COMPANY PROFILE

The Managing Director of Contemporary Clothing is Mr. Jagdish Vaswani, who is a Textile Designer. He started his career with Proline for five years and then he establish Eros Overseas at Colaba, Mumbai in 1990. Eros Overseas was later rebranded as Contemporary Clothing Pvt. Ltd. India. He Started Contemporary Clothing Pvt. Ltd. India, at Mathura Das Mill Compound, Lower Parel, Mumbai in the year 2006. The main office is situated in Lower Parel, where all the communication with the different buyer takes place. - Sampling Unit Sewree, Mumbai - Production Unit Bangalore - Knitwear Unit Tirupur

HEIRARCHY OF PEOPLE Managing Diorector- Mr Jagdish Vasvani Designer: Aditya Chauhan Manager : Mr Narayan Sampling Head: Mrs. Vaishali Production Head: S. N. Krishnan Accountant: Vaibhav Sampling Merchandiser: Mr. Gulab Production Merchandiser for men`s: Issac Shipment Head: Mr. Anchan

WORK FLOW Order Thorough study Going through Orders Possibilities Availability of raw material Sampling Sample Production Goes 2 buyer for approval

Changes if any are there Send for buyer`s approval If yes Bulk production If no Changes made and sent for approval again BUYER

DIFFERENT DEPARTMENTS IN THE COMPANY THROUGH LAYOUT

LAYOUT OF THE FACTORY, SHIVREE

Water source

Washroom Staircase Ironing Table

MC 8 MC 7 Cutting Table MC 6 MC 5

CCutting Table

MC 4

MC 3

Button MC MC 1

MC 2

Buttone Hole MC
P a t t e r n s

P a t t e r n s

Swatches, Samples & Trims

Table

Cabin

Overlock MC

Entrance

Fusing MC

Picko MC

Sewing MC

fabric Rolls

Trims

Sewing MC

Overlock MC

Snap MC

Trims

LIST OF BUYERS AKIKO

Pinning &Emb MC

Staircase

Numbered Patterns

LIVING DOLL VELVET HEART BUFFALO JOE JEANS ( Mens nad Womens wear) SARAH (DESIGNER) VELVET INC. SHAMELESS MANHATTEN BEACH WEAR U.S BRAND FORUM/LITTLE WOODS U.K LONDON

CATEGORIES OF CLOTHING Mens wear and women`s wear Mens: only shirts Womens: Dresses, Skirts & Tops

RAW MATERIALS The basic raw materials used are: Fabrics and trims The main Fabrics used are Cambric, basic voile,popeline, Chiffon, georgette, jersey. The fabrics are sourced from Mumbai and the trims are sourced from the local market in Paidhuni, Mumbai. (Will mention the list of fabric suppliers)

What I, learnt from this Internship is how the communication between the buyer and the Export house takes place, I had also been to Paidhuni, the local trim supplier. How work is carried out, step by step process. How the deadlines are met, how the reduction in costin is done so as to meet the demands of the buyer`s. I also took note of the various fabric suppliers. I also had an understanding how to deal with the workers of the beading unit. How different people are dependent on each other

work and how if and mistake is done, rectified. I also saw how patterns are made, (measurements and grading sheet sent by the buyer). How khakhas are made. For eg: there was this georgette fabric which had some beading issue, rectified. At Contemporary the buyer`s requirement is fulfilled and side by side own development also takes place. For own development, the artwork is approved from the boss and headers are made which the boss carries with himself on his tour to abroad, to generate demand At contemporary I worked on both, meeting buyer`s requirement and also helped to make in making swatches for the self-development. For self-development, I was given the task of getting the swatches made, and after the approval, suggesting changes in the khakhas, if needed. I got SMS (Sales Men Sample) which are the pre-production samples made at the beading unit. I was given the task of going through the trend Spring Summer 12 on the forecasting site: Stylesight.com I used to get print outs of the pictures and beading reference from the sight, showed it to Mr. Jagdish Vasvani, from them he selected some pictures and beading reference and suggested me the fabric on which it has to be carried forward. He explained the artwork to be carried forward to me and the khakha maker. This helped us a lot to generate khakhas, after making the khakhas, we again went to Mr Vaswani to get it approved. After getting the beading direction, I was asked to develop small swatches, after the completion I was asked to show the swatches to the boss. He used to suggest some changes in the materials or the technique and again get swatches ready. After getting approved, we used to trace them on the final fabrics and get 1 header (for each) prepared.

OWN DEVELOPMENT PROCESS Picture and beading references, print outs Motifs made, khakhas generated Approval from the Boss Changes made, if any else khakha approved Got the artwork done on small swatches Again changes made, if any (Consulting the boss) Tracing done on desired fabric

Shown to the boss Header`s made

MEETING BUYER`S REQUIREMENT