Professional Documents
Culture Documents
jazz album
By Tony McGregor
September 2008
“The African Sound … spells out clearly the character and direction of
South African jazz towards its own territorial identity – a vigorous, lively,
good-humoured swing which you will not find anywhere else on earth,
North America included.” So wrote the Johannesburg Star’s critic Richard
McNeill of the original release of this album.
This album of original South
African jazz is unique in
many ways – it was the first
album of South African jazz
composed, arranged and
played by an all-South
African big band. At the
time of its release in 1963 it
was unique also in that the
band members were both
white and Black. At the time
this was almost unthinkable
in South Africa.
The uniqueness also came
from the fact that the band
which made it had a very
1 The cover of the CD re-release of the album circumscribed life – the
band was together for a total of
three weeks, during which time they rehearsed, did a number of concerts
and the recording.
In September of 1963 there was a jazz festival at the Moroka-Jabavu
Stadium in Soweto. This festival was underwritten by the brewers of
Castle Lager Beer, South African Breweries (now SABMiller). All the best-
known names in South African jazz were there and, although the festival
itself was not a great success, some great music emerged from it.
Maxine McGregor, widow of Chris McGregor, who was responsible for the
arrangements on the album, writes in her book Chris McGregor and the
Brotherhood of Breath:
“Chris took advantage of the proximity of all the best
jazz musicians in the country to persuade the breweries
to back him in another venture – a big (17-piece) band
Jazz the African Sound Page 1
with the musicians
of his choice. They
gave him a week
to arrange, teach
and rehearse with
the band, and
during that time
he did not sleep at
all. Chris was not
given to arranging
music very fast; he
gave a lot of
thought and time
to his work, but
once done he
rarely had to
amend anything.
2 The cover of Maxine McGregor's book He would sit up all
night writing the
arrangements and
during the days
set about teaching each musician his part and trying
them out together. Not all the musicians could read
music which was an added complication, but as they
were used to playing by ear they were astonishingly
quick to pick up the arrangements. Twenty-four hours
for each song, seven by the end of the first week; then
they played several concerts in the townships round
Johannesburg and in Benoni and Boksburg.”
The result was a band that, in spite of their different backgrounds and
experience, came together in an amazing way to make some truly original
and beautiful music, a classic in South African jazz.
It was a project that pianist, composer and arranger Chris McGregor had
been dreaming of for some time: “I have waited for years to hear a band
composed of the brightest stars in South African jazz and my note-books
are full of projected personnel and worthwhile compositions for such a
venture, the fruits of listening to and being involved with this lovely thing,
jazz music in South Africa,” he wrote in the liner notes to the album.
As McGregor said in an interview with Graham Lock (Chasing the
Vibration, Exeter: Stride Publications, 1994) some 20 years later: “I’m an
absolute nut for big bands. I love the colours and the energy flow of big
groups. I’ve always been ultra-attracted by that organisation and putting-