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Malmsteen Yngwie - Arpeggios from Hell

Arpeggios from Hell

Yngwie Malmsteen Style

This trick was inspired by all the Yngwie Malmsteen fans who contribute to this
site. They have a lot of good ideas to offer. I am not a big Yngwie fan, but I h
ave always been impressed by the "sweep picking" idea. I have never been able to
play really fast, and sweeping looks like a way to play faster than I ever have
before.
Unfortunately, I had no luck with it for two or three months. Then I went to a m
usic store and bought some new kinds of picks. When I tried the thick little pic
ks, my sweeping instantly improved. I was using medium thickness large picks bef
ore. Here is a standard blues riff played with sweep picking using the new pick.
Key = A major

D D D D
E |----5--------------------------|----------------------------------|
B |------8-p-5--------------------|----------------------------------|
G |------------7b/\5--------------|----------------------------------|
D |------------------7------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

David Farmer
Sweeping up with Arpeggios
A lot of you out there are probably looking to increase your speed as a guitaris
t. You can go right into playing songs by Steve Vai, Yngwie Malmsteen, and so on
. But what good is learning a song when you cant play that fast yet? Well here a
re some arpeggio scales that may help you in a technique called sweep picking. M
y style may be unlike many people since I have learned it on my own but I hope t
hat it'll help you in playing. when you play these besure you follow the pick di
rections. the D means to play downward (toward the floor) and the U means to pla
y upward (toward the sky).
IMPORTANT!!! BE SURE TO START OFF SLOW AND THEN SPEED UP TO WARP SPEED. YOU W I
LL LEARN BETTER THIS WAY. IT WOULD ALSO HELP I F YOU USE A METRONOME. START AT A
ROUND 50 OR 60 BPM AND MOVE UP TO AS HIGH AS YOU CAN GO.
Some of you may recognize that this is the piece that Ralph Macchio plays in the
end of the duel between him and Steve Vai in the movie "Crossroads," the best m
ovie in the world :). I have a clip of the entire duel on my website separated i
nto many different real audio files. Come check it out if you'd like.

Sweep picking arpeggios

d d d d d d u u u u u
e |-----------------8-12-8----------------|
b |-------------10----------10------------|
g |---------5-9----------------9-5--------|
d |-------7------------------------7------|
a |-----7----------------------------5----|
e |-5-8--------------------------------8--|
d d d d d d u u u u u
e |-----------------7------------------|
b |---------------9---9----------------|
g |-----------7-9-------9-7------------|
d |-------6-9---------------9-6--------|
a |---5-7-----------------------7-5----|
e |-7-------------------------------8--|
d d d d d d u u u u u
e |-----------------7----------------|
b |-------------5-8---8-5------------|
g |-----------6-----------6----------|
d |-------5-7---------------7-5------|
a |-----7-----------------------7----|
e |-5-9---------------------------9--|
d d d d d d u u u u u
e |-----------------10-12-10-----------------|
b |--------------10----------10--------------|
g |---------7-10----------------10-7---------|
d |-------7--------------------------7-------|
a |---5-8------------------------------------|
e |-5----------------------------------10-8--|
d d d d d u u u u
e |----------------------------------------|
b |-------------------9-12-9---------------|
g |----------------10--------10-7----------|
d |-----------9-12----------------9-6------|
a |------8-11-------------------------8----|
e |-7-10--------------------------------7--|
d d u d u d u d u d u d u d d u
e |-------------------5----8-5--12--8--16--|
b |---------------5-----5------------------|
g |-----------5-----5----------------------|
d |-------7-----7--------------------------|
a |---7-----7------------------------------|
e |-5---8-------------------------------0--|
David Farmer
listen
Left hand warmup
These two excercise will help you warm up your fretting hand. If you haven't alr
eady done so, please go do the "Right hand warmup" exercise on my page.
The first excercise is really just a simple run in E minor, but it is a good war
mup because it uses all four fingers and three strings. Repeat the lick over and
over in a cycle. As before in my previous lesson, use a metronome and start slo
wly. You are not trying to be Yngwie Malmsteen with this. The main goal is to wa
rm up your hands to prevent injury. I have had tendonitis in my left arm before,
and it is bad news for guitar players!
The second excercise is the same pattern, but the key is C minor, therefore the
fingering is a little different.
Don't forget alternate picking!
Key = E minor/C minor

