s T n t E I , t 0 I 0 0 | t v í c 2
OE. I I { I E R I I I TOI I I I I -C( ) P Y R I G H
À T I .RI GH Í S R T S T R V S TI CU R E D .
Brightty
C
*'iiffi Ge
Ëfiiïí
thePep-per-mint Twist..
[Ëïïí
down,- 'round 'round,-
and up and dowrr--_ it,s
a) q
g )
ê )
c
-+
e
l"'r t 4
8
VERSE2
C C
ï-.?,n'
ffi" flNË H4+fl
round and'round and up one- two- three kick ! One - two- threejump ! ba-by, on
C C
the Pep-per-mintTwist.-
P0rs01r
ruY
7'/a4do & 77í4ub A /e/u4.4eiío,
@ c 0 P Y R I E H1 T9 5 9I r G t Rt i U S t Ci l t C 0 R P 0 R À TAt0Dt í i l i l S Í t R t 8
& 71íëáz Síallz,
0 y c H Á p p f l .&t c 0 M p À i l iyl i c 0 R p 0 R À ï E D
i l i l Y Y 0 R t (U
. S A .C A R U I M T U S T C 0 R p 0 R Á I t 0 itl R, 0 l tB R t 0 G tl . t 0 u s t .
(Exc'u0'r'6
3 B R I D 0À EP P R 0 l C H L0, l l D 0 lt ll t Y lF 0 RT H t U N I I E 0r l i l G 0 0 i l B
*^" , RIIISH C0Mt0llvitAl-TH
50
look but you'd bet - ter not - touch.I Poi - son VY'
let her get un - der your skin. í
night
while you're sleep- in', pois-on I - vy comes creepin' round. (2) She's
Ah that beat will make you jump- y and boozewillmake you lum-py the
5l
way it rocks will makeyou jump and twitch' That rhy-thm'sgon- na fool Ya, that
of cal- o- mine-lot-ion.
- -
scratch-in' like a hound- the min-uteyou staí to mes a round'-Pois on
52
late at night - while you're sleep- in', pois-on I - rry comescÍeep- in' late at
Fm/Eb
night while you're sleep in' pois-on I - ly comes creepin' late at night,while you're sleep-in' pois- on
53
PUPPYTOUE e 7rí41L 6? ?*"1ráíáa
?,Oa4do
l í U S I CC 0 n P 0 R A T l 0ul sl ,A .
@ c 0 P Y R l G H1 l9 5 9& 1 9 7 2S P l l l l ( À
(ríusrc
MAÍí ''-'Jilililï:ïll'ïïli:
PUBrrsHrtrÊ) BnÀMtEYr.0tr00n
n0À0 rYr
0
ïlïllïï'lii^ï'i,ïïïïii,iïliïil1:
Moderately
slow
3
3
+\_+ L,,'rrr t r
a ) - r r . l _ J V
- , 1 - / o l t l
mf 3 L-3-r t+J t*
, .í -3 | a
l-3--J vl
?J
' J -
Gm 7 c7
|ITm |.*
|]'.*
H'lt fifiH
L-3r J i-3-r
t'
=-'=fr'
F Am7 Gm7
ffit
l'.'{* l-++#
i l , ' I
t-t{,Hl ffi
Hrffl ffi l.l'# H'lil
I
r f, 3 L-3r 3
=-3-Ja
F GbmalT F
ím trm
fiH| ffi W ffi Guitar
Tacet
vL3----r vL-3J
Gm7 c7 F
trtm ,,..9
Ftm
l#
Ht?tt &ttfl t+tffl
ÊÊÊ
'-t------L-3J
Am7 Dm7 Gm 7 c7
t[m [En ffin
t-ftftl fl-f+H
rl.rrh rfffi ultf
3 L-3-l 3
F Gbmaj F F7 8b
tEtn
i.w
TFFFD FTr|fi
l.#
m
ffH+i
m
t-t+fH H1?fl t-itFH trrff ffi
r fJr6
3
I ^ I
Bbm F c7 F F7
l.g
Ft-t++l
fi?f1l
l+,t{+-l
Êitfi t-f?t{l
t+l++l
rfttfi
3
for you, v a t n ._ hope-and l'll pray- that-
e_
{r--_
--Yï' --
6t
Am7 07 G7 c7 Gm7
Fgn
+f+.1
tm m
rtftfj
ffiftt
rffi-h tiitl itf iH ffi fifif# GuitarTacet
3 J
may - be some-day-you'llbe back In3myarms once a - garn Some-onehelp me, help me
J
Gm7 F
Trm TITN
#f+
Ht?t t-f?ffl
ts tne an - swer
fi1
-
L- -J
vt a
\ ?
