Professional Documents
Culture Documents
2011 catalog
Director’s greeting
Welcome to the 2011 catalog for MIT Press Journals.
Ellen W. Faran
Director
The MIT Press
Contents
A Letter from the Publisher
Table of Contents ii
General Information iii
Advertising iv
Package Prices v
Ordering Information 32
Subscription Form 33
Economics
Asian Economic Papers 13
Education Finance and Policy 14
The Review of Economics and Statistics 15
On the Cover
Philip Beesley’s Epithelium, an installation at the Siegel Gallery at Pratt Institute of Design in Brooklyn, NY, 2008.
To read more about this image, please see back inside cover.
ii
General Information
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iv General Information
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African Arts
Marla C. Berns, Steven Nelson, Allen F. Roberts, Mary Nooter
Roberts and Doran H. Ross, Editors
African Arts is devoted to the study and discussion of traditional, contemporary, and
popular African arts and expressive cultures. Since 1967, African Arts readers have enjoyed
high-quality visual depictions, cutting-edge explorations of theory and practice, and criti-
cal dialogue. Each issue features a core of peer-reviewed scholarly articles concerning the
world’s second largest continent and its diasporas, and provides a host of resources—book
and museum exhibition reviews, exhibition previews, features on collections, artist portfo-
lios, dialogue and editorial columns. The journal promotes investigation of the connections
between the arts and anthropology, history, language, literature, politics, religion, and soci-
ology.
African Arts is distributed by the MIT Press for the James S. Coleman African Studies
Center at UCLA.
http://mitpressjournals.org/afar
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About the Editors
Quarterly Marla C. Berns is Shirley & Ralph Shapiro Director of the Fowler Museum at UCLA. She has
Volume 44 forthcoming published extensively on the arts of Northeastern Nigeria and is currently collaborating
Spring/Summer/Autumn/Winter with the Musée du quai Branly on an exhibition on the arts of the Benue River Valley.
88-100 pp. per issue
Steven Nelson is Associate Professor in the UCLA Department of Art History. His teaching and
8 1/2 x 11, illustrated
Founded: 1967 research interests concern the contemporary and historic arts, architecture and urbanism
ISSN 0001-9933 (T) of Africa and its diasporas, African American art history, and queer studies.
E-ISSN 1937-2108 Allen F. Roberts is Professor of World Arts and Cultures at UCLA. He studies and writes about
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African visual cultures and performance arts including Sufi arts of urban Senegal, arts of
divination and healing in the Congo, and the efficacy of images in the Indian Ocean World.
Mary Nooter Roberts is Professor of World Arts and Cultures at UCLA and a curator of African
Editorial Address art exhibitions. Her research and writing explore the philosophical underpinnings of
African Arts African arts; the body and female representation in central Africa; arts of memory, writing,
The UCLA James S. Coleman and inscription; and exhibitions as objects of knowledge.
African Studies Center
10363 Bunche Hall
Doran H. Ross is the former Director of the Fowler Museum at UCLA. His expertise in African
Box 951310 art is wide-ranging, with special interest in the arts of Ghana, African textiles, and contem-
University of California porary African art.
Los Angeles, CA 90095-1310
tel: 310-825-1218
fax: 310-206-2250 Prices General Reference Center Gold
afriartsedit@international.ucla.edu Humanities Abstracts
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african studies Institution $ 178.00 $ 155.00 Humanities & Social Sciences
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The Arts & Humanities 1
Computer Music Journal
Douglas Keislar, Editor
Computer Music Journal is published quarterly with an annual music disc1. For over three decades,
it has been the leading publication about computer music, concentrating fully on digital sound
technology and all musical applications of computers. This makes it an essential resource for
musicians, composers, scientists, engineers, computer enthusiasts and anyone exploring the won-
ders of computer-generated sound.