Ex.1 (E minor)
E |-------------12----------15-14-|-12----12-------------------------|
B |----12-13-15----15-13-12-------|----15----15-13-12----------------|
G |-14----------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|
Ex.2 (C minor)
E |-------------------------------|----------------------------------|
B |-------------------------------|----------------------------------|
G |-------------12----------15-14-|-12----12-------------------------|
D |----12-13-15----15-13-12-------|----15----15-13-12----------------|
A |-15----------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

Johan Lindgren
Half Tone Drill
I got inspired by Yngwie when I saw him on the Grammy award in Sweden...he playe
d a live solo for the audience and he played a drill sequence and I thought that
I wanted to play something like that so I just drilled every halftone steps in
the Harmonic A Minor scale and....Taa Daa!!!

Key: A Harmonic Minor

|-12h13p12h13-------------|----------------------|
|-------------12h13p12h13-|-9h10p9h10------------|
|-------------------------|-----------9h10p9h10--|
|-------------------------|----------------------|
|-------------------------|----------------------|
|-------------------------|----------------------|

|-----------------------|----------------------------------|
|-----------------------|----------------------------------|
|-----------------------|----------------------------------|
|-9h10p9h10-------------|----------------------------------|
|-----------11h12p11h12-|-----------------------------2----|
|-----------------------|-12h13p12h13-7h8p7h8-4h5p4h5-0----|

Beyond Inspired
This trick is inspired by a short drill in the song "Far Beyond the Sun" By Yngw
ie. When you can play it...try changing fingers to drill with each finger.

A Minor
|-----------12h13p12h13-----------12h13p12h13--|
|----------------------------------------------|
|-9h10p9h10-------------9h10p9h10--------------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|

|---------10h12p10h12---------10h12p10h12--|
|------------------------------------------|
|-7h9p7h9-------------7h9p7h9--------------|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|

|---------8h10p8h10---------8h10p8h10--|
|--------------------------------------|
|-5h7p5h7-----------5h7p5h7------------|
|--------------------------------------|
|--------------------------------------|
|--------------------------------------|

|---------7h8p7h8---------7h8p7h8--|
|----------------------------------|
|-4h5p4h5---------4h5p4h5----------|
|----------------------------------|
|----------------------------------|
|----------------------------------|

Dim Arpeggios
Ok...here´s a diminished arpeggio trick. The ending of the trick is much like the
ending of a dim sequence in the song "Far beyond the sun" by Yngwie J. Malmsteen
.
Key = C# dim

E |-------9-12-9-------------12-15-12-------|
B |----11--------11-------14----------14----|
G |-12--------------12-15----------------15-|
D |-----------------------------------------|
A |-----------------------------------------|
E |-----------------------------------------|
E |-------10-13-10-------------13-16-13-------|
B |----12----------12-------15----------15----|
G |-13----------------13-16----------------16-|
D |-------------------------------------------|
A |-------------------------------------------|
E |-------------------------------------------|

E |-------12-15-12-------------15-18-15-------|
B |----14----------14-------17----------17----|
G |-15----------------15-18----------------18-|
D |-------------------------------------------|
A |-------------------------------------------|
E |-------------------------------------------|
E |-------13-16-13----------------------------|
B |----15----------15-------------------------|
G |-16----------------16-13-------------------|
D |-------------------------15----------3-----|
A |----------------------------17-------4-----|
E |-------------------------------------------|
E |-------------------------------------------|
B |-------------------------------------------|
G |-------------------------------------------|
D |-4-----------------------------------------|
A |-4-----------------------------------------|
E |-2-----------------------------------------|

Johan Lindgren
Warm Up - Info
Ok here is my idea of a Warm Up program. It´s made for practising the technics I m
ost often uses and it may not be adapted to your playing style. But if you are a
Yngwie wanna-be or into some speed/sweep/alternate/economy-picking this might b
e something for you.It´s a really good thing to go through a list of warm up exerc
ises before you play fast tricks and/or solos. It improves your playing. If you
play something wrong every time you play it, it gets stuck in your head (the mus
cle memory) and than you will keep playing it wrong. Some of that effect could,
of course, be prevented by warming up before you play.Tip for all tricks:
Play through each exercise a couple of times so that you memorise it. Than incre
ase the speed starting from a real slow pace. Always hold a steady beat, a metro
nome or a drum machine would be of great help... Don´t play so fast so that your L
eft and Right hand go out of sync. If they do go out of sync, play a little slow
er for a while and than increase your speed. It´s important to remain in sync. If
you lose it the tones start ringing less clearly. Short Tips:Memorise the trick
before increasing speed.
Play them over and over again.
Play slow at first and increase the speed gradually.
Always hold a steady beat.
Remain in sync, The tones should ring clearly .
Warm Up Program:

To Yngwie Or Not To Yngwie...