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not a pup py
r--.) | r3-
A n d t h e y c a l l e di r pup-py tove.
62
RAI]II]IG
IlIMYHEART Wo4d4 & 7ríq4/" 6q Ao4dleaut e /elae 8a4'rí
@C()PYRIG I 9H5 T
9A C U T F . R MOU S IS IICI I C ( ) R P ( ) RU ÀS Ï EAD- ,
Á c u r F - R 00sPt R Y t AM
i l 0U s t icl M t I E 0t ,0 i l 0 0 it lv 1 .
À L T R I G H T SR E S I R V I D .I I I I I R I I A T I ( | I I ACTO P Y R I G HSTI C U R € t )
Moderately slow
CHORUS
The
a)
cI rr i. Êl t t e
rrr
l-J I
r ) fl cI lr rl
c
l -
I r-Ír '
-i+i-
G Gaug
r"ijm 'ffii+l
Em G1
H+fH
t...l".J.-JJ |
+++
L."J"."jJ LJ4
trïiïï
È-r,+-r-.1
L..J'.-J'.-JJ
sun is out, the sky is blue, there's not a cloud to spoil the view- but it's
d 6 ' a
ilG ro' Jvv
I t \ v
/ r
C D 7 G A n í D z G
L[tE Í...I...r.tr
f f i f f i f f i f f i f f i f f i
o a
? t x -
iffÈr ? ' J t t ? a
c) fr l. t l ? r tI ' cI F F5 .I
t-J L J I
Gaug Em G7 C
fr:ï-ïm o-r++o -r+++1 #
"Clear to - day," -
he does - n't know you've gone a - way- and it's rain ing,
d t i ó ' r(t
r , v\ vvl
/ l
) r r i lÊ
c
66
D7 G C G DnÍ
EÍ+ffi
rrrrE
Í....]....]'...lT
ï+ïra
Í..]..1..m
.
E t t
rrl'
l-J
Èr-
I
c
) rt c) tr Pi
I -
ÈrÈilr í r I F .
c
C Em EnÍ D7 Am7
ffiiïi ffiFH
++|H
ffi
Ft-Ffft fTrrt-n
f i f f i Frr-rn
--=*:
ry!_-..- What's gon- na be - come_ of me
D7
sim
G
'....)'...]'...1-h n'Êim
Gaug Em G7
I tell my blues they must- n't show, but soon thesetears are bound to flow-'causeit's
-
a tFlFtF -
ó a
++G a
io' T' í' =Y
l
Ê t- l t ) / l
. l
C D7 G C G
ffi* trÏffi
l..]...l..m
í...l...l-.'IT
ffi ffi"
|-.]'--l-.-]T
ffi
a a
t
c
-
r' t
c
í '
P
l
?
?t
-
?
?t
t
pl
|
r
e
t tt r t a è ) i
' l
r
67
IAST
SAVETHE IIA]IGE
FOR
ME Ua'do & 7r/44,1t Q D* Puttz e 7ía4í Slzlna^t
@ C0PYRI6H 1S I 6 0R U M B A L EM RU 0SIC l l l C 0 R P 0 R A T ÀE 00 i,l l l l l S Í E R E
B 0Y C H A P P t I&- l C
- 0MPÀllY l l C 0 R P 0 R A T lt lDt w . Y 0 R | (U, S Á
T H tM A l l 0 R
i t U S l CC 0 M P Á t tl lYt t l T E 0 l, R 0 NE R I D GHE0 U S E , E 3 R I D GÀEP P R 0 À CLt 0 l .l { D 0 N
l l l v l t 0 R I H E U l i l T t 0l ( l N G 0 0 [ t .
