Professional Documents
Culture Documents
All roads lead to Beijing. Or to Shanghai. This is what we can seemingly deduce from
conversations with architects from different countries. Everyone is working in China
or trying to get a project to develop in the country. Large firms, young architects,
Americans, Europeans, Japanese. They all have a Chinese stamp on their passports. The
new economic boom is closely connected with the strong architectural development
of the last few years, with very attractive proposals such as Dongtan, the first
environmentally sustainable city in the world, designed by Arup on an island off the
coast of Shanghai. Aware of this phenomenon, and as a foretaste of the great exhibition
on Chinese architecture planned for 2008, the Mies van der Rohe Foundation of
Barcelona organised a series of conferences entitled China: New Architecture, in which
figures of such prestige as Pei Zhu and Qingyun Ma participated; architects who studied
in the United States and have undertaken a number of major projects, both in their
country and abroad. Both are exponents of a new style of architecture which combines
traditional and modern aspects, based on elements of Chinese culture reinvented with
new materials and using new shapes and textures.
BACKGROUND
Qingyun Ma turns out to be
perfectly able to analyse the future of
architecture in China and the weight of
western influences. Ma is the founder of
the MADA s.p.a.m. studio (strategy,
planning, architecture, media), with
headquarters in New York, Shanghai and
Beijing. After studying at Tsinghua
University, he was the first university
student of his country to be given a grant
to study at the University of Pennsylvania
since 1937. In China, where he has been
given several awards, there are projects
such as the campus and library of
Zheijiang University, in Ningbo; the Red
Star building, a former asylum
reconverted and lined with bamboo,
where the MADA studio in Shanghai is
based; and he has taken part in the Well
Hall project, a building in the outskirts of
Xian constructed by the villagers without
the use of a single plan.
I like to say that China is now
like a “miraculous butterfly”,
and with the movement of
its wings great things are
created.”
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