This my attempt(s) at an Yngwie style ascending run. Lord knows how he does it ,
I certainly can't!!!! ( Use the force! .. And alternate picking )
Key = A minor

E |-------------------------------|----------------------------------|
B |-------------------------------|----------------------s-----------|
G |-------------------------------|---------------9-10-12/14~~~~~----|
D |-------------------------7-9-10|-12-10-9-10-12--------------------|
A |-------5-7-8-10-8-7-8-10-------|----------------------------------|
E |-5-7-8-------------------------|----------------------------------|
E |-------------------------------|----------------------------------|
B |-------------------------------|----------------------------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

Key = Chromatic scale

E |9-------8-------7-------6------|
B |--8-7-6---9-7-6---9-8-6---9-8-7|
G |-------------------------------|
D |-------------------------------|
A |-------------------------------|
E |-------------------------------|
The bottom string should ring clearly until it's picked again! Johan Lindgren
Johan,
How do you learn how to do chromatic stuff? I have always just played notes at r
andom for that effect, but I get limited results. Any suggestions? -Jon
Well, the chromatic scale is based on halftones as you already know. So try to j
ust play some halftones in a row! Here are two examples:
I made the first example after some inspiration from Paganini. When you have pla
yed it all the way down you should play it backwards all the way up.
|-------------------------------|----------------1-2-3-4--------|
|-------------------------------|--------2-3-4-5----------------|
|-------------------------------|2-3-4-5------------------------|
|------------------------3-4-5-6|-------------------------------|
|----------------4-5-6-7--------|-------------------------------|
|--------5-6-7-8----------------|-------------------------------|
|6-7-8-9------------------------|-------------------------------|

I don't realy know who the author of the second example is. But I heard Yngwie M
almsteen plays it every now and then!
|------------------------|----------------------|
|-12-11-10-9----13-12-11-|-12-11-10-9---9-10-11-|
|------------12----------|------------12--------|
|------------------------|----------------------|
|------------------------|----------------------|
|------------------------|----------------------|
|------------------------|----------------------|
These Examples should be played over and over again to increase speed.

Your Trick 12
Contributed by Magnus Andersson
Here's a funny arpeggio idea. It's inspired by Yngwie but it's not Yngwie, it's
me. Play it fast but don't let the notes ring into each other. You can tap the v
ery last note ( high A) for making it a really cool trick.
Key = A minor
|-12p8---------------------------------------10--------------|
|------10-------------------------------9h12----12p9---------|
|---------9--------------------------10--------------10------|
|-----------10------------------9h12--------------------12p9-|
|--------------12-12~--------11------------------------------|
|------------------------------------------------------------|
A major
|----------------------------------------------9-12-17~------|
|-------------------------------------------10---------------|
|-----------------10-9--------------------9------------------|
|----10-9-12-10-9------12-10-9---------11--------------------|
|-12---------------------------11---12-----------------------|
|------------------------------------------------------------|
listen

Your Trick 12
Contributed by Magnus Andersson
Here's a funny arpeggio idea. It's inspired by Yngwie but it's not Yngwie, it's
me. Play it fast but don't let the notes ring into each other. You can tap the v
ery last note ( high A) for making it a really cool trick.
Key = A minor
|-12p8---------------------------------------10--------------|
|------10-------------------------------9h12----12p9---------|
|---------9--------------------------10--------------10------|
|-----------10------------------9h12--------------------12p9-|
|--------------12-12~--------11------------------------------|
|------------------------------------------------------------|
A major
|----------------------------------------------9-12-17~------|
|-------------------------------------------10---------------|
|-----------------10-9--------------------9------------------|
|----10-9-12-10-9------12-10-9---------11--------------------|
|-12---------------------------11---12-----------------------|
|------------------------------------------------------------|
listen