B R I T I SCHO M M O N W T À( E t TXHC L U D I C
I {ÀGI I A OAAI I OA U S I R À T À S&I AT )H ER I P U E t I C O FI R I I - À I I I ) .
A L t R T G H IRSt S t R V t 0 t. i l T t R l t À T t 0 t C { A0tP- Y R t G S
H tTC U R E 0 .
Moderately
.^
aJ
ilu
?:-3 7 t 4 -
1
X 7
l rirr
CHORUS
Bb7
iffi
FFï]fl
'neath
smile for the man who held hand- the
we're a - part- don't give heart tu_
72
Bb7
iffi
FTï]fi
u -
7 -. _ 7 1t ë ) t ?
Èur Èur
Bb7
iffi
FF?++
UT r í
r c
Can't you feel it when we touch? I will ne - ver ne - ver
I t
a) \-/+
vJ
+
e
+
e
+
J
+
I
+
e e a l l
Bbl
FFFFFI u'ïiffi
Eb
Fffi
o 7 77-A
. . J t l
r u r r ri'r
dancc, go and car - ry on- till the night is gone- and it's
t t f i z z 7 f l-7 77 l 7 a - 7 r t
Bb7
iffi
Fffi
u'ïiffi
Eb
all a - lone,- can he take you home,- you must tell him no.-
o t t t - t t t t t t = t " e t t ' ë
Bb7 Ab
T[rn
Ftïl+ ffi
n'ïim
Eh Bbl
tftfn
H##
o e it_à
ttt l _
a - e
a D
e
-
a ë , t 7
-
I 1
SEAOFHEARTBREAK
7,/a4/o & 7rí44r2 Q 7"1Das<Z & ?aul ?aa'pzarc
3ï"ïlii,I;ï ;iiliïïïi[ï,'Jf
I-'
,,^9, iiï,lï'J'-,
ï,ï;Iiïïii-lïi: .' i"ï.,,
iiil 3iLlll,lii,ïi J:3
l,iï:iïii';I:i;'lJ,lïiïïi -'^iï
Moderately bright
a) €'
mp
e e
r
tresc.
r I ,ï
Chorus
F Dm Br'
ffií ffi
€> €}
shine for me.- I'm- like a lost ship-
"ë
o
cI
-
f
I
l.:i
c| tl
: T ) F
filr
f
o r--LLL r r r I r-_lL
; >
Bb F
ï-i
Hffi ffi
€>
a - drift on a sea.- A sea of heart-break.
ffi
And lost love- lone - li- ness. mem-'ries of vour ca- ress. so di- vine.
u . . | r l f cl '
cl r l l ct sl c) Fl
t t t e c
) 1l ' c1 1l '
c
Bh F Dm7 Gm7
ï-' frrffi
H# ffi FiÏffi
r-ï-rrT1
.rffr-l
How I wish you were mine a - gain, my dear- I'm on a sea of tears- a sea of
' e 1 J 1
a t
c) r c) ti s
| r t lÍ J ' ' J
) Ír ) 1l ' a *7
c c c c I
I
11. F Dm Bb Gm7
ll2.
ffi ffi iTr-i
H{ffi
ffi
Ft+lll
Erl
Hi4#
Bb Fdim F
ïnn
l.]!JJ
F+TIH
Ímmlmffi
ïr-n--r'
Hi# F+E ffi
tL 69
È Fi F
F Dm Bb
o o ' J ?
