Johannesburg in South Africa was my birthplace. I now live at Heidelberg in the Western Cape Province of South Africa, and I paint full-time. I attended Rhodes University at Grahamstown, to study for a Bachelor of Fine Arts Degree, tutored by Profess

“I can’t imagine my life without painting, and my goal now is to keep on improving, and challenging myself in all facets of my life and most of all, to keep on dreaming.” I began painting when my eldest daughter was 18 months old. I felt I needed to

My life has been anything but average; in fact it has been very special in so many ways. At the age of four my family left England and moved to a small mining town in East Africa where we lived for a year, then spent nine years travelling around Sout

Presently, I live in a small rock lobster village about 60 kilometres north of Perth in Western Australia, although I was born in Melbourne. My home is only a stone’s throw from a pristine beach with spectacular high dunes and a reef running parallel

• Arches Pastel and Fusain Laid Paper, 29.7 x 42 cm, Ingres MBM, 130gsm. • Charcoal. • Schmincke Pastels: White; Light Green; Grey Blue 1; Light Ochre; Greenish Grey; Greenish Umber; Olive Ochre Deep; Permanent Red; Carmine Red; Madder Lake; Gold Och

The seaside with its vivid colours, endless movement and constant change is Scott Christensen’s muse. His work commits to canvas the beautiful crystal clear days south eastern Queensland is famous for as well as scenes of blustering seas during drama

First published in the UK’s The Artist magazine, April 2012 issue, available from www.painters-online.co.uk” I began by roughly sketching the scene with the edge of an Artbar. I was able to cover large areas quickly and create sharp edges, which is p

Contributed JASCO IS READY TO HELP YOU START A NEW YEAR OF CREATIVITY Artograph’s NEW LightPad Series has a sleek and contemporary design making them more user-friendly than ever. Advanced Super Bright LED technology allows the LightPad Series Lig

Bay Art and Design has recently opened the ‘Murray Charteris Art Gallery’ in Hervey Bay, Queensland, showcasing the brilliant work of Murray Charteris along with some more of Hervey Bay’s finest artists. The community of Hervey Bay is very excited ab

• Acrylic paint: Titanium White and Paynes Grey • Brushes: 50mm house painting brush, • 000 detail brush and a 20mm flat • Medium sized paint knife For the demonstration I have decided to do a painting with paint, knife and brush and the added challe

• Canvas board 100mmx75mm • Atelier paints: Cobalt Blue, French Ultramarine, Titanium White, Pthalo Blue, Pthalo Turquoise, Pacific Blue, Paynes Grey, Burnt Umber, Indian Red Oxide, Naples Yellow, Juane Brilliant, Sap Green and Cobalt Turquoise Light

• Canvas • Assorted oil paints: Pthalo Blue, Viridian Green, Indigo, Burnt Sienna, Cadmium Yellow, Cadmium Orange, Forest Green, Gum Leaf Dark, Cadmium Yellow Light, Cadmium Green, Ultramarine Blue, Lemon Yellow, Titanium White, • Atelier Artist Qual

This painting is a collage of some of the wonders of Exmouth which is situated on the Ningaloo Reef in the Pilbara region of Western Australia. I selected some of the features I wanted to include: Cape Range; Vlaming Head Light House; emus; whaleshar

What came first: The title or the painting? For me, it can be either. There is nothing worse than staring at a blank canvas. Normally I will rough out a couple of layouts (on A4 or A3 layout paper) of the subject I am going to paint. I’d visualised m

Advances in painting product technology have led to some of the greatest changes in art history. For example, in 1841 oil paint became available in capped tubes, allowing artists the flexibility to paint outdoors. This in turn lead artists such as Mo

The subject is the Paddlesteamer ‘Rodney’ which rests on the bottom of the Darling River on the property of the homestead ‘Polia’, around 30 kilometres north-west of the ‘Port of Pooncaria’. In 1894, the ‘Rodney’ was bringing non-union shearers upriv

An empty canvas is always challenging, but has the potential to become a significant piece of artwork. It was always explained to me that a painting is like a sunset … they’re all nice, but sometimes we’ll stand back and look at one and say, “Wow! Ho

A true Queenslander, Lee Porter was born at Townsville in the sixties. As a child she lived in a variety of interesting places including Tindal (near Katherine in the Northern Territory), Sydney and Malaysia. She completed her secondary education at

Ross Wymark worked as a signwriter in his twenties, but he had not put brush to board in more than 30 years when he found himself in hospital in the New South Wales town of North Richmond. Ross was referred to an Art Therapist as part of his treatmen

Prime the canvas support with vigorous strokes of gesso, leaving textural lines. Cross-hatch brush marks. Allow this to dry thoroughly. With binder medium, glue randomly-placed roughly-cut pieces of rice paper or textured paper onto the lower third o

Oil Primed Linen was one of the first surfaces developed for ‘modern day’ painting. For hundreds of years, oil painters have recognised that traditionally prepared oil-primed Belgian linen is the ultimate support for their artwork. With the advent of

Glenn Barnett of Port Lincoln in South Australia is a Member of Mouth & Foot Painting Artists Pty Ltd. He delights in painting beautiful landscapes with brushes held in his mouth. Like many artists, Glenn has developed his skills over the years and e

Painting with a brush held in the mouth, I work in sections. I begin with the sky, as I prefer to work from the sky to the foreground. I usually do not do preliminary sketches. My normal method is to complete a base and/or a complete section in one s

During Ashley’s short life he was keen on snow boarding, and he had incredible artistic talent. I particularly admired the Onimbo logo he created. I came up with the image I wanted to paint, and included Ashley’s Onimbo logo on the board as it accent