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Assessment Unit A2 3: Part 2
Written Examination
A2P32
assessing
Module 1: Making and Responding
to Music with Understanding
[A2P32]
THURSDAY 31 MAY, AFTERNOON
TIME
1 hour 30 minutes.
INSTRUCTIONS TO CANDIDATES
Write your Centre Number and Candidate Number on the Answer Booklet provided.
Answer two questions.
Answer one question on your chosen set work and one on your chosen area of study.
A2P32S7 2551
Answer one question on your chosen set work and one question on your chosen area of study.
Set Works
1 (a) Identify and comment on the different musical styles used by Gershwin in his Piano
Concerto in F. Refer to specific passages to illustrate your answer.
or
(b) Choose and comment on four passages (each lasting approximately twenty bars) which
illustrate the main characteristics of Gershwin’s style in his Piano Concerto in F.
2 (a) Identify and comment on striking features of the second movement of Berg’s Violin
Concerto (Allegretto, bars 104–257).
or
(b) Choose and comment on four passages (each lasting approximately twenty bars) which
illustrate Berg’s use of the orchestra in his Violin Concerto.
3 (a) Comment on Bartók’s approach to form and structure in the fifth movement of his
Concerto for Orchestra.
or
(b) Choose and comment on four passages (each lasting approximately twenty bars) from
Bartók’s Concerto for Orchestra which illustrate the folk-like features of his style.
4 (a) Identify and comment on musical features of Gerry Murphy’s Dialects for uilleann pipes
and orchestra which show it to be a twentieth century work.
or
(b) Identify and comment on striking features of the fourth movement of Gerry Murphy’s
Dialects for uilleann pipes and orchestra.
A2P32S7 2551 2
Areas of Study
16th Century Music focusing on the work of Orlando di Lasso, Giovanni Gabrieli and
Thomas Tallis
5 (a) Choose and comment on three pieces by one of the following composers to illustrate his
contribution to music of the sixteenth century.
or
(b) Comment on how the music of the following composers was influenced by political
and religious changes in the sixteenth century. Refer to specific works to illustrate your
answer.
20th Century Music focusing on the work of Aaron Copland, Ralph Vaughan Williams
and Dmitri Shostakovich
6 (a) Comment on the contribution of the following composers to the twentieth century
symphonic repertoire.
or
(b) Choose and comment on three pieces by one of the following composers to illustrate
their musical output.
A2P32S7 2551 3
SP (NF) T34412/1