Oh,- come to my res - cue- come here to1
f-..-.--.---
?-
o lqilr r
I'r | lr t í
c í ' r ÈÈ
I
r r' - d à. ) J'
c1 F Dm
:r J-
ffii ffi I
I
I
I
l a l
I I ' I
I
e--- € >
me- take- me and keep me--
o 9 E ) r
'? b l e lb
É
ic' r r r r tI cl tl I rl l - r
c
[lr
;ï-r-; 'ffi"
c1
[trtD
H# +fïJi
- à J . t ' * J e
a - way from the sea.- This sea of heart-break
- r t
q l
' r ' t
) - ) J à
) t l Sl
9 t
'? bl r
)
b
r
r *- lv +u
r I F
c e l
70
F
ffi
- li - ness. 'ries
and lost love- lone mem- of vour ca-ress. so di - vine
I
A J T T ' J t
c rl lc Fl t t È r 1 1l ' c| 1 l .
c
l 1 i ' )c l l '
c
I
Gm7
ffi ffi
r-flï-l
rfi-rn
F Dm Bb cm7(b5) F
a v * t e t r r r +
e
'| f l i r í
ê
r it. i
Chorus2:
How did I loseyou
Where did I fail
Why did you leaveme
Always to sail.
This seaof heartbreak?
And lost love loneliness,
Mem'riesof your caress,so divine
How I wish you weremine again,my dear
I'm on a seaof tearsa seaof heartbreak.
71
SI]IGI]IG
THEBTUES ?,/aeda & Zría.b 6r/ 7rí€/4.r0 te/4/€t/
o c 0 P Y R t 6 Ht Í9 5 1 r C U t F - R 0 SMt U S TiCl C 0 R p 0 R A r EU0 S . A.
Á c u F r - R 0 s0EP R Y t A i lr0i l u s t cU l i l T t 0 , 1 2 9 p t R t (s T R E r Tt ., 0 i l 0 0 w
ltl
A r . rR. T G H TRSE S t R V r 0H. r t R l t À T t 0 l l Àc t0-p y R t G HsTr c u R t D .
Swing tempo
' -+ J
d ft. t J
í e I J J
F Br'
ffi ïErE'
Hffi
ffi
F F c7 F
d . - l
l l
tI E
l c) lt l F l t l
c
)
c
t,
à;
b--
F
ffi
ffi
r F
F7 Bb F Bb
r , t 7
o I r r
r
F Bb F
ffi H
Hffi ffi
thought was mine, there's noth - ing left for me to do but
a)
r r
64
'ffi"
c1 F
ffi
Bb F
i.m'
H# ffi
run- nlng why should I go- stay
ll.
c1 F Bb
Í r
i I
D
ll2.F
ffi ffi
I
'
i
t
I
t
b-
STA]IIIBYME
Ad4d4 & 7/í4a/z Q 8"u t.Kt a?, /e/t41/ .4ei6e, & 7rír*z Sí61/e
o c 0 P Y R r 6rH9 r6 rI R t 0t í u s t cc 0 M p Á itl -yt M t r t D
u s, a .
w À R l l Ec R - t M t T E102,9p Á R S
8 Á P P t iMl -U S rtC K Í R t t I ,t 0 [ 0 0 [ W 1 .
Slowly
o J
^
r
u t I
F
c7 C Am
o l
mp
) lr
c
)
c
P r
t \ t
ffi;m
mÍ-r]
l ' 1
'-'
and the moon_
ÊËin
€> -------/ -'J
d
ït ,i
r
i f - |
c l
F - )
c l
f r
J t
l . , ' \
76
r
Am F
ffi
I..]...l..m ffi
G7 C
Ëïïïï ËËïïi
t_ Am
ffi ffi
rrrrn
F G1 C
aJ è r - ' e è = + 4 q
Ért'
r r fI l g ,g
77
SUMMERTIMEBLUES
7'/o4doe 2ríqliz q. fuáz
o c 0 P Y R t G1H9I5 8Á t í t R t C A
ea4iao e /euA Oa/444rr
i t iUl S t iCl C 0 R p 0 R À I U ES0 ,A .
c l i l t P H 0 l lM
r cU s r cc 0 M P A iUl YM t I t 0 ,8 / sr R t r Hs r R E r rr,0 t { 0 0Ti l, 1 .
Á L IR- I G H TRSE S T R VIEI Il T) ,E R I { A Í I O C tOI A
P IY- R I G
S IHCTU R T I ) .
