At The End of The Day

PIANOCONDUCTOR
LES MISRABLES
31
At the End of the Day

Moderato, maestoso {q = 80-84}
-
-
f Strings, WWs, Kbds (+8va)
-
? b b b 44
w
b
1
2
3
Hns, Tbn, Chimes
w
rall.

b
b
2
12
&b b
4
8
-
-
-
-
-
-
? b b
2
12
b b
4
8
4
5
6
7 b b4
&b b 4
Molto Allegro {qd = 126}
b b 12
&b b 8
b b 12 b j
b
& b 8 b
b
f Brs,- Kbds.
? b b 12
b b 8
. .
8
Bs
b b
b
& b b b 12
8 b
+WWs
? b b b 12
b 8
11
WW
>
.

J
j

J. .

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j

.
(12/7/01)
b ..
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b
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b
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12
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w.
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b
n
8
& b b b 12
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b b 8 w.
14
Fl, Vlns
6
8
12
8
68 b b 12
8
b

6
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68
13
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b b
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98
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n
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15
.
12
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.
.
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12
8
12
8
PIANOCONDUCTOR
w.
w .
b
12
b

&b b 8
. . .
. . .
. .
. . .
.
? b b 12

b b 8
w.
w .

. .
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16
#1A t t h e E n d o f t h e D a y
32
. . .
. .
.
b b
&b b
b
& b b b
Kbd1
F
? bb b
b
18 -
At
the
end
of
the
day you're
a - noth - er
Kbd3, Vc
. . -
old
19
b
& b bb
b b
& b b
And that's
you
can
say
for
? bb b
b
20
b
& b bb
all
the
life
of
the
er,
? b b
b b
b
& b bb
.
J
22
day
b
b
&b b
? b b
b b
24
stand
war,
ing
a - bout,
no - thing that
23
What
is
And there's
it
for?
25
j It's a
j

J
b b b
b
&
it's
strug - gle,

. . . -
.
J
. .
. .
poor.
21
j
.
day
17
(CHORUSTHE POOR)
unis.
. . . . .
. . . .
.
an - y - one's
giv
ing,
One more
68
J
.

J
.
68
6
8
PIANOCONDUCTOR
b 6
& b bb 8
(CHORUS)
One
b 6
& b bb 8
Drs
b
b
6
&b b 8 J
day
33
less
to
be
j
12
8
12
8 .
At
b b
b
& b
F
? b b
b b
the
end
27
of
the
day you're
the
shirt
on
a - noth - er
your back does - n't
b b
& b b j
. . .
b b b

& b
J
? bb b
b
30
b
& b bb
? b b
b b
32
. >
n j .
cold
day
. . .

J
And
. . .

eous
hur - ry
.
J
past,
keep
out
They
the
Ob
- -
.
.
. . .

J
j
-
.
+Clar
.
n
don't
hear
33

And the
31
. . .

J
chill.
er.
. . .

j
- .
f
29
Kbd1, Str
. . .

J
Kbd2
b
& b bb
right
+Fl
. . .

J
. >
f >
.j

12
8 w.
.
. . .

J
28
b
& b bb
Ob, Hn
-
12
b b
&b b
b
& b bb
liv - ing.
Kbd1
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b 8 j
26
-
- .

J
. . .

the
lit - tle
ones
. .
- j
.
cry

J
. . .

ing,
And
the
PIANOCONDUCTOR
b b
& b b .
(CHORUS)
-
b b
b
& b
win - ter
is
? b b
b b
34
b b6
&b b 8
b
& b b b 68
One
on
day
Read - y
to
&b
end
of
the
day
there's
..
&b
b
&
f
?b
38
&b
&b
the
And
the
b
&
?
Kbd3, Vln
b
40
sun
in
the
37
a - noth - er
day
is
. >
j
.
n .
39
b > .
to
rise.
b >
>
41
wait - ing
dawn - ing,
morn - ing
Kbd2
6
8
68
+Fl
Ob, Hn
Kbd1
j

n .
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J
. . .

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f >
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12
8 w.
.
WWs
-
12
? b b b 68
j
b
36
At
35
12
8 .
. . .