Your Trick 15
Contributed by Magnus Andersson
Hello. A simple trick, but it can be very difficult playing at fast speed......Y
ngwie Malmsteen plays it sometimes.
Key = A minor
|-0h5p-0h7p-0h8p-0h10p-0h7p-0h8h10p-0h12-13-12-10-8-12-10-8-7-10-8-7-5-8-7-|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|

|5-4-5--12p8-----------------------0---------------------------------------|
|------------10---10---------------1---------------------------------------|
|---------------9----9-------------2---------------------------------------|
|----------------------10----10----2---------------------------------------|
|-------------------------12-------0---------------------------------------|
|--------------------------------------------------------------------------|
listen
Your Trick 15
Contributed by Magnus Andersson
Hello. A simple trick, but it can be very difficult playing at fast speed......Y
ngwie Malmsteen plays it sometimes.
Key = A minor
|-0h5p-0h7p-0h8p-0h10p-0h7p-0h8h10p-0h12-13-12-10-8-12-10-8-7-10-8-7-5-8-7-|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|
|--------------------------------------------------------------------------|

|5-4-5--12p8-----------------------0---------------------------------------|
|------------10---10---------------1---------------------------------------|
|---------------9----9-------------2---------------------------------------|
|----------------------10----10----2---------------------------------------|
|-------------------------12-------0---------------------------------------|
|--------------------------------------------------------------------------|
listen

Your Trick 22
Contributed by Nasran
This is a Cm arpeggio. Use sweeping technics and play it fast. Yngwie Malmsteen
plays it sometimes....
key = Cm
Tab Notes: D=down stroke U= up stroke
E |--------5-8p5------------------|----------------------------------|
B |------6-------6----------------|----------------------------------|
G |--5-8-----------8-5------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|
U D D D U U U D

Your Trick 27
Contributed by Michael Vrljic
from Melbourne, Australia
This is what I use in one of my solos. It utilizes tapping and sweeping, along w
ith speedy legato and acurate picking. This is influenced by Yngwie Malmsteen by
use of sweep picking, influenced by Steve Vai by incorporating tapping, sweepin
g and legato and by John Petrucci by the use of fast picking in parts of this li
ck. Enjoy and PLAY LOUD.
Key = A Dorian
notation: D= downstroke U=upstroke T=tap
h s p p p p p h p p
E |-----------12-15-20\19-14-12-10|----------------------------------|
B |---------13--------------------|-12-10-8-10-19-10-19-8\7----------|
G |-------14----------------------|-------------------------7--------|
D |-----14------------------------|---------------------------7------|
A |12-15--------------------------|-----------------------------7----|
E |-------------------------------|-------------------------------8-5|
D---------| T T T U----------|
s s h *
E |-------------------------------|---------0\12--8\12---12-17-29----|
B |---5-7-8-7-5------8-7-5--------|--------1----10-----13------------|
G |--5----------9-7-5-5-5-9-7-5-4-|-------2--------------------------|
D |-7-----------------------------|-5----2---------------------------|
A |-------------------------------|--5--0----------------------------|
E |-------------------------------|---7------------------------------|
D--| U--|D----| T
*= Tap note against neck pickup or, if you wish, you may use an artificial harmo
nic.

Your Trick 33
Contributed by Jon Bingham
from Westland
This is very simply an example of an "E Minor" scale with a harmonic twist throw
n in at the end. This is used frequently with artists like George Lynch and Yngw
ie Malmsteen. It sounds best when played very quickly!
key = E minor
| tap |
E |----------12-13-15-17^18^17-15-13\12-------------------------------|
B |-12-13-15----------------------------15-13-12-10-------------------|
G |-------------------------------------------------12-10-9-----------|
D |---------------------------------------------------------12-10-9\7-|
A |-------------------------------------------------------------------|
E |-------------------------------------------------------------------|
E |-------------------------------------------------------------------|
B |-------------------------------------------------------------------|
G |-------------------------------------------------------------------|
D |-------------------------------------------------------------------|
A |-10-9-7-6-7~~~~~---------------------------------------------------|
E |-------------------------------------------------------------------|

Your Trick 41
Contributed by Matt Vincent
Rimsky-Korsakov (Flight of the Bumble Bee) Chormatamania: PART I
In response to Johan Lindgren's question on who wrote the chromatic thing that Y
ngwie Malmsteen sometimes plays. It comes from Rimsky-Korsakov's composition "Th
e Flight of the Bumble Bee". It was named after the sound you get playing this s
ong on the violin, for which it was written....
Playing Tips
Start off playing this lick slowly...the slower the better and get your techniqu
e down first...then increase the speed each day as you practice it.
Pay attention to the left hand fingerings.
Read John Lindgren's post on chromatics and do these exercises to help warm up f
or this lick.
After you play these first 4 bars, you then play the same thing over at the 10th
fret...instead of the 5th fret!!!!

