Professional Documents
Culture Documents
&
Juliet
Adapted
for
Lean
&
Hungry
Theatre
by
Kevin
Finkelstein
[A
Note
about
the
music.
CAPULET’S
THEME
and
MONTAGUE’S
THEME
are
referenced
throughout
the
script.
The
melody
of
both
stems
from
a
bigger
piece
(i.e.
the
melody
strains
can
be
heard
in
this
“bigger
piece,”
which,
for
the
purposes
of
this
script,
is
called
SHOW
THEME]
PROLOGUE
[MUSIC
#1:
SHOW
THEME
BUILDS]
CAPULET
Two
households,
both
alike
in
dignity,
MONTAGUE
In
fair
Verona,
where
we
lay
our
scene,
TYBALT
From
ancient
grudge
break
to
new
mutiny,
MERCUTIO
Where
civil
blood
makes
civil
hands
unclean.
NURSE
From
forth
the
fatal
loins
of
these
two
foes
ROMEO
&
JULIET
A
pair
of
star-‐cross'd
lovers
take
their
life;
FRIAR
LAURENCE
Whose
misadventured
piteous
overthrows
LADY
MONTAGUE
Do
with
their
death
bury
their
parents'
strife.
PARIS
The
fearful
passage
of
their
death-‐mark'd
love,
LADY
CAPULET
And
the
continuance
of
their
parents'
rage,
BENVOLIO
1
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
Which,
but
their
children's
end,
nought
could
remove,
PRINCE
Is
now
but
one
hour’s
traffic
of
our
stage.
[MUSIC
#2:
SHOW
THEME
OUT
(BUTTON?
BLEND?)]
[MUSIC
#3:
LEAN
&
HUNGRY
THEME
SONG
IN]
HOST
From
the
heart
of
the
nation’s
capital
you’re
listening
to
a
Lean
&
Hungry
Theater
radio
drama
adaptation
of
William
Shakespeare’s
classic
tragic
love
story,
“Romeo
&
Juliet.”
Brought
to
you
with
the
support
of
WAMU-‐FM
and
the
St.
Stephen
and
the
Incarnation
Arts
Collaborative,
and
endorsed
by
the
Columbia
Lighthouse
for
the
Blind,
this
performance
of
“Romeo
&
Juliet”
is
presented
in
one
hour.
And
now,
Lean
&
Hungry
Theater
presents
“Romeo
&
Juliet.”
[MUSIC
#4:
LEAN
&
HUNGRY
THEME
SONG
OUT]
NARRATOR
Love
is
in
the
air
and
Cupid
has
his
arrows
knocked.
For
the
young
teens
of
Verona,
California,
the
days
are
filled
with
classes,
fencing
lessons,
planning
for
the
big
Spring
Formal,
and
way
too
much
testosterone.
For
the
opulent,
high-‐class
families
of
Capulets
and
Montagues,
however,
the
arrival
of
the
season
simply
means
more
planning,
positioning
and
fighting.
For
these
two
families,
the
most
influential
and
highly
regarded
in
Verona,
nothing
is
more
important
than
being
viewed
as
the
crème
de
la
crème,
and
that
will
only
happen
for
one
when
the
other
is
disgraced.
As
our
story
opens,
classes
are
about
to
be
dismissed
for
the
day
at
the
Prince
Preparatory
Academy.
Any
hope
of
a
peaceful
end
to
the
day
is
dashed
when
Balthasar,
loyal
to
the
Montague
family,
and
Sampson,
of
the
Capulets,
pass
each
other
in
the
hallway.
Ah,
the
hot-‐
headedness
of
youth.
SCENE
I.
[SFX
#1:
SCHOOL
BELLS]
[SFX
#2:
STUDENTS
MILLING
IN
HALLWAYS
AND
EXITING
SCHOOL]
BALTHASAR
Do
you
bite
your
thumb
at
me,
sir?
2
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
SAMPSON
I
do
bite
my
thumb,
sir.
BALTHASAR
Do
you
bite
your
thumb
at
me,
sir?
SAMPSON
No,
sir,
I
do
not
bite
my
thumb
at
you,
sir,
but
I
bite
my
thumb,
sir.