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dy - ing.
b
& b b b 68
J
kill.
12 j
8
near - er
to
6
8
. . .

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fast.
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com - ing
34
> .
> .
> .
j >
.
> .
Like
> .

j >
.
> .
the
j >
.
j
.
PIANOCONDUCTOR
.
J
(SOPRANOS + TENOR 1)
&b
waves'
on
- .
crash
waves'
&b
..
Gtr
42
- .
There's
hun
..
.
.
.
.
.
ger
b bb
bb .
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b b .
44
gon
gon
6
&b8
b
b
6 b
&b8
? b 68 b .
b .
46
in
the
..
.
b ..
b
b .
na
be
hell
na
be
hell
- .
storm that - 'll
43
ger

b .
.
b b
b bb
bb ..
b .
to
pay.
still
sub.
12
8
- .
cond.
to
be
reck
b -
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.
b .
b .
b .
There's
.
.
There's
j

-
oned,
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..
.
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.
12
8 b ..
b
47 -
.
- .
.
- .
68
68
68
68
68
Alto and Bari.
68
6
8
b .
.
b ..Ten 2
-
Sop 2
b -
..Sop 1 + Ten 1
b - ..
b ..
12
8
sub.
land,
pay.
cond.
.
.
.
.
div.
b .
12
8
..
.
.
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se
the
P
12
8 .
to
an - y
- .
b .
reck - on - ing
45
se
b b
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in
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break
b .
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break
.
.
storm that - 'll
.
.
land,
b -
Like
b b .
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6 b
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hun
- .
like
sand,
b
b b
6
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the
&b
on
b .
b .
&b
&b
sand,
j
.
&b
&b
the
(THE REST: ALTOS, TENOR 2, BARI)
&b
?b
crash
35
- ..
.
.
.
- .
68
68
68
PIANOCONDUCTOR
6
&b8
6
&b8
(CHORUS)
6
&b8
At
the
At
the
the
b b b b 12
8
b b b b 12
8
end
end
of
the
fl
day!
.j
day!
b b b b 12
8
N
6
&b8 J
f
? b 68 j
48
of
Kbd1 solo
J
f
36
b b
b b b b
&
b
& b bb
? b b
b b
50
.
J
end
of
the
day
j

.

you
get
for
no - thing.
j

.

51
(FOREMAN)
b
b
Vb b
Sit - ting
bbbb
b
& b bb
flat
on
your bum does - n't
buy
an - y
b
& b bb
? b b
b b
52
.
J
.
J
j

.

n -
j

.

n
-
53
J.
.
J
. .
.
(WORKER 1)
.
.

.J

bread.
.
-
.
.

no - thing
.
J
.j
n .
J.
J.

(FOREMAN)
the
.j j
Kbd3
f 12
b b b b 8
49
b b b b 12
8
b
V b bb
At
. .

There
are
. .

PIANOCONDUCTOR
1)
b b b (WORKER
.
b
V
J
child - ren
back
.
J
b
& b b b
? b b
b b
54
&
bbbb
luck - y
to
be
in
job.
(WORKER 2)
b
& b bb
And
b
V b bb
the
child - ren
have
got
56
b 6
& b bb 8
b
V b b b 68
b
& b b b 68 j
b 6
& b bb 8 j
.
? b b6
b b 8 j
58
.
(WOMAN)
And
(1 & 2)
And
we're
we're
to
be
fed,
55
And
in
57
bles - sings.
12
8 .
12
8
J
Kbd1
f
.j
12
8 w.
59
Kbd2
Ob, Hn
. .
>
. >
+Fl
6
8
. .
j

. >
68
68
bles - sings.