Edited by experts in the field and featuring an international advisory board of eminent computer
musicians, issues typically include:
• In-depth articles on cutting-edge research and developments in technology, methods,
and aesthetics of computer music
• Reports on products of interest, such as new audio and MIDI software and hardware
• Interviews with leading composers of computer music
• Announcements of and reports on conferences and courses in the United States
and abroad
http://mitpressjournals.org/cmj • Publication, event, and recording reviews
• Tutorials, letters, and editorials
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• Numerous graphics, photographs, scores, algorithms, and other illustrations.
Quarterly
Volume 35 forthcoming MIT Press Journals offers CMJ and the annual publication, Leonardo Music Journal (see page 9),
spring/summer/fall/winter at a special subscription price; see details below.
80-128 pp. per issue Electronic Access to CD or DVD is not available.
8 1/2 x 11, illustrated 1
The annual disc is a CD in Volumes 22-26 and generally a DVD in subsequent volumes.
Founded: 1977
2009 ISI Impact Factor: 0.486
ISSN 0148-9267 (T)
About the Editor
E-ISSN 1531-5169 Douglas Keislar is a senior software engineer at Audible Magic Corp., a leading provider of
n audio identification services. After receiving a PhD in Music from Stanford University's
Center for Computer Research in Music and Acoustics, he co-authored pioneering research
in audio classification and consulted for Yamaha and various Silicon Valley firms.
Editorial Address
Douglas Keislar Prices Computer Source
Computer Music Journal Corrosion Abstracts
2550 Ninth Street #207 B S u b s c r i p t i o n s (Print subscription includes annual music disc) Current Contents/Arts
Berkeley, CA 94710 & Humanities
tel: 510-486-0141 ext. 1 Print with Electronic Access* Electronic Only Dietrich’s Index Philosophicus
cmj@mitpress.mit.edu Individual $ 62.00 $ 55.00 Electronics & Communications
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Engineering Index Monthly
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Associate Editor For an additional annual fee, individual subscribers can now access back volumes
Abstracts
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School of Fine Art and Music IBZ: International Bibliography
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Daedalus
Journal of the American Academy of Arts and Sciences
Phyllis S. Bendell, Managing Editor
Daedalus was founded in 1955 as the Journal of the American Academy of Arts and Sciences.
It draws on the enormous intellectual capacity of the American Academy, whose members
are among the nation’s most prominent thinkers in the arts, sciences, and humanities. Each
issue addresses a theme with authoritative essays on topics such as judicial independence,
reflecting on the humanities, the global nuclear future, the challenge of mass incarceration,
the future of news, the economy, the military, and race.
Quarterly
Volume 140 forthcoming
winter/spring/summer/fall Prices FRANCIS
144 pp. per issue General Reference Center
7 x 10 Subscriptions GeoRef
Founded: 1955 Institutional subscriptions are entered for the volume year only. Guide to Social Science and
2009 ISI Impact Factor: 0.082 Individual subscriptions begin with the next available issue. Religion in Periodical Literature
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and Sciences
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The Arts & Humanities 3
Design Issues
History/Theory/Criticism
Bruce Brown, Richard Buchanan, Dennis Doordan, and Victor
Margolin, Editors
The first American academic journal to examine design history, theory, and criticism, Design
Issues provokes inquiry into the cultural and intellectual issues surrounding design.
Regular features include theoretical and critical articles by professional and scholarly con-
tributors, extensive book reviews, and illustrations. Special guest-edited issues concentrate
on particular themes, such as artificial intelligence, product semantics, design in Asia, and
design education. Scholars, students, and professionals in all the design fields are readers
of each issue.
The TDR Consortium — Beginning in 2011, one issue of TDR each year will be edited by a
Consortium Editor. Joining Editor Richard Schechner of New York University, the Consortium
Editors are:
Brown University, Rebecca Schneider
Princeton University, Jill Dolan and Stacy Wolf
Shanghai Theatre Academy, Sun Huizhu
TDR focuses on performances in their social, economic, and political contexts. With an emphasis
on experimental, avant-garde, intercultural, and interdisciplinary performance, TDR covers
dance, theatre, performance art, visual art, popular entertainment, media, sports, rituals, and
performance in politics and everyday life. Long known as the basic resource for keeping up with
performance studies in all its aspects, TDR continues to be a lively forum for debate on important
http://mitpressjournals.org/tdr performances in every medium, setting, and culture.