Do
you
quarrel,
sir?
BALTHASAR
Quarrel
sir!
no,
sir.
SAMPSON
If
you
do,
sir,
I
am
for
you:
I
serve
as
good
a
man
as
you.
BALTHASAR
No
better.
[SFX
#3:
AMBIENT
SOUND
OUT]
with
Actors:
“It’s
on!”
“Oh,
snap!”
etc.
2
seconds.
Actors
out
with:
[SFX
#4:
FOIL
BEING
DRAWN]
SAMPSON
Draw,
if
you
be
a
man.
[SFX
#5:
FOIL
BEING
DRAWN,
2
BLADES
CONNECTING
ONCE]
Actors:
“Fight!
Fight!”
Cheers,
etc.
over
[SFX
#6:
FIGHT
NOISES
OF
SWORDFIGHT
(FOILS)]
Actors
out
with:
[SFX
#7:
FOOTSTEPS
RUNNING
UP
ON
TILE,
FOIL
BEING
DRAWN]
Enter
BENVOLIO
BENVOLIO
Put
up!
You
know
not
what
you
do.
3
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
[SFX
#8:
END
FIGHT
NOISES
OF
SWORDFIGHT]
Enter
TYBALT
TYBALT
Turn
thee,
Benvolio,
look
upon
thy
death.
BENVOLIO
I
keep
the
peace,
Tybalt:
put
up
thy
sword,
Or
manage
it
to
part
these
men
with
me.
TYBALT
What,
drawn,
and
talk
of
peace!
I
hate
the
word,
As
I
hate
hell,
all
Montagues,
and
thee:
[SFX
#9:
FOIL
BEING
DRAWN
(under
next
line)]
Have
at
thee,
coward!
[SFX
#10:
FIGHT
NOISES
OF
SWORDFIGHT
(FOILS)
under:]
BALTHASAR
Clubs,
bills,
and
partisans!
SAMPSON
(overlapping)
Strike!
beat
him
down!
BALTHASAR
(w/
others)
Down
with
the
Capulets!
SAMPSON
(w/
others)
Down
with
the
Montagues!
Enter
PRINCE
[SFX
#11:
FOOTSTEPS
(TILE),
PRINCE’S
FLOURISH]
PRINCE
Rebellious
subjects,
enemies
to
peace,
Profaners
of
this
neighbour-‐stained
steel,-‐-‐
Will
they
not
hear?
What,
ho!
4
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
[SFX
#12:
FIGHT
NOISES
AND
HALLWAY
NOISES
END]
You
men,
you
beasts,
On
pain
of
torture,
from
those
bloody
hands
Throw
your
mistemper'd
weapons
to
the
ground,
And
hear
the
sentence
of
Headmistress
Prince.
If
ever
you
disturb
our
streets
again,
Your
lives
shall
pay
the
forfeit
of
the
peace.
For
this
time,
all
the
rest
depart
away.
[SFX
#13:
PA
RECORDING:
“Headmistress
Prince,
please
report
to
your
office.”]
PRINCE
Once
more,
on
pain
of
death,
all
men
depart.
NARRATOR
Headmistress
Prince,
one,
Capulets
and
Montagues,
zero.
Still,
don’t
be
too
hard
on
them.
We
were
all
young,
once
upon
a
time.
It’s
clear
from
this
latest
skirmish
that
the
Capulets
and
Montagues
won’t
be
breaking
bread
together
anytime
soon.
And
speaking
of
the
Montagues,
it
looks
like
Benvolio
has
arrived
at
their
house,
looking
for
their
son,
Romeo.
Like
most
teenage
males,
Romeo
has
lately
been
spending
his
free
time
thinking
about
women,
wine
and
song.
Benvolio
is
a
little
worried
that
life
might
be
passing
Romeo
by,
and
he’s
talking
with
Lord
and
Lady
Montague
about
it…
SCENE
II.
LADY
MONTAGUE
O,
where
is
Romeo?
saw
you
him
to-‐day?
BENVOLIO
Madam,
an
hour
before
the
worshipp'd
sun,
So
early
walking
did
I
see
your
son:
Towards
him
I
made,
but
he
was
ware
of
me
And
stole
into
the
covert
of
the
wood.