J
j
Drs
j
12
8
68
...
68
...
our
...
count - ing
our
...
count - ing
you're
12 j
8
bed.
(WOMAN)
j

n

And
(WORKER 2)
b
& b bb
? b b
b b
(1 & 2)
at home,
b b -
&b b
37
PIANOCONDUCTOR
b
& b bb
b
b
& b b
. .
. .
. .
b
& b bb
j
.
60
(GIRL 1)
F
? bb b
b
Tutti
61
? b b
b b
&
bbbb
&
bbbb
? b b
b b
b
& b bb
ter - ri - ble
look
at
66
fum - ing
to
and
his
wan - der - ing

. -
his
trous - ers,
65
.
J
you
see
Fan - tine won't give
where
he
his
.
.
stands.
him
.
n -
lit - tle
(GIRL 4)
j
.
n
J . . . . .
way.
breath
is
(GIRL 2)
j It's be - cause
n .
.
(GIRL 1)
b
& b bb
? b b
b b
b
& b bb
his
- .
- .
n
J
- .
- .

J
Take
64
fore - man
hands?
b
& b bb
the
how
With
j

.
j
n
. . . . . . . 63 .
.
(GIRL 1)
seen
n
.
. . . . . . .
62
you
J
.
Have
day?
b
& b bb
38
And
+Ob, Hns, Xylo
Kbd1
67
.
.
.
.
the
j

.
PIANOCONDUCTOR
4)
b b (GIRL
.
b
& b
J
boss,
b b b
b
&
KBd1, 3
? bb b
b .
he
b b
& b b .
That
be
b b6
&b b 8
out
fore - man
J
69
look
out,
Watch
how
she
goes:
on
the
? b b b 68 j
b
72
.
If
J
Kbd1
f
.j
12
8 w.
73

68

J
.
- .
.
- .
Kbd2
Ob, Hn
. >
+Fl
6
8
.
- .
. .
>
street.
-
12
68
Fan -
.
- .
71
12
8
heat.
on
al - ways
12 .
8
is
the
She'll
.
b b6
& b b 8 J
does - n't
? bb b
b .
70
b b6
&b b 8
knows
tine
b
b
&b b
ne - ver
(GIRL 2)
68
39
. .
j

. >
b
b
b
b
PIANOCONDUCTOR
C2
(CHORUSThe Workers)
&b
At
WWs
the
b
&
f
?b
74
&b
of
the
day
..
Kbd3, Vln
it's
e - nough
b
76
in
lord,
pay
&b
&b
?
..
b .
78
Gtr
75
j
.
lord,
- .
pay
- .
..
.
.
.
.
last
for
b > .
b >
graft - ing
as
long
.
.
..
79
long
- .
> .
> .
> .
> .
Pay
> .

j >
.
as
you're
graft - ing
j >
.
as
on
77
on
Keep
>
- .
week.
the shop,
to
Keep
(THE REST: ALTOS, TENOR 2, BARI)
the shop,
er,
.
J
n .
&b
&b
ov
j
.
(SOPRANOS + TENOR 1)
- .
day
your pock - et
b
&
land
land
a - noth - er
With
&b
end
j

n .
&b -
40
as
you're
..
.
.
.
.
j >
.
j
.
.
J
ble,
j

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ble,
- .
> .
the
Keep
on

.
.
PIANOCONDUCTOR
b .
(SOPRANOS)
&b
(THE REST)
&b
graft
on
graft
b bb
&b
b .
b .
b b .
ing
80
b
& b 68
& b 68
till
you
..
.
bb ..
b .
to
pay
b bb
& b 68
? 6 b .
b 8 b .
82
got
& b 68
b -
to
ing
till
b b
Or
.
.
it's
to
the
b bb
81
your
back
you
b b
b .
.
pay
b .
drop,
got
b .
b b .
J
b
b
&b
b .
Keep
41
b
b ..
b .
off
the
b -
..
.
way
-
P
68
You've
le,
Well,
.. Sop 1 + Ten 1
68
6
8
Alto and Bari.
b - ..
b ..
12
8
- .
..
.
- ..
.
.
- ..
.
.
12
8 bb ..
83 -
.
- .
.
- .
.
- .
sub.
68
6
8
.. Ten 2
-
68
b .
.
Sop 2
b -
You've
.
bb .
b .
12 .
8
12
8
tab
way
your
crumbs
div.
68
drop,
b .
12
8
sub.
68
68
68
PIANOCONDUCTOR
& b 68
(CHORUS)
& b 68
& b 68
J
f
At
the
At
the
& b 68 J
f
? 6 j
b8
84
fl
bb
& b
.

b
&b b
b
end
the
end
b b b 12
8
of
. .
n
of
the
.
n
b
&b b J
sis - ter?
b j
b
& b
.
88
bb
& b
b
&b b
.j
.

