Artist's Back to Basics3 min read
On The Farm
This painting is a combination of things I enjoy painting, cows, birds, flowers and old houses! I have chosen to paint this in Acrylic on a gallery edged canvas 51cm x 60cm. I have made this one a little different to show you what you can do to dress
Artist's Back to Basics5 min readVisual Arts
The People’s Choice
Art has always been a part of my life. In my childhood, living in Wiltshire, an English rural county, I drew horses and animals, inspired by the countryside and the many books that I was always reading. As an adolescent and teen I progressed into dra
Artist's Back to Basics4 min readVisual Arts
Indulgence
I began with the completed painting already visualised in my mind, then collected the objects I needed and purchased the fresh strawberries. In my studio I draped dark cloths and an old, lace tablecloth and arranged the objects and lighting, after wh
Artist's Back to Basics5 min read
Making A Good Impression
Keep a wooden ruler next to your easel to rap yourself over the knuckles with, if you have any thoughts about overworking an impressionistic painting. Its whole appeal is in its freshness. Here I have used this impressionistic watercolour painting ‘’
Artist's Back to Basics2 min read
Its The Interpretation That Makes It Work
Many people I speak to tell me they really enjoy painting but don’t get the time to do it. My answer is, I paint (almost every day) and sometimes don’t get the time to do other things. As a young man I had the need to draw, and I enjoyed art at schoo
Artist's Back to Basics4 min read
King Kookaburra
Draw up your subject. Block in the dark areas of the bird with a mix of Indanthrone Blue (or Ultramarine Blue) and Burnt Sienna, varying the mix and creating a feather like pattern, lifting off colour as you go to create the feather formation on the
Artist's Back to Basics3 min read
Where the Waters Flow
I choose an image with a personal appeal. In this case I took a photo a few years ago on a visit to the South Island, New Zealand. I like the way the water twists and swerves around the rocks. I start with a mixture of Raw Umber and Prussian Blue sli
Artist's Back to Basics8 min readVisual Arts
“In The Frame- Part 1”
The perfect frame is the one you really don’t notice as it’s done its job of leading your eye to the art, which is being presented in its best possible light by the framing choices made. Exhibition grade picture framing is both a bit of a black art a
Artist's Back to Basics6 min read
Woburn Abbey’s Fiery Passion
Establish the composition: It’s important to me that I catch and retain the viewer’s eye in my paintings with a strong composition. I must consider the importance of my focal point, my clear and concise light source, directional lines, depth, contras
Artist's Back to Basics2 min read
Art Gallery of Ballarat
The wealth generated by gold and a burgeoning agricultural hinterland, coupled with a general sense of optimism that permeated the colony of Victoria during the 1880s were the main factors behind the timing of the Gallery’s founding. This boom-time e
Artist's Back to Basics4 min read
Which Colours Should I Use
I work with a basic limited palette of primary colours, three warms and three cools. Cadmium YellowCadmium RedFrench Ultramarine Cadmium LemonPermanent RoseCerulean Blue The six colours will make a minimum of 450 colours. Painting a colour chart is a
Artist's Back to Basics9 min read
“In The Frame- Part 2”
Another thing the matte is designed to do is maintain a space between the drawing and the glass. This is absolutely essential to avoid mould and fungus appearing (and growing) on both the paper and the inside of the glass in very short order. Even th
Artist's Back to Basics3 min read
My Art Is My Passion!