MONTAGUE
Many
a
morning
hath
he
there
been
seen.
[MUSIC
#5:
MONTAGUE’S
THEME]
BENVOLIO
See,
where
he
comes:
so
please
you,
step
aside;
I'll
know
his
grievance,
or
be
much
denied.
5
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
MONTAGUE
Come,
madam,
let's
away.
Exeunt
MONTAGUE
and
LADY
MONTAGUE
[SFX
#14:
2
FOOTSTEPS
EXIT,
SOFTLY
(SLIPPERS
ON
CARPET)]
BENVOLIO
Good-‐morrow,
cousin.
ROMEO
Is
the
day
so
young?
BENVOLIO
But
new
struck
nine.
ROMEO
Ay
me!
sad
hours
seem
long.
BENVOLIO
What
sadness
lengthens
Romeo's
hours?
ROMEO
Not
having
that,
which,
having,
makes
them
short.
BENVOLIO
In
love?
ROMEO
Out-‐-‐
BENVOLIO
Of
love?
ROMEO
Out
of
her
favour,
where
I
am
in
love.
BENVOLIO
Alas,
that
love,
so
gentle
in
his
view,
Should
be
so
tyrannous
and
rough
in
proof!
6
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
ROMEO
Alas,
that
love,
whose
view
is
muffled
still,
Should,
without
eyes,
see
pathways
to
his
will!
Dost
thou
not
laugh?
BENVOLIO
No,
coz,
I
rather
weep.
ROMEO
Good
heart,
at
what?
BENVOLIO
Tell
me
in
sadness,
who
is
that
you
love.
ROMEO
In
sadness,
cousin,
I
do
love
a
woman.
BENVOLIO
I
aim'd
so
near,
when
I
supposed
you
loved.
ROMEO
Rosaline:
She'll
not
be
hit
With
Cupid's
arrow;
she
hath
Dian's
wit;
O,
she
is
rich
in
beauty,
only
poor,
That
when
she
dies
with
beauty
dies
her
store.
BENVOLIO
Then
she
hath
sworn
that
she
will
still
live
chaste?
ROMEO
She
hath
forsworn
to
love,
and
in
that
vow
Do
I
live
dead
that
live
to
tell
it
now.
BENVOLIO
Be
ruled
by
me,
forget
to
think
of
her.
ROMEO
O,
teach
me
how
I
should
forget
to
think.
BENVOLIO
By
giving
liberty
unto
thine
eyes;
Examine
other
beauties.
7
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
ROMEO
Farewell:
thou
canst
not
teach
me
to
forget.
[MUSIC
#6:
MONTAGUE
THEME
OUT]
NARRATOR
Wait,
what?
I
thought
this
was
supposed
to
be
Romeo
&
Juliet,
not
Romeo
&
Rosaline!
Well,
who
can
understand
the
workings
of
a
16-‐year-‐old’s
mind?
Let’s
head
over
to
Lord
Capulet’s
house,
where
Lord
and
Lady
Capulet
are
chatting
with
the
County
Paris,
who’s
no
slouch
in
the
status
department.
The
County
Paris
has
just
presented
his
case
for
wedding
Lord
and
Lady
Capulet’s
only
daughter,
Juliet.
SCENE
III.
[SFX
#15:
AMBIENT
SOUNDS
OF
A
GOLF
COURSE]
[MUSIC
#7:
CAPULET
THEME]
PARIS
My
lord,
what
say
you
to
my
suit?
CAPULET
But
saying
o'er
what
I
have
said
before:
[SFX
#16:
SOUND
OF
GOLF
BALL
BEING
HIT]
My
child
is
yet
a
stranger
in
the
world;
She
hath
not
seen
the
change
of
fourteen
years,
Let
two
more
summers
wither
in
their
pride,
Ere
we
may
think
her
ripe
to
be
a
bride.
PARIS
Younger
than
she
are
happy
mothers
made.
[SFX
#17:
SOUND
OF
GOLF
BALL
BEING
HIT]
CAPULET
And
too
soon
marr'd
are
those
so
early
made.