.
87 .
And
what
have
we
here,
Come
on,
J .
(reading the letter)
.

J
91
j

.
"Dear
Fan - tine,
let's
J.
&
lit - tle
in - no - cent
have
all
the
us
more
j
.
89 .
.
.J
n
J.
.j
(grabbing a letter from FANTINE)
j

- .
- .
- .
-
J.
(GIRL 5)
.

J
.j j
Kbd3
f b b b 12
8
85
- .
- .
- .
-

J
90
b b b 12
8
news.
b
&b b

. .
. .
.
.
b
b b b 12
8 b
.

.
day.
Kbd1 solo
b
& b b
. . . . . . .
86 .
.
day.
b b b 12
8
Kbd2, WWs, Brs, Xylo
b
&b b J
42
Fan - tine,
you
must
send
PIANOCONDUCTOR
b
&b b
&
mo -
bbb
ney,
your
child
(GIRL 5)
needs
doc
b 12
&b b 8
b
8
& b b 12
tor,
there's
no
68 .
time
to
lose."
Give
that
let - ter
to
me,
....

b
&b b
it
is
none
of
your
With
....

? b w.
b b w.
96
hus - band
at
..
..
home
and
bit
the
97
b
&b b
Is
there
.
? b .
b b
98 J
b
& b b .
an - y - one
here
who
can
swear
be - fore
..
..
> >
..
j
w ..
..
j

. . . .
. . . .

God
she
has
no - thing
> >
to
fear,
she
has
no - thing
..
.
.
>
> > > > > >
15

b
& b b J 8 b
F cresc.

j

n
n n
? bb
15
b

8 101
100
J
b
&b b
hide?
+Brass
15
8
Fl
..
j
j

..
. .
j
. .

b .
99 b .
15
8
b ..
12
8
side.
..
..
on
12
8
bus - 'ness,
95
12
8
68
j

+Strings
68 .
93 .
? b b 12 w .
b 8 w.
94
&
(FANTINE)
Kbds, Str
bbb
..
.
92
& b
Kbds
? b ..
b b .
bb
43
>
to
b 23
b 23
b 23
3
b2
PIANOCONDUCTOR
Moderato
3
Vb2
&b
4
4
p sub. n
n

3
2
Kbd1
4
4
these
two

J
-
&b
?
tear
105
&b
part, This
come
on,
lad - ies,
set - tle

J
-
is
fact - 'ry,
j
.

J107
2
4
j j

.
a -
cir - cus.
j

.
p
w
109
all
j
..
. -
fight - ing
not
down.
this
104
Now,
& b j
. P
?b w
108
106
Vb
is
b w
What

J
F
w
103
some - one
- n - n - - ww
n
P
w
4
4
Vb
&b
Kbd1
ww
b
& 2 w .
p sub.
? 3 w.
b2
102 w .
will
(VALJEAN)
4
4
Kbd3, Str
bout,
44
run
bus - 'ness
of
re
j

.
bw
110
j

.
24
j
24
24
PIANOCONDUCTOR
(VALJEAN)
2
b
V 4
pute,
am
45
44
the
May - or
of
this
town.
& b 24 44
j
44 j

j
2
b
& 4 .
44
J
112
? 2 b
b4
111
Vb
as
pa - tient as
you
can.
Vb
(VALJEAN)
out, And be
j j

j
b
&
?b w
(GIRL 5)
At
j
b
& b b b 12
8
fl
j

? b b b 12
b 8
117
day
she's
the
one
who
b
& b bb
. There's a kid that she's hid - ing in some lit - tle
b
.
& b bb J .
.
? bb b .
b J
119
b
J
113
ggg
gg
be
&
town.
.
j
b b b b 12
8
b b b b 12
8
b b b b 12
8
n .
b b 12
b b 8
.
12
bbbb 8
. >
.
>
>
.
+Tpt (mute)
. > >
>

+Fl
gan it.
118
gan.
>
>
this
j
.
120
sort
j j

Brs, Kbds, Str
fl
to
+Brass
j

. . . . .
116
the
you
j

j

end
to
look
how this be
the
of
say
115
b
& b b b 12
8
(FOREMAN)
j

j

n
114
Now, some - one
&b
(To the FOREMAN)
>
> n .