Key = E
left hand
fing: 1 4 3 2 1 2 1 4 1 4 3 2 1 2 3 4 1 4 3 2 1 2 1 4 1 4 3 2 1 2 3 4
E |---------------------------------|-----------------------------------|
B |-5---------6-5---5---------------|-5---------6-5---5-----------------|
G |---8-7-6-5-----8---8-7-6-5-6-7-8-|---8-7-6-5-----8---8-7-6-5-6-7-8---|
D |---------------------------------|-----------------------------------|
A |---------------------------------|-----------------------------------|
E |---------------------------------|-----------------------------------|
Beat: 1 e + a 2 e + a 3 e + a 4 e + a 1 e + a 2 e + a 3 e + a 4 e + a
left hand
fing: 4 3 2 1 4 3 2 1 1 2 3 4 1 2 1 4 4 3 2 1 4 3 2 1 1 2 3 4 1 2 3 4
e |---------------------------------|-------------------------------------|
B |-------------------------5-6-5---|-------------------------------------|
G |-9-8-7-6-7-6-5-4-5-6-7-8-------8-|-9-8-7-6-7-6-5-4-5-6-7-8-10-11-12-13-|
D |---------------------------------|-------------------------------------|
A |---------------------------------|-------------------------------------|
E |---------------------------------|-------------------------------------|
1 e + a 2 e + a 3 e + a 4 e + a 1 e + a 2 e + a 3 e + a 4 e + a

Your Trick 91
Contributed by Haggis
from Charlotte, NC
Here is a Yngwie-style ascending lick in A harmonic minor. Basically it is just
a harmonic minor scale in groups of four. Be sure to alternate pick every note.
The trickiest part of this lick is the position shifts. Start slowly, then build
speed.
Key = A minor
E |-7-4-5-7--8-5-7-8--------------|-10-7-8-10--12-8-10-12------------|
B |-------------------------------|----------------------------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|
E |-13-10-12-13-----15-13-12-15---|--17------------------------------|
B |-------------------------------|----------------------------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

Arpeggios Practice
Contributed by Mike
from
A trick to help you understand arpeggios. This is a Yngwie Malmasteen style - as
he mastered the arpeggios. Play very slow and cleanly at first, then work your
way up faster. When played slow, it doesn't sound great, but is awsome when play
ed fast.
Key = G

E |-3---3-7-5---5-8-7---7-10-8---8|-12-10----10-14-12----12-15-14----|
B |---3-------5-------7--------8--|-------10----------12----------13-|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|
E |-14-17-15----------------------|----------------------------------|
B |-------------------------------|----------------------------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

Arpeggios
Contributed by Nasran
from Malaysia
This is an A minor arppegio, it starts from lower A and finish at the hi A. Use
sweep picking and play it fast, Yngwie plays it sometimes...
Key = Am

E |5p0---0-5p0-8p5---5-8p5-12p8-----8-12p8-17p12------12-17~---------|
B |---1-1---------5-5----------10-10------------13--13---------------|
G |----2-----------5-------------9----------------14-----------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

Sweeping Runs
Contributed by Anthony J. Till
from Http://www.guitarfx.com
This trick combines sweeping and alternative picking techniques. These types of
runs are often used by such greats as Jason Becker, Yngwie Malmsteen and many ot
hers.
Key = A?

E |-------------------------10-12-|13-17-13--------------------------|
B |-------------------10-12-------|-------15-------------------------|
G |-------------7-9-10------------|--------15------------2-----------|
D |------6-7-9--------------------|---------15-----------2-----------|
A |5-7-8--------------------------|-----------17-13-12---0-----------|
E |-------------------------------|----------------------------------|

3 String Arpeggio Minor Thirds

Contributed by Kenny Baker
from Stuart,FL
its classically influenced and can be used in a lot of ways
Yngwie@atlantic.net
Key = E minor, G Maj

E |5-p-2-----------8-p-5---------------11-p-8-----------14-p-11------|
B |-----4---------------7---------|-----------10----------------13---|
G |--------5----------------8-----|---------------11---------------14|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

Yngwie's "Black Star"

Contributed by Jon
from California
This is a piece from the awesome neo-classical masterpiece, "Black Star" by Yngw
ie Malmsteem. It's a tiny bit of the blazing solo on that song.
Key = ?