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Each fully illustrated issue includes:
Quarterly • Articles on theatre, dance, popular entertainments, rituals, and other
Volume 55, Nos. T209-T212 genres of performance
forthcoming • Original contributions to performance theory
spring/summer/fall/winter • Editorial comments and reports on performances and books
192 pp. per issue
• Articles by social scientists, cultural commentators, theorists, artists, and critics
7 x 10, illustrated
Founded: 1955 • Interviews with performers, choreographers, directors, and performance artists
ISSN 1054-2043 (T) • Texts of performance works
E-ISSN 1531-4715 • Translations of important new and decisive archival writing on performance
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About the Editor
Richard Schechner is University Professor and Professor of Performance Studies at Tisch School
of the Arts, New York University. He was the founding director of The Performance Group and
is the founding artistic director of East Coast Artists. He is also the author of many books,
Editorial Address
Mariellen R. Sandford including: The End of Humanism, Between Theater and Anthropology, Performance Theory,
Associate Editor The Future of Ritual, and Performance Studies: An Introduction.
TDR
New York University/Tisch School Prices Dietrich’s Index Philosophicus
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studies/theatre/dance/cultural volumes 1-49 online from JSTOR. InfoTrac
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Wilson OmniFile 5
Grey Room
Karen Beckman, Branden W. Joseph, Reinhold Martin, Tom
McDonough, and Felicity D. Scott, Editors
Grey Room brings together scholarly and theoretical articles from the fields of architecture,
art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contem-
porary concerns. Publishing some of the most interesting and original work within these dis-
ciplines, Grey Room has positioned itself at the forefront of the most current aesthetic and
critical debates. Featuring original articles, translations, interviews, dossiers, and academic
exchanges, Grey Room's emphasis on aesthetic practice and historical and theoretical dis-
course appeals to a wide range of readers, including architects, artists, scholars, students,
and critics.
Quarterly Reinhold Martin is Associate Professor of Architecture and Director of the Temple Hoyne Buell
Numbers 41-44 forthcoming Center for the Study of American Architecture at Columbia University.
fall/winter/spring/summer Tom McDonough is Associate Professor of Modern Architecture and Urbanism in the Art
128 pp. per issue,
History Department at Binghamton University.
6 3/4 x 9 5/8
Founded: 2000 Felicity D. Scott is Assistant Professor of Architecture at the Graduate School of Architecture,
ISSN 1526-3819 (T) Planning and Preservation, Columbia University.
E-ISSN 1536-0105
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Editorial Address
Editors
Grey Room Prices Abstracting and Indexing
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Editorial Address
MIT Press Journals
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Subscriptions are entered for the volume year only.
The MIT Press E l e c t r o n i c O n l y
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Leonardo is today’s leading international journal for readers interested in the applica-
tion of contemporary science and technology to the arts and music and, increasingly, the
application and influence of the arts on science and technology. With an emphasis on peer-
reviewed writings by artists, the journal seeks to ensure that the artist’s voice is integral in
the development of new technologies, materials and methods.
The companion annual journal, Leonardo Music Journal (LMJ) includes a compact disc or
multimedia CD-ROM, and features the latest in music, multimedia art, sound science and
technology (ISSN 0961-1215; see page 9). All subscribers to Leonardo receive LMJ as part of
a yearly subscription.