Moderately
F ( ' C
!
ffiffiffiffi
F; l r-r- r r r- -L-Ë 1
- a t H r r l l I - ? - - - - T , 1
Q-t 1
to try to earn a dol - lar,
tacet -
Spo ken
b o s s s a y s , " N o d i c e , S o n ,y o u g o t - t a w o r k
f f *1'
t t t l
78
F (;- C
##
,gu{).
ffi ++Jlí
fi1-H ffi
Sonre-tirnes I won<ler what a - g o n -n a d o , - B u t t h e r e a i n ' t n o c u r e f o r t h e Sum-mer-time-
Blues.
I
(; C F C C
., 9 + q .
tJÏB
ttu fi
,aÍlí),
ffiH ffi ffi ffi ffi
well my
gon- na)
G L
FHM
ffi
.r44+
ffifH ffi
t o l d n r e ," S o n ,y o u g o t - t a m a k es o m em o - n e y , If you
w e ek s - f i o n - n a h a v c a f i n e v a - c a - t i o n , gon - na
F G
ffi ffi
rr+441
ffi
w a n t - t a u s et h e c a r t o g o a rid - next- Sun - day," Well, I
take- my- prob-ler.n to the I T ni-ted Na - tionsl Well, I
7g
F
tacet
ffi Spoken
"Now you
did - n't go to work- Told the boss I was sick- use the car 'cause you
called- m y - C o n - g r e s s - m a na n d he- said (quote) "l'd_
help you, Son, but you're
rer r
.m
(;7
#fr
n't ryork
young Some-times
( (;7 C C C
#
F
Hffiffi ffi
-,99q,
ffi #
Sum-mer-time-
Blues.
F C
lE-- --499,
L F G C
|TTm
ffi ffi ffi ffi ffi ffi
80
THE FRIE]III
GIRIOFMYBEST ?4ae/4 & 7r/44.2 6q 3e4e,l4 Ruo & Sa$o 8o6'rë&
@ c 0 P Y R t 6 H1T9 5 9t t v t S P n t S I E YM U S TnCC 0 R P 0 R ^ r E l0r,Ê r Y 0 R l (U, S À .
C A n I l i i l U S l CC 0 R P 0 R A T l 0l R l l 0, l lB R I D GH
E0 U S E , B 3 R I D GAEP P R 0 A Cl H , 0, l l 0 0 ll ll Y l l F 0 n Í H E U l t l T t 0l ( l l l G 0 0 l í ,
8 R | l t S HC 0 M t í 0 l t w t A t T ( tHl c t u 0 t l G c A i Á t l AÀ 1 0 t u s T R À t a s t aT )8 t R t P u B U c0 t t R E t A l t À 0 l l 0l s R A i l . .
i r , t R | 6 H Í sR t s E R v t 0I.l I t R I À I | 0 l t A tc 0 P Y R I G N s tTc u R E 0 .
Medium tempo
a) J
I
) tE ?t . t? ?t t l
c
I E I i rÍ=rÍ'
r Èr r : r r r r-..ÊtÍ
Ï J
U r J r l
)
c
F Dm x o
C
^
7 F Dm c7 F
Dm C Bb c
Ëiïffi iHÏÏí ï-i
Hiffi ffií
\ t -
.\t---:z
I- pre - tend.- Oh I can't help it I'm in
o, r I t-i-u i } U - U I t u'Lf r , _ J t
r.r=r
F Dm Bb Gm c7
H f.rffi
ffi tiïffi Hffi FFltl ïffií
a t
r
l
I
t a
r
Ë
l Ir-r=rÍ
r I j -l j r
w Èr-r{ÍrI LT='[jï
22
F Dm c1 F Dm c7
ffi ïÍïffi ffi H+ffi iffií
d ..1 j1 ,?,
F'L1ï ) -
c I f=rÍf lr: ) -
t I rÍ=rÍï
F Dm C Bb
C F Dm Bb Gm
o e a ) 1l ' r) Fl
c I rÍ=Í r È r3r j:
t-
J è
) rI Ít -- tt rI r i
I J T J I
\ l
F F7 F
' Í 1 L1 j t í't I t 7 J -
) rl lc Pl
F
l-J Fl- = lf f
I
\
c
23
Dm Gm7 F F7
tiïffi ffi
ffi ffi ffi
and hold her in my arms,but then
Bb F Dm
hrrtr-i
H#H ffi H+ffi
c7 F Dm c7
I rÍ=[.r
Í
F Dm c1 F Dm C
o lB:
l
I
' ÈrÍ-fITrr: I
t t [f=rr I u-u-t
24
B' C F Dm
H
H# ffi" ffi -->\ H+ffi
or will I al - ways be in love- with the
o lC l l- -a -- t t t I i-rÍI r r - ) 1 l ' c) Pl
c I rÍ=rÍr
1.