E | 14 15 17 15'17'15'14 /19'15
B |17 full 17 17
G | 16 16 16
D | 17 17 blah blah
A |
E |blah, a bunch of figure it ourself harmonic minor stuff, and then:
E 192017201520142019201720152014201920172015201420 20 20
B |-------------------------------|----------------17-- 16-------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

Arpeggiated Madness
This is a great arpeggiated run I came up with when I was in my Yngwie Phase. Th
is can be swept or picked. Maintain a clean fluid tone. Start slow and work up t
o speed and watch out for unwanted string noise. If you have any comments or que
stions feel free to e-mail me.
Shredder@execpc.com
Key = A minor

Eb|---------------------|-12------------------|-------------------------
Bb|---------------10-13-|----13-10------------|-------------------15-18-
Gb|-------------9-------|----------9----------|----------------14-------
Db|--------7-10---------|------------10-7-----|----------12-15----------
Ab|------7--------------|-----------------7---|-------12----------------
Eb|--5-8----------------|-------------------8-|-10-13-------------------

Eb-|-17----------------------|------------------|-10----------------|---
Bb-|----18-15----------------|-------------8-12-|----12-8-----------|---
Gb-|----------14-------------|-----------7------|---------7---------|---
Db-|-------------15-12-------|-------5-9--------|-----------9-5-----|---
Ab-|-------------------12----|-----5------------|---------------5---|---
Eb-|----------------------13-|-3-7--------------|-----------------7-|-8-

Eb|----------------------|-15----------------------|------------------|-
Bb|----------------13-17-|----17-13----------------|-------------6-10-|-
Gb|-------------12-------|----------12-------------|-----------5------|-
Db|-------10-14----------|-------------14-10-------|-------3-7--------|-
Ab|----10----------------|-------------------10----|-----3------------|-
Eb|-12-------------------|----------------------12-|-1-5--------------|-

Eb|-8----------------|----------------------|-13--------------------|---
Bb|---10-6-----------|----------------11-15-|----15-11--------------|---
Gb|--------5---------|-------------10-------|----------10-----------|---
Db|----------7-3-----|--------8-12----------|-------------12-8------|---
Ab|--------------3---|------8---------------|------------------8----|---
Eb|----------------5-|-6-10-----------------|--------------------10-|-0-

Eb|---------------|-7---------------|-----------*|-
Bb|-----------5-8-|---8-5-----------|-----------*|-
Gb|---------4-----|-------4---------|-----------*|-
Db|-----2-5-------|---------5-2-----|-----------*|-
Ab|---2-----------|-------------2---|-2---------*|-
Eb|-3-------------|---------------3-|-0---------*|-
An Enervating Ostinato Lick
Contributed by Fredrik Pihl
from Helsingborg(Sweden)
This is a lick I came up with as a right-hand-yngwie-shred-tecnique. Just play i
t. There´s really not much more to say more than SHRED ON!! The lick is based on a
n e-eolian scale (minor)
Key = E-eolian

E |-15-12-14-15-14-12-Repeat------|-17-12-14-15-14-12---Repeat-------|
B |-------------------------------|----------------------------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|
E |-18-12-14-15-14-12-Repeat------|-19-12-14-15-14-12-Repeat---------|
B |-------------------------------|----------------------------------|
G |-------------------------------|----------------------------------|
D |-------------------------------|----------------------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|

Diminished Sweep Lick

This is a lick from a song written by moi called "Fantasy". The lick is pretty e
asy to play so I suggest this for beginners. It´s a swep arpeggio lick on 4 string
s based on the diminished scale. It´s a little bit Yngwie sounding (but hey!! Just
a little bit). Shred on!!In my song I play the lick downwards the neck 4 semito
nes, but you can play it as long downwards as you like. Of course you can play t
his upwards the neck to. It´s all up to you.For more exercises and licks check out
my guitarpage at:

Key = E

E |-17-14--------------------14-17|-16-13----------------13-16-------|
B--------16--------------16-------|------15------------15-------------|
G |----------17-14--17-14---------|--------16-13--13-16--------------|
D |---------------16--------------|-------------15-------------------|
A |-------------------------------|----------------------------------|
E |-------------------------------|----------------------------------|
Continue as above 2 more semitones downward the neck.