Professional Documents
Culture Documents
1840-1940
NORTH COAST OF JAVA
1. Kepala (HEAD)
2. Badan (BODY)
3. Tumpal (triangle teeth shape)
4. Papan ( board)
5. Pinggir (edge)
What is BATIK
BELANDA?
L METZELAAR
PEKALONGAN
Batik Prankemon
Fairytale pattern
( Bouquet)
VON FRANQUEMONT
VON FRANQUEMONT
Lace Border
VON FRANQUEMONT
CHANGES IN DIVISION
L METZELAAR
Terang bulan “ was considered to
be as form of coquettry”
BUKETAN
E. V. ZUYLEN
EARLY VAN ZUYLEN “HALLMARKS ARE
CLEAN BACKGROUND ACCENTUATED WITH SIMPLE
DIAGONAL LINE”
MIRROR
E. V. ZUYLEN
E VAN ZUYLEN
SYNTHETIC DYES
E. VAN ZUYLEN
Criticism on
Multi colored batik
“instead of having aristocratic taste to
consider quite color of principality
more superior,
the majority of the dutch, have given
preference to the gaudy clothes
produced in the north coast”
(rouffaer, 1914)
SIGNATURES
Status symbols
AFTER 1912.
ON SIGNED BATIK FROM CHINESE BATIK MANUFACTORIES
OFTEN APPEARS
“DILARANG MENIROE”,AUTHOR LAW 1912”
(FORBIDDEN TO COPY, COPYRIGHT 1912)
After 1920,
the pattern on the Batik become more simple
THE DECLINE OF BATIK BELANDA
“MODERN LOOK”
JAPANESE OCCUPATION
FIN