But
woo
her,
gentle
Paris,
get
her
heart,
An
she
agree,
within
her
scope
of
choice
Lies
my
consent
and
fair
according
voice.
This
night
I
hold
an
old
accustom'd
feast,
Whereto
I
have
invited
many
a
guest,
Such
as
I
love;
and
you,
among
the
store.
8
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
To
Servant,
giving
a
paper
[SFX
#18:
PAPER
BEING
SHAKEN]
Go,
sirrah,
trudge
about
Through
fair
Verona;
find
those
persons
out
Whose
names
are
written
there,
and
to
them
say,
My
house
and
welcome
on
their
pleasure
stay.
Servant
Aye,
my
good
lord.
[SFX
#19:
GOLF
CART
DRIVES
AWAY]
[MUSIC
#8:
MUSIC
OUT]
[SFX
#20:
DURING
NEXT
MONOLOGUE,
CHANGE/INCREASE
IN
AMBIENT
NOISES,
AS
SERVANT
WALKS
FROM
GOLF
COURSE
TO
BUSY
STREET]
Servant
Find
them
out
whose
names
are
written
here!
It
is
written,
that
the
shoemaker
should
meddle
with
his
yard,
and
the
tailor
with
his
last,
the
fisher
with
his
pencil,
and
the
painter
with
his
nets;
but
I
am
sent
to
find
those
persons
whose
names
are
here
writ,
and
can
never
find
what
names
the
writing
person
hath
here
writ.
[SFX
#21:
2
FOOTSTEPS
APPROACH,
FAST
(SNEAKERS
ON
SIDEWALK)]
BENVOLIO
Why,
Romeo,
art
thou
mad?
ROMEO
Not
mad,
but
-‐-‐God-‐den,
good
fellow.
Servant
God
gi'
god-‐den.
I
pray,
sir,
can
you
read?
ROMEO
Ay,
mine
own
fortune
in
my
misery.
Stay,
fellow;
I
can
read.
9
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
Reads
'Signior
Martino
and
his
wife
and
daughters;
County
Paris
and
his
beauteous
sisters;
the
lady
widow
of
Vitravio;
mine
uncle
Capulet,
his
wife
and
daughters;
my
fair
niece
Rosaline;
Livia;
Tybalt,
and
the
lively
Helena…'
A
fair
assembly:
whither
should
they
come?
Servant
Up.
ROMEO
Whither?
Servant
To
supper;
to
our
house.
ROMEO
Whose
house?
Servant
My
master's.
ROMEO
Indeed,
I
should
have
ask'd
you
that
before.
Servant
Now
I'll
tell
you
without
asking:
my
master
is
the
great
rich
Capulet;
and
if
you
be
not
of
the
house
of
Montagues,
I
pray,
come
and
crush
a
cup
of
wine.
Rest
you
merry!
[SFX
#22:
FOOTSTEPS
EXIT,
CLEATS
ON
SIDEWALK]
BENVOLIO
At
this
same
ancient
feast
of
Capulet's
Sups
the
fair
Rosaline
whom
thou
so
lovest,
With
all
the
admired
beauties
of
Verona:
Go
thither;
and,
with
unattainted
eye,
Compare
her
face
with
some
that
I
shall
show,
And
I
will
make
thee
think
thy
swan
a
crow.
ROMEO
10
|
P a g e
V e r s i o n
4 . 0
F I N A L :
1 2 . 0 3 . 1 0
I'll
go
along,
no
such
sight
to
be
shown,
But
to
rejoice
in
splendor
of
mine
own.
[SFX
#23:
STREET
NOISES
OUT]
NARRATOR
Romeo
is
so
caught
up
in
his
lust
for
Rosaline
that
he’s
planning
to
walk
right
into
the
lion’s
den
tonight!
This
won’t
end
well.
Let’s
check
in
on
the
Capulet’s
house.
Amidst
the
preparations
for
tonight’s
Spring
Formal
(one
of
the
highlights
of
the
social
scene
each
year),
Lady
Capulet
comes
to
her
daughter
Juliet’s
bedchamber,
and
finds
Juliet’s
Nurse
instead.