Gm F Dm
ffi
ffiF ffi EÍÏffi
. -
girl of my best friend?-
d È t _j=l- l Jj r l
c rLJk ÍL-Jt l I r r r . r rf
L-Jr - | È
'
r_r=r
r ?
c7 F Dm c1 F
oi I r t tY:
fÍ=f-rT LÍ=r_r r-r=Éi
T t'
Dm c7 F Dm c7 F
\ - . . 5 2 - v v \ - t \ - - . - i /
end,- please- let- it- end.-
A
a)
I rÍ=rÍT|r: È t f=rÍT ) Ef:f
c
f fi
t t t t l
v - l
25
TOK]IOW
HIMISTOIOUE
HIM
Aa4d. e 7/í4412 Q ?4rl Spz<taz
o c 0 P Y R T G 1H9T5 8B YV { A R M AMt U t S TCC0 M P A t l H Y 0, i l . Y W 0 0 U
DS , À.
À r - LR T G H Tr 0SR T H Et V 0 R t 0( E X C t U 0 i l U
t GS AA i l DC A i l A 0 AC)0 i l Í R 0 r r r D
8Y
B 0 u R i l iM U S TLCt M t T E 03. 4 / 3 6M À 0 0 0 IS Í R E t T[.0 n 0 0 i lW 1 .
A L TR I G H TRSE S E R V IIOI I.T I R I I À I I O NCÀOTP Y R I GSHtTC U R T Í ) .
{( l i i m ))
(yor-rI
81
Bb Eb
rfl-rn ffiFF
HM FFFEB
-f ,t-,v\
l|dl be good to l(hVi omu A n d fl ' d l b r i n g l o v e t o l n t m - l
? {t'll\ -\a ll'll\ (you _l
? 3 3
Cm
.rThr
ffi
T ?
love- fhim'-f4n,1 1
atvou,-l ,
B7
82
know.know, know- )llt^ll-l rr to
' y o u _ r- - . lovc, lovc, love- ihilí--t Jusr ro 5....\ltirnl :,}'1.:_
íyou._t tyou\
3 ? 3.. ?
I
f f =3 v+ f f *v+r
\ ï7 3:Í7i
f f
e ?
k n o w ,k n o w , k n o w -Ill i r n- ' 1 , t o
'vou-'
3 - ?
F rr r
í t ( . í
83
TRUETOVEWAYS
?,/d44o A 7/ía4<b 6? gadl4 ?ol/? e ?íouan ?*?
o c 0 p y R l c H 1T 9 5 8M p r C 0 M M U i l t C Á T t n0 ci l0SR p 0 R À T E 0 .
p t E R M U S (t C
U t ( )i l M t I E 0 , 8 - 1 4V E R U T ASM I R t t ï . t 0 i l D 0 lw
t c1.
A I . LR I G H TRSE S E R V IIOI I,I E R I I Á Ï I O IC i AOI P Y R I 6 S H tI C U R I D ,
Slorvly
3
Ju s t vou kno$,
3
- , -
A )
0m Eb Dm F7
ïTm .|]# .rnï r H+91 SFFR
HTTIJ }#
dl]i fttfh iffifj
T-
- , ' a. ==' / -
I t l
u ill and
-
-ï-i i------ \
-1=
nv) *
t. 4
=
r-
.
l
, :
t- .-a ,i- 1
c a -
8b Gm Gm7
rim Cm7
ltFSl m .rfiTl
Ht?n fttffl ti?t?t tltH
_==
=_-t
know Love Ways
91
8b Dm F7
t1 m
m ffi f-tf+fi
l# l-ftiÈ ftHn .tffb
djln
sorne
_ a
Dm F7 8b
8b
i+p lm
i]#
+R
'ffi
dlin
fitn lJ'ff-.i
know ult\.
