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DINU LIPATTI

Biography
Lipatti was born in Bucharest into a musical family: his father was a violinist who had studied
with Pablo de Sarasate and Carl Flesch[1], his mother a pianist. For his baptism, which
occurred not shortly after birth as is usual, but when Lipatti was old enough to play the piano,
the violinist and composer George Enescu agreed to be his godfather. Lipatti played a minuet
by Mozart at his own baptism. He studied at the Gheorghe Lazăr High School, while
undergoing piano and composition studies with Mihail Jora for three years. He then attended
the Bucharest Conservatoire, studying under Florica Musicesco, who also taught him
privately.[1] In June 1930, the best pupils at the Conservatoire gave a concert at the Bucharest
Opera, and the 13-year old Lipatti received a huge ovation for his performance of the Grieg
Piano Concerto in A minor. In 1932 he won prizes for his compositions: a Piano Sonatina,
and a Sonatina for Violin and Piano. That year he won a Grand Prize for his symphonic suite
Les Tziganes.

He entered the 1933 Vienna International Piano Competition but finished second, because the
jury considered him too young. This led to Alfred Cortot, who thought Lipatti should have
won, resigning from the jury in protest.[ Lipatti subsequently studied in Paris under Cortot,
Nadia Boulanger (with whom he recorded some of Johannes Brahms's Waltzes Op. 39), Paul
Dukas (composition) and Charles Munch (conducting). He gave his first concert, at the École
Normale, on 20 May 1935. However, three days before the concert, Paul Dukas died; in
memory of Dukas, Lipatti's first piece at his concert, and the piece he first publicly performed
as an adult pianist, was J. S. Bach's Jesu, Joy of Man's Desiring.

Lipatti's career was interrupted by World War II. Although he continued to give concerts
throughout Europe, including Nazi-occupied territories, he eventually fled his native Romania
in 1943 and settled with his wife (Madeleine Cantacuzene, also a concert pianist) in Geneva,
Switzerland, where he accepted the position as piano professor at the conservatory. It was at
this time that the first signs of his illness emerged. At first, doctors were baffled, but in 1947
he was diagnosed with Hodgkin's Disease.As a result, his public performances became
considerably less frequent after the war.

Lipatti gave his final recital, which was recorded, on 16 September 1950 in Besançon, France.
Despite severe illness, he gave unmatched performances of Bach's Partita in B flat major,
Mozart's A minor Sonata, Schubert's G flat major and E flat major Impromptus, and thirteen
of Chopin's Waltzes. He excluded No. 2, which he was too exhausted to play; he offered
instead Myra Hess's transcription of Bach's Jesu, Joy of Man's Desiring, the piece with which
he had started his professional career as a pianist in 1935. He died less than 3 months later, in
Geneva. Lipatti is buried at the cemetery of Chêne-Bourg next to his wife Madeleine, a noted
piano teacher.

Repertoire
Lipatti's playing was hailed as having reached the highest degree of integrity and pianistic
technique. Pulitzer Prize-winning music critic Harold Schonberg wrote of Lipatti's 1947/1948
Chopin recordings "this is piano-playing of a stature that few artists of his generation could
have come near approaching."
Lipatti is particularly noted for his interpretations of Chopin, Mozart and Bach, but he also
made recordings of Ravel's Alborada del Gracioso, Liszt, Enescu, the Schumann Piano
Concerto, and the Grieg Piano Concerto. His recording of Chopin's Waltzes has remained in
print since its release and has long been a favorite of many classical music-lovers.

Lipatti never recorded any music of Beethoven. It is a common misconception, however, that
Lipatti did not perform Beethoven's music until late in his career. The Waldstein Sonata had
been a feature of Lipatti's repertoire since 1935. He also performed the Emperor Concerto in
Bucharest twice during the 1940-41 season, and even stood ready to record it for EMI in
1949. An internal memo from Lipatti's recording producer Walter Legge, dated 23 February
1948, states that "Lipatti ha[d] his heart set on doing a Beethoven Concerto in 1949" and
nominates the Emperor Concerto given that Lipatti had already performed it.

A recording of Chopin's Piano Concerto No. 1 in E minor, originally released under Lipatti's
name, and said to have been a recording of a live performance in Switzerland in May 1948,
proved not to be his contribution at all. In 1981, it emerged that the soloist on this recording
was in fact a Polish pianist (and a fellow Cortot pupil), Halina Czerny-Stefańska, the joint
winner of the 4th International Chopin Piano Competition, playing with the Czech
Philharmonic Orchestra under Václav Smetáček. However, later on, an authentic recording by
Lipatti of the Chopin Concerto was found.

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