SCENE
IV
LADY
CAPULET
Nurse,
where's
my
daughter?
call
her
forth
to
me.
Nurse
Now,
by
my
maidenhead,
at
twelve
year
old,
I
bade
her
come.
What,
lamb!
what,
ladybird!
God
forbid!
Where's
this
girl?
What,
Juliet!
[MUSIC
#9:
CAPULET’S
THEME]
[SFX
#24:
FOOTSTEPS
ENTER,
SLIPPERS
ON
CARPET]
JULIET
Madam,
I
am
here.
What
is
your
will?
LADY
CAPULET
This
is
the
matter:-‐-‐Nurse,
Thou
know'st
my
daughter's
of
a
pretty
age.
Nurse
Faith,
I
can
tell
her
age
unto
an
hour.
I'll
lay
fourteen
of
my
teeth,-‐-‐
And
yet,
to
my
teeth
be
it
spoken,
I
have
but
four-‐-‐
Peace,
I
have
done.
God
mark
thee
to
his
grace!
On
Lammas-‐eve
at
night
shall
she
be
fourteen;
That
shall
she,
marry;
I
remember
it
well.
'Tis
since
the
earthquake
now
eleven
years;
And
she
was
wean'd,-‐-‐I
never
shall
forget
it,-‐-‐
Of
all
the
days
of
the
year,
upon
that
day:
For
I
had
then
laid
wormwood
to
my
dug,
11
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Sitting
in
the
sun
under
the
dove-‐house
wall;
My
lord
and
you
were
then
at
Mantua:-‐-‐
Nay,
I
do
bear
a
brain:-‐-‐but,
as
I
said,
When
it
did
taste
the
wormwood
on
the
nipple
Of
my
dug
and
felt
it
bitter,
pretty
fool,
To
see
it
tetchy
and
fall
out
with
the
dug!
Thou
wast
the
prettiest
babe
that
e'er
I
nursed:
An
I
might
live
to
see
thee
married
once,
I
have
my
wish.
LADY
CAPULET
Marry,
that
'marry'
is
the
very
theme
I
came
to
talk
of.
Tell
me,
daughter
Juliet,
How
stands
your
disposition
to
be
married?
JULIET
It
is
an
honour
that
I
dream
not
of.
Nurse
An
honour!
were
not
I
thine
only
nurse,
I
would
say
thou
hadst
suck'd
wisdom
from
thy
teat.
LADY
CAPULET
Well,
think
of
marriage
now;
Thus
then
in
brief:
The
valiant
Paris
seeks
you
for
his
love.
Nurse
A
man,
young
lady!
lady,
such
a
man
As
all
the
world-‐-‐why,
he's
a
man
of
wax.
LADY
CAPULET
Verona's
summer
hath
not
such
a
flower.
Nurse
Nay,
he's
a
flower;
in
faith,
a
very
flower.
LADY
CAPULET
What
say
you?
can
you
love
the
gentleman?
This
night
you
shall
behold
him
at
our
feast;
Read
o'er
the
volume
of
young
Paris'
face,
And
find
delight
writ
there
with
beauty's
pen;
So
shall
you
share
all
that
he
doth
possess,
By
having
him,
making
yourself
no
less.
12
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Nurse
No
less!
nay,
bigger;
women
grow
by
men.
LADY
CAPULET
Speak
briefly,
can
you
like
of
Paris'
love?
JULIET
I'll
look
to
like,
if
looking
liking
move:
But
no
more
deep
will
I
endart
mine
eye
Than
your
consent
gives
strength
to
make
it
fly.
[SFX
#25:
BEDROOM
DOORS
OPEN]
Servant
Madam,
the
guests
are
come,
supper
served
up,
you
called,
my
young
lady
asked
for,
the
nurse
cursed
in
the
pantry,
and
every
thing
in
extremity.
I
must
hence
to
wait;
I
beseech
you,
follow
straight.
LADY
CAPULET
We
follow
thee.
SCENE
V.
[SFX
#26:
DURING
THIS
SCENE,
THE
GROUP
IS
WALKING
TO
THE
CAPULET
PARTY.