Tt =
F7 Bb Eb Bb Ebm
sFn m 'l]'s ffi m
'rl ]t-l*m
}#]#
i+''n |-tt|H fftl+l ifit!
it?tfl rtttit
.-------------+--Ê-
---
+ 1
--'ïJ t---
A:7
t-
1
/
|r \- r -1
:_T
1
- í . = { - }
Ab7 8b 0b
*FTR
m
FI-}}H
m l-fti-fr
tlnn Fl'l!
-f-
=
'l'rue to sntrc
our Love Way
92
Some - times
Eb F7
-}+* Ím
f++tN
l-itfH Ittt!
ju
J-'r-
Love- Ways
Í i
93
ÏWE]ITY ROGK
FTIGHT
?,Oa'doe 7/44"2 6./ %"/ 7a"rárlí A fuáe e6</44ro
o c 0 P Y R t Ê Hl 9Í 5 i À M E R t C À Mi Ul S TiCl i C 0 R P 0 R À r 8U0S, r .
C A i l P B E tCt 0 l l l { E t L&YC 0 M P A I l{ -Yl M l Í E D8./ S t R I T HS I R E t Tl,- 0 t l 0 0 w
t ll .
À I - IR, I G H I S R E S T R l , EI IOI T
, E R I I A T I OCI IOAPI .Y R I 6 S
HETCURIO.
Medium beat
F6
iiÏur
v E R S E Sr r r i i l
Bb7
I:7 ITIFI]
u+ffi
tftfi1
rtrffi
F6
d+fl
rtn rJ ffi
all a lone where I can hold her tight, But she lives on the twen - ti - eth
I'm in bed- with the ach ing feet," This went- on- for
love my ba - by too- much to wait, Alt this-climb - in' is
l'
84
(lm7
F6
#
F6
r+m
rfi#
Frjrm
+l+t
ffi
(imr
TTfl r
trËll
tu
floor up town, The el - e-va tor's bro down
cou ple of days, But I- could n't stay way.
get - t i n ' m e down, T h e y ' l lf i n d me hang in' ov rail.
CHORUS F6
C7+ F7
I]THI FiITfl
tttfit
trrïrrl
So I walk one two flight, three flight four, Five six sev - en flight, flight
Bb7 F6
FfITTl
HïfïI #
ffi
r+#H
U p t o t h e t w e l f t hI ' m Fif-teen floor 'to
sag, Get to the top,
L /
l2;- - ;;- .' , F6
ffi frffiï $ffi ffi ffiffiffi ffi+1ffi ffi
85
WHY
IIOFOOTS
TAILIlILOVE
?,/ozdo & ?/íqdi.6? har&ie Zr/taro & %íoaar:o .4e<'r/
o c 0 P Y R I G H1 I9 5 6( R E i l T W EBDr)6 S r V r i lC 0 R P 0 R A T r 0 UiSl ,A .
c H A P P E iMl -U S TU CM r T t 0 ,1 2 SP A R ÍS Í R t t ï , r . 0 i l 0 0 w
il1.
A L TR I G H ] S
R E S I R V T IÍ I){. T i R I { Á T I { ) C
I IO
API -Y R I GSHTTC
UREt).
t r È f
m p r I
o r
r cl rl c) Fl ?
r c) Íl c) Fl
r l = e
88
DnÍ Gm7 C7
frtG ï-Em"
Êiïffi
Í..].."|..m H4+# H4+l
' ut r l r ct lt lc -l È ri r ) ri
c
)e F
\ r
ffi
F DÍil
EÉB
Cm7
t,.ffi 'ffi-
c] F Dní Gm7
tr,ffi
t_/
why does the rain fal from up a- bove? why cro fools
a)
c
t rl )
c
fl ra lT
\
ca l- I
c
r È r l
c
l
c
ffi
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