There's
.
j
n J
n
>
> .
j
j

>
>
>
PIANOCONDUCTOR
b
& b bb
.
J
(GIRL 5)
man
she
has
b b
& b b .
to
..
.
? b b .
b b .
bet she's earn - ing her keep
You
guess
how
she
picks

Sleep - ing
.
.
& b 12
8
like
& b 12
8 n ..
n .
it.
Kbds, Str
? 12 n .
b 8
126 n w .
&b
128
.
.
j
n
.
b w.
130
Now

.
.
.
n ww ..
>
131
ww ..
>
she
And
there's
child
and
fath - er
can
...
.
b 12
8
the boss would - n't
b 12
8
b 12
8
lives
with
an
the
child
us,
inn - keep - er

is
my
leav - ing
us
a - band - oned
129 w .
You
fl
her
ww ..
w.
tra,
. >
68 .
J
>
6 j .
. .
8
- . - .
125
And
true
68

it's
127 w .
flat.
& b .
n .
ww ..
w.

- .
. n - .
ex
.
.
(FANTINE)
Yes,
..
.
&b
j
. >
>
. .
- . - .
w.
w.
round,
the
124
up
+Fl 8va
daugh - ter,
&b
.
.
.
.
122
..
.
b b b j j
b
&
..
..
n .. ..
? b b .
b b .
123
can
...
.
.
b
& b b b J .
pay,
121
46
man
and
his
PIANOCONDUCTOR
&b
(FANTINE)
wife
&b
?
for
the
At
Vlns
& b
.
F
? b .
.
134
Bs
with
the
end
of
the
day
she'll
be
no - thing
..
..
.
.
.
there's
.
.

trou - ble
but
trou -
.
.
.
when
there's
135
..
.

.
.
.
for
..

..
.
J
>
J
one.
b > .
. fl .
.
.
.
J
.
.
.

J
ble,
>
fl
trou - ble
j
.
.
.
+Fl
n .
.
.
.
.
.
all
that?
for
j
.
.
.
.
.
133 .
And
? b .
.
136
mat - ter
Hn
& b
the
&b
What's
.
>.
(WOMEN)
n .
child,
>
132
# ..
> .
&b
&b
pay
A > ..
&b
and
47
> .
.
.
.
> .
> .
While we're
137
j
j
j
j

>
>
>
>
PIANOCONDUCTOR
(SOPRANOS)
&b
earn - ing
our
dai
.
J
ly bread,
She's
(ALTOS)
& b .
earn - ing
- .
&b
&b
?
send
&b
&b
- .
b
J
.
J
slut
the
b bb
slut
b -
b .
6 b
&b8
have
us
who'll
have
142
b
b b
? b 68 b .
b .
one
her
the
but
- .
in
the
b b
we're
Or
we're

b .
pay
to
pay
all
gon - na
all
gon - na
b bb
b .
..

12 b ...
8 b .
P
.
12
8 b ..
.
b
143 -
b -
..
..
.
- .
- .
..
.
- .
..
.
.
- .
.
- .
end
b b
141
end
in
the
in
You
must
ter,
It's
68
ter,
68
j

