Professional Documents
Culture Documents
Your guide to
Biltmore House
Asheville, North Carolina
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Title
Intro text in this space
2 Y O U R G U I D E T O B I LT M O R E H O U S E
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Welcome to
Biltmore House,
home of the Vanderbilts
On Christmas Eve 1895, George W. Vanderbilt officially opened Biltmore
House. Three years later, he brought his bride Edith Stuyvesant Dresser to
Biltmore, and in 1900, their only child Cornelia was born here.
After Vanderbilt’s death in 1914, Edith and Cornelia continued to call
Biltmore home, with Edith assuming management of the estate. In 1924,
Cornelia married the Honorable John Francis Amherst Cecil, and they
lived and entertained in Biltmore House. In response to requests to
increase area tourism during the Depression and to bring in money to
preserve the estate, the Cecils opened the house to the public in 1930.
Today, Biltmore remains a family business. Vanderbilt’s grandson,
William A.V. Cecil, owns Biltmore; his son, William A.V. Cecil, Jr., serves as
chief executive officer, and his daughter, Diana Cecil Pickering, is vice
chair of the board of directors and advisors. Along with 1,800 employees,
they continue the preservation of this national treasure.
Our
preservation
story
Learn about the estate’s
restoration and preservation
work with our exhibition,
If These Walls Could Talk,
included in your admission.
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Main Floor
Begin your visit at the Main Floor entrance.
George and Edith Vanderbilt welcomed their guests to relax and
enjoy all the estate offered. Biltmore House was a collaborative
effort between Vanderbilt, architect Richard Morris Hunt, and
landscape architect Frederick Law Olmsted, who brought their
distinctive talents to bear on their greatest project.
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MAIN ENTRANCE
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5 BREAKFAST ROOM: The family and guests ate breakfast and luncheon
here. Portraits include two men who founded the family fortune: Mr.
Vanderbilt’s grandfather, Cornelius “Commodore” Vanderbilt (above door on
right), and his father William Henry Vanderbilt (above display case). There
are two paintings by Renoir: Young Algerian Girl (on left) and Child with an
Orange (on right).
6 SALON: Two portraits by John Singer Sargent show Vanderbilt’s mentors
who were instrumental in creating Biltmore: architect Richard Morris Hunt
(on left wall) and landscape architect Frederick Law Olmsted (on right wall).
7 MUSIC ROOM: This room was completed in 1976; it is not known why
it was unfinished in Vanderbilt’s time. During World War II, the National
Gallery of Art in Washington, D.C. stored priceless paintings and sculptures
here for safekeeping.
8 TAPESTRY GALLERY: Guests relaxed in this 90-foot-long room before
and after meals. In addition to 16th-century Flemish tapestries, the art includes
portraits of George Vanderbilt (above Library door) and his mother (to the
left) by John Singer Sargent. To the right is a portrait of Edith Vanderbilt by
Giovanni Boldini, painted 12 years after her marriage to Vanderbilt.
9 LIBRARY: This room showcases Vanderbilt’s
favorite passion: books. There are more than 10,000
volumes in eight languages here, attesting to the
1900 quote from a New York journalist that Vanderbilt
was “the best read man in the country.” Napoleon
Bonaparte once owned the chess set and gaming
table. The Pellegrini ceiling painting, The Chariot of
Aurora, came from the Pisani Palace in Venice.
10 TAPESTRY GALLERY: As you return through
the Tapestry Gallery towards the Entrance Hall,
note the portrait of Edith Vanderbilt in an oval
frame by James McNeill Whistler.
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Second Floor
George and Edith Vanderbilt’s private bedrooms and sitting
area comprise this section of the house.
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11 THE LOUIS XVI ROOM and SECOND FLOOR LIVING HALL host
our temporary exhibition, If These Walls Could Talk. Please turn off your
audio tour and remove your headphones to enjoy the exhibit focusing on
preservation, restoration, and family history.
12 MR. VANDERBILT’S BEDROOM: With a
commanding view of his estate, Mr. Vanderbilt’s
Bedroom highlights his attention to detail, such
as the gilded wallcovering and the decorative
locksets and sconces. While enjoying his luxurious
surroundings, Vanderbilt was also involved in
philanthropic endeavors including establishing
All Souls Church in Biltmore Village, the Biltmore
Parish Day School, and the Young Men’s Institute George Vanderbilt
for Asheville’s African-American community. in family portrait
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Third Floor
Turn left from Mrs. Vanderbilt’s Bedroom and take the stairs to
the Third Floor. Go down the steps to the left and continue down
the corridor.
