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THE BODY: THE BRIEF

THE BODY: PORTRAITURE

TASK 2: THE BODY The brief ask you to make a portrait of either: (a) An individual form the local community who lives or works in the Medway Towns or (b) A member of Sta or a Student from another course, from the University of the CreaBve Arts

TASK 2: THE BODY There are certain requirements of the brief: (i) The person must be unknown to you. So this requires both, careful, considerate and professional negoBaBons with your subject. Their availability for a specic shoot day, as per the YR1 Bmetable? How much Bme can the siMer oer you, on the day of your shoot? Remember you maybe inviBng a guest to UCA, so you will need to meet them, ask them to sign as a guest and brief politely them on what to do if the re-alarm were to triggered. (ii) The portrait must be made in the Studios at Rochester, using B&W lm of your choice. (iii) The choice of Format must be either Medium or Large-Format analogue/ lm cameras. (iv) You must carefully consider your Ligh7ng, which must be either Studio Flash or Con7nuous Tungsten Fresnel - tesBng is vital here, so the work- shops leading up to your shoot are designed to support your portrait.

VERMEER

SARGENT

REMBRANDT

LEONARDO DA VINCI

CECIL BEATON

AUGUST SANDER

IRVING PENN

DIANE ARBUS

ARNOLD NEWMAN

BILL BRANDT

RICHARD AVEDON

STEVE PYKE

HELEN VAN MEENE

BILL HENSON

ANTON CORBIJN

BELLOCQ

JEANLOUP SIEFF

JOCELYN LEE

KYOKO HAMADA

NICHOLAS NIXON

RICHARD LEAROYD

SEYDOU KEITA

VALERIE BELIN

EWA AXELRAD

ESTHER TEICHMANN

CHARLES FREGER

WHEN I PHOTOGRAPH A PERSON, I WILL ALWAYS FIND A WAY TO FEEL CLOSE TO THEM. THE ACTUAL END PRODUCT OF THE PORTRAIT IS. ONLY THE VISUAL TIP OF THE ICEBERG. ITS MORE ABOUT AN OUTSIDER TRYING TO STEP INTO A GROUP OF INSIDERS.

HENDRIK KIRSTENS

PAOLO ROVERSI

THOMAS RUFF

JASPER CLARKE

ANNIE LEIBOVITZ

ROBERT MAPPLETHORPE

FRANCESCA WOODMAN

RINEKE DIJKSTRA: APPROACHES

JOONEY WOODWARD

BRAIN GRIFFIN: APPROACHES

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