-
b .
ter,
gut
must
b -
You
gut
the
ter,
- .
but
b b
Or
12
8
in
to
hands
b 12
8 w.
hands
.
139
her
with
- .
with
div.
who'll
b
b
6 b
&b8
one
b 12 b .
8
J
us
b .
140
6
&b8
a - way
b b .
6
&b8
a - way
b
b
the
b b .
J
send
She's the
- .
ly bread,
the
&b
dai
b .
138
b
&b
our
48
b .
It's
6
8
68
68
b .
6
8
b V 44
68
68
>
At
the
end
of
the
At
the
end
of
the
>
6 N
8
J
f
68 j
144
>
44
44
4
4
44
PIANOCONDUCTOR
{qd = q}
V b 44
(FOREMAN)
might
have
known
the
bitch
Kbd2, Brs
j
4
& b 4
& b 44 j
(WOMEN)
49
could
bite,
might
have
known
the
cat
had
day.
>
.
? 4
b4
145 w
Kbd1
>
.
j

# >
146
Bs
(FOREMAN)
Vb
claws.
&b
?
might
have guessed
j

>
j

N >
. . .
147
V b .
your

lit - tle
?b
w
150
? b 44
153
cause,
had
no
>
>
>
. .
pure
and
b >
154
Of
an
vir - tu - ous
Fan -
You'd
be
the
>
.
24
ble
here
trou
>
4
4
24
b
the
clean,
yes,
152
doubt,
2
4
so

149 w
. . . . . . . .
>
. .
ww
w
her - self
Ah
151
j

>
Who keeps
>
>
. . . . . . . .
& b 44
148
>
. . . . . . . .
j
j

&
j
j

>
se - cret.
. .
tine,
V b 44
j
.
>
44
44
PIANOCONDUCTOR
(FOREMAN)
Vb
You
play
vir
?b
155 .
bout,
& b
> >
. .
12
&b 8
(GIRL 5)
gin
been
12
V b 8 j
at
the
laugh - ing
in
you
light
But
need
no
urg
She's
(FOREMAN)
j

>
50
while
she's
>
.
>
.
156 w
hav - ing
her
(WOMEN)
must
sack
her
j
b
b
J
Alt:
Sack
(MEN) Ten 1:
Bari + Ten 2:
the
& b b
>
>j
?
b .
159
the
girl
to
b b
to
Kbd3, Vln
girl
j
b b
J
b
Sack
the
12
8
12
8
men.
no - thing but trou - ble a - gain and a -
.
.
to - day.
Sop:
b .
>
>j
.
w.
158
b .
gain.
&b
(GIRL 5)
You
Vb
in
j
.
&
Tbn, Vc
&b
She'll be
12
& b 8 b
>
>j
? b 12
8 w .
157
ing
(WOMEN)
night!
&b
>
12
& 8
.. Sop 2
.
Sop 1
b ..
-
Alt.
day!
.. Ten 2
.
Ten 1
b ..
-
.
P sub.
b
160
Bari.
day!
P sub.
b .
b .
b - .
- .
.
.
.
.
b - .

.
.
PIANOCONDUCTOR
U
.
&b
&b
&b
?
(FOREMAN) (spoken)
>
U
.
N
J
U
.
U
.
j

>
161
j

b
& .
? b .
.
163
U
.
>
51
162
j

.
b b
.
Tutti .
f
.
.
.
.
b bN ww ..
N b
12
b
& 8
Clar.
n . # .
68
. # .
#
68
165
164
12
8
12
8
w.
b w . b molto
U
rall.
dim.
? 12
b 8

. .

. . .

.
.
. # . . n n . n .
#
n # # n n
. . .
N
N
166
b b b 44
4
bbb 4

At The End of The Day - Les Miserables - Act I

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At The End of The Day - Les Miserables - Act I

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PIANOCONDUCTOR

Molto Allegro {qd = 126}

your back does - n't

storm that - 'll

Alto and Bari.

storm that - 'll

(THE REST: ALTOS, TENOR 2, BARI)

your bum does - n't

wan - der - ing

Fan - tine won't give

+Ob, Hns, Xylo

(THE REST: ALTOS, TENOR 2, BARI)

Alto and Bari.

(reading the letter)

(grabbing a letter from FANTINE)

Kbd2, WWs, Brs, Xylo

> > > > > >

Brs, Kbds, Str

Now, some - one

(To the FOREMAN)

bet she's earn - ing her keep

the boss would - n't

no - thing but trou - ble a - gain and a -

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