Guest bedrooms on this level were named for their location, works
of art, or for artists whose works are displayed. Since house parties
during the early 1900s lasted for days or weeks, families like the
Vanderbilts needed plenty of bedrooms for their guests.
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Vanderbilt inherited
the elaborate display
cabinets in the
Third Floor Living Hall
from his father,
William H. Vanderbilt.
The oval-shaped
North Tower Room
features a printed sateen
fabric on the walls
and furniture.
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Fourth Floor
Turn left after exiting the North Tower Room, and take the wooden
staircase to the Fourth Floor. This floor contains bedrooms for female
domestic staff and rooms used by George Vanderbilt and his guests.
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Third Floor
Continue your visit by descending the Grand Staircase to the
Third Floor and turning right for another view of the Third Floor
Living Hall.
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25 WATSON ROOM: Named for the engraver James Watson, this is the
only guest room in Biltmore House with twin beds. A guest at Biltmore’s
1895 opening was Vanderbilt’s 20-year-old niece, Gertrude, who wrote a
friend about her visit. “It has been so delightful down here—so, so much
nicer than I thought it would be that I hate the idea of going home.”
26 VAN DYCK ROOM: This room features prints after paintings by the
17th-century artist Anthony Van Dyck. American novelist Edith Wharton
had been a friend of Edith Vanderbilt since they were girls, and was a frequent
guest at Biltmore. During her 1905 visit, she wrote a friend about the Christmas
fête for 350 people on the estate featuring a 30-foot decorated tree.
27 MORLAND ROOM: Named for the English painter George Morland,
this bedroom attracts attention with exotic Indian-style fabrics and Rococo-
style furniture. The bed draperies are exact reproductions of hand-painted
originals from George and Edith Vanderbilt’s honeymoon villa in Stressa, Italy.
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28 MADONNA ROOM: The walls are hung with prints after famous
Renaissance paintings of the Madonna and Child. A close friend of
Vanderbilt’s, Paul Leicester Ford, wrote the historical novel Janice Meredith
while staying at Biltmore. He dedicated the book to George Vanderbilt,
saying in part “As I have read the proofs of this book I have found more
than once that the pages have faded out of sight and in their stead I have
seen Mount Pisgah…or the ramp and terrace of Biltmore House, just as
I saw them when writing.”
Turn right after the Madonna Room and go down the staircase to the
Second Floor.
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Second Floor
After descending the staircase, continue to the Damask Room.
The four newly restored guest rooms on this floor are known
as the Louis XV Suite.
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29 DAMASK ROOM: This room is the first in a suite comprising the most
grand guest rooms in Biltmore House. The wallpaper and fabrics are exact
reproductions of originals from Vanderbilt’s collection. Biltmore curators
discovered small fragments of the original paper underneath door moldings,
and were able to match these fragments to full-sized wallpaper samples in
storage for more than a century.
30 CLAUDE ROOM: Named for the French painter Claude Lorrain, one of
Vanderbilt’s favorite artists, whose prints are on the walls. Close friends and
family stayed in these rooms when they visited, such as William O. B.“Willie”
Field, Vanderbilt’s good friend who played a major role in his 1898 courtship
of Edith Dresser.
31 TYROLEAN CHIMNEY ROOM: Vanderbilt purchased the dramatic
hand-painted 18th-century Swiss porcelain tile chimney during his European
travels and asked Richard Morris Hunt to incorporate it into Biltmore House.
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32 LOUIS XV ROOM: Named for the French king who inspired the
furnishings, this room played a pivotal role in the lives of the Vanderbilts.
George and Edith Vanderbilt’s only child, Cornelia, was born in here in 1900.
In the 1920s, Cornelia gave birth to her two sons in this room. Ornate cut
and uncut silk velvet wallcoverings were re-created in France as part of the
room’s restoration.
33 LOUIS XV HALLWAY: Cornelia Vanderbilt was a welcome addition to
the family and frequently traveled with her parents to Europe or their other
homes. When at Biltmore, she studied and played with children of estate
workers, growing into an accomplished young woman.
Descend the short flight of stairs, turn right, and continue down the hall to
the Grand Staircase. Go down the staircase to the Entrance Hall.
34 GRAND STAIRCASE: Note the four-story iron chandelier that
illuminates the Grand Staircase. It is suspended from a single point to
light this impressive space.
At the base of the staircase, make an extreme right turn to continue to the
Basement level.
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Basement
At the base of the Grand Staircase,turn right and go through the small
doorway. Descend the steps and turn right to reach the stone hallway.
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Main Floor
Please climb the stairs leading to the Bachelors’ Wing of the house
to continue your visit.
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