I have always done some sort of creative pursuit, but my art has manifested into a desire and a passion I cannot live without. I used to draw when I was a child as far back as I can remember. My first encounter with painting was more than 20 years ag
Artist's Back to Basics5 min read
Camera Buyers Guide
The main considerations when choosing the right camera for you include the final output and overall quality, camera size and portability, the requirement for extra lenses, low light capability, the cost of the kit, and your area of interest, amongst
Artist's Back to Basics5 min read
Art Chose Me
Fortunately, drawing and painting is a learned skill just like playing the violin or driving a car. Lyn knew from a young age that she wanted to be an artist. It doesn’t mean she was a child protégé, in fact far from it, she just knew that when she w
Artist's Back to Basics5 min read
“Contrast”
One of my all time favourite aspects of drawing is use of contrast. All the same principles pretty much apply no matter whether working in graphite or pastel but I’ll be mostly chasing the 2B graphite dragon in this article. There are various quite d
Artist's Back to Basics1 min read
To Understand How Watercolour Works Complete This Exercise
Tape the paper to the board with masking tape. Put the board on a lean. With a good amount of water do a flat wash (same tone all of the way to the bottom of the paper) of your chosen colour. Ensure the wash covers the whole paper. One way is by pain
Artist's Back to Basics6 min read
Aperture
Aperture is a setting on the camera that allows for creative control over your images. Used in conjunction with the shutter speed and ISO it makes up the exposure on the camera. It directly affects the amount of light that enters the camera to create
Artist's Back to Basics6 min read
In Awe Of The Landscape
Travelling and our family’s love of four-wheel drive adventures led me on my journey to create plein air artworks. To create whilst travelling has been a challenge and an absolute joy, a feeling most artists would be able to resonate with. Over the y
Artist's Back to Basics3 min read
Art Is A Rollercoaster
For as long as I can remember, I have had a keen interest in animals and art; drawing, tracing and cutting out pictures was an important pastime. As the years passed, I continued to develop a strong interest in art, so after leaving school I went to
Artist's Back to Basics4 min read
Just Add Water
I start with a 10” x 12” linen stained with a dry wash of Cadmium Yellow and Alizarin. With a turpsy wash of Ultramarine Blue and Alizarin Crimson, I sketch a composition comprising the main shapes of rocks, headland et cetera, with particular emphas
Artist's Back to Basics6 min read
“Perspective”
It was during the artist-in-residency of my last exhibition, there was original art all over the walls to use as examples, so I used the opportunity to explain my take on the whole thing and how it all fits in to creating original fine art for her ri
Artist's Back to Basics5 min read
My Watercolour, Plein Air, Tools Of The Trade
Travel light. That’s always my plan when I’m out and about. Above is my plein air watercolour toolbox - a Winsor and Newton pallet, two brushes, and a 30gms watercolour pad, that’s all I need. If you’re one who likes to work with acrylic or oil paint
Artist's Back to Basics3 min read
Main Beach Queensland
Whenever I see photos of the ocean I feel calm. I wanted to bring a little calm and tranquillity into my day and so this image of Main beach came to mind. I have made the choice to paint this picture using Acrylic. Although Acrylic is great to work w
Artist's Back to Basics5 min read
Newcastle Art Gallery
Contributed Nationally recognised for one of the finest collections in regional Australia, the Gallery holds more than 6,200 works of art, and the quality and breadth of its collection makes it a significant cultural asset for the city. The collectio
Artist's Back to Basics4 min read
The Rhine in Time
On display until 11 October 2015 at the Spielzeug Welten Museum in Basel, Switerland, is almost the entire series of gouache landscape paintings of the Rhine Voyage by Johann Ludwig (Louis) Bleuler (1792–1850). In a total of 80 sheets, Bleuler and hi
Artist's Back to Basics4 min read
Crayon on Lounge Room Wall
Drawing and painting has always interested me. My first masterpiece as a two-year-old entitled ‘Crayon on Lounge Room Wall’ (which earned me a rather unexpected prize), would lead to less destructive experiments with different mediums and varying res
Artist's Back to Basics3 min read
Spotlight on Dungog
Tape paper to a board. Draw out using a 2B pencil. Wet certain areas that you want colour in, being careful not to go near the cars or the front of buildings to keep them white. Using a large brush, I used a Raphel size 8 Chinese mop brush, add in co
Artist's Back to Basics5 min read
The Glorious Giraffes
I prime the canvas with two to three coats of white primer sealer, allowing to dry thoroughly between coats. Meanwhile, I draw a series of thumbnails in my visual diary, brainstorming ideas for the composition. I then look through my photo library fo
Artist's Back to Basics6 min read
“Drawing Playing Cards- part 1”
I was always going to include half a dozen pastel articles in this issue but I really had to ‘lay my cards on the table’ as well to give the full account of actual drawing practice, round here anyway. Although the freehand graphite will always be the
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