SOUNDS
SHOULD
FADE
IN
AND
BUILD
OF
LAUGHTER,
GENERAL
PARTY
SOUNDS,
RIGHT
UP
THROUGH
THE
BEGINNING
OF
THE
NEXT
SCENE.
PARTY
ATMOSPHERE
IS
YOUNG,
HIP]
[MUSIC
#10:
PARTY
MUSIC
BUILDS
WITH
SFX.
PARTY
ATMOSPHERE
IS
YOUNG,
HIP.
PERHAPS
A
MODERN
VERSION
OF
CAPULET’S
THEME?]
ROMEO
What,
shall
this
speech
be
spoke
for
our
excuse?
Give
me
a
torch:
I
am
not
for
this
ambling;
Being
but
heavy,
I
will
bear
the
light.
MERCUTIO
Nay,
gentle
Romeo,
we
must
have
you
dance.
ROMEO
No,
Mercutio:
you
have
dancing
shoes
With
nimble
soles:
I
have
a
soul
of
lead
So
stakes
me
to
the
ground
I
cannot
move.
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MERCUTIO
You
are
a
lover;
borrow
Cupid's
wings,
And
soar
with
them
above
a
common
bound.
ROMEO
Is
love
a
tender
thing?
it
is
too
rough,
Too
rude,
too
boisterous,
and
it
pricks
like
thorn.
MERCUTIO
If
love
be
rough
with
you,
be
rough
with
love;
BENVOLIO
Come,
knock
and
enter;
and
no
sooner
in,
But
every
man
betake
him
to
his
legs.
MERCUTIO
Come,
we
burn
daylight,
ho!
ROMEO
And
we
mean
well
in
going
to
this
mask;
But
'tis
no
wit
to
go.
MERCUTIO
Why,
may
one
ask?
ROMEO
I
dream'd
a
dream
to-‐night.
MERCUTIO
And
so
did
I.
ROMEO
Well,
what
was
yours?
MERCUTIO
O,
then,
I
see
Queen
Mab
hath
been
with
you.
She
is
the
fairies'
midwife,
and
she
comes
In
shape
no
bigger
than
an
agate-‐stone
On
the
fore-‐finger
of
an
alderman,
Drawn
with
a
team
of
little
atomies
Athwart
men's
noses
as
they
lie
asleep;
And
in
this
state
she
gallops
night
by
night
Through
lovers'
brains,
and
then
they
dream
of
love;
14
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O'er
courtiers'
knees,
that
dream
on
court'sies
straight,
O'er
lawyers'
fingers,
who
straight
dream
on
fees,
O'er
ladies
'
lips,
who
straight
on
kisses
dream.
Sometime
she
driveth
o'er
a
soldier's
neck,
And
then
dreams
he
of
cutting
foreign
throats.
This
is
the
hag,
when
maids
lie
on
their
backs,
That
presses
them
and
learns
them
first
to
bear,
Making
them
women
of
good
carriage:
This
is
she-‐-‐
ROMEO
Peace,
peace,
Mercutio,
peace!
Thou
talk'st
of
nothing.
MERCUTIO
True,
I
talk
of
dreams,
Which
are
the
children
of
an
idle
brain,
Which
is
as
thin
of
substance
as
the
air
And
more
inconstant
than
the
wind.
BENVOLIO
This
wind,
you
talk
of,
blows
us
from
ourselves;
Supper
is
done,
and
we
shall
come
too
late.
[SFX
#27:
LEVELS
LOWERED]
[MUSIC
#11:
MUSIC
LEVELS
LOWERED]
[MUSIC
#12:
[ADD
IN
“VISIONARY”
SOUNDS]
ROMEO
I
fear,
too
early:
for
my
mind
misgives
Some
consequence
yet
hanging
in
the
stars
Shall
bitterly
begin
his
fearful
date
With
this
night's
revels
and
expire
the
term
Of
a
despised
life
closed
in
my
breast
By
some
vile
forfeit
of
untimely
death.
[MUSIC
#13:
[
“VISIONARY”
SOUNDS
OUT]
[MUSIC
#14:
MUSIC
LEVELS
BACK
UP]
[SFX
#28:
LEVELS
BACK
UP]
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