Subscribers to Leonardo become associate members of Leonardo/ISAST (the International
Society for the Arts, Sciences, and Technology) and receive reduced rates on all ISAST publi-
cations.
http://mitpressjournals.org/leon
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About the Editor
Subscription includes Roger F. Malina is an astronomer and Director of the Observatoire Astronomique de
5 issues of Leonardo Marseille Provence. He co-directs the Art Science program of the L’Institut Méditerranéen
Volume 44 forthcoming
de Recherches Avancées. Founding chairman of Leonardo/The International Society for
February/April/June/
August/October the Arts, Sciences and Technology, he writes on art, science and technology issues.
and 1 issue of Leonardo
Music Journal + CD About the Editorial Board
(Volume 21 forthcoming An international advisory board of co-editors and editorial advisors assures peer review of
December)
texts before publication. Visit www.leonardo.info for more information about the editorial
112 pp. per issue
8 1/2 x 11, illustrated boards.
Founded: 1968
ISSN 0024-094X (T)
E-ISSN 1530-9282 Prices Abstracting and Indexing
n Academic Search Complete
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w/companion volume
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LMJ (1 issue) $ 80.00 $ 72.00
Leonardo/ISAST Periodicals
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211 Sutter Street, Suite 501 Leonardo (5 issues) Biography Index
San Francisco, CA 94108 w/companion volume Book Review Digest Plus
tel: 415-391-1110 LMJ (1 issue) $ 646.00 $ 561.00 British Humanities Index
fax: 415-391-2385 Student and Retired Business Source Corporate
isast@leonardo.info Leonardo (5 issues) Current Contents/Arts and
w/companion volume Humanities
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and Electronics Humanities & Social Sciences
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Leonardo Music Journal
Nicolas Collins, Editor-in-Chief
LMJ is the companion annual journal to Leonardo. LMJ is devoted to aesthetic and techni-
cal issues in contemporary music and the sonic arts. Each thematic issue features artists
and writers from around the world, representing a wide range of stylistic viewpoints. Each
volume includes the latest offering from the LMJ CD series—an exciting sampling of works
chosen by a guest curator and accompanied by notes from the composers and performers.
Institutional subscribers to Leonardo receive LMJ as part of a yearly subscription. Individuals
may subscribe to LMJ alone or as part of their subscription to Leonardo (see page 8).
MIT Press Journals offers LMJ and the quarterly publication Computer Music Journal (see
page 2) at a special combined subscription price; see details below.
For over 80 years, The New England Quarterly (NEQ) has published the best that has been
written on New England’s cultural, literary, political, and social history. Contributions cover a
range of time periods, from before European colonization to the present, and any subject ger-
mane to New England’s history—for example, the region’s literary and artistic productions,
its political practice and philosophies, race relations, labor struggles, religious controversies,
and the organization of family life. The journal also treats the migration of New England
ideas, people, and institutions to other parts of the United States and the world. In addition
to major essays, features include memoranda and edited documents, reconsiderations of tra-
ditional texts and interpretations, essay reviews, and book reviews.
Quarterly
Volume 84 forthcoming
March/June/September/
December
192 pp. per issue Prices Abstracting and Indexing
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S
ubscriptions Academic OneFile
Founded: 1928
Print with Electronic Access* Electronic Only America: History & Life
ISSN 0028-4866 (T)
E-ISSN 1937-2213 Individual $ 40.00 $ 36.00 Annual Bibliography of English
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At the forefront of art criticism and theory, October focuses critical attention on the
contemporary arts—film, painting, music, media, photography, performance, sculp-
ture, and literature—and their various contexts of interpretation.
Examining relationships between the arts and their critical and social contexts,
October addresses a broad range of readers. Original, innovative, provocative, each
issue presents the best, most current texts by and about today’s artistic, intellectual,
and critical vanguard.
PAJ is admired internationally for its independent critical thought and cutting-edge
explorations. PAJ charts new directions in performance, video, drama, dance, installa-
tions, media, film, and music, integrating theatre and the visual arts. Artists’ writings
performance drawings and notations, essays, interviews, and a special review section
for performances, exhibitions and international festivals are featured in the issues. Also
included are new plays and performance texts from around the world.
Asian Economic Papers is sponsored by the Earth Institute at Columbia University, the
21st Century Center for Excellence at Keio University, the Korea Institute for International
Economic Policy, and the Global Economy and Development Program at the Brookings
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